Author Archives: TVD HQ

In rotation: 6/18/19

Louisville, KY | Moving out but moving forward: Underground Sounds getting new location after 24 years. The owner says after being in it’s original location for 24 years, he wishes they could stay for another 24. A local store that’s fed the hunger of music lovers for decades is closing its doors. They are leaving their shop right off Bardstown Road, to move to a more affordable location on Barrett Avenue. “Bardstown road has changed over the last few years. The cool mom and pop stores really can’t afford the rent in the area anymore so we’re kind of going off to the side streets now,” said Craig Rich, the owner of Underground Sounds. Although they are starting new beginnings elsewhere, they are leaving years of history behind at 2003 Highland Avenue. “My son said his first words here, he took his first steps in this store.There’s people who have met here that formed bands. I had two kids that were working here for me a while ago. They’re married now,” explained Craig. They are able to move most of their merchandise to the new location and Craig says they will bring their vibes along on the journey.

Cardiff, UK | The story of Kellys Records – the oldest secondhand record store in the UK: The Cardiff institution this month celebrates its 50th birthday. On the balcony of Cardiff Central Market a group of teenage girls excitably pose for pictures with friends. They’re gathered outside one of the market’s longest-running stalls and haven for music lovers – Kelly Records. One of the youngsters has a camera trained on her subject, while others capture images on their mobiles no doubt destined for social media. On closer inspection several of the girls having their picture taken are all wearing the same uniform – white t-shirt and blue jeans. It transpires that the pictures being taken are for a photoshoot for an aspiring band hoping to get some eye-catching publicity shots. “It happens all the time,” laughs Allan Parkins, the owner of the shop that has become a secondhand paradise for music lovers in the city and beyond during the last half century. “People love to have their photo taken with the records. It’s a great backdrop for pictures to put up on Instagram and Facebook.”

Prince Edward Island, CA | No jail time for P.E.I. man who stole vinyl records: A P.E.I. man who used a stolen credit card and sold about 200 records he stole from his roommate was recently given a suspended sentence. Tanner Edwin Earl Bell, 24, appeared before Judge John Douglas in provincial court in Charlottetown where he pleaded guilty to the theft of the records and using a stolen credit card. The court heard that while the records’ owner was away Bell told him there was a break-in at their home, which wasn’t true. When the owner returned home, he learned Bell had taken about 200 records and sold them. The victim was able to locate most of the records Bell sold to Back Alley Music and to Most Wanted pawn shop. Bell was also caught on video using a stolen Visa card that belonged to a different victim. The court heard he had no prior criminal record before he committed those offences. Before hearing his sentence, Bell told the court he was deeply apologetic and won’t do anything like it again. “It’s a pretty atrocious act on my behalf…”

New Documentary ‘Blue Note: Beyond The Notes’ Surpasses Its Purpose: Blue Note Records: Beyond the Notes, a stylish and engaging new documentary by Sophie Huber, opens in the recording studio, with a top-tier crew of modern jazz musicians going about their business. From his station behind a keyboard rig, Robert Glasper calls out ideas for an arrangement; Ambrose Akinmusire’s trumpet, warming up, can be heard in the background. An establishing shot introduces Don Was, the musical polymath serving as Blue Note’s president, as a hipster Buddha in the control booth. As Was explains to the camera, we’re watching a session for the Blue Note All-Stars, a group with an obvious name and celebratory purpose, having originally been assembled in commemoration of the label’s 75th anniversary. That was five years ago. Now, the pacesetting jazz label is celebrating its 80th, and among its related promotions and corporate tie-ins — vinyl reissues, branded playlists, album-cover art prints, a limited-edition watch — is this film.

Pink Floyd’s Dark Side of the Moon sells for big money: ONE of Pink Floyd’s best known records is one of the most expensive to be sold in the UK. Fronted by Hove resident David Gilmour, Pink Floyd’s 1973 release Dark Side of the Moon is considered one of the finest records of all time. As well as being a musical masterpiece the album is also worth a lot of money. According to a list by music website Discogs, the album ranks in the top 50 most expensive albums ever sold in the UK. The Vinyl LP, Gatefold Sleeve edition of the record, released on Harvest, was sold in 2018 for the sum of $3,242 (£2,557). It means it ranks 31st in the list of most expensive records sold in the country. Containing well known hits like Us and Them, Time and The Great Gig in the Sky, Dark Side of the Moon is often heralded as one of Pink Floyd’s greatest albums.

