Monthly Archives: July 2019

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Sounds of laughter, here comes sunshine, smiling faces all around. / They possess you, bless you, sunshine, now you can never let them down, I say sunshine. / Sunshine, sunshine, is that a cloud across your smile or did you dream again last night? / It’s best you rest inside a while as blue doesn’t seem to suit you right.

Things ain’t what they used to be, pain and rain and misery. / Illness in the family and sunshine means a lot to me, I say sunshine. / But could it be Sunshine is drifting with midnight and lonely when everyone’s gone? / Blue crystal spirits and gardens in moonlight / Leave weak alone and bleak all quiet and grey by dawn.

Sunshine, sunshine rising to late to chase the cold and failing to change the frost to dew. / She’s trading her mood of yellow gold for frost bitten shades of silver-blue. / Friends and lovers past and gone and no one waiting further on, / I’m running short of things to be and sunshine means quiet a lot to me, I say sunshine. / Sunshine, sunshine…

Over the past several months I’ve been going to a show or two a week. It certainly has dawned on me that the kids are not really showing up at shows like they used to. To say it bluntly—it ain’t what it use to be for rock crowds in LA.

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TVD Radar: Creating Woodstock doc coming to DVD 7/30, streaming 8/13

VIA PRESS RELEASE | With the future of the highly anticipated Woodstock 50 music festival unclear, a younger generation may not know that the original “Three Days of Peace and Music” were also plagued by uncertainty, last-minute venue changes, a lack of headliners and permits… and in fact it almost didn’t happen! With more than 70 hours of interviews with Woodstock producers, planners, and performers – director Mick Richards, who attended the 1969 festival as a teenager, has created the most comprehensive and deeply researched look back at how the event came to be in Creating Woodstock, available on DVD 7/30 and streaming 8/13.

The documentary features never-before-seen private film and rare archival video footage, original interviews with key figures, and uncovered photographs that show just how much went in to pulling off the impossible. First-hand accounts of little known stories are woven throughout the film, such as when Jimi Hendrix was stranded at the airport and hitched a ride to the site, or when a bank manager was awoken in the middle of the night to get money to pay The Who, which then needed to be helicoptered to them before they would go on stage – much like the personal supply of strawberries that Janis Joplin required.

Three decades in the making, Creating Woodstock resurrects the original site blueprints, features interviews with the founders of Woodstock Ventures – John Roberts, Joel Rosenman, Michael Lang, and Artie Kornfield – and takes viewers from the initial idea of the “happening” to the moments when the last festival goer stumbled off Max Yasgur’s once pastural alfalfa field.

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Graded on a Curve:
Son of Bazerk
Bazerk Bazerk Bazerk

Son of Bazerk suffered the double whammy of arriving too late and also too early. Instead of the success they deserved for their enduringly brilliant debut Bazerk Bazerk Bazerk, they had to settle for cult status.

Production by Hank Schocklee and The Bomb Squad insured that the group was in no way behind the times on a musical level, but in terms of presentation and content, they unfortunately fell outside the zeitgeist; savvy in conception while also possessing the requisite intensity, this still underappreciated classic fits rather snuggly into the niche of rap as extroverted, highly social party music. Problem was, by 1991 the hip-hop tide had changed toward socially relevant, politically conscious, often angry tracts as exemplified by Public Enemy’s Fear of a Black Planet and Ice Cube’s Amerikka’s Most Wanted, both released the previous year and both notably produced by The Bomb Squad. Instead of righteous platforms of truth-telling and uncensored depictions of ghetto existence, Son of Bazerk was a crew dedicated to elevating and extending the time honored tradition of rocking the block and the club with finely tuned precision.

Comprised of MCs Son of Bazerk (Tony Allen), Almighty Jahwell (Jeffery Height), Daddy Rawe (Gary Staton), and Half Pint (Cassandra Jackson), the group mingled their contrasting styles into a seamless whole; Jahwell and Rawe both possessed strong straight-ahead microphone methods respectively accented by reggae and R&B inclinations. Half Pint brought in a unique high-pitched hype flavor, and Bazerk’s barking Bobby Byrd-esque vocal technique led (but didn’t dominate) the show.

