The TVD Storefront

TVD Radar: Blancmange, Happy Families, Mange Tout, and Believe You Me reissues in stores 12/4

VIA PRESS RELEASE | UK synth-pop outfit Blancmange’s first three studio albums: Happy Families (1982), Mange Tout (1984) and Believe You Me (1985) are to be reissued by London Records on LP and CD, revisiting a landmark period in the history of British electronic pop. Each album features freshly restored artwork and will be available on vinyl (new 2026 vinyl cuts, faithfully following the original track listings), and on CD, each featuring bonus tracks including B-sides, extended versions and remixes.

Originally released within a remarkably prolific run of four years, the three first Blancmange albums capture Neil Arthur and Stephen Luscombe at their most inventive, combining infectious synth-pop melodies with restless experimentation, distinctive rhythms and influences that reached well beyond the conventions of mainstream pop, and would go on to inspire a slew of artists including the likes of Moby, John Grant, and Honey Dijon.

Blancmange signed with London Records in February 1982 and, with their first flush of early global success of “Living On The Ceiling,” embarked on one of the great Imperial Phases of synth-pop. Their singles were Radio One hits secretly nourished by the likes of Can and Captain Beefheart, buoyed by off-the-wall videos and wrapped up in surreal sleeve iconography.

Described by Classic Pop as “a fine record featuring razor-sharp production, whose impressiveness only improves with age,” 1982’sHappy Families is reissued on transparent orange vinyl. The CD version features studio B-sides, some BBC session tracks and contemporary remixes of “Living On The Ceiling” by Roman Flügel and Richard Norris, both available on CD for the first time.

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Graded on a Curve: Poison, Open Up and Say… Ahh!

Celebrating Bobby Dall, born on this date in 1963. —Ed.

I finished this review only to discover–much to my chagrin-that I wrote one 3 years ago. Just more proof, as any was needed, that I have the memory of a house fly. In any event, this new review is 150 times better than the old one. Besides, all self-respecting music critics should return to this hair metal masterpiece every couple of years. It’s that great.

Judging by the Punky Meadows look-alike on the cover of their 1986 debut and the twin sister of Gene Simmons on their second, these Mechanicsburg chest waxers couldn’t decide whether they wanted to be Angel or Kiss, so they went ahead and bested both of ‘em. Glam metal idols in the days before Kurt Cobain placed former hairdresser Rikki Rockett’s skyscraper ‘do on the endangered species list, Poison packed enough hair to stuff a mattress into their metal and by so doing lubed the loins of a million girls itching to steal their makeup.

Had Poison been nothing more than a pretty pooch, they’d have gone the way of Cats in Boots, and poor C.C. DeVille would have had to scuttle back to Three Mile Island with his poison blue Flying V guitar beneath his legs. But Poison had the skills to pay their thousand-dollar spandex bills and come Open Up and Say… Ahh! only Guns ‘N’ Roses had more powder in their pistol.

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TVD Radar: Eva Cassidy, Jazzed 2LP in stores 11/13

VIA PRESS RELEASE | It can be said that Eva Cassidy could sing the phone book. Her song choices ranged from conventional pop to R&B to blues to country to the classic American songbook. The breadth of genres that populate the finite recordings she made during her short lifetime explain why she could never be categorized as any one thing, and perhaps to her detriment, marketed to a mass audience in a way that would truly define her.

Since her passing at 33, Cassidy has stood out not only for her ethereal voice but for her incredible ability to re-imagine a well-known song and make it her personal property. Now Blix Street Records, the label that has curated the small catalogue of material she left behind into more than a dozen posthumous Eva Cassidy compilations, zeroes in on her penchant and acumen for delivering stellar jazz vocal performances with a new collection called Jazzed.

Aided by 21st century technology that allows for Cassidy’s singular vocals to be backed by a combination of entirely new jazz band arrangements and re-mixed versions of her original band accompaniments, this new 10 song collection of familiar tunes is a bittersweet reminder of what might have been had Cassidy lived to fully explore her musical potential. Jazzed arrives in stores on November 13 and is now available for pre-order.

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The TVD Storefront

Graded on a Curve:
Tim Buckley,
Greetings from L.A.

It must have come as quite a shock. I’m talking about the moment fans of super-sensitive singer-songwriter and cult artist Tim Buckley—a folky introvert with jazz/avant garde leanings—rushed to the record store to buy 1972’s Greetings from L.A., only to discover that it wasn’t the next Starsailor. It was a full-blown funk and R&B SEX record, complete with whips and chains and some Buckley imposter (it had to be!) singing “Get on top of me woman!” and “Well like a bitch dog in heat we had those bed springs a squeakin’ all night long.”