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TVD Radar: The Stan Getz Quartet, Getz at The Gate 3LP in stores now

VIA PRESS RELEASE | Previously unreleased live recording of Stan Getz at New York’s Village Gate to be released via Verve/UMe on June 14th. Features an all-star, rarely-heard quartet with pianist Steve Kuhn, bassist John Neves, and drummer Roy Haynes.

On November 26, 1961, saxophonist Stan Getz and his relatively new quartet of Steve Kuhn, John Neves, and Roy Haynes performed at New York’s Village Gate. The show was professionally recorded, possibly for eventual release, but was soon forgotten and the tape languished in the vaults for almost 58 years. On June 14th, Verve Records/UMe will release the 2-CD, 3-LP Getz at The Gate, which includes every note recorded that night. This recording and this quartet both serve as a sort of “road not taken” for Stan Getz. Having just returned from living in Europe, Getz assembled a new quartet and was exploring a slightly more modern and aggressive sound with this group. Steve Kuhn had only recently finished playing with John Coltrane’s quartet and a more modern music and sound – personified by Coltrane – was gaining popularity.

By 1962, though, Getz’s album Jazz Samba, with guitarist Charlie Byrd, released and motioned the bossa nova boom, followed by the groovier Jazz Samba Encore! (1963) album featuring Luiz Bonfá. Another significant Getz Verve release was Getz/Gilberto (1964) with Brazilian guitarist João Gilberto, which included 1965’s Grammy Record of the Year “The Girl from Ipanema.” The break-out hit dictated the course of Getz’s career for the next few years.

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Demand it on Vinyl: Steve Miller Band, Welcome to the Vault 3 CD/DVD rarities set in stores 10/11

VIA PRESS RELEASE | Renowned guitarist, multi-platinum-selling singer-songwriter, bandleader, and Rock and Roll Hall of Fame inductee Steve Miller has opened up his voluminous archive of recordings for the first time ever to present a milestone 3CD + DVD box set.

Welcome to the Vault covers Miller’s genre-blurring six-decade career over 52 audio tracks, pairing a number of greatest hits and certifiable rock ‘n’ roll classics with 38 previously unreleased recordings that span demos, rehearsals, outtakes, vintage concert performances, and 5 newly uncovered original Steve Miller Band songs recorded in the 1960s and 1970s. The accompanying DVD collects 21 live performances, among them legendary rare TV appearances and concert videos. Welcome to the Vault is accompanied by a 100-page hardbound book of photos, memorabilia, and artifacts from Miller’s personal collection, as well as an exclusive 9,000-word essay by renowned rock journalist David Fricke. Steve Miller Band’s Welcome to the Vault, also available as a 52-track digital collection, arrives Friday, October 11 via Sailor/Capitol/UMe.

Fricke writes in his liner notes: “Miller wrote ‘Rock’n Me’ with a different setting in mind. He was still without a working band when the English prog-rock giants Pink Floyd asked him to be their special guest at a massive festival on July 5th, 1975 at Knebworth, England. Miller called Lonnie Turner, Les Dudek – a guitarist in Boz Scaggs’ band – and Doug Clifford, the former drummer in Creedence Clearwater Revival. They rehearsed for a single afternoon, working up a half-dozen R&B standards, a couple of Miller hits, and a surprising debut, ‘The Window,’ an early version of which appears on Welcome to the Vault.

“‘But I knew what was going to happen,’ Miller says. The Floyd ‘were gonna put me on at sunset. There won’t be any lights, and I’m just chum. I needed a song to rock the whole joint.’ Miller showed ‘Rock’n Me’ to the band at practice; they played it live for the first time in front of 100,000 people at Knebworth. ‘We closed with it, and it killed them,’ Miller says proudly.”

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In rotation: 6/17/19

Cincinnati, OH | Old OTR record store gets new life … Oh, and hemp products: Another Part of the Forest, the record shop on Main Street in Over-the-Rhine, is re-opening with a new owner and new focus. Jerry Stepp is taking over the operation and renting the storefront from Julie Fay, who owns the adjacent Iris Book Café. Stepp ran Another Part of the Forest for Fay until a few months ago when it was closed and the business switched over to Stepp. Stepp’s changes include renovating the space and paring down the stock. What made the former incarnation of the store so interesting was also what made it so difficult: there was stuff everywhere. Nowhere did the vinyl-shopper’s phase “crate digging” more fittingly apply. Another Part of the Forest opened in 2010 with Mike Markiewicz running the operation. He gave it its name, taking the phrase from the Shakespeare play “As You Like It.” Merkiewicz died in 2014. Fay, the landlord, was left in charge and had help from Stepp and others.

