There’s no shortage of funkiness on the contemporary scene, but as lovers of the style do find it difficult to get enough, they might want to check out the fresh releases on Color Red Records, a new label based in Denver, CO founded by guitarist Eddie Roberts of the New Mastersounds. If you dig Roberts’ thing, it’s basically a cinch you’ll feel the same about Color Red’s wares; two of his other projects, Matador! Soul Sounds and WRD are also on the label, and he’s produced much of the discography. That includes Funky Mother, the fourth record from Denver combo Analog Son. Self-described as horn funk, they also feature organ, guitar, intermittent vocals, and naturally, beaucoup rhythm. The LP is out now.
Matador! Soul Sounds’ Get Ready arrived on vinyl back in March and since then there’s been a flurry of activity from Color Red headquarters, with additional items on wax, including three 45s. Fans of Get Ready will want to check out the group’s non-LP single “The Juice Ain’t Worth the Squeeze” b/w “Go On, Love,” and fans of Roberts’ in general should soak up the organ trio urgency of “Happy Hour” b/w “Corner Pocket by WRD, his outfit with organist Robert Walter and drummer Adam Deitch. “Out West” b/w “Love Tree” by The Echo System (featuring guitarist Mike Tallman) completes the single trifecta.
Alongside Get Ready, Color Red has given Analog Son’s Funky Mother a vinyl press, so together with a weekly arrival of digital content, long-playing wax is a significant component in the label’s scheme. As said, Analog Son have three prior releases, but this is the first to make my acquaintance, and like a lot of contempo stuff in the classic R&B, soul and funky zone, not all of group’s influences fit snugly into my bag.
Take Funky Mother’s opening track “CTI,” for instance. While I’m no big fan of the CTI label (clearly the track’s inspiration), Analog Son manage to pay homage to the soul-jazz-funk mershness of Creed Taylor’s enterprise (with Gabe Mervine’s trumpet bringing Freddie Hubbard to mind) without slipping into a cravenly smooth situation. But still; if they’d lingered for too long in this mode there wouldn’t be much cause for personal excitement, as I do prefer a tougher funk template.