VIA PRESS RELEASE | Twenty years ago, Cold War Kids introduced their distinctive blend of soulful storytelling, blues-infused indie rock and unforgettable melodies with their acclaimed debut album, Robbers & Cowards. Fueled by breakout singles “Hang Me Up to Dry,” “We Used to Vacation,” and “Hospital Beds,” the album landed on the Billboard 200 and launched a career that has since generated more than one billion streams worldwide.
Today, Cold War Kids celebrate the album’s 20ᵗʰ anniversary with Robbers & Cowards / Complete Cowards (20th Anniversary Edition), available now via UMe. The expanded collection completes four songs written during the album’s original era but left unfinished at the time, and adds six live recordings captured in 2007 as the band toured in support of its breakout debut.
Robbers & Cowards / Complete Cowards is available as a 2LP on black vinyl or limited-edition Brick Red vinyl, both featuring alternate and new artwork, and as a 2CD set. The Digital Deluxe Edition adds Phantogram’s newly reimagined version of “Hang Me Up to Dry,” which transforms the Cold War Kids classic with heavy electro beats, layered atmospherics and bewitching vocals. The collaboration offers a first glimpse of a further 20th anniversary celebration, with more artist reinterpretations of songs from Robbers & Cowards coming in 2027.
The four newly completed songs—“Loyalty,” “There Goes The Night,” “Jesse Latour,” and “She Can Do No Wrong”—all date back to the Robbers & Cowards era. Cold War Kids returned to the material two decades later to finish and record the songs for the anniversary collection.
For decades, Lynyrd Skynyrd fans had to make do with only one live album—1976’s adequate but flawed One More from the Road. I’m a Skynyrd fan to the bone, but I never felt the need to own it. Did I really want to hear covers of the tired “Crossroads” or Jimmie Rodgers’ blues yodel “T for Texas”?
Or a bunch of other songs that sounded EXACTLY (frontman Ronnie Vant was a real stickler on this point) how they sounded on record? Only not as good? Then came 2009, when Geffen Records released a pair of live shows from 1975 (Live at the Cardiff Capitol Theatre) and 1976 Authorized Bootleg: Live in Winterland, San Francisco, CA, 3/07/76. It was cause for rejoicing, right?
Well, yes and no. What I love about Authorized Bootleg: Live in Winterland, San Francisco, CA, 3/07/76 is its raw power. What I don’t like so much about Authorized Bootleg: Live in Winterland, San Francisco, CA, 3/07/76 is its raw power. Let me explain. The songs on the LP are wonderfully rough around the edges, and don’t sound like replications of the studio versions for one simple reason—Lynyrd Skynyrd’s much vaunted “three guitar army” had been reduced to a two-guitar army.
Why? Because the album was recorded during the interim between the departure of Ed King (who’d finally had enough of Van Zant’s alcohol-fueled violence) and the addition of Steve Gaines, who would only play on One from the Road and 1977’s great Street Survivors before dying in the October 20 plane crash that also took the lives of Van Zant and Gaines’ sister Cassie Gaines.
Syracuse, NY | In today’s digital age, we can’t forget physical media’s importance: In today’s digital age, people consume media and receive information through online outlets like websites, apps and streaming platforms. Digital media may be convenient, but it’ll never capture the true spark of reading a newspaper or looking at photographs displayed in a museum. As I write this article, to my left is a stack of The Daily Orange print editions ordered neatly together. My roommate is currently The D.O.’s presentation director and has kept a copy of every print edition she’s ever worked on. I started writing for The D.O. this year, and seeing my story get published in print evoked something within me that I’d never felt. Getting to hold my work in my hands made me realize the true value of physical media.
Dallas, TX | This 25,000-square-foot, Dallas-area vinyl shop is the largest record store in Texas – and possibly the largest in the U.S. Josey Records’ sprawling Farmers Branch flagship is packed with new and used vinyl, bargain-bin discoveries and a connection to one of Dallas’s most beloved record shops. Some shops are made for a quick stop. Josey Records is the kind of place where you might want to clear your afternoon. The independent record store’s Farmers Branch flagship spans approximately 25,000 square feet, making it the largest independent record store in Texas and one of the biggest in the country. Inside, rows of new releases and secondhand finds sit alongside 45s, CDs, cassettes and turntables—giving music lovers plenty of reasons to keep digging.