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TVD Radar: Dawes, North Hills: 10th Anniversary Edition
in stores 9/9

VIA PRESS RELEASE | Today, Dawes confirm the release of North Hills: 10th Anniversary Edition, a deluxe vinyl reissue commemorating a decade since the release of their celebrated debut album, via ATO Records on September 6th. Upon its release in 2009, the Jonathan Wilson produced album was hailed by Rolling Stone for its “twangy folk rock a la Gram Parsons and Neil Young” and “sweet, Byrds-ian harmonies.” Said bassist Wylie Gelber, “this album is dedicated to my first car, she gave her life for a modest insurance payout, which funded the recording of these songs.”

The 10th anniversary edition of North Hills will include two LPs on translucent red vinyl, a gatefold jacket with gold foil-stamped cover, and a 7” vinyl with two unreleased b-sides, “All My Failures” and “Wilderness.” “We figured at the time that “Wilderness” and “All My Failures” didn’t fit with the rest of the tunes,” Taylor Goldsmith reveals, “but now it’s hard to remember why we thought that. Listening back now, these recordings of these songs seem to share the same North Hills DNA as the original 11 and it feels good to get them out into the world.” Also included will be the album’s original 2009 promo poster, newly expanded artwork, and a digital download. A portion of proceeds will go to Silverlake Conservatory of Music, facilitating dynamic music education across communities and providing scholarships to children whose families would otherwise be unable to afford lessons.

Dawes will also perform the album in full at this weekend’s Newport Folk Festival on Saturday July 27th at 5:30pm on the Quad Stage. “North Hills: Dawes and Friends, the 10 Year Celebration,” will feature an incredible group of unannounced special guests sitting in with the band and can be streamed live on Newport Folk Radio here.

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Graded on a Curve:
Barry White,
Greatest Hits

You’ve got to hand it to Love Man Barry White; his lubricious bass-baritone croon could charm the panties off anything–woman, man, antelope, albacore tuna–you name it. Hell, I bet you he could have induced sexual stimulation in a rock had he set his mind to it. There’s just something about that low flame timbre of his that makes you want to shout, “Ravish me, grossly overweight and not all that physically attractive soul man!”

Back in the seventies, the greatest Barry this side of Manilow ruled the airwaves like a weapon of mass seduction. His was a late-night, dim-the-lights, bedroom sound, and Barry wasn’t shy when it came to expressing his needs; on “Love Serenade” he sings, “I wanna see you the way you came into the world/I don’t wanna feel no clothes/I don’t wanna see no panties… “ Subtle he wasn’t. Indeed, White’s erotic entreaties bordered on comedy, and the parodists have been making hay of him for years; in an episode of The Simpsons, Bart and Lisa use Barry’s croon to lull vipers.

Musically, pop music’s biggest sex addict mixed R&B, soul, and funk, and is credited with helping to usher in the disco era with 1973’s “Love Theme,” by Barry’s backing unit The Love Unlimited Orchestra, whom The Village Voice’s Robert Christgau once hilariously dismissed as “Barry’s Jackie Gleason tribute band.”

Sadly–I love the thing myself–”Love Theme” is not included on 1975’s Barry White’s Greatest Hits, which remains the one-stop shopper’s LP of choice. Barry plays the role of sexsuasier (a French word I just made up!) to the hilt, and the mood rarely deviates from the lewdly priapic. Some of the songs sweep you along on string power alone, while others are midnight slow and give Barry the opportunity to ply his patented brand of dirty talk, but they’re all as heavy as the man himself.

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In rotation: 7/26/19

Bridport, UK | Bridport Music to close after 40 years (unless a buyer comes forward): A much-loved record store at the heart of a town has come to the end of a ‘long and winding road’ after more than four decades. Steph and Piers Garner, who run Bridport Music, say they’ve put their ‘heart and soul’ into running the business but are ready to move on to the next phase of their lives. The couple said: “We have come to the end of the long and winding road called Bridport Music. We have been trying to sell the business for a couple of years. We always said ‘don’t worry, we won’t disappear until we find a buyer.’ As it turns out, we were wrong. After two years of trying, we have failed to interest anyone with the desire and the means to take over the reins of Bridport Music. We’ve been close on a couple of occasions but not close enough, and we have decided that now is the time for us to move on to the next phase of our lives. “We’ve put our heart and souls in to the shop but as we’re now in our 40th year here, we have no more to give.”

