A short while back I went record-shopping with Dan Teicher, guitarist-producer-founder of pop-rock-plus-strings band The Ludlow Thieves. We decided to hit up Other Music, a high-end music store in Manhattan’s NoHo area.
The store takes vinyl seriously, selling brand-new records (amongst other items) of masterwork albums from yesteryear and yesterday, at exorbitant prices. Well, exorbitant for us vinyl enthusiasts whose sense of pricing halted its modernization when our musical taste did—i.e. 1994. Still, Other Music deserves kudos for matching lofty price tags with lofty musical principles, offering up a vinyl selection that Rob of High Fidelity could, theoretically, be proud of.
Teicher is quite into vinyl and quite into music history, which is evident in both his solo visual media scoring and the collective musical journey of his burgeoning band The Ludlow Thieves. He is the guitar guy and producer for the group—a band that has headlined the major venues in New York City.
The Thieves, an ensemble-first band that counts two vocalists and a violinist amongst its members, recently released their EP “Skyline” and will be celebrating yet another EP release entitled “Sing Me Back” this Friday with a performance at Webster Hall.
But there is more too—much more!—on the way. Teicher, like many of us, sees both the upsides and downsides of the digital age and its effects on musical consumption. Amidst our jaunt around Other Music, these up and downsides were discussed, as were the Thieves’ main influences, why modern-day listeners prefer intro-less songs, and what to do when your parents neglect to properly care for their own vinyl collections—the bastards.
Dan Teicher: I assume you must be a vinyl nut.
Well yes, but I don’t buy as many new records as I would like to—only because, look at these prices. Thirty dollars for one album? Like, what?!
It’s so cool to have vinyl. But—it’s hard to justify getting a new album unless you’re trying to seriously support a new band. My record player’s a shitty little record player too. It’s like a classic old-school player, and I’m trying to figure out a way to involve it in my studio set-up to get a better sound quality out of it. I’d almost rather listen to a CD if I’m going to support a band because for me and my audio set-up, a CD would have better sound quality. However, I’m all about raiding the racks for one-dollar used records. But it doesn’t look like they have too many of those here…
Yeah, this is pretty high-end. Which in theory is super cool—taking vinyl seriously. How did your band, The Ludlow Thieves, get started?
Well, I started performing under the name Ludlow Thieves by myself. I recorded something which will never see the light of day that I sang on. About two weeks after I recorded it, I listened to it with fresh ears and was like “Oh, I should not be singing at all.”
I tend to like guitarists’ voices though, even when they’re not typical singers, like when Keith Richards sings.
You like when Keith sings? Well, you know what—when we get to that Rolling Stones point, when we all go do our solo albums, maybe I’ll reconsider.