Monthly Archives: April 2021

Austin P. McKenzie,
The TVD First Date

“I spent quite a bit of time thinking about what I wanted to say in this article.”

“I’m embarrassed to say that my introduction to vinyl was less than romantic. If I remember correctly, the first vinyl I listened to was a compilation of Ella Fitzgerald songs. I know for certain that the record player was from Urban Outfitters. In other words, it was a piece of shit. The sound quality was terrible. I must have been 15 or 16. Now, I’ve always been a big fan of Ella. I attribute much of my vocal quality to listening to hers for so long. But when I put that record on for the first time, I wasn’t transported back in time, I wasn’t mystified by the turning of the black disc, I wasn’t thrilled. I didn’t understand the hype.”

Over the years, I fiddled around with buying records for my small collection. But I rarely chose to listen to them over my iPod. I’ve always always always been obsessed with and deeply devoted to music. My mother used to make fun of me for falling asleep with my headphones on every night. Every morning I’d ride my bike to school listening to my yellow hand radio in elementary school. I’ve gotten in trouble for listening to music at every single one of my day jobs.

Music has always been my life. Even now, I usually end every night by blasting music in my headphones while I dance. For me, I need the good mix, the high volume, and the cleanness that digital offers. I want to hear everything. I just couldn’t understand why someone would want to listen to the old and therefore lesser quality when it came to vinyl. It wasn’t until this last Christmas that my relationship with vinyl completely changed. And it’s all because of Linda Martell.

My boyfriend had introduced me to Linda about a year ago. I’ve been very into ’60s folk for the past 2 years and when my he showed me Linda, I was instantly in love. Let me explain her sound first. Her musicality, so effortless and delicate. The tone of her voice is incredibly impressive. She has a lovely little twang in the bass of her voice that gives us the country, but the ability she has in every section of her range cradles the listener when she sings her rich little tunes. It just feels oh so nice to play her music at night once the day has settled down and you’ve tucked in. But above all, her story is what brings tears to my eyes.

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UK Artist of the Week: Martha Hill

Newcastle based singer-songwriter Martha Hill’s vibrant new single “Change” is an indie-pop banger from the offset which certainly seems to be putting the newcomer on the map. 

Combining jangling guitars with colourful synths and colloquial lyricism, Martha reminds us what happens when indie is done right. Tackling the universally relatable themes of growing up, nostalgia, and paths not taken, it is drawn entirely from Martha’s own experience of leaving her hometown of Dunoon, Scotland when she was seventeen to busk around Europe.

“Change” tracks her journey from a teenager desperate to get out of home to returning as an adult with a fresh perspective and appreciating it in a new light. “After coming home as an adult and seeing how strong the community is and how supportive everyone is, I just felt really lucky and proud to have grown up there,” Martha says.

The track is the first new release from Martha since her “Summer Up North” EP which was released last year. “Change” is the first track to be revealed off an upcoming EP, which is due in stores in the summer—so watch this space!

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Graded on a Curve:
Joe Kaplow,
Sending Money and Stems

Although currently based in Santa Cruz, CA, singer-songwriter Joe Kaplow has traveled extensively as a touring musician, a reality that has surely impacted the direct, vibrant approach of his latest album Sending Money and Stems. However, the set’s ten songs were crafted during quarantine, as digital files were shared via email with his mixer Mike Coykendall. The results exude a consistent positivity, a vibe that’s welcome in the world right now as cautious optimism begins to take hold. The album is out April 30 on vinyl (orange marble, black), CD and digital (the cassette is sold out, alas) through Fluff & Gravy.

Joe Kaplow isn’t an oldster, but as detailed in his unusually loquacious website bio, he’s been making music for quite a while now, 20 years by his count (reaching back to childhood), which is long enough that the massive setbacks brought on by the Covid-19 pandemic can seem like a catastrophe, or at the very least, can bring on changes in livelihood as music gets set aside, perhaps for good.