Solihull, UK | Slow Century Records celebrates first birthday in Solihull: A Solihull-based record store and label is celebrating its first birthday in style. Slow Century Records, based in Knowle on the High Street, will mark the milestone with a day-long programme of live music, performances, and community events on Saturday, November 7. The independent shop has quickly become a hub for music lovers and creatives across the region. John Ellis, owner of Slow Century Records, said: “What an incredible first year it’s been. “From Record Store Day and Summer Jam to live performances, new friendships, and a wonderful community of music lovers, it’s been quite a journey.”
London, UK | The 25 best record shops in London: Whatever you’re into—from punk and metal to reggae, soul, jazz and more—London has a record store for you. We all love a musical comeback. From Elvis in the late ‘60s to Kylie in the early 2000s, it’s a thrill when your favourite breaks out of the doldrums and, against all odds, reminds you why you loved them in the first place. The much-trumpeted vinyl revival’s been in full swing for over a decade-and-a-half now, with 7.6m units of black wax shifted in 2025, marking 18 years of consistent growth, and London has duly responded in kind. Whether we’re talking about relative newcomers that improbably opened in the pandemic or decades-old stalwarts that survived changing trends to thrive again, there are must-visit stores in every corner of the capital. Here are the 25 that have us spinning.
VIA PRESS RELEASE | Five decades on from the bleak picture of 1970’s Britain it embodied, Pink Floyd’s revered dystopian masterpiece Animals is being newly released in multiple formats and a deluxe box set, out 22nd January 2027 via Sony Music.
The 50th anniversary edition brings fans fresh insight into one of Pink Floyd’s most visceral and compelling works, featuring a raft of rare and unreleased music, alongside unseen photographs capturing a unique behind the scenes perspective of the recording process, creation of the iconic album art and groundbreaking tour production.
Animals 50 will be released in multiple formats, including a Deluxe Box Set, 1LP, 2LP, 2CD, Blu-Ray Audio and digital. The Deluxe Box Set contains 3 LPs: the original 1977 album, the 2018 Remix (remixed by James Guthrie), and a disc of five rarities that includes an unheard Roger Waters track titled “Young Nicholas Jon” and previously unreleased early versions of “Sheep’ and ‘Dogs.”
It also has 5 CDs mirroring the LPs, plus a 2-disc set of the May 9, 1977 Oakland show recorded live at the Oakland Coliseum Arena by a then 19 year old bootlegger, Reinhard Hohlwein, and the 1-disc Blu-Ray, which includes all of the above audio with the 2018 Remix being available in 5.1 and Dolby Atmos.
The Deluxe Box Set also features a 64-page hardback book comprising new sleeve notes from New York Times best-selling author and life-long Floyd fan Jonathan Lethem, an interview with Reinhard Hohlwein, and an excerpt from Hipgnosis’ Aubrey “Po” Powell’s memoir about the making of Animals’ iconic album art.
VIA PRESS RELEASE | Boom Boom The Ultimate Animals 1963–1966, is the most comprehensive Animals retrospective to ever be released. Set over eight CD’s and a DVD, it is a deep dive into the band’s short but most prolific period. To be released on 4th December, it is available to pre-order now from here.
A comprehensive set containing over 150 tracks, it contains unearthed gems never before released alongside all their 1963–1966 studio recordings remastered in one place for the first time. The DVD contains the long lost film The World Of The Animals directed by Richard Mordaunt and filmed in 1965/66 during tours of the US and Poland. A great historical document of the time and a must see for all Animals fans.
CD1 is the band’s debut album, The Animals, remastered with the non-LP 45s and includes the Graphic Sound tracks as well as three unreleased Radio Luxembourg performances. CD2 features their second album, Animal Tracks, remastered with bonus tracks, and while CD3 grants a well-overdue UK reissue to their third LP, Animalisms, alongside its related non-LP 45s.
