A morning mix of news for the vinyl inclined

In rotation: 6/20/25

Devon, UK | Record shop to reopen in new location this weekend: Newton Abbot’s independent record store is turning the page on an exciting new chapter as it prepares to relocate to new premises in the town. After 20 years on Queen Street, Phoenix Sounds is relocating just a short walk across town to East Street. The store will reopen on June 21. The move marks a significant milestone for the stores owners, who have spent the last three years growing a loyal community of vinyl lovers and music fans from across Devon and beyond. The new premises promises the same great mix of new and second-hand vinyl, friendly expertise, and passion for music—just in a fresh new space, designed to offer a different, modern, shopping experience which concentrates more on vinyl, the Mid-Devon Advertiser understands. ‘We have loved being part of the Queen Street community, but this move gives us the opportunity to continue doing what we love in a location that works better for our future financial needs’, Roger Cox, co-owner of Phoenix Sounds, said.

US | 11 Black-Owned Record Stores You Need To Visit This Month: Whether you’re into jazz, hip-hop, or old school soul, these establishments offer more than music—they offer an experience. Black music has long been the heartbeat of American culture; creating soundtracks for every generation. This Black Music Month, we’re celebrating the spaces that keep that heartbeat alive—Black-owned record stores. These aren’t just retail shops; they’re cultural institutions, gathering places, and hubs for sonic discovery. Whether you’re a seasoned collector or a casual listener, these shops invite you to slow down, dig deep, and listen intentionally. …From the gritty boom-bap echoing through Norfolk’s Freshtopia to the soul-drenched crates at Serious Sounds in Houston, each store is rooted in purpose, pride, and passion for Black sound and self-expression. Here are 11 Black-owned record stores to visit this month—and beyond.

Bristol, UK | Tacos and vinyl coming soon to Bristol: A record store and eatery that’s been teasing its new space for over a year might finally be on the verge of opening. Alta Loma first announced their store in May 2024, with plans of opening by the end of summer that year. While talks of opening dwindled off in 2024, the team behind Alta Loma have recently begun sharing updates about the store’s progress with an opening date hopefully around the corner. The site on Upper Maudlin Street within the Christmas Steps Arts Quarter was previously home to jewellery store and art gallery, Flux, who have since moved to Cotham Hill. Talking about the store’s opening, a member of the Alta Loma team said: “At the moment we’re at the final stages but can’t commit to an opening date quite yet. “Looking at the next couple weeks though.” Visitors at the new store—which is only a stone’s throw away from the BRI—will be able to shop for vinyl records in the basement before heading upstairs to feast on delicious Mexican street food.

New Orleans, LA | Louisiana Music Factory to celebrate its 33 and 1/3 anniversary with day-long free concert: Kermit Ruffins, the Tin Men, Little Freddie King, Corey Henry and Cyril Neville all scheduled to perform at the Frenchmen Street store on Saturday, June 21, 2025. The 30th anniversary of the Louisiana Music Factory came and went with little fanfare in February 2022, thanks to the lingering effects of the pandemic. Owner Barry Smith’s brother Bruce, a hard-core music fan and retired petroleum engineer, suggested the store mark its 33 1/3 anniversary instead. That number, of course, corresponds to the rpm—the revolutions per minute—of most 12-inch vinyl albums. “We all thought that was funny,” Barry Smith said. So on Saturday, June 21, the independent music store at the corner of Frenchmen and Decatur streets will celebrate its “33 & 1/3rd” anniversary with an afternoon of in-store performances.

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The TVD Storefront

We’re closed.

We’ve closed TVD’s HQ for the Juneteenth holiday. While we’re away, why not fire up our Record Store Locator app and visit one of your local indie record stores?

Perhaps there’s an interview, review, or feature you might have missed? Catch up and we’ll see you back here tomorrow, 6/20.

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The TVD Storefront

TVD Live Shots: Thomas Rhett with Tucker Wetmore at Ruoff Music Center, 6/14

NOBLESVILLE, IN | What an unforgettable night! The evening kicked off with Tucker Wetmore, who had the crowd buzzing from the start. With a cool saloon backdrop and a perfect blend of energy and charm, Tucker got everyone revved up and singing along. He’s definitely got a way with the crowd and set the stage perfectly for the main event.

