As they were the first all-female rock band to release an LP on a major label, you might be surprised that Fanny isn’t a household name, especially as they were a solid four-piece who in their first recording incarnation cut four albums for the Warner Brothers subsidiary Reprise. But the reality is that Fanny was terribly underappreciated during their initial existence and long since. It was an unfortunate situation, directly related to sexism while they were extant, though the subsequent lack of fervent cult following is a bit more complex. The best place to begin absorbing this worthy outfit’s story is at the beginning, as their self-titled debut from 1970 is freshly reissued June 26 on white vinyl by Real Gone Music.
Let’s be clear; Fanny do have a fanbase, one big enough but also niche enough that Rhino Handmade released the 4CD box set First Time In A Long Time: The Reprise Recordings back in 2002 in a limited edition of 5,000 copies. Indeed, Fanny’s history isn’t difficult to get acquainted with, and the same is true of their music as it’s been added to a handful of streaming sites. They even have a well-designed and maintained website, fannyrocks.com.
As Fanny’s background encourages a deep dive into how it all transpired, we’ll attempt a condensed version here and then proceed to engage with the contents of their debut. Sisters June and Jean Millington, California residents who were born in the Philippines, played first in the Svelts and then joined Wild Honey alongside Alice de Buhr. June played guitar, Jean bass, and Alice drums. Producer Richard Perry’s secretary caught them live and after hipping her boss, they were signed sans audition, with pianist Nickey Barclay added thereafter. Fanny was born.
Reprise reportedly entered into this situation expecting a novelty but got a surplus of talent. The band not only played their instruments with considerable skill and élan (unlike the prior norm of girl-group singers getting backed-up by studio and touring pros) but wrote their own high quality material, as well. All four sang, and that they were unusually astute interpreters of others’ compositions was the icing on the cake.
New York, NY | Rough Trade NYC to reopen amidst COVID-19crash: Rough Trade’s iconic New York location has announced plans to reopen June 24th at noon following its temporary closure due to the COVID-19 pandemic. The Brooklyn-based record store, label, and concert venue is the final of the five Rough Trade locations, all of which have successfully restarted operation. While the brand and this address specifically is an established mecca for physical music consumption, even the big guys aren’t safe these days. Following news that Amoeba’s original Hollywood location would be permanently closing its doors, the idea of losing the country’s most treasured record markets has become increasingly real. The organizers of Record Store Day told Rolling Stone up to 80% of record stores across the country have had to close their doors completely in respect for the quarantine, although many of them are able to continue accepting orders or sell in another capacity. This unprecedented hit comes at a time when streaming is the preferred vehicle for music consumption and while vinyl sales have trended positively, the massive losses recorded in the past four months have proven to be 
Empire Records: 90s cult classic starring Liv Tyler and Renée Zellweger is ripe for a comeback: What’s not to love about a band of scrappy teenage misfits and a music store so cool even shoplifters wanted to work there? If the idea of a “dream job” is a myth, the employees at indie record store Empire Records didn’t get that memo. For them – self-identifying misfits and weirdos, prone to petty crime – the shop floor was a place where obeying societal norms didn’t count for much. It’s 1995 in Delaware, US, an era in which music was becoming increasingly commodified with the rise of CD sales, and placing celebrities on a Swarovski crystal pedestal was considered the norm. Inevitably, everything that was once good and sacred about music fandom was under threat. The film turns 25 this year and it’s having a moment. A cinematic underdog that bombed on release, it’s now a respected cultural touchstone. It’s not just a heady dose of nostalgia for an era where dancing on rooftops or singing along with the Cranberries was normal. It’s also grown into a go-to comfort watch for a generation who might need to remember 
Hagerstown, MD | Hub City Vinyl turns auto shop into something groovy: Hub City Vinyl, a record store, has opened its doors in the once-vacant and now-restored Massey auto building at 28 E. Baltimore St. Lloyd Thoburn, an owner of 339 Antietam LLC, bought the property from the city and had it renovated. His wife, Sheree Thoburn, owns the record store. Thoburn, owner of Coinopwarehouse, has restored other buildings in the city, including structures on Antietam and Franklin streets. “I’m really thrilled with how it came out,” he said of the Baltimore Street building. “This is our jewel,” Sheree Thoburn said. “This is the one that’s beautiful and fun and functional. … I love it. 