CD4 and CD5 provide a debut UK release of the mono and stereo mixes of Animalism, which were never officially released by Decca in the UK due to the band’s split in late 1966.
Remembering Gram Parsons, born on this date in 1946. —Ed.
You’ve got to hand it to Gram Parsons; the boy had chutzpah. No sooner had the relatively unknown 21-year-old joined The Byrds in February 1968 in the wake of the departure of David “I Am the Walrus” Crosby and Michael Clarke, than he managed to talk the band, including leader Roger McGuinn, into scuttling McGuinn’s plans for an ambitious double album of the history of American popular music in favor of an album of straight-up country music, or country-rock if you insist, or “Cosmic American Music” as Parsons poetically termed it.
It must have been an audacious piece of salesmanship, for no rock band—much less a pop supergroup with the psychedelic bona fides of The Byrds—had ever attempted anything so potentially suicidal from a commercial standpoint. From “Eight Miles High” to “The Christian Life”? Longhairs playing pure country honk? Why, the idea was unthinkable, risible even, although The Byrds themselves had dabbled in country before and Bob Dylan himself would make the transition soon enough.
To add authenticity, The Byrds (McGuinn on acoustic guitar, banjo, and vocals; Chris Hillman on bass, mandolin, acoustic guitar, and vocals; Parsons on acoustic guitar, piano and organ, and vocals; and Kevin Kelley on drums) wrangled up a crew of mostly Nashville ringers, including legendary electric guitarist Clarence White (who would die tragically in 1973, hit by a drunken driver); John “Tear Down the Grand Ole Opry” Hartford on banjo, fiddle, and acoustic guitar; Lloyd Green and JayDee Maness on pedal steel guitar; Roy Husky on double bass; and Earl Poole Ball and Barry “Electric Flag” Goldberg on piano.
VIA PRESS RELEASE | “He’s got one of the most melodious voices ever transmuted into a piece of vinyl, matter of fact.” —Bob Dylan
The most comprehensive collection ever assembled of Louisiana music legend Bobby Charles’ studio recordings and life, The Bobby Charles Story, is released via The Last Music Co. The definitive 8-disc set includes seven CDs with 122 tracks, a previously unreleased documentary film on DVD, and a 12-inch-square, full-color hardback book featuring several interviews, discographical notes, essays, and career-spanning photos. Order HERE.
The seven-CD audio collection spans more than four decades of Charles’ music, from his early Chess and Imperial recordings through his landmark Bobby Charles album for Bearsville (1972), The Bearsville Studio Sessions (1974), Clean Water (1987), Wish You Were Here Right Now (1994), Secrets Of The Heart (1998), a double-CD set, Last Train To Memphis (2004), Homemade Songs (2008), and Timeless (2010). Completing the oeuvre is David Dubos’ full-length film documentary, In a Good Place Now, which debuts on DVD as part of The Bobby Charles Story. Malcolm Mills, founder of The Last Music Co., conceived, compiled, and produced the collection.
All told, The Bobby Charles Story is a remarkable archive of work by a trailblazing American original, championed by everyone from Bob Dylan to Dr. John. The comprehensive collection captures Charles on his own terms: he wrote and produced nearly all of these 122 songs, representing the brightest gems unearthed from more than four decades of soul-searching in his own tower of song.
The Zombies—Colin Blunstone, Rod Argent, Chris White, Paul Atkinson, and Hugh Grundy—are a group that collectively and individually have lived many lives.
Their 1968 album, Odessey and Oracle, may be their high-water mark and one of the best albums of the 1960s. Leading up to that album, the group released other albums, as well as, more fruitfully, a long list of singles that can match or exceed those of nearly every other group or artist to emerge from the British Invasion.
While the tracks “Time of the Season,” “She’s Not There,” and “Tell Her No” were all hits, they weren’t the only singles or B-sides that reflected all their song talent. The Zombies had the effervescent, joyous pop sound that defined the British Invasion, complete with jangly guitars and soaring harmonies. However, they also had a sly jazzy side, primarily reflected in Rod Argent’s keyboard style.