As is obvious, that didn’t happen in Kaplow’s case, but it did set him to thinking, as it certainly did with scores of others for whom recording and performance are more than a hobby. Often, this has resulted in sounds, songs, and indeed whole records, that directly address our global predicament with outcomes ranging from insightful and inspired but more frequently clichéd or downright ponderous. For Kaplow, it mainly meant that his second full-length was shaped remotely rather than by traveling up to Portland for mixing at Mike Coykendall’s joint.

This is to say that Sending Money and Stems isn’t an emotionally or instrumentally heavy affair. To the contrary, one could call it upbeat, amiable even, though I would stop short of tagging it as good-timey. But you might not, as opener “5 am” dives headfirst into a framework of lively fingerpicking and crisp drumming, complete with soaring vocal leads and a chorus that’s primed for a big group singalong when it’s safe to gather for a full-blown shindig.

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In rotation: 4/27/21

Lady Lake, FL | Nostalgia boosts businesses and entertainment: Whenever Arch Simonson plays his “Are You Experienced” album by The Jimi Hendrix Experience, he feels as if it’s 1968 again, when he met Jimi Hendrix. Playing vinyls transport Simonson back to his youth when he would go into a record store, sift through the stacks of albums, put them on a turntable and enjoy the music. “It’s not just the memory of the song itself,” the Village of Bonita resident said. “It’s the memory of the time decades ago.” Nostalgia is a key element of entertainment—especially for people 55 and older. In Florida, which has more than 7 million residents over the age of 55, multiple attractions and businesses take people “back in time” such as the Citrus Tower, the Ocala Drive-In theatre, Goofy Golf of Pensacola and the 1950s diner-style restaurant Johnny Rockets. A person’s pop culture preferences tend to be imprinted during their late teens and early 20s, said Benjamin Ho, an associate professor of behavioral economics at Vassar College, who researched nostalgia as a market in the entertainment industry.

Leesburg, VA | Leesburg record store finishes renovations, expands vintage clothing collection: After a trying year that included a three-month closure, downtown Leesburg’s Dig! Records & Vintage has put the finishing touches on a recent remodel. The store — located at 212 C Loudoun St. SE — has added an interior staircase leading to its second level, which it took over in December 2019 in order to expand its vintage clothing collection. “A lot of people didn’t know we were even up there,” co-owner Kevin Longendyke told the Times-Mirror. He added that visitors to the shop could previously access the upstairs only by an exterior staircase, leading many to believe the upper level belonged to a separate business. While Dig! has always included two or three racks of vintage clothing, the second level allows Longendyke and his fiancée, Kelly Hughes, to significantly expand the collection. “[Selling clothes has] always been something we were into, but the records always take over; they take up more space,” Longendyke said. “It opened up a whole other room for us, so now we have more space,” Hughes said of the remodel. Colorful accoutrement ranging from woven ponchos and floral-print dresses to jackets of denim and camouflage now fill the upper level, as well as a few racks of $3 records.

Raymond, MS | Focused on Mississippi: Little Big Store: People often shop for an ‘item,’ but it’s what that item represents that they are really looking for. For instance, people may buy music, but what they want is to recreate a mood or place that piece of music represents to them. Maybe it’s because they sell music at The Little Big Store in Raymond, which makes it such a big deal. “Oh, I think the first people had music. They were beating on the side of a cave, or a rock or something. People have always wanted to make music,” said Betty Strachan, owner of the store. Betty has plenty of music to choose from in her record store, mostly albums. “People say, and I know, that a vinyl record is the best sound, because it’s not in a digital format. It’s analog like the way we talk and the way we hear.” For a while, vinyl lost its favor and was overtaken by CDs. But it’s as popular now as it was when it was the only way you could buy music. “You need to come in on a Saturday and watch people just digging through the records,” said Betty.

