For all you here in the mid-Atlantic with the winter blues, let Alma Tropicália bring you some sunshine. The psych-rock band, heavily influenced by the Brazilian counterculture movement recently released a two-song single that recalls the sounds of the aforementioned era. The band plays at Bethesda Blues and Jazz Supper Club this Sunday, February 22.
Opening for a range of acts such as Jorge Ben and DC’s own Chopteeth, Tropicália features jazz vocalist Elin. With her bandmates Elin creates an experience that highlights an alternative rhythm within the DMV’s musical ecosystem. Founder, and drummer, Ben Takis took a moment out of his schedule to share 5 albums that inspired the samba and dream-pop that resonates from Alma Tropicália’s stage.
O Bidú – Silêncio no Brooklin – Jorge Ben (1967) | There’s no higher figure in Brazilian music than Jorge Ben, and nobody we idolize more (opening for Jorge Ben at the Howard Theatre in November 2013 was surely one of the highlights of my life). Although this is not Jorge’s best album, I’ve always been fascinated by it, particularly the final track “Si Manda” (a misspelling of what should be ‘Se Manda’ in Portuguese).
Caetano Veloso (legendary tropicália balladeer) dedicated several pages of his memoir to this track, as it was hugely influential to the up and coming tropicálistas for how it combined MPB (Brazilian pop) with American rock and soul. You can hear Jorge evolving past his initial “Mas Que Nada” period in this album, and inspiring decades of Brazilian rock to come.