Dirty Projectors is consistently pushing the experimental envelope. The band’s music doesn’t fit neatly into a box; it defies genre classifications while offering something that each ear can embrace—be that intelligent lyricism, thoughtful instrumentation, or simply the freedom their sounds convey.
The band has been around since the early 2000s with seven full-length albums, a few EPs, a collaboration with Bjork and a short film under their belt. The sole constant in the ever-mutating Dirty Projectors lineup has been creator David Longstreth. We had the opportunity to speak to the mastermind behind it all about everything from last year’s two albums and short film, to inspiration derived from Kanye West.
Let’s start off talking about last year. You released Swing Lo Magellan and the “About to Die” EP. How do you feel these two albums differ from 2009′s Bitte Orca?
Well, in a lot of ways, I think that Swing Lo Magellan was really about the songs, whereas Bitte Orca was more about a vibe. The lyrics were way more important to me on Swing Lo, and also on the “About to Die” EP to me then they were on Bitte Orca.
Bitte Orca is sort of built for the stage—it’s meant to be performed, whereas the songs that became Swing Lo Magellan or the “About to Die” EP are more inward-looking, and the challenge with those songs are to make them into these things that have a life on stage, to translate them into something you’d put in front of an audience. That’s one of the coolest parts about the last year is making those songs into something that would work on stage.