Manchester, UK | How Affleck’s became home to the last cassette tape shop in Britain – and the centre of a national revival: Following hot on the heels of the vinyl revival—three music fans believe another piece of our musical heritage is about to make a comeback—the cassette tape. We all know about the vinyl revival. However, in one corner of Manchester city centre—three music fans believe another piece of our musical heritage is about to make a comeback. The humble cassette tape. Affleck’s Palace is home to what is believed to be the last remaining dedicated tape shop in the UK. We all remember taping songs off the radio, or shoving cassettes we had saved up to buy into our Walkman or Hi-Fi’s and rewinding our favourite tracks during the medium’s heyday. And despite them now being seen as a by-word for outdated in many people’s minds – the store’s owners say they believe they could well be the future, as people move back towards physical music, and bands look for alternatives to streaming platforms. They have already upgraded to a bigger space at Affleck’s, the Northern Quarter’s iconic indoor market, and say they are now doing a roaring trade as well as developing a loyal legion of fans.

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TVD Radar: Ray Charles, Genius + Soul = Jazz & Gil Evans Orchestra, Out of the Cool audiophile vinyl reissues in stores 5/14

VIA PRESS RELEASE | Verve/UMe’s acclaimed audiophile-grade all-analog vinyl reissue series Acoustic Sounds will celebrate the 60th anniversary of Impulse! Records and its incomparable and influential catalog this year with a series of high-end vinyl releases of some of the orange-and-black label’s most essential titles.

The Impulse! 60 series will kick off on May 14 with two of the four releases that launched the label known as The House That Trane Built, in 1961: Ray Charles’ long-out-of-print Genius + Soul = Jazz and Gil Evans Orchestra’s superb Out of the Cool. Charles’ album will also be made available digitally for the first time in years.

The LPs will be mastered in stereo from the original analog tapes by Ryan K. Smith at Sterling Sound, except for Charles which has been mastered by Kevin Gray. All albums will be pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality tip-on gatefold jackets, replicating the original Impulse packaging. Like all Acoustic Sounds titles, the releases will be supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings, and will utilize the unsurpassed craft of Quality Record Pressings.

Throughout the year, the Acoustic Sounds series will feature on average two releases a month of some of the best jazz records ever made, highlighting Impulse’s notable ‘60s era recordings as well as key titles from Verve’s vaunted catalog. Following the May releases, the Impulse titles will include Oliver Nelson’s post-bop classic, The Blues And The Abstract Truth (1961) and Sonny Rollins’ first of three albums recorded for Impulse, the electrifying On Impulse! (1965) on June 25 followed by Charles Mingus’ back-to-back masterpieces, The Black Saint and the Sinner Lady (1963) and Mingus Mingus Mingus Mingus Mingus (1964) on August 20.

John Coltrane will be well represented with four titles: the legendary “Live” At The Village Vanguard (1962) and the epic, meditative Crescent (1964) on October 22, followed by his sublime collaborations with big band legend Duke Ellington and singer Johnny Hartman, on the albums Duke Ellington & John Coltrane (1963) and John Coltrane & Johnny Hartman, respectively, on December 10. Roy Haynes’ adventurous Out Of The Afternoon (1962) will also release that day. Additionally Ellington’s impeccable pairing with Coleman Hawkins on the aptly titled Duke Ellington Meets Coleman Hawkins (1963) will come on November 19.

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TVD Radar: Frank Zappa, Zappa ’88 The Last U.S. Show 4LP 180-gram vinyl box in stores 6/18

VIA PRESS RELEASE | Nobody knew, not even Frank Zappa, as he led his 11-strong band through a celebratory version of “America The Beautiful” to close out his show at the Nassau Coliseum in Uniondale, NY on March 25, 1988, that it would be the last time he’d ever play in the United States.

Days later, the ’88 band would trek to Europe for a multi-country tour, only to implode on the road before they could make it back to the States for another round of scheduled shows. Despite the growing tensions in the band, the ensemble was considered one of the best Zappa ever put together, a skilled mix of extremely talented musicians made up of both longtime members that had played with The Maestro from the early days alongside exciting new additions, bolstered by his favorite new instrument, the Synclavier. A well-oiled machine armed with an extensive 100-song repertoire, the adroit band were equally as adept at playing Zappa’s complex and challenging, genre-defying songs as they were performing classical compositions by the likes of Bartók, Ravel, and Stravinsky.

