According to CNN, over 30,000 people moved to Nashville last year, which averages out to 82 per day. Of those 82, it seems I meet at least half who have moved here to be a part of the city’s thriving music scene. That’s fantastic for us, because the steady influx of new talent means we always have fresh music to hear. It can be hell on the recent resident, however, when they realize just how deep the Music City talent pool runs. On any given stage, musicians who would be the top player in their former city/state/country are just average Joes trying to make it against very stiff odds. The day job is necessity for all but the most fortunate.
Sarah Gayle Meech moved to Nashville from Los Angeles in 2010 and gravitated toward the intensely competitive Lower Broadway scene. There, artists play in dozens of honky-tonks down the eight-block stretch to the river, surviving on tip jar offerings. You HAVE to be good or you won’t be playing there for long. Sarah has thrived due to a combination of formidable talent, steely determination and classic songwriting skills. Her new album, Tennessee Love Songs, features fifteen self-penned compositions recorded with the cream of the new Nashville session players. We spoke to Sarah about the new album, moving to Nashville and the eternal appeal of traditional country music.
For this album, you wrote all the songs. How long was the writing period for the album?
The majority of the songs came within a year’s time. Last summer, I was hell-bent on writing the songs for this album. There were two songs written in previous years that I included but everything else was fresh off-the-cuff.
When you play Lower Broadway in Nashville, are you able to play original songs?
Yes! I played the entire new album at Robert’s last night. In fact, I played both of my records at Robert’s last night! (laughter)
It can be hard playing original songs for the downtown crowd.
You kind of feel it out. I always play my originals, regardless, but I’ll pepper in the cover songs because you’re on stage for 3 1/2 hours. I don’t have 3 1/2 hours worth of original material and I don’t know who does– Bruce Springsteen? The Rolling Stones? (laughter) I put in songs by my favorite artists like Loretta Lynn, George Jones and Patsy Cline. We’re down there working for money (Ed. note: TIPS!) and if someone says, “Here’s twenty bucks, play Willie Nelson,” we’re going to play it!