Cardinal play Washington, DC’s Velvet Lounge tonight, 5/15.
The baroque, neo-psychedelia of Cardinal’s classic, self-titled debut album couldn’t have been more out of step with the indie rock world when it was released in 1994.
The album paired the prodigious talents of Australian songwriter Richard Davies, who had previously been a creative driving force in The Moles, with Eric Matthews, a bravura arranger and multi-instrumentalist who plays everything from harpsichord to trumpet and marimba.
Critically acclaimed upon its release, the record was both strangely anachronistic and remarkably prescient––it’s hard to ignore its influence on much of the chamber pop that followed (Belle and Sebastian and The Flaming Lips, in particular).
Despite the album’s unexpected success, Davies and Matthews went their separate ways shortly afterward to concentrate on vibrant solo careers and other collaborations.
Fast forward to 2012: Davies and Matthews surprise and delight music fans by announcing they have reformed Cardinal and are putting out a new album, Hymns, through Fire Records. To celebrate the album’s release, Cardinal is embarking on a short tour, which thankfully includes a stop at the Velvet Lounge tonight with Kuschty Rye Ergot and Cigarette.
To find out more about this most unexpected (and hugely welcome) reunion, I asked Davies and Matthews some questions via e-mail.































