On June 18, Zappa’s historic, final American show will be released for the first time as the new live album, Zappa ’88: The Last U.S. Show via Zappa Records/UMe. The first posthumous archival release from the ‘88 touring band, the album features 29 unreleased performances including two additional performances from the same tour: Zappa’s wild interpretations of the Allman Brothers Band’s “Whipping Post” from the March 16 show in Providence, RI and Led Zeppelin’s “Stairway To Heaven” from the March 23 Towson, MD show. The record is also notable for containing the first official release of the much talked about “The Beatles Medley.”

Zappa ’88: The Last U.S. Show will be released digitally, on 2 CD, or as a 4LP 180-gram vinyl box which will be available on both black vinyl or as a limited edition 180-gram purple vinyl variant, exclusively via the official Frank Zappa online store or uDiscover. Fully authorized by the Zappa Trust and produced by Ahmet Zappa and Zappa Vaultmeister Joe Travers, the recordings have been newly mixed by Craig Parker Adams in 2020 from the 48-track digital master tapes.

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ecoustics at TVD: Top 5 Vintage Turntables

Vintage turntables have become extremely popular during this new golden age of vinyl, but we are not entirely convinced that consumers looking for a vintage turntable really understand what that entails. “Vintage” gets used a lot as a marketing term to attract a certain type of customer—but don’t confuse that attempt to sell you something with the importance of quality.

Not every vintage turntable is worth considering. This list could have included products like the iconic Linn Sondek LP12, Michell Gyrodeck, Oracle Delphi, or Well Tempered Lab turntable, but we wanted to keep this below $2,000. Gulp. That “quality” thing that we mentioned already comes with a price.

We love the vintage turntables below because the brands still exist, parts are available, companies can restore them for you, and because they sound great when properly set-up. Don’t be seduced by some fancy images you see online or a review from 1983 that makes one of these turntables sound like your dream vintage turntable. We wouldn’t recommend these turntables if we didn’t have extensive experience with them or own them currently.

Thorens TD-125 | One of the most iconic belt-driven vintage turntables of the 1970s, the Thorens TD-125 is in serious demand in 2021. Restoration companies like Vinyl Nirvana can’t work on them fast enough for customers who either found one online or at a garage sale. Thorens sold more than 100,000 TD-125s in 1975 alone (according to the numbers), and that means that there are lot of tables and parts floating around.

What made the TD-125 so unique was the electronic speed control that was a major feature of the turntable. The pitch control was a very important feature that high-end buyers demanded and it makes the turntable a very stable platform for a myriad of tonearms. The TD-125 was originally sold with its own tonearm, but users began switching them out for SME tonearms for their superior performance. It’s a heavy suspended design with a 7-pound platter and they are made to last.

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In rotation: 4/26/21

Opelika, AL | Record store 10,000 Hz survives pandemic by closing its doors and going online. For 10,000 Hz, a record store in downtown Opelika, adapting to the pandemic meant completely reworking the way it operates and sells vinyl records and merchandise to its customers. Beginning as a pop-up record stall at local events throughout the Auburn-Opelika area, 10,000 Hz finally got a brick-and-mortar location in the heart of historic Opelika by the railroad tracks in 2018, but after only a year and a half of being open the owners made the hard decision to close their doors to the public — doors that have remained closed for over a year. “We closed a year ago, [March] 14th, and we haven’t let any customers into our shop since then,” 10,000 Hz co-owner Russ Baggett said. “We closed the shop on a Saturday and got the website up by Monday. Basically overnight, we had to completely shift our entire business model to do everything by phone or doing everything through the website.”