Hollywood, CA | Critics sue to stop Hollywood project that would displace Amoeba Music: Weeks after Los Angeles officials gave the green light for a new development on the Hollywood site now occupied by Amoeba Music, critics are suing the city to stop it, arguing that it would tear down a “cultural resource” that deserves protection. AIDS Healthcare Foundation and the Coalition to Preserve L.A., a group funded by the foundation that is critical of how the city handles planning and development, are also pushing the city to enshrine the distinctive murals and neon art at the Sunset Boulevard site as part of a historic monument. Doing so would make it harder to tear down the building, which boasts a Space Age neon turret, an old-fashioned marquee, and murals inside and outside the structure. L.A. “is giving short shrift to the historic significance of Amoeba by completely ignoring the rich and lengthy cultural history associated with this iconic corner of Hollywood,” AIDS Healthcare Foundation President Michael Weinstein said in a statement Wednesday.

North Yorkshire, UK | Vinyl archive that speaks volumes about its collector up for auction: Vinyl records spanning the 1960s to the 2000s could make thousands at an auction. They are just part of a Lancaster man’s collection of over 5,000 CDs and records which filled a terrace house he shared with his mum in the city. Bob Beckett was passionate about music and an avid collector who would despatch his sister out each week with a list of records to track down, says valuer Simon Norfolk. Mr Norfolk has the job of cataloguing the collection for 1818 Auctioneers, on behalf of Bob’s family. He estimates the collection is large enough to fill a 75 square feet container and it is being sold through a number of 1818 Auctioneers music sales this year and next. “Bob was collecting right up until last year, when he sadly passed away,” explained Simon Norfolk. …“Bob has left an incredible archive, I haven’t seen anything like it before. There’s a lot of Punk, New Wave and Indie, much of it influenced by John Peel, so expect to see bands like the Fall, Captain Beefheart, P. J Harvey and Half Man Half Biscuit. There are also other genres including Roots and Dub Reggae.

The pieces are in place for a new Rush jigsaw collection: Four classic Rush album covers have been transformed into 500-piece jigsaws – and they’ll be out later this year. Hot on the heels of a series of jigsaws featuring Metallica album covers comes news that Rush are the next band to be put on a puzzle. Zee Productions imprint Rock Saws will launch four 500-piece jigsaws in September featuring the covers of Fly By Night, A Farewell To Kings, Permanent Waves and Moving Pictures. Each puzzle will be presented in a vinyl box set size, which the company say is “perfect to fit alongside your vinyl collection.” Rock Saws have previously released jigsaws based around Iron Maiden, Motorhead, Judas Priest and Slayer. All four sets are now available to pre-order.

UK | Cassette sales in the UK at the highest level for over a decade: Cassette tapes are enjoying a likely resurgence in the UK, after rising to their highest sales levels in more than a decade. Despite being technologically outdated, a BPI (British Phonographic Industry) report reveals that nearly 35,000 tapes were sold in the UK for the first half of 2019. In contrast, some 18,000 tapes had been sold by the same point in 2018. When it came to artists proving successful on tape, Billie Eilish has secured the top spot – selling 4,000 copies of her debut album When We Fall Asleep, Where Do We Go? It was followed by Catfish and The Bottlemen’s The Balance at 2 on 3,000 cassette sales, with Madonna’s Madame X at no.3, Lewis Capaldi’s Divinely Uninspired To A Hellish Extent at four and Hozier’s Wasteland Baby completing the top five. Last year’s bestseller was The 1975’s A Brief Enquiry Into Online Relationships which sold 7,523 copies, most of which came in the first week of release. While it appears that an apparent resurgence is on the cards, Wired suggests the possibility of cassettes being treated as “merch that just so happens to store and play music.”