Before Odessey and Oracle, the group had only released two albums. They were Begin Here in the UK and The Zombies in the US, both released in 1965. Begin Here had 14 tracks, and The Zombies had 12. The albums shared seven tracks.
Lexington, KY | Small-Business Spotlight: Good Reception Records. A new record shop coming to Southland Drive is already getting a good reception, before even opening its doors. Led by Chase Fairchild, Good Reception Records has been rolling out its brand throughout the year, with pop-up shops throughout Central Kentucky and a slick marketing campaign that has local audiophiles eager for more. “I joke with our guys that we’re a marketing company that sells records, even though we don’t have a shop to do it in yet,” said Fairchild, who is also the founder and CEO of the local boutique marketing firm Bolt Marketing. “Despite this it’s still been important to get the word out about what’s coming, and our experience together at Bolt has certainly helped with that.”
Pasig, PH | This record shop owner strives to keep cassette, vinyl music alive: Ge Timbreza has lived and breathed music for as long as he can remember. In his younger years, he played in a band with his friends. Then, he started collecting CDs and cassette tapes just for the fun of it. Timbreza was just in high school when he bought his own cassette player. To this day, the nostalgia of listening to old records hits just as hard—and it’s a feeling he believes he can never replicate from streaming music online. Timbreza’s love for music didn’t just take him down memory lane. In 2017, it also led him to establish Spin The Reel Music Trade, which now operates daily in Pasig City. His wife, Charm, has always been supportive of him. His 16-year-old son is also one of the reasons why the business keeps running, since he also inspires him to pursue music.
Glasgow & Edinburgh, UK | Vinyl revival helps turn 30-year-old Scottish hi-fi firm into £3.5m business: A Scottish audio retailer with stores in Glasgow and Edinburgh is celebrating 30 years in business as a revival of physical music formats such as vinyl and compact disc helps attract new customers. Loud & Clear, founded by Allan Boyd in 1996, has grown into a specialist hi-fi retailer attracting customers from across the UK and beyond, while remaining firmly rooted in Scotland, which still accounts for more than three-quarters of its business. Turnover at the firm, which opened an Edinburgh branch in 1999, is expected to reach a record £3.5 million this year as a new generation of music lovers discovers vinyl and high-quality home audio. It comes as vinyl continues its resurgence, thanks in part to Generation Z…
South Salt Lake, UT | This historic Utah home’s reinvention as a record store began with a kiss at a Smashing Pumpkins concert: Mood Ring Records puts a different spin on how music lovers find their new favorite albums. …The store is a museum to the couple’s shared love of music. The gallery wall in the record room is home to framed posters of shows they’ve attended together. A frame on a shelf has physical tickets from Wilco, PJ Harvey and Fountains of Wayne shows. The Medinas pride themselves on having an eclectic collection, something for everyone, with music from their own personal collections, items people bring in and things they order. “I listen to everything,” Jesse said. “If you look through these bins, you’ll see country, jazz, hip hop, R&B, electronic, indie, noise, hardcore, punk … there’s different ways of expressing your emotion through music and every genre has something to contribute.”
VIA PRESS RELEASE | On March 19, 1957, Louis Armstrong and His All Stars performed before 1,200 fans at Highland Park High School, 27 miles north of Chicago, at a concert raising funds for the Highland Park Reform Temple. Nearly 70 years later, that performance is being released for the first time as One Night in Highland Park. The first single from the album is the joyfully energetic track, “Ole Miss,” a piece Armstrong had been playing since his teenage years in New Orleans.
Armstrong was at a high point in his career. Beloved around the world as America’s “Ambassador of Goodwill,” he was enjoying the success of his 1955 hit “Mack the Knife,” the album Ella and Louis and the film High Society. Just two days before Highland Park, he had performed two shows at the Chicago Opera House. Yet Armstrong continued to play high school auditoriums and other venues across the country as part of a demanding schedule of one-night engagements.