Wigan, UK | Try out Scalextric and vinyl at Wigan pensioner’s new businesses: Peter Thompson, 73, from Ashton, has set up Ashton Slot Car Racing and Revolving Records at Greensway Shopping Centre. A Wigan pensioner has combined his love for music and cars to open two unique businesses. Peter Thompson, 73, from Ashton, has created Scalextric car racing tracks and a cafe in an upper floor unit of Greensway Shopping Centre in his home town. The business, known as Ashton Slot Car Racing, is due to open its doors on May 19 when lockdown measures are hoped to be eased further. It comes after Peter also opened Revolving Records, a music shop selling vinyl, in July on the ground floor of the same premises, which is currently open. Peter said he cannot wait to get started with the Scalextric business. He said: “I’ve never had a Scalextric track and I bought an American book in 1972 about slot car racing. “That’s where the idea came from but it never came about until a room became available at the shopping centre and I thought I’d go for it.”

Isle of Wight, UK | New Isle of Wight record label celebrates first vinyl release: A new record company for the Isle of Wight celebrates its debut release this weekend. Downer by Isle of Wight band Panda Swim is out as a limited edition white vinyl record from today (Friday), and it is already garnering interest from music fans across the UK, Europe, the United States and Japan. Only 300 copies of the 10-inch record have been pressed, with the first 100 copies being signed by the three members of the grunge-pop outfit from Newport and Cowes. Panda Swim’s upbeat first single School of Fools was released as a digital track during lockdown last year, bringing the three-piece to the attention of Andy Barding and Tony Pendleton of Wight Vinyl. The power trio comprise frontman Stu Spiller on guitar and vocals, drummer and producer Guy Page and bassist Joe Perry. The latter two musicians are gearing up for a busy year as they are also members of popular island indie rockers Coach Party. Andy, who is also co-proprietor of the AAA Records shop in Scarrots Lane, Newport, said: “Like all good things, Panda Swim found us rather than the other way around. Stu from the band is a customer in my shop.

UK | Record Store Day & Classic Album Sundays spotlight the UK’s independent record shops in new series: Exploring how they’ve survived throughout the COVID-19 pandemic. Record Store Day and Classic Album Sundays, in partnership with Bowers & Wilkins, are re-launching their Behind The Counter series to spotlight the UK’s independent record stores. In doing so, Behind The Counter will also explore how these spaces bring music fans together and create communities. The 12-episode series will focus on shops including Flashback Records, Wilderness, Bear Tree Records, and Jumbo Records. Behind The Counter will premier on the 27th April, and continue throughout the lead up to this year’s Record Store Day Drops on 12th June and 17th July.

Ariana Grande Brings Back Vinyl, Setting Another Billboard Record: Ariana Grande is both supporting records and breaking them at the same time. Ariana Grande has proven that she’s the queen of nostalgia several times already. Beginning her career on the series Victorious, she has made one of the few truly successful transitions from kid icon to international celebrity. She is one of the most followed celebrities on Instagram and has set several all-time records on the Billboard charts. Her latest record was when she moved from spot 79 all the way up to spot 2 as her album Positions rallied behind a new series of sales. But where did this sudden increase come from? Ariana Grande recently released a vinyl edition of her album Positions. Last week, she sold 32,000 copies, breaking Lana Del Rey’s recent record-setting release Chemtrails Over the Country Club by a few dozen copies. The album was second only to Jack White’s Lazaretto which sold 40,000 copies. But even White’s release was in 2014, proving that vinyl is still a contemporary and marketable avenue for sales.

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TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

You will never come close to how I feel / Space around me where my soul can breathe / I’ve got body that my mind can leave / Nothing else matters, I don’t care what I miss / Company’s okay / Solitude is bliss

Whether it’s Earth Day, Weed Day, or Psychedelics Day, this planet seems to keep spinning along. Sometimes our world and our perception of “time” is moving faster and faster. Years ago I heard of a theory that when you hit a certain age, your body (this case your brain), start to shrink and your perception of time changes.

Do you remember being in grade school and how long a 40 minute class was? These days the phone rings, I have a sip of coffee—and poof—an hour gone in a flash.

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TVD Radar: The Podcast with Evan Toth, Episode 32: Jon Klages

Some of us were just born to do the things we do; it’s in our blood, in our genes. Jon Klages is one of those folks whose lineage belies a musical connection.