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TVD Live: Pitchfork Music Festival, 7/19

2:26PM: I’m en route to the 15th Annual Pitchfork Music Festival in Union Park and currently listening to Pitchfork Radio’s live stream. Chicago native Tasha has just finished up an intimate, beautiful set and I imagine she’s heading somewhere air-conditioned to cool off. We’re in the middle of a severe heat wave and it’s taking its toll on everyone. The current “feels like” temperature is 109 degrees F.

2:32PM: Grapetooth is playing DJ now and the song selection is Chicago-centric. It’s appropriate, given that every year Pitchfork devotes a decent chunk of the lineup to local talent.

2:52PM: I’ve made it inside the park and the heat is no joke. I’m sweating, but not as badly as Standing on the Corner, who happen to be playing directly in the sun on the Green Stage. There looks to be a full orchestra on the stage—dozens of musicians—and the melodies flood the field.

3:03PM: Rico Nasty puffs on a joint and observes the scene from the Blue Stage. She’s drawn a crowd and there’s a large consortium of them who seem unfazed by the heat as they’re moshing.

3:22PM: Valee hasn’t broken a sweat and is spitting verse, cool as a cucumber. HOW?!

3:58PM: I’m so pleased to see Pitchfork giving the Young Chicago Authors’ Louder Than A Bomb Poets a platform. They’re performing spoken word in between sets on the Blue Stage, and it’s mighty impressive and inspiring.

4:08PM: Grapetooth is here to dance, and so are their fans. The drums are loud, the synth is singing, and the boogie-ing has commenced.

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TVD Radar: Tony Joe White, “Polk Salad Annie (50th Anniversary Edition)” in stores now

VIA PRESS RELEASE | Deeply rooted in the South, songwriter and performer Tony Joe White made one last musical trip back to the swamp before his death at age 75 in October 2018—to re-record his deep and durable 1969 Top 10 hit “Polk Salad Annie” in his barn studio in Leipers Fork, Tennessee.

Joined by bluesman Robert Cray, longtime accompanist Bryan Owings on drums, and a three-piece horn section, White turned his amplifier up and ignited the session, caught on this special vinyl-only release that’s out July 23, 2019 on White’s own Swamp Records. The A-side of “Polk Salad Annie (50th Anniversary Edition)” features White leading an eight-piece band through a riveting, raw-boned performance of the song, and the B-side is an instrumental-only mix. The single was produced by Jody White, Tony Joe’s son and manager, and engineered by Ryan McFadden, who both also played those roles in the making of the senior White’s blues-drenched much-lauded 2018 album, Bad Mouthin’.

White was playing the rough-and-tumble crawfish circuit, a network of roadhouses stretching through southwest Louisiana and Texas, when he penned both “Polk Salad Annie,” a song about a swamp-raised “girl who made the alligators look tame” and “A Rainy Night in Georgia”—the numbers that would elevate him to the world’s stage and make him a songwriter of choice for Elvis Presley, Eric Clapton, Tina Turner, Brooke Benton, Dusty Springfield, Robert Cray, Kenny Chesney, Willie Nelson, Jerry Lee Lewis, Mark Knopfler, and many others.

“I was playing gigs at the time, when I realized that it was the people writing the songs who were really making the money,” White explained in 2018, after recording Bad Mouthin’. “Those were two of the first songs I wrote. From then on, it seemed really natural to keep writing.” White believed in composing songs plucked from his own experience. So it was with “Polk Salad Annie.”

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Lexi Todd,
The TVD First Date

“I started collecting vinyl before I even had a record player.”

“My mother is an avid yard sale enthusiast and classic rock buff, so we used to get boxes of old classics—like Fleetwood Mac, the Doobie Brothers and Chicago—for quarters. At some point, I was finally gifted a record player, and then I was even more hooked.

I continued to collect vintage records, and can still remember where the scratches are in the music on some of my favorites. I remember when I went to listen to the Rags to Rufus album on Spotify for the first time, I was alarmed when my good old scratches and skips weren’t there! Those qualities give a real-life feel to the vinyl that digital audio can never truly duplicate.

