Monthly Archives: November 2018

Graded on a Curve: Analog Son,
Funky Mother

There’s no shortage of funkiness on the contemporary scene, but as lovers of the style do find it difficult to get enough, they might want to check out the fresh releases on Color Red Records, a new label based in Denver, CO founded by guitarist Eddie Roberts of the New Mastersounds. If you dig Roberts’ thing, it’s basically a cinch you’ll feel the same about Color Red’s wares; two of his other projects, Matador! Soul Sounds and WRD are also on the label, and he’s produced much of the discography. That includes Funky Mother, the fourth record from Denver combo Analog Son. Self-described as horn funk, they also feature organ, guitar, intermittent vocals, and naturally, beaucoup rhythm. The LP is out now.

Matador! Soul Sounds’ Get Ready arrived on vinyl back in March and since then there’s been a flurry of activity from Color Red headquarters, with additional items on wax, including three 45s. Fans of Get Ready will want to check out the group’s non-LP single “The Juice Ain’t Worth the Squeeze” b/w “Go On, Love,” and fans of Roberts’ in general should soak up the organ trio urgency of “Happy Hour” b/w “Corner Pocket by WRD, his outfit with organist Robert Walter and drummer Adam Deitch. “Out West” b/w “Love Tree” by The Echo System (featuring guitarist Mike Tallman) completes the single trifecta.

Alongside Get Ready, Color Red has given Analog Son’s Funky Mother a vinyl press, so together with a weekly arrival of digital content, long-playing wax is a significant component in the label’s scheme. As said, Analog Son have three prior releases, but this is the first to make my acquaintance, and like a lot of contempo stuff in the classic R&B, soul and funky zone, not all of group’s influences fit snugly into my bag.

Take Funky Mother’s opening track “CTI,” for instance. While I’m no big fan of the CTI label (clearly the track’s inspiration), Analog Son manage to pay homage to the soul-jazz-funk mershness of Creed Taylor’s enterprise (with Gabe Mervine’s trumpet bringing Freddie Hubbard to mind) without slipping into a cravenly smooth situation. But still; if they’d lingered for too long in this mode there wouldn’t be much cause for personal excitement, as I do prefer a tougher funk template.

Read More »

Posted in The TVD Storefront | Leave a comment

In rotation: 11/28/18

Mumbai, IN | The world’s best record shops #133: Music Circle, Mumbai: Born from owner Pilak Bhatt’s 40+ year obsession with record collecting, Music Circle is a beacon for rare local music. Initially run from his Mumbai apartment before moving into a fully fledged store five years ago, Bhatt runs Music Circle with his wife Ujwala and his son Yash, and colleague Kranti. “We are doing our bit to keep this beautiful format alive in India,” explains Pilak. “We want to remind people that analogue sound is better than MP3s. We feel that vinyl collecting should not be the preserve of rich and elite – the common man should be able to afford it.” Music Circle boasts a fine selection of rock, jazz and blues – one of Pilak’s most prized possession is a rare Beatles 78RPM made in India – but we suggest you go for the local discoveries.

Lafayette, LA | How I Got Here: Lagniappe Records co-owner Tess Brunet: Tess Brunet is co-owner of vintage records store Lagniappe Records along with her husband, Patrick Hodgkins. The store, which moved from its previous space on Jefferson Street to a bigger space two doors down at 311-B Jefferson St., got its start in Baton Rouge before moving to Lafayette. “We started out much smaller than it is now with our own record collections. Online music is something that we didn’t consider at all. We didn’t set out to do much more than create jobs for ourselves and curate a shop we could be proud of. That and I don’t like answering to anyone. We were confident we could pull it off considering our collective knowledge of music. Collectively, we cast a pretty wide net. The cleaning and grading standards are set pretty high, and it’s meticulously organized.”

