“Point to the ceiling and bend your knee. Point to that FEAR…” The physical process to point to your fear and squat down to the ground, slowly getting away from it, is what almost every person at the 9:30 Club last Saturday happily obliged.
For those that didn’t enter Dan Deacon’s trance/ritual, they were pointed at, casted out as those who had no fear (supposedly). From that, the experience known as Dan Deacon began, but before the adventure that cast a smile on my face for days to come, we took Dan Deacon away to Som Records in DC, exposing Dan to a city he rarely gets a chance to visit, but which we all hope he comes back to visit more often in the future.
Social media has created a new level of fan-musician interaction. It hasn’t gone unnoticed as to how gracious Dan is with his fans via Twitter. This makes sense, as his audiences are such an integral part of his show. Yet, it’s still a pleasant surprise when Dan favorites a Tweet or kindly responds.
I like to use it, it’s fun and it’s a nice way to interface with people. I tend to use it more on tour; I’m in the bus all day so it gives me something to do. I have a hard time writing music on the bus, so Twitter is a nice way of not letting your mind explore itself.
You talk about your discovery of a newfound positivity toward the USA, yet you still expose us to some of the darker moments of thought. You do a beautiful job of mixing the two together, creating a hopeful future for life’s realities.
Thank you, I want the music to be uplifting and euphoric but I don’t want to come across like “everything is great,” so that’s what I aim for.
You’re originally from Long Island. When you went overseas and came back to the US did that affect how you viewed your hometown specifically?
I was already living in Baltimore at the time. I grew up in Long Island and moved when I was 18 up to Westchester County where I went to school. I moved to Baltimore in 2004 and have been there ever since. Yeah, it definitely changed, but not on a micro level, more on a macro cultural level. I started looking at the traits that make me American or make Americans American. Obviously it’s impossible to see until you are taken out of it. You start noticing things that are different, missing or gone or that were there and you didn’t see before.