That’s why I recently started buying some of my favorite contemporary albums on vinyl too. Every time I go to a show I head to the merch table to see if they artist is selling records, and it’s my favorite keepsake from a concert.

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TVD Premiere: Neal Francis, “This Time”

TVD is proud to premiere the new single from Chicago based rock and soul musician Neal Francis. The song, “This Time,” appears on Francis’ upcoming full-length album, Changes, which arrives in stores on September 20th on Karma Chief Records, a subsidiary of rising soul label Colemine Records.

Francis is a piano player steeped in the history and music of New Orleans. His work has been compared to that of Allen Toussaint and Leon Russell with a healthy dose of Dr. John and other artists from the funk and soul scene back in the day.

A piano prodigy, Francis, who was born Neal Francis O’Hara, broke out as an eighteen-year-old touring Europe with Muddy Waters’ son and backing up other prominent blues artists. In 2012, Francis joined popular instrumental funk band, The Heard. Before long, with Francis calling the shots, The Heard became a national act, touring with Meters’ progeny, the New Mastersounds and New Orleans’ own the Revivalists with appearances at the New Orleans Jazz and Heritage Festival and other major festivals.

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Graded on a Curve:
New in Stores for
July 2019, Part Three

Part three of the TVD Record Store Club’s look at the new and reissued releases—and more—presently in stores for July, 2019. Part one is here and part two is here.

NEW RELEASE PICK: Rosenau & Sanborn, Bluebird (Psychic Hotline) When I first glanced at the artists’ name, my brain stirred thoughts of some neo-soft rock/ yacht rock duo, but Bluebird is pretty far from that. Pretty far? How about a few thousand yards, at least. This is Chris Rosenau of Collections of Colonies of Bees and Nick Sanborn of Sylvan Esso, and while I’ve not glimpsed any credits for this collab it’s safe to assume that the former plays guitar and the latter is responsible for the electronic component, which is substantial and varied. From the seed of live performance this studio recording, a casual affair, was born; one of the music’s real strongpoints is how the ambient background, including chirping birds and rain, was left in. Warm in the way The Books are warm, this is likely to be a grower. A-

REISSUE/ARCHIVAL PICK: Tubby Hayes Grits, Beans and Greens: The Lost Fontana Sessions (Decca / Universal Music Group) Edward Brian “Tubby” Hayes was probably the finest hard bop tenor saxophonist the UK produced, a player whose work could satisfy sticklers who hold Coltrane, Rollins, and Gordon in the highest of esteem and generally grouch or grudgingly acknowledge the worth of most everything else. This is not to infer that all Tubby is great Tubby, for until recently his supposed final studio recording, a highly mersh pop tunes-focused large band effort The Orchestra concluded his non-live discography with something of a whimper. That one came out in 1970. Hayes passed in 1973 at age 38 during a second open heart surgery, though he’d struggled with substance abuse, as well.

Cut in 1969 and due to The Orchestra’s poor sales shelved, forgotten, misplaced and even neglected once it was discovered that the tapes weren’t lost after all, this set is a sweet short cooker in its single LP/ CD configuration, featuring five tracks, and an absolute banquet for jazzbos in its deluxe 2CD edition, which expands to 18 selections and includes the alternate takes, the false starts, and the conversation in studio. Decca and UMG have made a number of smart decisions, like presenting the deluxe set in the order in which it was found on the tapes, getting Gearbox Studios involved in mastering the music for 180gm vinyl, and also making sure that all the tunes (three Hayes originals, two interpretations) are on the wax, so that non-obsessives get the root of the whole undertaking.