Gastonia, NC | Record store opens in Gastonia: In a world of streaming music services, there’s still nothing quite like vinyl. Just ask Ron Davis. “It’s the ritual of it,” Davis said. “It’s just like for a cigarette smoker. It’s taking a cigarette out, tapping it, lighting it, that first inhale. It’s the same thing with sliding the record out of the jacket, spearing the hole with the spindle, and then dropping the needle down. It’s the ritual of it.” Davis is far from the only person who feels that way. And last month, he and business partner Speight Byrd opened Revolver Records on East Franklin Boulevard. It’s Gastonia’s first record store in decades, and it’s a dream come true for Davis. “I’ve always wanted to operate a record store,” Davis said. The shop, which opened in May, is full of vintage and new albums. Prices are varied, but Davis says his selection is cheaper than what folks might find in record booths or in sections of big-name stores. Vinyl in general has seen something of a revival in recent years.

Milwaukee, WI | Inglenook, a new store in Menomonee Falls, sells homemade products and plays vinyl records: Whether the record player is spinning Queen or Madonna, the unique physical vibrations from vinyl records will be the first impression of Inglenook, Menomonee Falls’ newest homemade items store. Inglenook, on the outskirts of downtown Menomonee Falls at N89 W16338 Main St., features homemade products such as self-care products, perfume, pottery and macrame. “Records have the perfect feel to the store,” business owner Tanya Kapp, who owns the business with her partner Angela Roberts, said. “It makes you feel as if you are at home.” They also stock the vinyl records played in the store, Kapp said. Requested records can be special ordered, she added. Inglenook, a Scottish word meaning a nook near a warm place, has a homemade faux-lighted fireplace where customers can chat or just listen to records. “Records are not a thing of the past,” Kapp said. “Vinyl records never went away.”

Chicago, IL | Tone Deaf Records Opens Saturday In Portage Park, With 12,000+ Punk, Metal, Indie, Jazz And Soul Albums To Choose From: Why don’t you do what you’ve always wanted and open a record store? his girlfriend said. So, owner Tony Assimos has been renovating the storefront at 4356 N. Milwaukee Ave. After months of preparation, Tone Deaf Records will open to the public Saturday (6/15). Tony Assimos, the store’s owner, decided to take the plunge and open a shop of his own at 4356 N. Milwaukee Ave. after he was priced out of Logan Square and the neighborhood’s other longtime record shop, Raffe’s, shuttered. “I’ve been busting my ass for the last two months to get everything up and running,” Assimos said. “I think it looks nice and the shelves are full of stuff. I think we’re presentable enough. “I’m going to open the doors at noon and have some cookies, coffee and other snacks,” he added. Assimos said his dad had a “killer record collection” and growing up, he’d sit with him and listen to albums from artists like Jimi Hendrix, Creedence Clearwater Revival and The Stones.

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TVD Radar: This Is
The Town: A Tribute to Nilsson (Volume 2)
in stores 7/21

VIA PRESS RELEASE | The forthcoming album release, This Is The Town: A Tribute to Nilsson (Volume 2), out June 21 on Royal Potato Family, celebrates the songs of the legendary Harry Nilsson with performances by Cheap Trick, Martha Wainwright, Lauren Ruth Ward and more. Throughout this captivating set, defying expectations is a continuous theme. The 14 kindred spirits of Nilsson assembled on the collection are as stellar as they are varied in their art, each underscoring different facets of his songwriting. A follow-up to the initial This Is The Town tribute released by Royal Potato Family in 2014, Volume 2 once again finds producer Kenny Siegal at the helm, capturing the album’s vibrant and diverse performances at Old Soul Studios in Catskill, NY.

Kicking things off in grand fashion is Mikaela Davis’s rendition of “Take 54,” the opening cut from Nilsson’s 1972 release, Son of Schmilsson. Davis—a classically trained harpist—injects her own brand of feminist swagger, turning the masculine bravado of the original inside out. Equally intriguing is Martha Wainwright’s take on “Daddy’s Song”—a standout that is particularly revealing in its approach. Here Wainwright opts to slow the tempo and strip away the ’60s psychedelia of the original to reveal the heartbreak of abandon ensconced within Nilsson’s lyrics. It serves as a reminder that even though Nilsson was a pop artist, he was always conscious of the depths of his emotions and surroundings; being one-part troubled troubadour, one-part song-and-dance-man never seemed in conflict.

Legendary rockers Cheap Trick get down and dirty with raucous guitars that emanate manic fuzz on their reading of “Ambush.” Vocalist Robin Zander’s sublime vocals are unparalleled in their expression of the anxieties of war. But the tension is far from bombast, as the performance does everything it can to convey Nilsson’s wry wit, something he was able to masterfully weave into even the most contentious of topics. Elsewhere, indie rockers Invisible Familiars add swirling synths and a percussive march to “Old Forgotten Soldier,” while Valley Queen uncovers a darker, more haunting depth in the Nilsson hit “I Guess The Lord Must Be In New York City.”