Why do LPs sound so good? The LP boom shows no signs of slowing, and no one really knows why. The continuing audiophile fascination with LPs is a mystery, LPs are ancient tech, records can be noisy, they’re fragile, expensive and they take up a lot of space. The best turntables, high quality phono cartridges, and preamps can cost a fortune. Even so, a lot of audiophiles still favor LPs, I know I do. Playing audio files is gigantically more convenient than playing an LP, digital converter technology is getting better every year, and high-resolution files are clearer than the best LPs. Digital is eminently portable; LP playback is strictly a stay-at-home affair. So why are audiophiles still clinging to LPs? Ask them why, and they all say the sound comes first — and I agree. Music sounds better played on a good turntable than it does from files or CDs.

Oreo Just Released A Record Player That Plays Actual Cookies: This is the perfect gift for the Oreo-lover in your life! For Oreo-lovers, this holiday season just keeps getting better and better. First, news broke that an Oreo Ultimate Dunking Set exists, which means you and your partner in crime can twist, lick and dunk your Oreos without worrying about fallen crumbs or milky fingertips. And now, the Oreo-obsessed vinyl enthusiasts in your life get the chance to “play” their favorite cookie with the gift to end all gifts: The Oreo Music Box. Just in time for the holidays, Oreo has released a new gift set that combines music and snacks in one collectible tin by using Oreos to play actual music.

Tupac’s estate confirm 20th anniversary Greatest Hits vinyl and merch: The new line will only be available for a limited time. Tupac‘s estate has announced a new range merchandise and vinyl to mark the twentieth anniversary of the late rapper’s Greatest Hits album. Earlier this week (November 19), a cryptic ‘1998’ countdown began on Tupac Shakur’s official Instagram page. The post featured an image of the artist, along with the date ‘Saturday 11/24’. After fans pointed out that the date lined up with the milestone anniversary, it has now been confirmed that special editions of the Greatest Hits collection will be released. Available as a clear vinyl, a standard vinyl, or digital download, the album features 21 hits and four posthumous songs. An original mix of ‘California Love’ – previously only available in the single format – will also be included.

Posted in A morning mix of news for the vinyl inclined | Leave a comment

TVD Live Shots:
The Menzingers and
Tiny Moving Parts at the House of Blues, 11/25

BOSTON | Acclaimed Philadelphia-based punk band The Menzingers rocked a packed House of Blues Boston crowd on the last stop of their Fall Tour 2018 with Tiny Moving Parts and Daddy Issues in support.

A crowd with more than “a little Boston in their attitude” belted out hits from the band’s decade long career. Known for their rousing live performance, The Menzingers’ ability to have a good time doing what they love shared their infectious attitude with the crowd. Songs blended with stories, vehement power cords, and harmonic melodies captivated their fans who have adopted the band’s music into their lives.

Released on Epitaph Records in 2017, their most recent album, After the Party, debuted #19 on the Billboard Top Current Albums Chart, and landed on the Alternative Press top 40 albums of 2017 list. The Menzingers debuted their new song “The Freaks” live to the Boston crowd which was released in October of 2018.

Read More »

Posted in The TVD Storefront | Leave a comment

TVD Radar: RecordingTheMasters’ new analog cassette in stores now

VIA PRESS RELEASE | RecordingTheMasters, the worldwide leader in reel-to-reel tape manufacturing, is launching its new analog compact music cassette with best-in-class sound quality. Initially introduced at the Munich High End show this past May, the new FOX C-60 ferro-oxide cassette is now widely available in the U.S.

As all analog music formats (vinyl, cassette, reel-to-reel, etc.) continue to rise in popularity, cassette tapes now outpace all other formats—including vinyl—in consumer-market growth, more than quadrupling since 2011. Artists including Jack White, Taylor Swift, Jay-Z, Sufjan Stevens, Lana Del Rey, Muse, and Ty Segall have all released recent albums on cassette—this year’s recent Cassette Store Day alone saw releases from Sleep, The Go! Team, Nick Lowe, Nada Surf, Frankie Cosmos, Sun Ra, J Dilla and many others—and a lengthy list of artists continues to use analog formats in the recording studio.

“The FOX C-60 cassette tape shows good MOL values and very low bias noise for a standard ferric oxide Type I tape,” notes Terence O’Kelly, former Director of Professional Products at BASF, adding, “in terms of quality criteria, both measures indicate a good quality tape with strengths in the more difficult parameters for cassette tape production.”