Cue up gasps of shock from every sensitive soul in America! James Taylor and Carole King would never have gone the raunch route! THIS was obscenity, perversion, trash! What happened to the gentle and ethereal soul who gave us “Song to the Siren,” with its immortal line “I’m as troubled as the oyster”?

Well, it seems Buckley was tired of being Mr. Cosmic Ethereal. The Sexual Revolution was in, and fey and introspective bullshit like “Phantasmagoria in Two” was out. Fuck navel-gazing—Tim Buckley wanted to fuck!

Buckley’s shocking metamorphosis positively gobsmacked Chrissie Hynde (then freelancing for New Musical Express): “I trotted dutifully,” she wrote, “to some bowling alley dive to see him and felt my brains drip outta my ears when the virginal innocent of my dreams got on stage and started belting out “Get on top of me, darlin’ woo-man! Let me see what you learned!”

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A morning mix of news for the vinyl inclined

In rotation: 11/2/26

Edinburgh, UK | Legendary Edinburgh record store Vinyl Villains announces sad closure after four decades: Andy Watters, owner of Vinyl Villains record shop in Edinburgh, said it was “hard to believe” customers’ upset at news of his retirement. A legendary record store that has been a staple of Leith Walk for decades is set to close as its owner retires after more than 40 years. Vinyl Villains’ owner Andy Watters has been selling vinyl at the Elm Row shop since 1983 and said it was simply “time to do something else.” According to the 69-year-old, customers were devastated to discover he was shutting up shop next January, a move he said was not motivated by an approaching rent increase.

Edinburgh, UK | 6 of the best record shops to visit in Edinburgh this weekend: Edinburgh has a buzzing independent record shop scene, offering music lovers the chance to explore everything from classic rock and soul to jazz, punk, electronic music and the latest releases. One of the joys of visiting independent record shops is the experience of browsing through crates of vinyl, discovering forgotten albums and stumbling across unexpected treasures. Whether you’re searching for a rare first pressing, a favourite album from your youth or something completely new, each shop has its own character, specialist knowledge and carefully curated selection. Here are six of the best record shops to visit in Edinburgh this weekend.

Oshawa, ON | Will McGuirk’s downtown Oshawa comeback: The Press vinyl café and lounge open now. Oshawa’s downtown community was rattled earlier this year by the loss of Kops Records—a shop that was transformed by manager and downtown staple Will McGuirk into an all-purpose hub for local music, art and community-building. As of this week, McGuirk is officially back downtown with a new venture in the space formerly occupied by Kops—The Press. The new café, record store and lounge emerged from McGuirk’s conversations with Avanti Trattoria manager Domenic Albis when Kops was closing. Albis said the closure left a “lost hole” downtown and decided to go in with McGuirk on the new business, which would be part store and part evening lounge.

Newcastle, UK | Newcastle vinyl store ‘trying to find a way forward’ as store at risk of closing: The record store moved out of the city centre due to rising costs. A recent post from a Newcastle record store has drawn attention online. Beyond Vinyl, located in the John Marley Centre near Denton, has had a tricky few months trying to stay afloat. The post to the store’s Facebook page said: “I’ve spent months trying to work out how we keep Beyond Vinyl going as a physical shop. I think it’s time I shared where we’re at and what I’m trying to do about it.” The details of the difficulty include supplier debt from Record Store Day, a day meant to increase profits for independent record stores, but that can often lead to crowd surges for only one day a year. However, day-to-day costs have played a large part in why the shop is now struggling.

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The TVD Storefront

We’re closed.

We’ve sent the TVD team home early this week so they can visit their own local record stores. Who does this? We do.

While we’re away, why not fire up our Record Store Locator app and visit one of your local indie record stores? Perhaps there’s an interview, review, or feature you might have missed? Catch up, and we’ll see you back here on Monday, 11/2.

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TVD Cleveland

TVD Live Shots:
Greg Freeman at Mahall’s, 10/23

Greg Freeman and band stopped by Mahall’s on Friday night to give Clevelanders a solid dose of sweaty, heartfelt, impressive indie rock.