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TVD Radar: My Morning Jacket, The Tennessee Fire: 20th Anniversary Edition 3LP in stores 8/2

VIA PRESS RELEASE | My Morning Jacket is proud to announce the release of THE TENNESSEE FIRE: DELUXE EDITION, celebrating the 20th anniversary of their now-classic debut album. The newly expanded edition includes all 16 original tracks alongside 16 previously unreleased and unheard, lost songs, demo outtakes, alternate versions, and more. THE TENNESSEE FIRE: DELUXE EDITION arrives via Darla Records on August 2, 2019. You can pre-order the record here.

Furthermore, My Morning Jacket will commemorate the momentous occasion with “My Morning Jacket Presents: A Tennessee Fire 20th Anniversary Celebration,” a one-night-only live event set for Friday, August 9 at The Capitol Theatre in Port Chester, NY where the band will perform the album in its entirety, along with songs from that era. A special pre-sale for all ticket holders for the band’s performance at Forest Hills Stadium in Queens on August 10 will begin on Thursday, June 13 at 12pm local and ending Sunday, June 16 at 10pm local. Any remaining tickets will go on sale to the general public on Monday, June 17 at 12pm local. For complete details on tickets and VIP packages, please visit

“Wow. I cannot believe it has now been over 20 years since we recorded THE TENNESSEE FIRE on my cousin John’s grandparents farm out in Shelbyville, KY in a little studio called “Above the Cadillac,” says James. “What a life changing time that was for me — a cosmic door opening to a new universe, thanks to the generosity of family and the spirits of music and connection, I have been so lucky to encounter. We tried to do as many fucked up things as we could that we loved and hoped folks would enjoy. We laughed a lot and we cried some too, ha. We are so grateful and humble that people are still enjoying it so many years later, and we also really love playing these songs live still after all these years, ha ha ha.”

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In rotation: 6/14/19

Tulsa, OK | New locally owned record store opens in east Tulsa: Led Zeppelin, Bruce Springsteen and Stevie Nicks once again rock the record bins at an east Tulsa music store. Once a staple of the 1970’s and 1980’s, the vinyl records all but disappeared in the 1990’s and now Oil Capital Vinyl is bringing them back. The store is in its second week of operation at its new location near South Memorial Drive and East 27th Street South. The record store hopes to capitalize on a resurgence in records and record players. It’s also the longtime dream of its owner Daniel Vandurmen who said now just happened to be the perfect time. My previous job ended, they closed our plant recently and we saw it coming so I decided this was a good time, if I was ever going to do this to start a record store,” said Vandurmen. FOX23 did some checking and there is a spike in record sales. Last year Buzz Angle Music reported a nearly 12% increase in vinyl record sales but Vandurmen told us most of his sales right now are records that were printed decades ago.

New Bedford, MA | Hitting their groove: Local musicians going vinyl with help of Purchase Street Records: Another local musician has gone vinyl. With the release of J Kelley’s “Burning Season” the vinyl records renaissance is taking a greater hold in SouthCoast. The record is the second to be funded and released by Purchase Street Records, a downtown New Bedford business devoted primarily to the sale of vinyl albums. In September of 2017 the store supported a split EP with the local bands The Pourmen and Black Kennedys. It has sold more than 200 copies. The release of “Burning Season” will be celebrated on Friday, June 14 with a performance by Kelley and his band at the Pour Farm Tavern, conveniently across the street from Purchase Street Records. The Pour Farm gig will be the second event dedicated to this recording – in April the band launched the CD edition of the songs with a show at Paul’s Sports Corner in Fairhaven. “If you’re into Tom Petty, Goo Goo Dolls or 90′s Aerosmith you’ll like this record,” said Roger Chouinard, owner of Purchase Street Records.

Mount Kisco, NY | Record Store a Treasure Trove for Music Lovers: …Originally, Gibson, a collector who has been in the record business for most of the past 35 years, was going to use that space to run his mail order record business. But the retail side flourished forcing Gibson to find more room. “There hadn’t been a record store in the area for a long time,” he said. “I didn’t know how many people would be interested and there’s still a lot of people that are (interested) quite a lot, and it’s been a great time so far.” Between the two locations, Gibson estimates that he has about 40,000 records, with almost any genre of music represented at all price points, starting at under $5. However, his bread and butter are the rock albums from the 1960s, ‘70s and ‘80s, mostly the 33 rpm records, although he does carry a small collection of 45s and CDs. His merchandise also includes concert posters and other memorabilia. Much of Gibson’s inventory of used records he’s collected over the years he bought from other collectors or the public.