Read More »

Posted in The TVD Storefront | 1 Comment

The baddest Indian
who never sewed a suit: Tyrone Miller Sr., R.I.P.

PHOTOS: CHRISTOPHER PORCHE WEST | Tyrone Miller, a charismatic and gifted singer of the traditional songs of the black Indians of New Orleans, was laid to rest on Saturday, November 24 in the cultural heart of the Tremé community. Widely known as, “the baddest Indian who never sewed a suit,” Miller was 61.

While the Mardi Gras Indians, as they are popularly referred, are best known for their elaborate handmade suits, the music of the Indians is also an intrinsic part of their culture, which is more than a century old. So though Miller never sewed or even wore one of the intricate costumes, he was respected across the entire city for his ability to improvise lyrics and his powerful voice.

Loosely affiliated with the White Eagles tribe under Big Chief Jake Millon in his younger days, Miller roamed the Sunday night practices of tribes both uptown and down. In a culture where bravado and sheer force of will are regarded as hallmarks of leadership, Miller never backed down during any of the vocal confrontations that are central to the concept of “playing Indian,” as practiced by the black Indians.

His sly wordplay and enigmatic gesticulating could slay virtually any rival save the most revered Indian elders. Miller relished the role and came to be regarded as a formidable foil but always with a satisfied smile on his face. He wouldn’t bow down, but he also had deep respect for the traditions of the black culture.

Read More »

Posted in TVD New Orleans | Leave a comment

UK Artist of the Week:
11

Having received acclaim for their debut single “Find A Way,” even being nominated for a UK Music Video Award for “Best Pop Newcomer,” South London duo James Lamb and Richard Craker—aka 11—have returned with an instantly catchy new offering.

With shades of Passion Pit or The 1975, “Best Of Me” is centered around an internal dialogue surrounding themes of personal insecurities. Racing with pulsating beats and an immense propulsive energy, it oozes an utterly infectious groove as the gritty impassioned vocals of James Lamb soar. Combining a compelling sense of determination and motivated power alongside whirring, indie-pop sensibilities, “Best Of Me” packs one ferocious punch; inspiring the listener to get up and face whatever challenges may lay in store.

Of the track, Lamb explains, “It’s about not allowing negative energy to take you off your path. It’s about mind-state, the internal battles that we all have… It’s a fight between success and failure, where success is landing all the punches.”

Showcasing not only this young duo’s flawless production skills, but their inspiring energy-fuelled drive to achieve, “Best Of Me” is an uplifting must-listen.

“Best Of Me” is in stores now.

Posted in TVD UK | Leave a comment

Graded on a Curve: Michael Hurley,
Living Ljubljana

Musically active across six decades and as vital now as he ever was, sui generis folk icon Michael Hurley has a new LP out. Featuring a live recording from a European tour in the spring of 1995, it captures him in a sweet trio with bassist Robert Michener and percussionist Mickey Bones; it’s called ‎Living Ljubljana, and its ten songs offer a tidy serving of the guy in spectacular form. Warmly played and recorded, the contents easily transcend the “one for the fans” scenario familiar to so many live albums. In fact, if spied in the racks of a local shop, it’d make a fine introduction to Hurley’s work. It’s out now on vinyl only (that means no download or digital, folks) through Feeding Tube Records of Florence, MA.

The first Michael Hurley record I ever heard was Snockgrass, which came out in 1980 via Rounder and was still available to special order a decade later. It was as fine a doorway into the man’s expansive corner of the sound universe as I could’ve asked for back then, and if you can find a copy now (it was repressed on wax by Light in the Attic in 2011), its introductory power hasn’t diminished. But hey, it was only one worthy point of entry among quite a few.

Until someone writes a book on Hurley (he deserves it), the best rundown of his life and music that I’ve been exposed to is Byron Coley’s piece from back in 2013 for the 35th issue of Arthur Magazine. It’s still available online, but please note that it’s a long one, so get comfy before reading. Coley is also co-operator of Feeding Tube (which is a store as well as a label), so he put out ‎Living Ljubljana, and his advocacy in print for Hurley is well-established; indeed, it was his “Underground” column in Spin magazine that directly led to my purchase of Snockgrass.