Then, Thomas Rhett hit the stage, and it was game on. From the first note, he had the crowd singing along to every song—“Die a Happy Man,” “What’s Your Country Song,” and more—creating an electric atmosphere. His energy was contagious, and it was clear he was having as much fun as the audience. The crowd, made up of fans of all ages, was completely hooked, dancing, singing, and just soaking in the vibe.

The warm summer night added the perfect touch to the whole experience. The mix of great music, good weather, and high energy made it feel like the ultimate country party.

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TVD Chicago

TVD Live Shots: Caamp, Blind Pilot, and Gardener at the Salt Shed, 6/6

On June 6th, the Salt Shed in Chicago hosted Caamp for the second night in a row. The former Morton Salt Factory is now home to arguably the best music venue in Chicago. They have creatively turned the space into both an outdoor fairground and an indoor music venue.

What they are doing at the Salt Shed is no short of brilliant, opening their doors to local vendors, events, and just about every band touring this summer. If you are on tour, the Salt Shed in Chicago should be number one on everyone’s wish list. The outdoor experience during the summer time in Chicago with the skyline behind the stage is unparalleled and something that pairs even better with Caamp’s vibrant folk music straight from Ohio. Caamp, in recent years, took a break from touring, but the group is back and better than ever.

The first opener was Gardener, another folk band with a similar vibe to Caamp. Also hailing from Ohio, Gardener is the exact right group to open for Caamp. They have a similar look and sound and embody that Ohio Rust Belt rock. The second opener for Caamp was Blind Pilot. Now, I hadn’t heard of either of these bands prior to the show, but this is why it’s important to go support the whole bill.

As a strong supporter of Caamp, I have found two other bands to follow along with here. Blind Pilot is a very fun Pacific Northwest folk band that delivered an energetic set as the sun began to set on the City of Chicago. While both of these bands were playing, three members from Caamp went into the crowd to hang out and support their opening bands. It was a tremendous sign of character from the group to go out and support the rest of their bill.

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TVD Washington, DC

TVD Live Shots:
Grace Jones at the Anthem, 6/5

In the early days of MTV, the network had a limited arsenal of music videos, so they played them on repeat. It was a glorious, chaotic mix—Hall and Oates, Roxy Music, Run DMC, and then… Grace Jones. Her video for “Demolition Man,” a live cut from her 1981 One Man Show tour, was a jolt to the system: confusing, electrifying, and utterly unlike anything else. Who was this towering, androgynous Jamaican with razor-sharp cheekbones, a voice like thunder, stilettos, and a suit with no shirt? Was she male, female, or something extraterrestrial? Grace Jones wasn’t just ahead of her time—she was from another dimension entirely.

Fast forward to World Pride 2025 in Washington, DC, where Jones was one of many iconic performers. But her show at The Anthem that Thursday? Unquestionably legendary. Jones rarely tours in the US anymore, and this run—her first since 2023—felt like a cosmic event. That she chose to kick it off during World Pride made it all the more momentous. “This is a beautiful place… but it’s nothing without you in it,” she told the crowd. “Got some nice duckies (beauties), as Jamaicans would say.”

From model to disco diva to post-punk provocateur, Jones has been bending genres and gender norms for five decades. Long before “influencer” became a buzzword, she was the blueprint. “She’s the coolest fucking person in the world,” a friend whispered to me mid-show. “There is no one like her.” Facts.

Fashion has always been Jones’ artistic weapon of choice, and this night was no exception. She opted out of the topless tribal body paint of recent years; instead, she donned her signature dark suit, bustier, stilettos, and a rotating cast of hats and fascinators. She emerged in darkness, perched on a riser behind her band, two glowing red “eyes” gliding across the stage—revealed, when the lights came up, to be LEDs on a face-shielding hat.

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The TVD Storefront

TVD Radar: Terry Riley, The Columbia Recordings 4CD box set in stores 8/22

VIA PRESS RELEASE | One of the most consequential musicians of the 20th century—the visionary American composer Terry Riley—is celebrated with the Sony Classical release of Terry Riley – The Columbia Recordings. Set for release on August 22 and available for preorder now, the four-disc box set includes Terry Riley’s unique recordings for Columbia Masterworks between 1968 and 1980 that changed the direction and expanded the range of late 20th-century music.