Seattle, WA | Capitol Hill gets a new bar: Life On Mars: Looking for a new bar to check out? Look no further than this new arrival. Called Life On Mars, the fresh arrival is located at 722 E. Pike St. in Capitol Hill. Life On Mars provides drinks and music in a laid back, retro atmosphere. The bar has a food and drink menu with bar fare like burgers, fries and mac and cheese. Drinks range from creative cocktails to draft and canned beer and wine. You can also purchase vinyl from the wide selection of more than 5,800 vinyl records the bar has displayed like a library of books. From 4-6 p.m. Monday through Saturday, you can peruse the vinyl collection, pick a record and ask the bartender to play it during Vinyl Happy Hour. The newcomer has already attracted fans thus far, with a 4.5-star rating out of seven reviews on Yelp. Interested? Stop by to welcome the new business to the neighborhood. Life On Mars is open from 4 p.m.–2 a.m. daily.

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Save the Date: The
DC Record Fair Summer 2019 Edition comes to
the Eaton DC, 6/30

Back in its 10th year is Washington, DC’s twice yearly record rummage, The DC Record Fair which comes to Washington’s vinyl and community centric Eaton Hotel on Sunday, June 30, 2019. 

As with each event, we’ll have 40+ vinyl vendors from up and down the East Coast, the special DJ line up, the bar, food—and hey, keep your wallet in your pocket for this one as the event is free of charge for the entire day.

Our friends at the Fillmore Silver Spring put together the above feature a little while back that provides a handy overview of the event for the uninitiated.

Mark your calendars! 

Sunday, June 30, 2019 at the Eaton DC, 1201 K Street, NW DC
11:00AM–5:00PM—and free all day!

RSVP and follow via the Facebook invite!

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TVD Radar: Dylan
& Me: 50 Years of Adventures
by Louis Kemp in stores 8/15

VIA PRESS RELEASE | “He was twelve years old and he had a guitar. He would go around telling everybody that he was going to be a rock-and-roll star. I was eleven and I believed him.”Louis Kemp

Once, he was just Bobby Zimmerman. It was a long time ago. 1953 to be exact, but that’s how long Louis Kemp’s memories of the man we all know as Bob Dylan reach back. Bobby and Louie, the “boys from the North Country,” were just kids when they met at summer camp in Northern Wisconsin, both from middle class Jewish families from Northern Minnesota. Kemp’s, Dylan And Me: 50 Years Of Adventures, starts there. Not in Greenwich Village, nor at Newport, but as kids, and there’s a trove of never-before-told stories that predate the success that both men went onto enjoy—Louie, having taken over his dad’s fish business, and well, Zimmerman, as the most influential music maker in history.

Kemp’s memoir gives with the goods, underscoring the funny and deeply affectionate history of a five decade-long friendship with wild adventures, soul searching conversation, musical milestones, and enduring comradery straight on up to the mid-seventies, when Dylan looked to Kemp to produce the now-legendary, Rolling Thunder Revue, (1975-76). Featuring the man himself, along with folks like Joan Baez, Joni Mitchell, poet Allen Ginsberg, Ronee Blakley, as well as musician/ novelist/ humorist/ politician, Kinky Friedman, who also contributed to Dylan And Me, the tour has been immortalized in a documentary, Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, which will coincide with the presale of Dylan And Me, and premiere on Netflix, as well as in select theatres.

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Demand it on Vinyl: Cadillac Baby’s Bea & Baby Records: The Definitive Collection, 4CD set in stores 7/19

VIA PRESS RELEASE | When you think of historic Chicago blues and R&B labels, Chess, Vee-Jay, Brunswick, and Delmark probably first come to mind. However, the city’s famous Black music scene spawned many indie labels, and Bea & Baby Records ranks among the very best of them. Founded by the ever-colorful Chicago entrepreneur Narvel “Cadillac Baby” Eatmon, Bea & Baby Records — along with its subsidiaries and subsidiary labels Key, Keyhole, Miss and Ronald — put out an impressive selection of blues, gospel, doo-wop, soul, hip-hop, and comedy releases between 1959-1989.