As said, there were other options available in getting acquainted with Hurley’s stuff, and so it remains. You can do the chronological thing and check out First Songs, which was released to essentially no fanfare by Folkways back in ’64. Reissued a handful of times including by Locust on CD as Blueberry Wine: The 1st Songs Of Michael Hurley, the set is in no way embryonic or tentative, and if it resides a little more snugly in the zone of ’60s solo folk, it’s still a highly distinctive affair, at times startlingly so. Whenever I play it after a substantial break, I’m amazed all over again that it came out when it did.

Read More »

Posted in The TVD Storefront | 1 Comment

In rotation: 11/27/18

San Antonio, TX | Local business owners say Small Business Saturday more important than ever before: Between Black Friday and Cyber Monday lies the sometimes forgotten Small Business Saturday. Local business owners said it’s more important then ever, as local businesses compete with big online retailers in order to remain open. Adrian Heart has worked at Hog Wild Records for eight years. The record store off North Main Street has been open since 1982. Heart said he believes customers keep coming back, even while the shop competes with the giant online world, because of the experience. “The experience of finding a record they have never heard before,” Heart said. “Looking for different music and they know they have a rapport with us.” It’s not just local brick-and-mortars that are fighting to stay open, but businesses that sell their homegrown products the old fashioned way— from stands at the Pearl Farmers Market.

Andover, UK | New vintage vinyl store The Record Box opens its doors in Andover: The Record Box, in George Yard, holds a host of vinyls [“Vinyls,” not a word. —Ed.] and collectables and opened its doors to the public for the first time on Saturday. Phil, who was inspired to open the store, said: “I’ve been doing it for years, about 35 years, collecting everything and anything. Captain Scarlet stuff mainly, that’s my main thing. I do collect records as well, my main genre is punk. This is my own personal collection and obviously stuff I’ve bought over the years and duplicates and stuff like that.” To start with the store will be opening on Saturdays only, from 10am to 5pm. Phil believes there is a big market for vinyl, as sales have increased in recent years. He added: “Andover needs something like this. “I think there’s a market for it, a big market for it…”

Baltimore, MD | Farewell to Record and Tape Traders, a suburban refuge for musical discovery: If nothing else, record stores are beautiful. They have a certain unplanned allure, stacks tilting under their own weight, row after row of colors and words loosely organized by genre and alphanumeric value. Recently, Record and Tape Traders in Towson, the flagship of a once-robust local chain, announced it will be gone after a 40-year run—from 1978-2018. The singularity of the Towson Record and Tape Traders was in part its location, which was kind of a weird spot–behind an up-market grocery store in a somewhat pointless strip mall off of Dulaney Valley Road. Those things—strip and mall and Dulaney Valley Road—don’t exactly scream “formative.” Compared to essential music shops like Amoeba Music in Los Angeles or even Sound Garden in Fells Point, a record store in suburban Baltimore County seems insignificant. But that seclusion and obscurity gave it a unique value: It was a refuge for the weird

Midland, MI | Radio Wasteland moves its groove: Jim Gleason has spent the last three days moving vinyl records — some 4,000 to 5,000 of them — box by box, crate by crate. Luckily for Gleason, who owns Radio Wasteland Records in Midland, he has only a few steps to go for the transfer. He’s moving his business next door to 716 George St….”We’ll be able to put more records out,” Gleason said of the larger space. “But more importantly, we’ll be able to better display some of our stock. For example, our limited space means that we’ve had to leave the country music LPs in boxes on the floor. We’re also hoping to expand our classical and jazz music selections with the added space.” Moving into 718 George St., the space where Radio Wasteland occupied for about two years, is Stolloween, owned by Scott Stoll, an award-winning papier mâché artist who specializes in Halloween-related subject matter. Gleason, who owns the business with his daughter Katie, said he has about 8,000 more records in storage that he’ll bring over to the new location, which is double the size of the old.