The set was heavy on tracks from All Set the Bone, released this month to critical acclaim, and was a great follow-up to his (also great) 2025 album, Burnover. Live, the cleverly worded songs seethe with energy and captivated the room. His US tour continues through November, culminating in a Burlington, VT, homecoming show on November 21 (he now lives in Chicago).

See him at a smaller venue while you can.

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TVD Radar: Ozzy Osbourne & Black Sabbath, Back To The Beginning 2LP vinyl editions, 4K Ultra HD, Blu-ray in stores 12/11

VIA PRESS RELEASE | Following today’s worldwide cinematic release of Ozzy Osbourne & Black Sabbath: Back To The Beginning, music fans around the world will now be able to celebrate the historic final performances from Ozzy Osbourne (solo) and with the original Black Sabbath lineup via the official soundtrack release available December 11, 2026 on a variety of formats including 4K Ultra HD, Blu-ray, CD, and vinyl, as well as digitally. Pre-order HERE.

Presented in Dolby Atmos, as well as Dolby 2.1 and 5.1, the full-length Ozzy Osbourne & Black Sabbath: Back To The Beginning concert film will be available in a range of physical formats, including a 2-disc Blu-ray and CD edition, 2LP vinyl and a 2-disc Blu-ray collection with exclusive limited-edition coloured vinyl variants (grey splatter vinyl available at Ozzy’s store, purple splatter vinyl available at the Black Sabbath store and metallic vinyl at specialty/indie shops), along with a digital album.

A Deluxe Box Set, featuring an expanded collection of music, memorabilia and collectables, will be available to pre-order from October 28 ahead of its release in April 2027. This will include a bonus HD Blu-ray featuring all 35 Ozzy Osbourne and Black Sabbath songs and covers performed by special guests. The soundtrack is set for worldwide release via Mercury Studios.

The July 5, 2025 Back To The Beginning show at Birmingham’s Villa Park marked Ozzy Osbourne’s last performance and farewell to his fans (in his hometown just 17 days before his untimely death) reuniting with his Black Sabbath band mates: Tony Iommi, Geezer Butler ,and Bill Ward marking the iconic group’s first performance together in more than 20 years and their triumphant final show. The sold-out show commanded more than three million requests for the 44,000 available tickets with the event watched by a record-breaking global live audience.

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Graded on a Curve:
The Moody Blues,
Go Now–The Moody Blues #1

Remembering Denny Laine in advance of his birthdate tomorrow.
—Ed.

Though the music they produced was only fitfully successful, the Denny Laine-fronted incarnation of The Moody Blues deserves to be remembered for more than a momentary chart fling topped by a gem of a single. In ’65, they released an album at home and another in the US under distinct titles, both with a dozen tracks, and with a third of each LP unique. The better of the two, Go Now–The Moody Blues #1, was issued in the States by London Records.

Heavy on covers and by extension lacking in gestures toward originality, the ’64-’66-era Moody Blues are unlikely to be many people’s (I’ll stop short of saying anybody’s) most beloved component in the British Invasion. In fact, talk of the group today reliably focuses on the post-Denny Laine/Clint Warwick lineup, which saw new members John Lodge and Justin Hayward helping to transmogrify the Moodies into one of the leading, if artistically lesser, examples of Symphonic Rock. I won’t sully the Prog genre with an inapt association since there was hardly anything progressive about The Moody Blues Mk 2.

Instead, they exemplified the Middlebrow impulse, though that’s ultimately a separate discussion. This piece concerns a band that came together when the leader of Denny Laine and the Diplomats joined up with a bunch of nameless Birmingham hopefuls; their main desire was to hit it big or even just making a good living; they briefly played as the M & B 5, the initials an attempt at landing sponsorship from two local beer brewers (last names Mitchell and Butler). And, like many of their contemporaries, The Moody Blues’ method, at least initially, was the borrowing and alteration of Rhythm and Blues.

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Needle Drop: Ten Years After, Cricklewood Green

When fans of British rock think of guitar heroes, the names Jimmy Page, Eric Clapton, Jeff Beck, and maybe even Peter Green often come to mind, and, even though he was American, Jimi Hendrix cut his teeth, made his name, and became the ultimate guitar hero in England. Another name that should be on the list is Alvin Lee.

Lee is best known for his band Ten Years After and their incendiary performance of “I’m Going Home” in the Woodstock film. While that commercial peak is iconic, the music Ten Years After made before and after is considerable. Though often pigeonholed as strictly a British blues rock band, the group went through many phases in a relatively short period.