Now, a comprehensive retrospective, Cadillac Baby’s Bea & Baby Records: The Definitive Collection, is set for release July 19, 2019 by Chicago-based blues label Earwig Music Company. The project has long been a labor of love for Earwig owner Michael Robert Frank. Frank first met Cadillac Baby in the early ’70s and when they met up again in the late ’80s, Cadillac Baby wanted to get back into music after being away from the business for over 15 years. Despite ailing health, he was still “feisty and cantankerous, and still hustling,” according to Frank. “He was buying and selling used hubcaps, a few used tires, candy and sundries, and an occasional 45 record.” The two decided to co-produce a rising 17-year-old hip-hop singer, Richard Davenport (who went by the name 3D). Sadly, both Cadillac Baby and Davenport died as the project was about to launch; however, 3D’s two tunes will now be released on this collection.

Earwig ended up purchasing Cadillac Baby’s labels from his widow because Frank was “concerned the Bea & Baby’s varied catalog and Cadillac Baby’s history might be lost or merely a footnote in music history.” On his journey to uncover and share Cadillac Baby’s captivating story and musical legacy, Frank says that he “started thinking about a box set of the entire label’s music catalog, not just the blues recordings” was the right way to go.

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In rotation: 6/13/19

UK | This new book takes you inside London’s independent record shops: A 60-stop vinyl tour. A new book called Vinyl London: A Guide to Independent Record Shops has been published by ACC Art Books. Written by Tom Greig with original photography by Sam Mellish, Vinyl London visits sixty independent record shops, stalls, cafés and fairs in the city. Organised by location – Soho, North, East, South, West, Suburbs, Markets, Vinyl Cafes – it includes maps, addresses, opening times and information about stock. Featured locales include Phonica Records, Alan’s, Crypt Of The Wizard, Spiritland, and the Independent Label Market. Vinyl London is part of a series by ACC Art Books exploring creative scenes in the capital.

Austin, TX | Astro Records takes ‘a leap of faith’ in downtown Bastrop: Kevin “Lippy” Mawby’s grand opening of Astro Records in downtown Bastrop recently was an auspicious beginning for his new business. More than 100 people turned out — musicians, vinyl collectors and curious passersby — and the excitement surrounding his new venture was palpable. Astro Records, which takes its name from Bastrop, minus the first and last letters, has become Bastrop County’s first record store, nestled in a 1,000-square foot storefront along Pine Street in downtown Bastrop. After nearly 15 years trying to find a home for his vinyl collection, which he’s towed from New Orleans to Austin to Bastrop, he’s finally taking a “leap of faith” on Bastrop’s downtown. “The great thing about Bastrop, it’s one of a few downtowns that remains vital in small town Texas,” Mawby said. “It’s a lovely place to live. It’s safe, comparatively affordable, and everybody seems happy to be here.”

Oak Park, IL | The evening John Prine stopped by Val’s: Legendary folk singer wanted to give old pal’s shop a boost. It’s no secret that Val’s halla Records, 239 Harrison St. in the Arts District, has been struggling. Val Camilletti (1939-2018), the long-time proprietor, was one of Oak Park’s most beloved figures for over four decades. For 46 years Val sold new and used records while sharing her warmth and wisdom about music ranging from ragtime to rock. She died of cancer while in hospice care nearly a year ago. Through the decades, while developing a large number of devoted customers, Val had also got to know many musicians, especially those with local roots. One who was especially significant was John Prine from Maywood. Val actually helped John choose his first pressings for his records. Shayne Blakely, who spent half of his 38 years working at Val’s halla, continues to manage the store. He pays the bills, builds relationships, and sells new and used vinyl, cassettes, and CD’s, ever hustling to keep the place afloat.

Savannah, GA | Mini Graveface fest brings together impressive, diverse lineup: Ryan Graveface talks ahead of special Jinx show: Graveface Records, owned by musician, label head, and entrepreneur Ryan Graveface, is a Savannah staple by this point. He’s been running his label for over 15 years, and his record store has been here in town since 2011. Since landing in Savannah, Graveface has staged some successful music festivals — but admits that attendance started lagging after the first few years. He shifted his focus towards horror film festivals, but he’s ready to test the waters again and see if there’s still a hunger for the incredible music he’s consistently brought to our city. With the lineup he has planned, it’s bound to be an unforgettable event. I’d been doing the Graveface Music Fest for 15 years, mostly in Chicago,” he tells Connect.

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TVD Radar: Creedence Clearwater Revival,
Live At Woodstock in stores 8/2

VIA PRESS RELEASE | Craft Recordings is pleased to announce the release of Live At Woodstock, capturing Creedence Clearwater Revival’s full, hour-long performance from the historic festival. Out August 2nd, Live At Woodstock will be available as a 2-LP vinyl set, housed in a gatefold jacket, as well as on CD and digital platforms (including hi-res 96/24). 