His grandfather was a popular and successful producer during the latter half of the 20th century, Enoch Light. Light was known for his exciting and fun recordings on his own Command Records label. Often his productions were worthy of an audiophile’s discerning ear. Light was also known for the groundbreaking abstract and minimalist album art that graced the covers of many of his recordings: some the designs that artist Josef Albers created for Light are now on display at the Museum of Modern Art.

So, it’s no surprise that Klages felt the tug to finally fuse his own musical proclivities with those of his familial forebearers. But Klages’ background is a bit different from that of his grandfather, Klages is a guitarist by trade and performed with The Individuals, the Richard Lloyd Band, and was also a part of the Hoboken, NJ music scene in the early 1980s.

His new album, Fabulous Twilight (Danbury Fair Recordings), is an eclectic effort that features all the best of what Jon has explored in his past: twangy guitars, clever and slick production, and, of course, lots of fun. Join Jon and I as we discuss his new album and the myriad influences that brought it to life.

Evan Toth is a songwriter, professional musician, educator, radio host, avid record collector and hi-fi aficionado. Toth hosts and produces The Sharp Notes each Saturday evening at 6pm and TVD Radar on Sundays at 5AM on WFDU, 89.1 FM. Follow him at the usual social media places and visit his website.

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TVD Radar: KISS, Off The Soundboard: Tokyo 2001 3LP in stores 6/11

VIA PRESS RELEASE | On June 11, rock legends KISS will launch their new official live bootleg series, KISS – Off The Soundboard, with Tokyo 2001, recorded by the band at the Tokyo Dome in Tokyo, Japan on March 13, 2001.

This marks the first in a series of upcoming live releases through UMe and will be available as a 3-LP standard black vinyl set, a 2-CD set, digital downloads and available to stream. Off The Soundboard: Tokyo 2001 will also be available as an exclusive 3-LP set pressed on crystal clear vinyl with bone swirl via the Official KISS online store. All configurations can be pre-ordered HERE.

Tokyo has always held a special place of importance throughout the KISStory of the band and Off The Soundboard: Tokyo 2001 captures KISS giving the packed 55,000 seat venue the quintessential KISS live experience, direct from the soundboard with such classic anthems as “I Was Made for Lovin’ You,” “Heaven’s On Fire,” “Rock & Roll All Night,” and the #7 1976 Billboard hit “Detroit Rock City,” as well as rarities such as “I Still Love You” from 1982’s Creatures Of The Night. The 21-track concert is a celebration of the band’s musical legacy and features co-founders Paul Stanley and Gene Simmons, with Ace Frehley on guitar and Eric Singer on drums.

KISS are globally recognized as one of the greatest live bands of all time and are the creators of what is universally considered the best live album ever, 1975’s gold-certified and No. 9 Billboard charting Alive! KISS – Off The Soundboard continues their storied legacy of groundbreaking live albums with a document of the spectacular, larger than life extravaganza that is a KISS concert.

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TVD Radar: Bob Seger & The Silver Bullet Band, ‘Live’ Bullet remastered 2LP in stores 6/11

VIA PRESS RELEASE | Capitol Records/UMe is pleased to announce Bob Seger & The Silver Bullet Band’s ‘Live’ Bullet will be reissued in its original 2LP format celebrating the 45th anniversary of this classic album.

Hailed by critics as one of the best live records of all time, including the June 1976 review from The New York Times, “This music roars on and on until at the very end of the performance, Seger—still raring to go—bellows: ‘I’m going to rock and roll all night long.’ He means it and ‘Live’ Bullet is proof positive that he’s a living dynamo.”

Recorded at Cobo Hall in Detroit, MI, in September 1975, the original album ‘Live’ Bullet brought Seger significant national attention. The recognition Seger had garnered to that point was based on two elements: the emotional power of his songs and the intensity of his live shows. Combining those two elements on ‘Live’ Bullet, the album was released as a double-vinyl-record set in April 1976 and captured Seger’s riveting performances of “Travelin’ Man,” “Beautiful Loser,” “Heavy Music,” “Katmandu,” “Ramblin’ Gamblin’ Man,” “Turn the Page” and others. The album started breaking across the country and set the stage for Seger’s meteoric rise.