Terry Riley – The Columbia Recordings box set includes the albums In C (1968); A Rainbow in Curved Air (1969); Church of Anthrax (1971, in collaboration with John Cale of the Velvet Underground); and Shri Camel (1980), all made for Columbia Masterworks at a time when the label was boldly embracing new directions in American music. This collection offers an essential document of Riley’s most transformative period when the pulse of innovation met the possibilities of high-fidelity sound.

In addition to all four complete recordings and rarely seen archival photographs from recording sessions in Columbia’s fabled 30th Street Studios in Manhattan, Terry Riley – The Columbia Recordings includes a 50-page booklet featuring first-hand reflections from David Behrman, the original producer of In C and A Rainbow in Curved Air; and an essay by Thomas M. Welsh, Terry Riley’s longtime manager and archivist; and reprints of all essays and notes from the original vinyl releases.

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The TVD Storefront

Graded on a Curve:
Pink Floyd,
Pink Floyd At Pompeii – MCMLXXII

Although disbanded for decades, the surviving members of Pink Floyd continue to authorize excellent reissue projects. While not reaching the volume of such artists as the Grateful Dead or Neil Young, or as momentous in terms of fan and press coverage as The Beatles, these reissues are well-conceived and high-quality productions.

The latest is a reissue of the group’s concert film Live at Pompeii, retitled here Pink Floyd At Pompeii – MCMLXXII, available on Blu-ray and DVD and with companion audio releases on CD and, for the first time ever, vinyl. The film has been available on VHS and DVD, including a 2003 DVD of the director’s cut. A CD was first issued as part of The Early Years 1965–1972 box set, released in 2016. The Pink Floyd lineup here is Roger Waters, David Gilmour, Nick Mason, and Richard Wright.

This live concert film, originally released in 1972 and filmed in 1971 by European cinematographers Willy Kurant and Gábor Pogány and directed by French filmmaker Adrian Maben, is of the group performing at the ruins of a Roman amphitheater in Pompeii, Italy, with no audience and including additional footage. It is important to note that Kurant worked with such iconic European directors of the 1960s and 1970s as Jean-Luc Godard, Agnès Varda, Alain Robbe-Grilles, and Volker Schlöndorff, not to mention Orson Welles. Pogány’s career lasted from 1941 through 1971, and he also worked with a who’s who of directors.

Maben also directed a documentary film with Pink Floyd, which has a short segment in the Live at Pompeii releases entitled Chit Chat with Oysters. The film was believed to be lost but was rediscovered by Maben in 2013. It has never been shown and resides in the archive of the Cinémathèque Française in Paris. Maben has done many documentaries, including on the artists Rene Magritte and Hieronymus Bosch and the photographer Helmut Newton.

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The TVD Storefront

The Best of Radar:
The Podcast with Dylan Hundley, Episode 174: Cynthia Sley

PHOTO: GODLIS | I recently spoke with Cynthia Sley, the iconic frontwoman of Bush Tetras, the legendary NYC art-punk band that helped define the downtown underground scene of the late ’70s and early ’80s.

Cynthia’s distinct image and half-spoken, sharp delivery have undeniably influenced current artists like Florence Shaw of Dry Cleaning.

The band’s overall sound—blending funk, punk, and No Wave with elements of dub and groove—has echoed through every era of post and art-punk revival. Bush Tetras blazed the trail with this sound that can still be heard today.

Cynthia and I discussed her journey from Ohio to New York, the electric energy of the late-’70s East Village where art thrived with no limits, and the evolution of Bush Tetras up to today. For more information, upcoming show dates (when announced), and vinyl, visit Wharf Cat Records.

Radar features discussions with artists and industry leaders who are creators and devotees of music and is produced by Dylan Hundley and The Vinyl District. Dylan Hundley is an artist and performer, and the co-creator and lead singer of Lulu Lewis and all things at Darling Black. She co-curates and hosts Salon Lulu which is a New York based multidisciplinary performance series. She is also a cast member of the iconic New York film Metropolitan.