In August of 1969, as they took the stage at Woodstock, Creedence Clearwater Revival were at the peak of an incomparably prolific year, and on the verge of becoming one of the biggest bands in the world. Their Southern-steeped sound (which brazenly stood out from the reigning psychedelia of the day) was a mainstay on the airwaves, thanks to hit singles “Proud Mary,” “Bad Moon Rising,” and “Green River,” while the band was playing shows to packed crowds across North America. Just eight months earlier, John Fogerty, Tom Fogerty, Doug Clifford, and Stu Cook released their second LP, Bayou Country, following the modest success of their 1968 self-titled debut. By late spring, the album had broken into the Billboard Top Ten. Astonishingly, the band would release two more Top Ten albums before the end of 1969: Green River, which hit stores just a few weeks before Woodstock (and became their first Number One record), followed by Willy and the Poor Boys, in November.

Creedence were slotted for a prime Saturday night spot at Woodstock, following the Grateful Dead. Highly in demand, the band had headlined many of the larger festivals that summer, including the Atlantic City Pop Festival, the Newport Pop Festival in Northridge, CA, as well as main stages in Atlanta and Denver. To many artists, the three-day concert in Upstate New York was seemingly just another stop on the tour; little did they know that Woodstock would become a defining moment in pop-culture history. Creedence took the stage later than planned, in the wake of an extra-long set by the Dead. It was after midnight on Sunday, August 17th, and many of the attendees had retired to their tents. CCR declined to be included in the 1970 documentary Woodstock and the film’s soundtrack album, despite a searing performance on stage. Unfortunately, because of their absence from the film and soundtrack, it is easy to forget that CCR was a top-billed act at Woodstock—let alone even at the festival.

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In rotation: 6/12/19

Edinburgh, SCT | Turntables, vinyl, cakes and coffee – welcome to Leith’s new record store cafe: Cafe Greenhouse opens this weekend at the Shore. Team EH6 has a new addition in the form of Cafe Greenhouse – a local coffee shop with a difference. Housed in Studio w2 – a concept events venue, pop up space and creative studio located on the Shore – the cafe is a record store meets coffee shop hybrid, packed full of turntables, records, cakes and coffee. Owners Jo and Erica have filled the Leith venue with an impressive selection of vinyl which customers can purchase or simply listen to whilst having a drink. In residency at 7 Tolbooth Wynd for the next eight months, the pop-up are serving up tea from Edinburgh-based Eteaket as well as Glasgow’s Ovenbird Coffee (who they are working with to create a bespoke blend for the caff). Writing on their launch party event page, Cafe Greenhouse said: “For a limited time only we’ll be sharing our love of speciality coffee, underground music, cultural activities and obscure plants to the wonderful people of Leith and beyond.”

Los Angeles, CA | Learning to Listen, in a Los Angeles Cafe Built for Vinyl Japanese-style listening bars, where D.J.’s spin carefully selected records for a hushed audience, are arriving in America. But truly appreciating them can take a little practice. At 9:30 on a recent Monday morning, I parked on East Fourth Place in the downtown arts district, between Skid Row and the Los Angeles River. I walked into a kind of glass vestibule, then opened a door into the half-light of In Sheep’s Clothing, a listening bar. I was returning for a second visit, at an unpopular hour, because I hadn’t grasped its purpose at a popular one. Listening bars — cafes with high-end audio equipment, where patrons listen to vinyl records, carefully selected by a bartender, from a record library behind the bar — have been an institution in Japan since the 1950s. They are a subset of the kissaten, the small and idiosyncratic coffeehouses dotting side-streets in Tokyo. Only recently have several emerged in New York City, Los Angeles and a few other places. Shakily, a culture and a lore are growing, of connoisseurship and grace and obsession.

Best turntables 2019: Budget, mid-range, high-end: Best Turntables Buying Guide: Welcome to What Hi-Fi?’s round-up of the best turntables you can buy in 2019. Vinyl is back and it’s here to stay. So whether you’re buying your first turntable, replacing an old deck or looking to upgrade your existing record player, we can help. We’ve rounded-up the best record players around, whatever your budget. There are a smattering of selections at the budget end of the market, plus a selection of premium record players if you’re looking to spend a little more money. You can even get a wireless Bluetooth turntable should you want to stream your vinyl selections. The boom in interest in vinyl has seen cheap turntables flood the market, with many all-in-one vinyl systems on the market for less than £100. But you can do better. In fact, some of these decks can even damage your vinyl. As tempting as some of the super-cheap systems may be, it’s worth paying a little more for better build quality and superior sound.