‘Live’ Bullet will be offered in two versions: a 2LP album in a standard version 150 gram black vinyl with a lithograph, and 2LP translucent orange and red swirl vinyl only available at independent record stores, Bob Seger’s Official store, and Capitol/UMe store. The lithograph is a reproduction of the ‘Live’ Bullet cover of Seger onstage from the show taken by well-known Detroit photographer Robert Markliwitz. The album has been remastered by GRAMMY®-nominated mastering engineer Robert Vosgien.

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TVD Radar: Def Leppard, Def Leppard–Volume 3 9LP box set in stores 6/11

VIA PRESS RELEASE | On June 11, 2021, legendary British rock ‘n’ roll icons and Rock & Roll Hall of Fame® inductees Def Leppard will release Def Leppard–Volume Three, a new limited edition box set UMe/Virgin.

This set marks the third of four volumes of the band’s complete recorded output in both 180gm vinyl and limited-edition CD box sets. They contain all the recordings from the band in the 2000’s and features the original packaging on both formats. To date, X, Yeah! and Songs from the Sparkle Lounge have never been available on vinyl.

The albums were mastered by Ronan McHugh and Joe Elliott at Joe’s Garage with assistance from Andy Pearce and cut by Greg Moore. Housed in rigid boxes the sets also contain a hard-backed book with rare photos by Ross Halfin and notes by Classic Rock magazine’s Paul Elliott. Band members Joe Elliott, Rick Savage, Rick Allen, and Phil Collen have also contributed to the set.

Def Leppard–Volume Three features 2002’s X, which was the groups sixth consecutive Top 20 record on the Billboard 200 chart and features songs such as “Now,” “Four Letter Word,” and “Long Long Way to Go,” 2006’s Yeah!, the band’s first covers album featuring a collection of the groups favorite tracks re-recorded with the iconic Leppard sound, this is the first time this album will be available on vinyl.

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Graded on a Curve:
Styx, The Best of
Styx: The Millennium Collection

As any music critic with good taste and intelligence will tell you, Styx was one shitty progressive rock band. But, and this is important, for those (like me for example) who came of age in the late 1970s, Styx was the only progressive rock band that mattered.

While Keith Emerson was off writing his piano concerto (see Emerson, Lake & Palmer’s 1977 magnum dopus Works Volume 1), Yes was boring the bejesus out of us with 1973’s interminable Tales of Topographic Oceans and Renaissance was making us nostalgic for the Middle Ages, Styx was producing easily accessible pop prog for the masses. Their populism–which they embraced after their very proggy 1972 eponymous debut–eschewed elitism, bombast and instrumental virtuosity for its own sake, which is hardly surprising given they hailed from a Midwest city famous for its hot dogs.

Millions of kids listened to ELP’s adaptations of classical works by the likes of Modest Mussorgsky and Alberto Ginastera–theirs was head music of a sort, and it made their listeners feel smart. But teens could hardly relate to such music, seeing as how it failed to touch on the realities of working dead end jobs, getting stoned, looking for girls, and getting their hands dirty in the engines of their hand-me-down 1971 Plymouth Dusters. Even the mythical enchantress Lorelei in Styx’s song of the same name is a flesh and blood, ready-to-put-out girl: “I call her on the telephone, she says be there by eight/Tonight’s the night she’s movin’ in/And I can hardly wait.” One shudders to think what unspeakable things ELP might have done with a song with that title.

Which brings us to 2001’a The Best of Styx: The Millennium Collection. It includes every song a casual Styx fan will want to own and plenty of other Styx songs your average person won’t want to own. What this compilation mainly proves is that Styx was a mediocre band that produced a couple of iconic songs that–along with the likes of Kansas’s “Dust in the Wind”–defined an era.