Read More »

Posted in A morning mix of news for the vinyl inclined | Leave a comment

TVD Live Shots:
Jake Shears at the Fillmore, 11/14

It’s been exactly one year since I saw Jake Shears live in London. It was one of two shows where he would showcase new music a few weeks before the official release of his debut record. That was November 14, 2017, and it just so happens that I would be in San Francisco to see the show again on November 14, 2018. I know, what are the odds?

Then again, what are the odds that anyone would put so much time and effort into crafting a remarkable album in the era of the single? A time when albums as a whole are under attack by seemingly shorter attention spans and the current viral flavor of the week? Enter Jake Shears and his eponymous debut record which he’s quoted as saying “This is a fucking expensive record…but I made something that’s exactly the way that I want it to sound. It’s become a lot harder to make music the way I just did it.” Amen to that Mr. Shears.

But it’s not just the investment from a cost point of view that goes into this record, and you can tell there’s not only a tremendous amount of passion here but also a healthy dose of pain. The song titles read like the chapters from a life’s narrative—someone who’s figured out a way to take virtually every element of emotion and inject it seamlessly through a storyline.

It’s like a soundtrack without a motion picture that relies more on storytelling, knockout hooks, soaring harmonies, and enormous production values that take the listener on a journey where they conjure up their own visuals along the way. It’s one of those records you can throw on the turntable, sit back in a bean bag chair with a pair of over the ear headphones and get lost for an hour reading along with the liner notes. When is the last time any music lover did this?

Read More »

Posted in TVD San Francisco | Leave a comment

TVD Radar: Uncle Walt’s Band debut vinyl reissue in stores 3/29

VIA PRESS RELEASE | “Walter Hyatt, David Ball and Champ Hood have been an inspiration to me ever since the first time I heard Uncle Walt’s Band,” says Lyle Lovett, a journalism student at Texas A&M University when he first heard the band. “Musically, their finely crafted original compositions reflect diverse influences, while lyrically they demonstrate a sensitive, sophisticated understanding of the dignified South.”

Uncle Walt’s Band, originally from Spartanburg, S.C., was an eclectic music trio that moved to Nashville in 1972 and, shortly thereafter, to Austin at the urging of singer/songwriter Willis Alan Ramsey. An attempt at an album with Ramsey at the helm was unsuccessful, so the band headed back to Spartanburg in 1974 to produce their own debut LP, Blame It on the Bossa Nova. The original self-released vinyl edition—1,000 copies sold through performances and self-promotion—disappeared quickly. Heat was gaining for the band, so they headed back down to Austin with a reissue of the album, simply titled Uncle Walt’s Band. (Original Blame It on the Bossa Nova LPs change hands for hundreds of dollars these days.)

Now, a remastered version of Uncle Walt’s Band will be available on CD, LP, and Digital from Omnivore Recordings, on March 29, 2018. New liner notes come by the words of Walter Hyatt, Champ Hood, and surviving member David Ball, plus fellow artists Lyle Lovett, Marcia Ball, Jimmie Dale Gilmore, Marshall Chapman, and journalists Peter Cooper, Doug Freeman, and Michael Hall.

While the album gained many fans and followers, it wasn’t enough to sustain the band’s larger ambitions. After taking brief hiatus, they recorded a second album, An American in Texas, released in 1980, followed by a live album, Recorded Live, in 1982. (A cassette-only release of studio sessions titled 6-26-79 was also released along the way.)

Read More »

Posted in The TVD Storefront | Leave a comment

TVD Radar: Various Artists, Live at Massey Hall Vol. 1 in stores now

VIA PRESS RELEASE | “For Canadian performers, it’s a rite of passage. It’s not the biggest venue in the country’s largest city, by any stretch, but it’s easily the most important…”

With these liner notes, celebrated author Michael Barclay entrenches the storied past, present, and future musical history of Toronto’s Massey Hall. His words set the stage for a monumental new vinyl release series that captures the fascinating evolution of one of the world’s most venerated concert venues, a room that has housed timeless performances by everyone from Joni Mitchell to Glenn Gould since opening its doors in 1894.