The past and the present merge beautifully in Sony’s wireless vinyl record player: CDs have pretty much already gone the way of the dinosaur. In fact, most cards don’t even come with CD players anymore. Not all physical media is dead when it comes to music though, because vinyl is making a huge comeback. People love how retro vinyl records are, and nothing sounds quite like a record. Of course, playing your vinyl collection on a 50-year-old record player sort of ruins the experience. If you want to enjoy the past but also drag your vinyl records into the future, we’ve got just the thing. The Sony PS-LX310BT Fully Automatic Wireless Vinyl Record Player with Bluetooth is our favorite record player by far, featuring both Bluetooth and wired audio outputs so you can connect it to any system you want! Here are the key details from the product page…

Recordings by Elton John, Nirvana and Thousands More Lost in Fire: A New York Times investigation has revealed that decades of Universal Music Group treasures burned in 2008. Eleven years ago this month, a fire ripped through a part of Universal Studios Hollywood. At the time, the company said that the blaze had destroyed the theme park’s “King Kong” attraction and a video vault that contained only copies of old works. But, according to an article published on Tuesday by The New York Times Magazine, the fire also tore through an archive housing treasured audio recordings, amounting to what the piece described as “the biggest disaster in the history of the music business.” What happened? The fire started in the early hours of June 1, 2008…The flames eventually reached Building 6197, known as the video vault, which housed videotapes, film reels and, crucially, a library of master sound recordings owned by Universal Music Group…Almost all of the master recordings stored in the vault were destroyed in the fire, including those produced by some of the most famous musicians since the 1940s.

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TVD Radar: Clarence Clemons: Who Do I Think I Am? doc available 8/13

VIA PRESS RELEASE | From Virgil Films & Entertainment comes Clarence Clemons: Who Do I Think I Am?—an intimate portrait of one of the most famous saxophone players in the world. After a theatrical run in select cities in July, the film will be released on August 13th as a Blu-ray / DVD package (MVD Entertainment Group) as well as Digital HD (Virgil Films). A TV or SVOD release is planned for first quarter of 2020.

After Bruce Springsteen and the E Street Band’s marathon “Rising Tour” came to an end in 2003, saxophonist Clarence Clemons felt like he needed a break. Though the world knew him as The Big Man and a lifetime member of the E Street Band, there was also a deeply spiritual side to Clemons. So he packed up his saxophone and journeyed to China, where he could be more or less a nameless traveler in a foreign land. Following him was director, friend and photographer Nick Mead, who documented Clarence’s transcendent awakening overseas. Once Clarence had returned to the States, Mead decided to keep the cameras rolling, which is when tragedy struck: while in Florida, Clarence suffered a stroke and passed away.

With the help of producer Joe Amodei, the film became more than just a document of Clarence’s spiritual journey—it became a biography for his life and a love letter and farewell from those that knew him best. “It was an honor and a privilege to work with Nick Mead on this project. Clarence was a true Big Man! His spirituality rose to the top of every interview we conducted.” says producer Joe Amodei.

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Demand it on Vinyl:
The Byrds, Live at The Fillmore February 1969
in stores now

VIA PRESS RELEASE | The Byrds were inarguably one of the most influential and innovative of musical combos to emerge from the US West Coast in the mid-sixties. Folk-Rock, Psychedelia, Country Rock—The Byrds fearlessly pushed back musical barriers. This superb, high-quality live recording from February 1969 has the band working as a quartet—their Dr Byrds and Mr Hyde album had been released a matter of days before they played these shows—and the line up featured Roger McGuinn (Vocals, guitar), Clarence White (guitar), John York (Bass), and Gene Parsons (drums).

As this set proves, this configuration of the band were highly underrated—guitarist Clarence White is in magisterial form, effortlessly morphing styles from Country picking on items like the Buck Owens favourite, Buckaroo, through to showing impressive modal chops on the Turn! Turn! Turn! / Mr Tambourine Man / Eight Miles High medley. Vocalist Roger McGuinn is in similar fine shape vocally and with his celestial electric 12-string guitar, whilst the York / Parsons rhythm section acquit themselves with understated brilliance. Whilst the set features the band mining a predominantly Country Rock seam, there are also gems culled from all points in their career to that date, such as So You Want To Be A Rock ‘n’ Roll Star, He Was A Friend of Mine, and a magnificent Chimes of Freedom.

The Byrds Live At The Fillmore February 1969 stands as an impressive memento of the band at an overlooked point in their story, and also a timely reminder of the brilliance of guitarist Clarence White, who was killed by a drunk driver on July 14th, 1973, at the age of twenty-nine – a musician of rare quality who surely had so much more left to give.

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