Their self-titled debut album in 1967 was a psychedelic classic in that seminal year of the “Summer of Love.” The group’s 1968 Undead album was a live album recorded at the tiny, legendary London club Klook’s Kleek and reflects a wide variety of styles.

Stonedhenge, also in 1968, continued the psychedelic sound, with a grittier blues attack. Ssssh wasn’t necessarily the album that broke the group wide open, but it was already recorded and scheduled to come out after the group’s performance at Woodstock in late August of 1969.

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Graded on a Curve: Walter Daniels & Jack Oblivian, “Sailing the Concrete Seas”

Harmonica man and hearty singer Walter Daniels has hit the studio with Jack Oblivian on more than one prior occasion, with the recorded evidence frequently giving Daniels’ bluesy heft an infusion of garage punk grit. There is some of that on their latest collab, the 4-song EP “Sailing the Concrete Seas,” but as the title illuminates, there are also two versions of vintage truck-driving songs that are downright swank as they hit the ear. This 7-inch vinyl platter is available now as a split release between Black & Wyatt Records of Memphis, TN, and the Ghost Highway label of Madrid, Spain.

This short player spins at 33 1/3 rpm, and in extending the teamwork of Daniels and Oblivian, it can’t help but bring to mind the stuff they kicked out with former Gibson Bros manic Monsieur Jeffrey Evans. This is because back in 1990 the Gibson Bros (at that point still a four-piece) released a collab Punk Rock Truck Drivin’ Song of a Gun with the Workdogs (that’d be Rob Kennedy and Scott Jarvis), the LP’s title a direct reference to country singer Dave Dudley’s 1965 album Truck Drivin’ Son-Of-A-Gun.

Half of the contents of “Sailing the Concrete Seas” are versions of songs from that Dudley record, “I Got Lost,” written by noted country singer-songwriter Tom T. Hall, and “Two Six Packs Away,” a song credited to rockabilly cat Ronnie Self. “I Got Lost” works up a big-guitar groove halfway between a Nashville honky-tonk and an all-night Bakersfield diner, and that’s just killer. There’s a touch of Daniel’s mouth harp in the mix, but the blowing is harder and longer in the midst and also in the waning moments of “Two Six Packs Away.”

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A morning mix of news for the vinyl inclined

In rotation: 10/28/26

Lehighton, PA | New independent record store with punk roots opens for business in Poconos downtown: A new independently owned record store has opened in Lehighton, giving music fans and collectors in Carbon County a dedicated space to buy, discover and celebrate physical music, the Lehighton Downtown Initiative announced on Friday. The Record Bunker, located at 325 Cypress St. (rear entrance), carries new and used vinyl records, CDs, cassettes, band merchandise, posters, clothing, music accessories and releases from independent and underground artists. The store’s inventory spans a wide range of genres, including punk, hardcore, heavy metal, classic rock, alternative, country, pop and hip-hop.

Tempe, AZ | This new store brings punk culture back to Tempe. Here’s a look: The newly opened 45 Revolutions aims to revive a piece of Tempe’s music culture. Stepping into 45 Revolutions in Tempe is like diving head-first into a mosh pit of punk culture. Almost every inch of the newly opened 1,100-square-foot store tucked into the armpit of a University Drive strip mall is slammed with apparell and paraphernalia from the genre. Record bins contain LPs from bands like Stiff Little Fingers and Blitz. Shelves are stocked with pins and patches. Elsewhere, racks display black-and-white fanzines, T-shirts and books. The shop is the brainchild of locals Brian Paulson and Taylor McKissick, who aim to give the Valley something that’s more rare than a Fugazi tour: a store almost entirely devoted to punk culture. It almost never happened, though.

Sheffield, UK | Vinyl Riot shop opening in Orchard Square shopping centre in Sheffield amid surge in sales: A record shop is opening in a popular shopping centre in Sheffield city centre. Vinyl Riot is moving into Orchard Square. Posters state it will sell vinyl records, T-shirts, alternative fashion, posters and merchandise. Prior to that it was Printed by Us charity T-shirts and Fat Face before that. It comes amid a resurgence in record buying. In May, The Star revealed record shop Memory Dance was opening on Chapel Walk.