To honour the evolution of the hallowed hall, and to distill its more recent magical nights, Arts & Crafts, in collaboration with Massey Hall, will release a series of special live albums from the Live at Massey Hall concert films, a new platform designed to spotlight Canada’s modern frontier of music legends. Arriving for the first time on November 23 in a beautiful vinyl package exclusively for Record Store Day Black Friday, Volume One of Live at Massey Hall compiles transcendent performances from ten indelible Canadian artists captured between July 10, 2014, and December 8, 2017.

In anticipation of the November 23 RSD Black Friday release, Whitehorse has debuted the Live at Massey Hall concert film from that enchanting December 8, 2017 night. The harmonious duo of Melissa McClelland and Luke Doucet has been a flagship artist of Massey Hall since their debut headlining show at the venue in 2013, an audacious booking for the then relatively new band that partially inspired this whole series. Featuring their album-stopping performance of “Die Alone,” Whitehorse embodies the high sonic and emotional ceilings of the age-old Hall with a rendition that richly unfolds in a lonesome resonance that slowly stops time.

Read More »

Posted in The TVD Storefront | Leave a comment

Rachel Ana Dobken,
The TVD First Date

“With CDs on the O-U-T, it pains me to think people don’t appreciate the art of listening to a record anymore. But, I have hope that the resurgence of vinyl means otherwise. I’m hoping people still give a shit about a record in its entirety as a work of art. This is something I think about a lot. So much time and energy goes into putting together a record knowing its meant to exist as a whole body of work. When It Happens To You, my newest LP is an extension of that entire sentiment.”

“For me, I don’t enjoy listening to NEW records on vinyl as much as I do the OLD. I appreciate the process of acquiring used vinyl, romanticizing the history and sentimental value behind it, especially your parents’ old ones! Just imagining (and longing for) the simpler times in the world and music industry. I can’t even imagine what it was like to put on Music From Big Pink for the first time or Dark Side Of The Moon. Music was consumed in such simpler ways in the ’60s, gather round with your friends and listen to the entire record. “Hey Donna got the new Neil Young record! We’re meeting at her place after school to listen!” It became a whole event, a means of savoring and taking your time with the music. IT was special and the artist was appreciated for the art itself.

I love popping on jazz (especially bebop) records for the similar reasons. Monk (At Town Hall), Mingus, Bill Evans (Conversations With Myself—this one I’ve been searching for)… even some weird Jazz Fusion one offs. There is something to be said about listening/consuming music in the way it was meant to be heard at that time. It affected the way somebody played, the caliber of expectation, and seriousness (or perhaps lack of but that as part of the beauty) in doing a take and getting it right.

Read More »

Posted in The TVD Storefront | Leave a comment

Graded on a Curve:
Elton John,
17-11-70

Everything you need (but probably don’t) know about the pre-Captain Fantastic Elton John is right here on 1971’s 17-11-70, the live radio concert recorded before he became a household name. The album includes John, bassist Dee Murray, and drummer Nigel Olsson performing a bunch of excellent songs you’ve likely never heard of, and the ferociousness of their performance is illustrated by the fact that John cut his hand during the performance, and by show’s end the keyboards were covered in blood. Who would have thought that the pudgy and balding Sir Elton, who went on to become the ultimate caricature of a pop star on the basis of a lot of great but lightweight tunes, had it in him?

Well, I did, but I’ve loved this album since I was a teen, because on it John sings and shouts, and cries and moans, while doing things on the piano that made it possible for the trio to do without a guitarist. In short, he rocks and he rolls, and plays it like he means it; the glam pop camp—nobody ever took him as seriously as those Glam Gods Bowie and Bolan—he would come to exemplify, while I love it, is nowhere in sight.

John himself would later declare this was his favorite live concert, and it’s the only live John show to highlight the sound of his band before they added guitarist Davey Johnstone. The actual concert was longer, and this “artifact” was released only to counter the bootlegs of the show that were flooding the market. I’m reviewing the 1996 edition of the LP, which changed the order of the songs and added “Amoreena” as a bonus track. Original producer Gus Dudgeon also remixed the tracks, adding some echo and other effects.