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The TVD Storefront

Graded on a Curve: Brìghde Chaimbeul,
Sunwise

Brìghde Chaimbeul is a piper from the Isle of Skye in Scotland whose proficiency extends to the Great Highland bagpipes and to her main instrument, the Scottish smallpipes. She’s released three full-length albums, including her prior release with saxophonist Colin Stetson and a trio set with fellow piper Ross Ainslie and guitarist Stephen Byrnes. These collaborators reinforce a solid love of the traditional folk root and a desire to stretch the boundaries. Her new album Sunwise releases June 27 on vinyl, compact disc, and digital via tak:til/Glitterbeat. It’s an assured extension of Chaimbeul’s talents, combining original compositions and interpretations of trad material.

Pipers…there’s not exactly an overabundance of them on the scene. More accurately, most pipers, whether they blow into the big bag model or into the revived smallpipes, are studious replicators of long-established material. Skill is essential, but creative risk is mostly absent as these players keep the flame alive.

Of course, there’s a top tier of trad pipers whose impact can be measured in the lives they’ve touched. Rona Lightfoot’s scope of influence enveloped a young Brìghde Chaimbeul. At age 4, having witnessed a performance by Lightfoot, Chaimbeul was profoundly affected, with this impact acknowledged by Lightfoot’s contribution to Chaimbeul’s debut album, The Reeling, which was released in 2019.

The Reeling was well received and was not a strictly trad affair. It was followed by Las with Ross Ainslie and Stephen Byrnes, recorded live in studio in 2022, also to a positive response. But the most striking of Chaimbeul’s releases so far has been her prior effort Carry Them With Us, an extensive collaboration with Canadian saxophonist Colin Stetson that came out in 2023.

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A morning mix of news for the vinyl inclined

In rotation: 6/18/25

Mossel Bay, ZA | Youth enjoying the vinyl vibe: The current generation is a touch-and-feel one. People like having the music in their hands, so vinyls are making a comeback.’ Long-playing (LP) records, previously collectors’ items of the older generation, are now popular among young people. This is according to a Mossel Bay secondhand store owner, Benjamin Nel. He has a large shop, more like a warehouse, in the town centre. Nel says some of the youth have a vintage LP player from a grandfather and they enjoy playing records. Music they are looking for is mainly classic rock and pop, such as the albums of The Rolling Stones, Pink Floyd, Queen, Bryan Adams and more. Records are put to all sorts of other uses. One of Nel’s customers uses them to make handbags, combining them with leather. Records are used for home and wedding decor as well.

London, UK | Katy B launches new listening bar at KEF Music Gallery: Fancy doing something special for World Music Day? Well, Monkey Shoulder might have you sorted. Ahead of June 21, the whisky brand has teamed up with KEF Audio to launch a new record store and listening bar, featuring performances from DJs, excellent audio and premium cocktails. The pop-up, which opens at KEF Gallery on June 17, will be home to a collection of vinyl handpicked by seven of the most influential record stores in the UK, as well as artists Katy B, DJ Target and DJ Arthi. Fans will be able to dig through the vinyl and play them back in the KEF listening rooms, which boast high-fidelity architectural speakers, subwoofers and (in one instance) KEF’s flagship MUON speakers. The tracks, which span hip-hop and grim to electronica, were picked by a range of stores from around the UK with years of experience in the business

Battle of ‘The Big Three’: What is the best-selling music label of all time? “I don’t see a lot of money here,” says a faceless suit to Oscar Isaac’s painfully honest character in Inside Llewyn Davis. A cold, frank and very real response to a performance vulnerability. While I’d like to say we’ve wisened up in the 60 years since the setting of that film in the 1960s folk era, the realities of music labels remain very much the same. Streaming royalties have squeezed out any genuine profitability for artists, so instead, they’re left to make up their losses in the rather scratchy landscape of touring. And like all bureaucratic powerhouses, the major labels have acutely sensed the desperate situations artists find themselves in and, of course, capitalise.

