Part two of the TVD Record Store Club’s look at the new or reissued wax presently in stores for July, 2016. Part one can be found here.
NEW RELEASE PICK: Inter Arma, Paradise Gallows (Relapse) This Richmond, VA five-piece breaks the 70-minute barrier without losing points at the finish line; along the way the sound is about as heavy as metal gets, combining doom, crunch, growl, and pummel with surprising attention to songwriting. They also resist clichés, impressively so given the duration, and consistently broach the unexpected; there are soaring guitar motifs, stately piano, and in the midst of “Primordial Wound” agitated, higher pitched vocals, delivering a highlight to this remarkable whole. A
REISSUE PICK: V/A, Tanbou Toujou Lou: Meringue, Kompa Kreyol, Vodou Jazz, & Electric Folklore from Haiti 1960 – 1981 (Ostinato) Producer-researcher Vik Sohonie adopts the generosity of a DJ alongside his scholarly approach (he also penned the liner notes) and like a record spinner he favors the impulse to dance, but his finds are so instrumentally rich and varied, spanning from small groups to big bands and urban sophistication to rural gusto, that the program should easily please those afflicted with two left flippers. Available on CD and gatefold 2LP with a 20-page booklet, this is a stone winner all around. A
Glenn Branca, Symphony No. 13 (Hallucination City) for 100 Guitars (Atavistic) Plus one drummer (Virgil Moorefield). Documenting a Feb 28, 2008 performance from the Auditorium Parco Della Musica in Rome, in terms of massive scale the sounds on this CD really deliver, but even more impressive is the litheness and the complete non-gimmickry on display throughout the piece’s four sections; that is, the heaviness, which again is substantial, never falls victim to grandiosity and just as often exudes subtlety backing up the claims (for any doubters lingering out there) of Branca as a major composer. A
William Burroughs, Let Me Hang You (Khannibalism/Ernest Jenning Record Co.) This finds Hal Wilner pulling 20-year-old tapes of Burroughs reading from Naked Lunch off the shelf and having King Khan finish them; mingling the original backing of Bill Frisell, Wayne Horvitz, Eyvind Kang, and other NYC-based musicians with Khan’s rougher rock-based input, the results are surprisingly cohesive, but the real treat is how Burroughs’ glorious croak reintroduces him as one of the 20th’s great smut peddlers; if you didn’t know Steely Dan was named after a Burroughsian dildo, well, you certainly will after hearing this. B+
John Cage with David Tudor, Variations IV (Modern Harmonic) From a 1965 performance at the Feigen/Palmer Gallery in LA, this captures Cage’s chance compositional period; originally on budget label Everest, this was one of the few Cage LPs intermittently turning up used (at least in my neighborhood) and was also high-test fuel for those rating the man as a provocateur-charlatan rather than a “serious” composer. Briefly, the randomness of this sonic collage brings real uh, variations in quality, but this is a historically important recording and it remains an involving listen over a half century later. A-