17-11-70 includes a version of the Rolling Stones’ “Honky Tonk Women” that features some acapella vocals from the group at the beginning, some great vocals by John (including a wonderful “Whoo!), and one helluva piano solo that demonstrates without a doubt that John was aware of that instrument’s percussive potentialities. I love the way the band goes into double time at the end, just as I love his piano antics on “Bad Side of the Moon,” a bona fide rocker that highlights the drumming of Olsson and John’s ability to hit the notes vocally, whether they be low or high. And the song goes out on a wild note. As for “Amoreena,” it’s a rocker too, with a great chorus in which Elton’s every word cuts like a knife.

Read More »

Posted in The TVD Storefront | Leave a comment

In rotation: 11/26/18

Austin, TX | Hundreds skip Black Friday shopping at malls for exclusive vinyl records at stores like Waterloo. “The lines are a lot shorter here then other stores,” He said, “it’s less stressful than shopping at a franchise.” When you think about Austin, art and music likely come to mind and what better way to avoid those long lines on Black Friday than to shop at one of Austin’s oldest record stores. Waterloo Records has been open for more than 30 years. On Black Friday, 175 unreleased vinyl records were put on sale exclusively for independent stores like Waterloo. “I feel like music is one of the coolest gifts you can give to somebody,” said Sebastian Garcia. “It’s been a good part of my life.” It’s quite a different Black Friday shopping experience for Garcia, who is a frequent customer at the record store.

Murfreesboro, TN | ‘Almost magical’: Waxface Records helps music lovers rediscover sound of vinyl: Waxface Records is causing the heads of vinyl record lovers to spin in stereo. The first clue of the high-fidelity funkiness found inside the store of sound — tucked into a tiny strip mall on the north side of Murfreesboro — are the strands of lights and 33⅓ RPM records decorating the windows. Walk through the doors and you might be greeted by the wailing of rocker Janis Joplin or the smooth crooning of Frank Sinatra coming from the shop’s record player. For some, the treasure hunt of flipping through the albums displayed in colorfully labeled wooden crates evokes musical memories and for others the thrill of discovery. With an average of 4,000 ever-changing vintage and new selections in LP and EP formats regularly in stock, the store offers many discoveries for visitors during the Record Store Day Black Friday event.

Seattle, WA | West Seattle record store promotes shopping local on Black Friday. Easy Street Records in West Seattle celebrated Record Store Day on Friday, joining an international movement where stores release rare musical finds on Black Friday. While lines accumulated outside big box stores, a West Seattle purveyor of vinyl put its own twist on Black Friday. For the 10th year, Easy Street Records on California Avenue turned Black Friday into Record Store Day. “It’s really a celebration of music,” said owner Matt Vaughan. Record Store Day on Black Friday is an international movement where record stores work with record labels and managers directly to release rare LP’s, 45’s, and CD’s. Once they run out in the store, they run out.

Boise, ID | Record Exchange sees boost in Black Friday demand: It is not every day that a crowd of Idahoans line up at 7 a.m. outside a store– in nearly freezing temperatures. “We had 75 people in line outside before we opened the doors today. Uh, past couple of years, we had 50. So that’s a big jump for us,” said Chad Dryden, Marketing and Promotions Director at The Record Exchange. But today isn’t like most days– it’s Black Friday. So for vinyl enthusiasts, that meant setting their alarms, because the record exchange offered about 150 Black Friday exclusives– released only to independent record shops like theirs. “Grateful Dead, Taylor Swift, U2, Hozier, Weezer– they put, uh, the Rosanna and Africa Toto covers that they did– they put those on a special vinyl release.” More big-name contemporary artists like these are pressing vinyls [“Vinyls,” not a word. —Ed.] recently, said Dryden. This is one reason for the boost in demand, he said.

Read More »

Posted in A morning mix of news for the vinyl inclined | Leave a comment

Happy Thanksgiving!

We’ve closed up the shop for the Thanksgiving holiday. While we’re away, why not fire up our free Record Store Locator app and visit one of your local indie record stores for Record Store Day’s Black Friday event? Our preview of what’s in shops this weekend is here.

Perhaps there’s an interview, review, or feature you might have missed? Catch up and we’ll see you back here on Monday, 11/26.

Posted in The TVD Storefront | Leave a comment
  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


  • Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text
  • Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text