Actually, that’s not exactly true, as the initial three tracks on the 2CD, all takes of Cy Coleman’s “Where Am I Going?” from 5/27/69, feature a quartet of Hayes, bassist Ron Mathewson and drummer Spike Wells with guitarist Louis Stewart; for the rest, cut on 6/24 (making this a 50th anniversary set), pianist Mike Pyne replaces Stewart. This means the beginning of the deluxe gets closest to the greasy-dinner plate soul-jazz feel suggested by the release’s title, a composition by Hayes that kicked off the session with Pyne. However, leaving the group with Stewart (who plays exceptionally well) off the vinyl makes total sense, as it reflects the clear intentions for the LP. Highlights? The “Giant Steps”-like “Rumpus” and a reading of Duke Pearson’s “You Know I Care” that’s reminiscent of “Naima.” LP; A-/ 2CD; A

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In rotation: 7/25/19

Barrow, UK | Independent Barrow music shop, TNT Records, is set to host its first-ever film screening event: An independent Barrow music shop is set to host its first film screening event this week. TNT Records on Duke Street, which opened at the turn of the year, will welcome well-known author Graham Jones on Thursday evening to present his new documentary ‘The Vinyl Revival’. This exclusive showcase evening will also include a Q&A as well as a quiz with prizes to be won. ‘The Vinyl Revival’ is a 43-minute documentary that follows on from the acclaimed ‘Last Shop Standing’ and is directed and produced by Pip Piper. Released as part of this year’s Record Store Day celebrations, the film is now heading into a limited cinema and festival run – including this rare chance to watch it at TNT Records. Shop owner Dave Turner said: “Graham is a massive champion of independent record shops and he was straight in touch with us as soon as we were announced as a Record Store Day venue.”

Missoula, MT | Return of vinyl: Missoula record stores see resurgence in sales: Seventeen-year-old Missoula high-school student Noah Woodin likes spinning Pink Floyd’s “Dark Side of the Moon” on his turntable. No, that sentence wasn’t written in the 1970s; it was written today. Vinyl records are once again hip, and Missoula’s Hip Strip is the place to find them at Ear Candy Music and Rockin Rudy’s Record Heaven, both on Higgins Avenue downtown, south of the bridge. “I prefer vinyl for the aesthetics, and the quality of the music,” Woodin says. He’s not alone. “A young guy came in yesterday and bought 200 records,” says Scott Storer, manager of Record Heaven. “There’s been a real resurgence in vinyl. I sell hundreds, if not thousands of records a week, and mostly to younger people in their teens and twenties.” John Fleming, owner of Ear Candy, reports similar numbers. “I now sell about five records for every CD I sell,” he said. “Vinyl has really made a comeback.”

Bronx, NY | Vinyl Record Collectors Preserve the Legacy of Local Music Stores: Vinyl album sales have increased 15% in 2018, with 16.2 million records sold, according to Nielsen Music. Unfortunately, the growth in sales has not prevented independent music stores from closing down within our communities. The recent shutdowns are due to larger retailers, like Barnes and Noble, now stocking vinyl records, the popularity of e-commerce and rising rent. To preserve the music left in our neighborhoods, Tasha Digital – also known as Analog Lady – is visiting local record stores, interviewing store owners and exploring their music collections on camera. Harmony Records used to be located in the heart of the Parkchester section of the Bronx for 60 years until the property was sold and its store was forced to shut down at the end of 2015. Months before Harmony closed its doors, Tasha got a piece of history and video memorabilia, as featured in her latest episode of Conversations in Analog.

Austin, TX | Spoon adds Friday record-store signing before amphitheater show: Never mind Moon Week, here’s Spoon Week! The titanic Austin indie outfit’s first-ever best-of compilation, “Everything Hits at Once,” will be out Friday via Matador Records, just in time for the band’s performance that evening at the Austin360 Amphitheater on a bill with Beck and Cage the Elephant. And now there’s an afternoon signing-party at Waterloo Records as well. Pre-order, or purchase on-site, a copy of either “Everything Hits at Once” (available on CD and vinyl) or the 7-inch single for “No Bullets Spent” — the album’s one new track — to get a guaranteed-admission wristband for the signing event, which runs from 1 p.m. to 2 p.m. Friday. Note that they’ll sign one item per customer, and will only sign these two new releases.