“You can give them to the birds and bees”: Do northern soul records retain their value? …many of the records that typified northern soul came from unknown artists on tiny independent record labels. As such, these singles were often pressed in very small numbers and distributed locally in whatever city the label hailed from – typically places like Detroit, Chicago, or Philadelphia. As such, finding copies in the arse-end of nowhere in deepest, darkest Lancashire was like trying to locate a teardrop in the ocean. So, when copies of certain singles did find their way into the market, they often commanded a pretty penny. Flash-forward to the modern day, and the price of northern soul records only seems to be increasing.

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TVD Los Angeles

TVD Live Shots: Boomyard at Cali Vibes at Marina Green Park, 6/6 & 6/7

Amid the sprawling energy of Cali Vibes 2025, the Boomyard carved out its own soulful and electrifying sanctuary within Marina Green Park. While the festival’s main stages boomed with headliners and massive crowds, Boomyard offered something entirely different. Its essence lay in its vibrance and intimacy, creating a haven where reggae, dancehall, and Caribbean rhythms were celebrated in their purest form. Pulsing beats, swirling colors, and a tight-knit community of music lovers left attendees not just dancing but feeling wholly connected to the culture.

The Boomyard’s lineup was nothing short of stellar, starting with standout performances on the Vibes stage on both Saturday and Sunday. Mystic Marley delivered a set steeped in tranquility yet filled with power, her soulful voice weaving threads of her family’s legendary lineage into the present. Her performance was a beautiful reflection of what modern reggae can be, blending thought-provoking lyricism with melodies that spoke to the heart.

BLVK H3RO, meanwhile, charged onto the stage with a bold and uplifting energy that was impossible to resist. With a captivating presence, he seamlessly mixed modern dancehall with traditional reggae roots, offering songs that were as infectious as they were inspiring. His performance felt deeply rooted in positivity, and fans left his set as if walking on air.

Beyond the headliners, Boomyard ensured its authenticity with an eclectic range of artists and DJs who brought their own flavor to this haven. Blakkamore & Yungg Trip had the crowd entranced early on, blending smooth rhythms with rhythmic storytelling, creating a set that felt both nostalgic and fresh. Chi Ching Ching brought a high-energy party vibe, with his crowd-pumping anthems sparking endless waves of dancing and sing-alongs.

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The TVD Storefront

TVD Radar: Godsmack, 1000HP reissue in stores 8/8

VIA PRESS RELEASE | “1000HP succeeds in bringing the hard in heavy doses with just the perfect smattering of melody in just the right places. There’s little doubt that with 1000HP Godsmack have re-establishing their place in the world of hard rock.”Loudwire

Coming on the heels of the March release of deluxe editions of the group’s album The Oracle, remastered and special limited editions of Godsmack’s 2014 album 1000HP will now be released August 8 on UMe as both a black vinyl edition as well as a limited-edition color vinyl version, the latter of which includes bonus features. The black vinyl will feature the original U.S. album cover with the 10 tracks remastered; the color version will include the album’s alternate cover mostly unknown to U.S. fans (available on the album in all non-U.S. markets), along with a bonus 7” single of “Inside Yourself,” and appearing on vinyl for the first time, “Life Is Good.” Both formats are available for pre-order HERE.

1000HP (Godsmack’s sixth album) was released on August 5, 2014 and debuted at #3 on the Billboard Top 200 Album Chart; like The Oracle, it was mixed and produced by Dave Fortman. Upon its debut, 1000HP garnered high praise, including Revolver, which gave the album four out of five stars and commended the band for “pushing their boundaries…with 1000HP, Godsmack offer up a few new sounds, while at the same time remaining firmly resolute in their musical mission.” ARTISTdirect added that the album was “a high watermark for the Boston group” and “the best hard rock record of the year.”

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The TVD Storefront

Graded on a Curve:
Dead Kennedys,
Fresh Fruit for Rotting Vegetables

Celebrating Jello Biafra, born on this date in 1958.Ed.

In 2022, Manifesto Records reissued Fresh Fruit for Rotting Vegetables, the debut album from iconic Bay Area punk outfit Dead Kennedys on vinyl and CD in a freshly remixed version courtesy of Grammy-winning producer Chris Lord-Alge. Setting aside the question of whether the record actually needed a remix (it didn’t), nothing abhorrent transpires as these 14 tracks (there are no extras) blaze forth; those who love and own the original mix should test drive before buying, but for those looking to get acquainted with this band through their first and best LP, this edition will serve that purpose just fine.