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In rotation: 4/23/21

Wimbledon, UK | The Sound Lounge makes comeback to Sutton and Merton: The Sound Lounge speaks on nerves, excitement, and preparation after one week of reopening their new venue. Founders of The Sound Lounge Hannah and Keiron share their experience of returning to the high street after entertainment was put to a halt due to the pandemic. The Sound Lounge not only provides a place for music fans to relax but, also several schemes to benefit the community as well as tasty food in both Merton and Sutton. On April 12, both the venues partially reopened for outdoor dining, which has been well-anticipated for Sutton after a stressful journey during the pandemic. The arts venue opened its doors for its official music launch on December 12 but was soon faced with closure after the Prime Minister announced the third lockdown. Despite a number of obstacles, The Sound Lounge continued to find ways to serve the community and most recently cooked over 100 meals for some of Sutton’s most vulnerable young people.

Brookeville, PA | Main Street Revolution; records, music, and more: Main Street Revolution is a recently opened record and music store on Main Street, also offering some extra treats for its customers. Main Street Revolution is the culmination of Michael Phillips’ dream to own a music store. He began collecting records two years ago to build up his inventory to eventually open a shop. Finding a space for the shop was the hard part. He finally found the opportunity in 2020, when the chance to start his own business presented itself as a positive out of the pandemic. This is his first time working in retail at all. “Music was more of a hobby, but I’ve bought and sold music since the 90s,” Phillips said. His main focus in the shop is on records, but there are also collections of tapes and CDs to choose from. The music ranges from vintage to modern starting as far back as the 50s, and covers all genres. “I like all types of music. There’s nothing that I don’t like. It’s like an outlet,” Phillips said.

IT | Vinyl record sales overtake CDs in Italy after 30 years: Revenues up 121% in first quarter with respect to a year ago. Sales of vinyl records surpassed those of CDs in value terms in Italy in the first quarter of this year for time since 1991, according to Deloitte data compiled for Italian music industry federation FIMI. It said revenues from record sales were up 121% compared to the first quarter of 2020, taking them slightly above earnings from CDs, which were down 6%. Vinyl records now account for around 11% of revenues on the Italian music market, which is dominated by sales via streaming, which have 80%. (ANSA).

Sorry, “Wrong Number.” Alana Shor’s heartbreaking 1965 anthem is still largely unknown even to diehard music collectors. …When the single came out as a 45 rpm 7” it was packaged in a pink/burgundy tinted picture sleeve. Its central image was a photo of the teenaged Shor sporting a semi-formal style similar to that of Leslie Gore, Patty Duke, and other early-1960s fashion icons. She’d yet to adapt the glammed-out flash that’d be her signature during the 1970s and 80s. The record’s connection to New York is also a big reason why it’s remained so elusive. Shor’s base of support has always been strongest in the Baltimore area, and other recording credits attributed to Satellite, Dismond, and Millstein reveal no association with any other Maryland artist. Years later, when unsold stock copies turned up in local record store bargain bins, fans of Maryland music probably thought this was some other random preppy “Alana Shor” from up north and not their flashy heroine from the Paper Cup. The dynamic intensity of “Wrong Number” could’ve come from any number of sources, but deciphering this element mostly requires a simple understanding of Shor’s character.

Carbondale, IL | Music Historicity: Cassette tape comeback? f you’re like me, you’re a music lover. You’re old school but always trying to keep up with the latest, and you’ve got a shoebox filled with old audio cassette tapes. In my case, I’ve got about eight shoeboxes of cassettes, most of them without a shell or album artwork label. You may have delayed throwing away those old tapes — if not to at least gain an empty shoebox — for sentimental reasons. But not so fast! In case you haven’t heard, the audio cassette tape format has been making a comeback of sorts over the past several years. In fact, cassettes never completely went away, as 8-track tapes did. According to the most recent industry data available, nearly 220,000 albums on cassette tape were sold in the U.S. in 2018. Purchases have increased exponentially in each subsequent year. Technical specifications prove that digital compact disks have better aural clarity than analog formats such as vinyl and cassette tape. For example, a CD has twice the signal to noise ratio of a cassette, which has inherent hiss.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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