Manhattan, KS | Sisters of Sound: More than the music. For over 2 decades, the Cunnick sisters have turned their love for music into an Aggieville staple. Among Aggieville’s bars, restaurants and college nightlife sits a shop playing a different kind of music. For nearly 22 years, Sisters of Sound Records has kept Manhattan in tune, one record at a time. “We’re not a restaurant, we’re not a bar, we’re kind of a shop of misfit toys,” Sarah Cunnick, Sisters of Sound co-owner, said. “We’re different than everybody else, but we’re also kind of the same. We’re all selling something.” Sarah and her sister, Leah, grew up in McPherson, Kansas, before they made their way to Manhattan for college. It was the music that kept Sarah here.

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TVD Washington, DC

TVD Live: The Jayhawks with The Cactus Blossoms at Lincoln Theatre, 10/21

The Jayhawks are marking four decades as a band on their current tour, and in all those years, they’ve been a reliably consistent Americana mainstay. A headlining theater date in Washington showed not just the verve of their latest album, Sanctuary Park, their 12th, but also how many great songs they’ve recorded since 1996.

Perhaps it was the wide stage of the venue (they usually stop at cozier places like the Birchmere Music Hall when they are in the area), but it’s odd to see the band as a quartet now after so many years as mostly a quintet.

Gary Louris has been the undisputed leader and frontman of the group ever since Mark Olson left in 1995, but usually there has been a second guitarist up there with the rest of the band—bassist Marc Perlman, drummer Tim O’Reagan, and keyboardist Karen Grotberg. Visually, it was a bit odd that Grotberg was off by herself a little farther stage left, apart from the other three. The lights weren’t much to talk about either.

But, oh, the songs. Seven of the 11 tunes on Sanctuary Park were showcased, starting with the opening “Keeping Our Heads Above Water” to the attempted singalong “Rowing the Boat” in the show’s encore. Louris had a lot to do—singing, playing acoustic or electric guitar as required, providing harmonica if needed, and trying to engage in between-song patter. Dedicating several songs to his wife Stephanie, whom he married in 2020, Louris also said she inspired the new songs and their sunnier direction.

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TVD Nashville

TVD Live Shots: The Linda Lindas, Grace Bowers, and Tayls at the Basement East, 10/19

If October 19 at The Basement East in Nashville, Tennessee proved anything, It’s that rock and roll is nowhere near dead. In fact, it might be getting a much-needed reboot. With Tayls, Grace Bowers, and The Linda Lindas sharing a bill, the night was a reminder that the next generation of rockstars isn’t waiting for permission to take up space. They’re plugging in, tuning up, and saying exactly what they need to say.

First up, East Nashville’s own Tayls brought the kind of chaotic-good energy that makes a local music scene feel like a community rather than a competition. The self-proclaimed “friendship punk” collective has been building its DIY scene, or more accurately a DIT (do it together) since 2017.

Mixing psych-pop, glam rock, and pop punk into an unpredictable kitchen sink performance—think Flaming Lips colliding with David Bowie, and a lil zest of Queen with absolutely no interest in keeping things tidy. Tayls’ version of a pit isn’t about throwing elbows; it’s about unleashing your inner goofball and dancing like no one is watching. Every musician on stage looked like they were having the time of their lives, and THAT joy was contagious. The band may have opened the show, but the energy they served was anything but introductory. Consider the room officially warmed up.

Next came Grace Bowers, and, honestly, the guitar-shredding allegations are true. At age 20, Bowers has the immediate rockstar stage presence that can’t be manufactured by a major-label machine or marketing team, and it makes you look up from your phone and wonder who the hell just walked out on stage.

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The TVD Storefront

TVD Radar: Spy Rock Memories second edition by Larry Livermore in stores 3/2

VIA PRESS RELEASE | “Greaser, hippie, glam rocker, punk… Larry tells some amazing stories. And I’m stoked he’s my friend.” —Billie Joe Armstrong

Don Giovanni Records has announced the second edition of Spy Rock Memories by Larry Livermore, out March 2, 2027. The new edition features words from Aaron Cometbus, an interview with Tre Cool about growing up on Spy Rock, reflections from the author, and 22 added photos.

In 1982, Larry Livermore, an ex-greaser, post-hippie, burnt out and disillusioned by the Bay Area punk scene, journeyed north into an off-the-map, off-the-grid mountain wilderness at the heart of California’s Emerald Triangle, in search of something “real.”

Things got way more real than he’d bargained for. He confronted blizzards, droughts, floods, fires, marauding bears, skunks, rattlesnakes, and a posse of ornery pot growers, all while launching a magazine, a solar-powered punk rock band, and the DIY record label that introduced the world to Green Day, Operation Ivy, and Screeching Weasel.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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