It’s no secret that Dead Kennedys’ vocalist Jello Biafra and his bandmates, guitarist East Bay Ray, bassist Klaus Fluoride, and drummer D.H. Peligro, have been at odds, and for a couple decades now, all due to the most banal of reasons. That is, money. Of course, I don’t have a dog in that fight, though this doesn’t mean I haven’t formulated opinions on the subject. It’s just that my viewpoint on this particular falling out isn’t pertinent to the matter at hand, which is, you know, the music.

So, when I say that this 2022 Mix of Fresh Fruit for Rotting Vegetables exists for the most banal of reasons—that is, money, it’s not a dig at the band, but simply an observation, as money is the reason for the vast majority of remixed and remastered records (and quite a few straight reissues). And in turn, I can’t help but feel somewhat blasé about the existence of this new mix.

But on the other hand, Fresh Fruit isn’t just the best Dead Kennedys album, it’s my personal favorite. And yet, I hadn’t listened to it in a few years, so that I had to pull my vinyl copy off the shelf for a couple reacquainting spins prior to checking the new mix. The bottom line is that the input of Lord-Alge (a professed fan of the DKs) is far from egregious. He’s essentially just beefed up and subtly streamlined the record for the Epitaph Records generation.

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TVD UK

UK Artist of the Week: Wounded Lovers

Gritty London indie-rockers Wounded Lovers have just released their thoughtful new single “A Bar Called Paradise.” The track is the first of three to be unveiled in the lead up to the band’s debut album West End Intoxica, out on 25th July.

Thematically, the record acts as a biographical take on singer Ian Fenwick’s upbringing in London. Eclectic, engaging, and brutally honest, the opening single “A Bar Called Paradise” focuses on a tragic shooting that took place in a local London bar, where youthful punters were caught up in a catastrophe.

Musically, “A Bar Called Paradise” is a perfect showcase of Wounded Lovers’ varied influences. Combining the stunning soulful vocals of Lucca Mae with Fenwick’s gruff, punky delivery, “A Bar Called Paradise” is a distinctive opening salvo from the band.

Featuring a host of guest performers and producers, West End Intoxica will launch just prior to the band’s appearance at London’s High Tide Festival on the 27th July.

Stream “A Bar Called Paradise” now.

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The TVD Storefront

Graded on a Curve: Nadah El Shazly,
Laini Tani

Born in Egypt and currently based in Montreal, Canada, Nadah El Shazly is a composer, vocalist, multi-instrumentalist and also the producer of her new album Laini Tani, which is available now on vinyl (black or translucent yellow), compact disc, and digital through One Little Independent Records and Backward Music in Canada. Giving trad Arabic pop a wild experimental spin, El Shazly’s music is a fascinating, exhilarating ride that exemplifies the new.

Nadah El Shazly’s impressive debut album Ahwar was released in November of 2017, so it’s fair to say that this follow-up has been a long time coming. But let’s clarify a few things. She was part of Praed Orchestra alongside a slew of estimable players (amongst others Alan Bishop, Christine Kazarian, Sam Shalabi, Michael Zerang), the large group convened by Paed Conca and Raed Yassin to further expand upon the music created by their duo Praed.

The general thrust of Praed was to tap into the essence of the trad Egyptian musics Shaabi and Mouled (trance styles) and then expand further by integrating them with elements of rock, free jazz, and electronica. Assembled for a performance at Calligraphy Square on November 3rd, 2018, and documented on the 3LP set Live in Sharjah (released in 2020 and still available via Bandcamp), Praed Orchestra expands the duo’s concept even more.

The album’s contents are surprising and often exquisite, and directly in line with El Shazly’s objectives on her solo records. Right around the time of Live in Sharjah’s release, El Shazly began collaborating with vocalist-sound artist Elvin Brandhi in the duo Pollution Opera, conjuring up an intense blend of electronics, noise, and auto-tuned vocals with an emphasis on experimentation.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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