Search Results for: Graded on a Curve:

Graded on a Curve:
Carl Perkins,
Honky Tonk Gal

Remembering Carl Perkins, born on this date in 1932. —Ed. Carl Perkins was one of the major shakers in the peak period of Sun Records, and these days he gets his due mostly as an architect of classic rockabilly. In that regard, one of his many hits compilations will provide an accurate if not comprehensive […]

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Graded on a Curve: Harold Land,
The Fox

California-based tenor saxophonist Harold Land had a long and versatile recording career both as a sideman and as a leader. Of the latter albums, The Fox, first released in 1960, is widely considered to be his best; it sees reissue on 180 gram vinyl April 12 as part of Craft Recordings’ ongoing Contemporary Records Acoustic […]

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Graded on a Curve:
New Model Army, Thunder and Consolation

Celebrating Justin Sullivan, born on this day in 1956. —Ed. You’ve got to love New Model Army. They were once introduced on Brit TV program The Tube as “the ugliest band in rock and roll,” their lead singer went by the name Slade the Leveller for years to avoid losing his unemployment benefits, and the […]

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Graded on a Curve: Journey, Journey

Journey weren’t always the greatest rock ’n’ roll band in the world. Before they rocked the earth on its axis with such absolutely essential MOR smasheroos as “Wheel in the Sky,” “Lights” (an even greater salute to San Francisco than Starship’s “We Built This City”!), “Don’t Stop Believin’,” and “Hustler” (okay, so that one’s not […]

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Graded on a Curve:
Merle Haggard,
Swinging Doors

Remembering Merle Haggard in advance of his birthdate tomorrow. —Ed. Merle Haggard is a man who needs no introduction. His music, however, is best served by a thoughtful entry-point that reflects his emergence as one of country music’s truly singular figures. As the first LP he recorded with his estimable backing band the Strangers, it’s […]

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Graded on a Curve:
Black Oak Arkansas,
Hot & Nasty: The Best of Black Oak Arkansas

Just how great are Black Oak Arkansas? Well rock critic Ubermensch Robert Christgau once posed the question of why they couldn’t fill NYC’s Academy of Music on a Saturday night after two years of relentless touring and then answered it himself with the words, “Because unlike most similar bands they have never achieved competence—they are […]

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Graded on a Curve:
Slade, Sladest

Celebrating Dave Hill, born on this day in 1946. —Ed. These lovable Wolverhampton cheaters at Scrabble certainly never won a spelling bee, and one of ‘em (guitarist Dave Hill) walked around in a mullet so hideous it could even get you evicted from an Alabama trailer park, and come to think of it, the whole […]

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Graded on a Curve:
Rail Band, Rail Band

On April 5, Mississippi Records delivers an absolute gem to seekers of prime African heat as they reissue the eponymous 1973 album by Mali’s Rail Band. Spiked with Afro-Cuban richness and relentlessly funky, the record sells for hundreds of dollars in original form when a copy miraculously becomes available. Mississippi’s edition, on black or transparent […]

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Graded on a Curve:
Norah Jones,
Visions

It’s been four years since Norah Jones has released a studio album and new material (Pick Me Up Off the Floor). There was a holiday album and a live album in 2021. Once again, Jones has come up with an album, Visions, that highlights her gorgeous and singular vocal style and ability to write songs […]

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Graded on a Curve:
James Toth Presents… Imaginational Anthem Vol. XIII – Songs of
Bruce Cockburn

For some, Bruce Cockburn needs no introduction. However, just as many (maybe more) are unfamiliar with the persevering Canadian singer-songwriter’s talents, a reality Tompkins Square’s Josh Rosenthal fully understands. Rather than leave this deficiency unaddressed, James Toth Presents… Imaginational Anthem Vol. XIII – Songs of Bruce Cockburn arrives April 5 on LP, CD, and digital. […]

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Graded on a Curve: Marvin Gaye,
What’s Going On 50th Anniversary Edition

Remembering Marvin Gaye, born on this day in 1939. —Ed. Since his tragic and premature death in 1984, Marvin Gaye’s discography has steadily risen in critical esteem, and particularly What’s Going On, his eleventh album and the enduring apex of the man’s posthumous ascension, as it’s landed atop at least one noted list of the […]

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Graded on a Curve:
Woo,
Xylophonics + Robot X

Brothers Mark and Clive Ives have been making music since the early 1970s as the creative engine of the UK outfit Woo. Having released their debut in 1982, they collaborated with Independent Project Records later in the decade, and now, after a break of over 35 years, that relationship has been rekindled with Xylophonics + […]

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Graded on a Curve:
Small Faces,
From the Beginning

Remembering Ronnie Lane, born on this day in 1946. —Ed. Small Faces stand as one of the very finest groups of the 1960s, though many know them mainly for Ogden’s Nut Gone Flake, their most ambitious and final album before Steve Marriott’s departure effectively ended their diminutive phase. The scoop is that all of the […]

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Graded on a Curve:
Bob Seger & The
Silver Bullet Band,
Live Bullet

Bob Seger was thirty and practically a geriatric (thirty is sixty in rock years!) when 1976’s Night Moves finally took him nationwide, big time. It came as a surprise. Seger seemed destined to spend his career as a journeyman—a big fish (although hardly as hip a fish as The Stooges, the MC5 and Alice Cooper) […]

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Graded on a Curve:
Black Oak Arkansas, Keep the Faith

Celebrating Jim “Dandy” Mangrum in advance of his 76th birthday tomorrow. —Ed. Black Oak Arkansas may well be—and I say this with affection, and as a fan—the most stunningly inept band in the history of rock. The Village Voice’s Robert Christgau once rhetorically asked why Black Oak—despite relentless touring and a big name tour manager—still […]

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