For Armstrong, these performances were about reaching his audience. “I play them because I love music,” Armstrong explained in 1957. “I don’t mind traveling and that’s where the audiences are—in the towns and cities—and that’s what I want, the audience.”
The Highland Park concert might have remained simply another date on that schedule if not for Joel Goldstein, who was serving as student Stage Manager for Armstrong’s visit. He decided to record the performance for himself, hanging two Telefunken microphones from a batten and recording the show on an Ampex reel-to-reel machine. Goldstein kept the tape, preserving a night that otherwise might have been lost.
VIA PRESS RELEASE | Florence + The Machine announce a live recording of her critically-acclaimed tour, the Everybody Scream Tour Live album available digitally on November 6 with vinyl available for pre-order now. Alongside the announcement, Florence’s live performance of “Which Witch” is available on all streaming platforms. Pre-order the album HERE.
Following the North America, UK, and Europe legs of the Everybody Scream Tour earlier this year, Florence + The Machine bring the live experience to listeners worldwide. The North American run included sold-out New York shows at Madison Square Garden and Barclays Center, along with two sold-out nights at Los Angeles’ Kia Forum.
Across five albums—2009’s Lungs, 2011’s Ceremonials, 2015’s How Big, How Blue, How Beautiful, 2018’s High As Hope, and 2022’s Dance Fever—Florence has become one of the most monumental artists of a generation, with multiple US and UK #1 albums and countless awards.
Known for her earth-shattering live show and singular, iconic voice, Florence has sold out shows and headlined festivals the entire world over. She has collaborated and shared stages with icons—The Rolling Stones, Lady Gaga and Taylor Swift among them—and published a book of lyrics, poetry and drawings, Useless Magic.
Celebrating Chris Difford on his 72nd birthday. —Ed.
From England’s green and pleasant land, an unprepossessing and pleasant band—Squeeze aren’t out to change your life, just to provide you with friendly and understated pop gems, domestic and romantic tableaux of the sort that won me over even when I was at the height of my Anglophobia.
The Village Voice’s Robert Christgau more or less summed up my sentiments when he wrote of Squeeze’s 1982 compilation Singles – 45’s and Under, “They’re so principled in their unpretension, so obsessed with the telling detail, that their lesser moments are passively minuscule—not unfine when you squint at them, but all too easy to overlook.”
People are always talking about Chris Difford and Glenn Tilbrook as if they’re the McCartney and Lennon of the early eighties, but back me against a wall and the only Squeeze songs I can name are “Tempted,” “Pulling Mussels from the Shell,” and “Black Coffee in Bed.” And I considered myself a fan. Not a huge fan, but I saw them live on a pier in New York City once. Pity I was three sheets to the wind and almost fell off the pier.
But just because I don’t remember most of the songs on Singles – 45’s and Under doesn’t mean they’re not worth hearing. There’s a real warmth to Squeeze’s music, even if Difford and Tilbrook are rather cool customers. They’re Apollonian formalists, and pure popcraft is their strong suit. I’m talking immaculately put-together songs with smart words about heartbreak and occasionally irresistible melodies.
Black Friday Record Store Day is right around the corner. If you’re planning to come home with a stack of new wax, it might be time to think about what you’re going to spin it on.
I’ve been living with U-Turn Audio’s Orbit Plus for the last few weeks, and I’ll say it up front: this turntable changed how I listen to records. It doesn’t do more than the table I had before. It asks more of me, and it gives more back.
U-Turn is a small outfit out of Woburn, Massachusetts. Ben Carter, Bob Hertig, and Peter Maltzan started the company in 2012 with a simple idea: build a turntable that sounds great, looks great, and doesn’t cost a month’s rent. More than a decade later, every Orbit is still put together by hand in their shop.
Ben sent me the Orbit Plus in black with U-Turn’s own Pluto 2 phono preamp built in and an Ortofon OM 5E cartridge, which sells for $479. If you already own a preamp, skip it and the price drops to $399. Most people stepping up won’t own one, though, and with the preamp built in you can run the Orbit straight into a pair of powered speakers. No extra box, no extra cables.