Johannesburg, ZA | The Spin Music Fair Takes Place On Sunday 28 July: The Spin Music Fair will be holding their Annual Super Vinyl Sale on Sunday 28th July from 10 am to 2 pm On The Deck at the Dunkeld Bowls Club, Hume Road, Dunkeld, Johannesburg. There will be hundreds of selected records at drastically reduced prices (R50 and under) as well as new full-priced 180 gram reissues,2nd hand imports, CDs, cassettes, audio accessories, turntables and more. If you visit the Clover Records stand you can check out their amazing selection of rock memorabilia including collectable action figurines. If your interest runs into the hardware side of music, spend some time talking to Guillaume LeMaire of Croak Audio who pretty knows everything about audio equipment and will guide you through the technical minefield in a no-nonsense and practical way. When the hunger pangs get to you order some scrumptious burgers or toasted sandwiches at the Club bar and while you’re at it have them pour you a `frostie` or glass of wine.

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TVD Live Shots: 311 and Dirty Heads at Xfinity Center, 7/18

MANSFIELD, MA | On the heels of Voyager—their 13th album released last week—multi-platinum rock band 311 entered Xfinity Center Mansfield Thursday evening under a lightning streaked sky, greeted by a wave of fans who know it’s not summer without a 311 show. The 2019 co-headlined tour with Dirty Heads is supported by Dreamers and Bikini Trill with special guests The Interrupters for more than 30 amphitheater shows held June 29 through August 20.

Their latest album Voyager is like “a captain’s log documenting our band’s ongoing voyage through musical styles, while also capturing our feelings and life experiences,” Nix Hexum has said. “311 has always been very diverse and eclectic, but on this album we take that even further. We are really stretching diversity to have both very old school heavy riff rock combined with some very modern sounds. I’m so excited to expand our palette while keeping the classic elements alive.”

The classic elements are alive and well. The night’s energy was cranked up when the band played crowd favorites “Down,” “All Mixed Up,” “Amber,” and “Homebrew,” and songs off their just released album including “What The?!,” “Stainless,” “Better Space,” and “Don’t You Worry.”

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Festival Fast Talk: Haematic at Forecastle Festival, 7/14

LOUISVILLE, KY | Last minute circumstances allowed me the opportunity to check out Sunday’s line-up at Louisville, Kentucky’s Forecastle Festival. While there I had a chance to sit down with up-and-coming electronic artist (and local), Hayden Easterling—better known as Haematic. At just 18, he has a mature sound and a wide range of musical taste. This should serve him well in the fall when he heads to NYC to begin his studies at New York University. His latest single, “Sometimes,” dropped in June and has a really nice, summery vibe to it. Hayden’s 2018 debut EP, “2000,” caught the attention of Forecastle, who booked him for not just one, but two DJ sets at Party Cove.

Brigid: Let’s hear your origin story! When did you discover that music was something you were interested in exploring?

Haematic: Freshmen year I started making music on my iPad with GarageBand. I put samples together and in ten minutes you can put a song together that sounds good and seems like a lot of work was put into it. People liked it but I knew that I didn’t make any of it. So sophomore year I decided I was either going all or nothing and started taking lessons online to learn how to produce. From there, I taught myself the rest through YouTube.

B: I heard that you’re headed to NYU in the Fall. What will you be studying?

H: Yeah, I’m headed to NYU’s Steinhardt School of Music Technology and basically it’s a program for all things music production. The classes are small—about 30 people per class. They start with music theory and then move further into subjects like how to create audio for visual, such as music for video games, movies, and all sorts of different genres.

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Needle Drop: Parrot Dream, “Woven”

Brooklyn-based Parrot Dream create sprawling, nostalgic indie rock that falls somewhere between Belle and Sebastian and Bat For Lashes. Originally formed in Chile by vocalist Christina Hansen Appel and guitarist Gonzalo Guerrero, the duo relocated to NYC in 2013 and quickly began making strides amassing more than half a million streams on Spotify.

Oscillating between uplifting and elegiac, Parrot Dream’s newest single “Woven” draws the listener into deep, kaleidoscopic pools of sound, with Appel’s siren song riding on Guerrero’s glistening riffs. There is tact and precision in the song’s sonic structure, but Parrot Dream manages to steer towards an impressionistic output.

“Woven” was originally intended to accompany their last LP, Light Goes, but was left off and retooled for their newest three-song set, “Light Goes: B-Sides.”

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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