Wirral, UK | Wirral author unearths the amazing story of Skeleton Records: Bebington-born author, Graham Jones, who claims to have visited more record shops than any other person and had one of his books turned into a film, takes us on an adventure into Wirral’s legendary Skeleton Records. Any vinyl fan visiting Liverpool should make the effort to take the ferry across the river to visit the legendary music institution known affectionately as Skellys. As a 13-year-old schoolboy, growing up in Bebington, I would get the bus each weekend into Birkenhead to visit Skeleton, a magical and mystical experience. The shop had no window and to enter you walked along a dark corridor. The throbbing sound of progressive rock could be heard coming from the end of what seemed like a cave, while the air was filled with the heady smell of joss sticks and patchouli oil. 
NEW RELEASE PICKS: V/A, The Longest Day – A Benefit for the Alzheimer’s Association (Mon Amie) The Alzheimer’s Association’s yearly fundraiser is called The Longest Day, and this year Mon Amie, the one-woman bedroom label run by Mona Dehghan, has released a compilation on double vinyl, CD and digital with 100% of the profits going to the foundation. Right on, Mona! Those ordering now will be emailed a download starting today (June 19), with physical copies scheduled to arrive by October 1. Here’s the full list of contributors, in sequence: Anna Calvi, Rituals of Mine, Daniel Avery, Cold Specks, TR/ST, Shadowparty, Beach Slang, New Order, HAAi, J. Laser, Sad13, Algiers, Astronauts, Etc., Wolfmanhattan Project (consisting of Mick Collins, Kid Congo Powers and Bob Bert), Hayden Thorpe & Jon Hopkins, Moby, and Rhys Chatham.
ONO, “Kongo” & “Mercy” 12-inch (Whited Sepulchre) Yes, this long-running and inspirational Chicago-based “Avant-Industrial Gospel” outfit received a new release pick in this column back on May 1 of this year for their album Red Summer (released on the American Dreams label), but there are a couple good reasons to spotlight the outfit again so soon. First, these two tracks derive from the Red Summer session and extend that record’s worthiness quite nicely. Second, as pointed out by Whited Sepulchre, the label is releasing this one-sided 12-inch (and three more, all reviewed below) on this day, that’d be June 19, aka Juneteenth, that Bandcamp is donating all of its profits to the NAACP Legal Defense Fund. To align a purchase of this fiercely political record (perhaps paired with Red Summer, which is still available in a variety of physical formats) with Bandcamp’s gesture (which, per the company, will occur annually every Juneteenth hereafter) registers as a thoroughly righteous way to exercise freedom of the consumer. A-
Jaki Shelton Green, The River Speaks of Thirst (Soul City Sounds) Speaking of Juneteenth, this is the release day for the debut album from North Carolina’s Poet Laureate Jaki Shelton Green. Anybody with an interest in poetics with a focus on social justice should seek out a copy, as it’s on vinyl, CD and digital. Green has published eight books of poetry, so while The River Speaks of Thirst is her first recording, it documents a command of language that unwinds with substantial force and beauty. Her work is lacking in tangible flaws.
New York, NY | Record Store Owners Don’t Skip a Beat, Prepare for Reopening: The Limited to One Record Store is the one thing that’s been a constant for co-owners Kristian Sorge and Nichole Porges. The couple was let go from their jobs as casting directors for extras in TV and movies and they lost their main source of income when the coronavirus crisis erupted. “Everything kind of fell apart within a week. I lost my job, I had to file for unemployment for the first time,” said co-owner Nichole Porges. When Governor Cuomo ordered all non-essential businesses to close, the couple had to face the music. They needed the record store to make money, but without physically being open. Before the health crisis they’d focused solely on sales out of their East Village shop. Now they needed to offer an online option and were shocked at the response. “We started selling rare records thru mail order on our Instagram and that had a really positive, we’d sell I’d say, 80 percent of everything posted would 
New York, NY | Record Mart, Manhattan’s Oldest Record Store, Is Shutting Down: Record Mart recently confirmed the unfortunate news on Facebook, writing: “Sad to say it is the end of era!!” Outside of that brief statement, the famed Times Square subway station record shop hasn’t addressed its closure on the internet. Instead, the store taped a typed message on its entrance (penned by Lou Moskowitz, son of the brand’s co-founder). Citing the pandemic as the chief cause of his store’s closure, Moskowitz thanked customers for their support and signaled that his brand “will be moving into the vintage audio business.” Founded by Jesse Moskowitz and Bob Stack in 1958, Record Mart quickly emerged as one of New York’s foremost distributors of Latin music. Following nine years of suspended operations (between 1998 and 2007) as the Times Square subway station was renovated, Record Mart reopened and achieved relative success. Unfortunately, New York City’s total number of 