Opening the box felt like getting something from a friend, not a factory. No fluff, nothing wasted, just everything packed tight and safe. Sitting right on top was a handwritten note thanking me for my business and telling me how to reach them if I ever needed help. When’s the last time a piece of gear did that?
When it comes to labels that specialize in the revitalization and growth of traditional roots styles, Free Dirt Records has been one of the most consistently interesting. The Long Memory: 20 Years of Free Dirt Records, a new anniversary set featuring unreleased demos, B-sides, and live cuts from a diverse range of the label’s acts, reinforces Free Dirt’s success in its worthwhile mission. The vinyl and digital are out on November 6.
It took two decades to get to the occasion that inspired this album. That’s a very long time for a record label to survive. Free Dirt hit this milestone by focusing on the work, so let’s do the same. Nashville-based Liv Greene opens the album with “I Can’t Know Now (Demo),” offering just vocals and guitar, warm and resonant, the strings boldly strummed, the singing pretty but powerful. It’s the kind of demo that can make one wish for a whole album of the same.
The St. Louis-based Rum Drum Ramblers are next, teaming up with another guy with St. Louis roots, the mandolinist and singer Pokey LaFarge for “Brick by Brick,” a sturdy and nimble tune halfway between hokum and the sort of contemporary string band flair that knocks them dead at summer festivals.
Durham, NC-based Viv & Riley (that’s Vivian Leva and Riley Colcagno) join with Nashville’s Rachel Baiman for the next selection. The three have recorded a whole album as kissing other ppl; for “The Long Game” here, the sound is country-inflected indie folk with robust vocal harmonies, crisp banjo and edgy guitar licks. It all goes down quite nicely.
Verona, NJ | A New Record Store, Needle Drop Records, is Coming to Verona, New Jersey: Heads up, music lovers: there’s a new spot to visit in Essex County. Needle Drop Records is a new record store set to open at 660 Bloomfield Avenue in Verona, on the corner of Bloomfield and Grove Avenues. Founded by Verona resident Brian Russell, the store will feature vinyl directly from his 18-year-old collection, as well as other music-related items. The Montclair Girl had a chance to speak to Brian about the business, which will be opening on November 7th.
Edinburgh, UK | ‘End of an Era.’ Beloved Scots record shop to close after 43 years: A popular Scottish music shop has announced its shock closure after over 40 years, leaving customers gutted. Vinyl Villains, in Leith, Edinburgh, has been a favourite in the area since it first opened in 1983. Located on Elm Row, at the top of Leith Walk, the old-school record store is famous for its huge collection of rare, pre-owned and collectable vinyl. It is also praised for its range of secondhand CDs, DVDs, music books, and band T-shirts. But the beloved shop has now revealed that it is set to shut for good after serving customers for more than four decades. The sad news was shared with customers on social media, explaining that it comes after “rocketing” rent increases.
Tallahassee, FL | Vintage & Vinyl: A guide to second-hand shopping in Tallahassee: Retrofit Records. Not into fashion? Don’t worry, Tallahassee is also home to Retrofit Records, where you can buy and sell used vinyl. This store has something for every kind of music lover and frequently hosts album release listening parties with exclusive merchandise. After spending the morning at a thrift store, you can swing by this record shop and level up your listening game, too. Whether you’re a long-time vinyl lover or just bought your first turntable, flipping through the countless crates is a great way to find new artists and decorate your dorm at the same time.
Calgary, AL | ‘Those two gentlemen changed everything’: VinylCentric’s new exhibit celebrates duo who created the groundwork for Canadian recording industry. …The 6000 Series tells the stories of two men who helped lay the groundwork for the Canadian recording industry. One is Walt Grealis, a former police officer with a passion for music whose contributions have been relatively well-documented. He founded the magazine RPM, which stood for Records, Promotion, Music, in 1964 and used it to tirelessly advocate for Canadian artists, making him a lone voice at the time. He invented the term CanCon and played a major part in establishing a Canadian star system in the music industry by co-founding with partner Stan Klees the RPM Gold Leaf music awards in 1970, which eventually became the Juno Awards.