A morning mix of news for the vinyl inclined

In rotation: 1/16/25

Hudson Valley, NY | Checking in with local record shops to see how things went in 2024 and what 2025 may bring: Since the reemergence of vinyl nearly two decades ago as a popular form of physical media, brick-and-mortar record shops and sellers using less traditional avenues have rolled with economic punches like global pandemics and streaming and found a way to survive and thrive. How was 2024 for local record shops? And what’s ahead for 2025? Doug Wygal owns Rocket Number Nine Records on North Front Street in Kingston. Its name is a tribute to cosmic jazz pioneer Sun Ra’s “Rocket Number Nine Take Off for the Planet Venus,” recorded in 1960 when vinyl was holding strong as the nation’s preeminent means of self-curated in-home music delivery. Rocket Number Nine Records doesn’t stretch that far back, though it hit a key milestone in 2024, celebrating a decade in operation. “I don’t see any evidence that current interest in vinyl is waning,” Wygal said. “As a store, we have experienced growth year after year.”

Crystal Lake, IL | McHenry record shop owner is known for helping others. Now he’s the one in need. Tim Wille, owner of Vinyl Frontier Records, hospitalized with pneumonia. Tim Wille quietly uses a Facebook group he created and the record store he owns to help the McHenry community, those who know him said. “Everybody knowns of his reputation and his generosity to others,” said Sue Low Meyer, McHenry’s former mayor. Through the McHenry, The way we like it. Facebook group and his store, Vinyl Frontier Records, Wille reaches out to its members when a resident needed help. “Tim has used that page and the record store as a central location for a number of community outreach projects that he has done and gotten others involved in,” said resident John Gasek. Between Thanksgiving and Christmas, Wille posted about a family who was facing eviction, unable to pay their rent, Gasek said. With the help of others on the page, the rent was paid and the residents were able to stay in their home. “He has a good following because he has a good heart…”

Chicago, IL | Dr. Wax and a Bygone Harper Court: …Each Dr. Wax location was said to have a unique character based on its neighborhood. The Hyde Park location in particular was known as a hub for carrying local artists — think Rita J, JC Brooks & The Uptown Sound, Miz Tiyabe and Tanya Reed. It also hosted a wide variety of alternative and underground music. A third of the inventory was vinyl, which was primarily bought used from one-stop shops and which was dominated by hip-hop and soul lps, according to a 2000 Billboard article. Over the years, the store got a number of visits from artists such as Henry Rollins, Q-Tip, Destiny’s Child, Tony Tough and Bimpadelic. (A farewell video for the store said that Jarrard Anthony shot a music video there.) But it was the shop’s employees that kept people coming back, most notably Charles Williams and Duane Powell, a DJ and music connoisseur who worked at the shop for 12 years.

Washington, DC | Bob Bartlett’s ‘Love and Vinyl’ to play at DC’s Byrdland Records: Site-specific work about browsing for records and romance in the digital age opens in time for Valentine’s Day. …The Helen Hayes Award-winning Bartlett says the idea to create site-specific theater, which he believes has the potential to engage audiences in more immediate ways than theater staged in traditional spaces, came while he was living in a downtown walk-up on Maryland Avenue in Annapolis over a decade ago. “I’ve always been drawn to theater produced in unique locations,” he notes. “And more than simply Shakespeare in the park.” Always on the lookout for compelling locations where acts of theater and storytelling can happen, Bartlett often writes with specific spaces in mind. “I’d long dreamed of inviting audiences to walk into a record store to see a play.”

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TVD Radar: Bon Jovi: Forever by Jon Bon Jovi in stores June 2025

VIA PRESS RELEASE | “As band members, you share a unique bond that no one else can truly understand, not even family. That brotherhood comes with a long career like ours. We all felt part of something special, trusted each other, and they trusted me. I never let them down. It was always a give-and-take by everybody.”Jon Bon Jovi

Genesis Publications announce that the British, family-owned publishing house will be publishing Bon Jovi’s first-ever authored anthology. With unlimited access to Bon Jovi’s extensive archive and narrated by Jon Bon Jovi, Bon Jovi: Forever chronicles the band’s remarkable 40-year history. Bon Jovi: Forever will be shipping in June 2025, with the limited edition now available to pre-order.

The meticulously curated collection showcases a treasure trove of memorabilia, including handwritten lyrics, tour passes and posters, iconic stage costumes, guitars, studio track lists, and hundreds of photographs from the band’s personal archives and private collections. Complemented by an array of vivid images that capture Bon Jovi live, backstage, on tour, and in the studio, this book offers fans a rare, behind-the-scenes look at the band’s enduring legacy.

Through exclusive interviews, Jon Bon Jovi shares the intimate stories behind the artifacts, shedding light on the creative process behind his songwriting, the making of the band’s legendary albums, and the key performances that cemented Bon Jovi’s place in rock history.

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TVD Radar: The Locust, The Peel Sessions 31st anniversary reissue in stores 1/24

VIA PRESS RELEASE | Three One G have announced a reissue of their flagship band The Locust’s iconic final album, The Peel Sessions, due out January 24th. The news comes as the label celebrates its 31st anniversary.

On the album, label founder and Locust member Justin Pearson shares “Recording a Peel session for John Peel was one of the many surreal things that The Locust got to do during its lifetime. In hindsight I wish we had planned more accordingly when we got the opportunity to do it, as we sandwiched the session in among a no-night-off tour we had in the UK/ Europe back in 2001. I remember getting into London early in the morning from an overnight drive, recording all day, and then having to leave that night and travel to mainland Europe to get to Belgium or somewhere by the following morning.

However it turned out very interesting as this was a document of old and new tracks with a major line up change, shifting from a five-piece to a four-piece band, most notably having Gabe Serbian move from guitar/vocals to drums, which redefined the band and its line up. Of course, the album was finalized for its vinyl release many years later, and included a layout and mock design by Sonny Kay of the traditional Peel Sessions we all grew up listening to. What an honor to be on John Peel’s radar and even more to record at BBC1 for the legend.”

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Graded on a Curve:
Van Morrison,
New Arrangements
and Duets

Van Morrison had a busy 2023, releasing three albums. The projects included another album of skiffle music, (Moving on Skiffle), one of instrumentals of unreleased material from the 1970s to the present (Beyond Words), and one of covers of rock, R&B, and country (Accentuate the Positive). His new album very much follows in the same vein of these releases.

Rather than a studio album of mostly new compositions, Morrison presents previously unreleased big band arrangements of songs from his catalog and some newer duets recorded between 2014 and 2019. While an instrumental album from one of the greatest singers in rock history seemed a bit odd, revisiting older songs and presenting them in a new way works beautifully for Morrison, given the quality of the songs and the vast singing and musical styles with which he is comfortable.

Also, while it would seem daunting for any living singer to match vocals with Morrison in a duet, the collaborators he chose here—Kurt Elling, Joss Stone, and Willie Nelson—are all up for the challenge and help Morrison draw from various musical styles from his background. This entire affair has a timeless quality and a first-take spontaneity that reminds one of Frank Sinatra at his studio peak, although there are times where Ray Charles seems a closer vocal touchstone. That’s some pretty heady company, but even at 79, Morrison makes it seem effortless and his voice has not lost any of its luster, which is truly remarkable.

Morrison revisits music from every decade of his solo career since the ’70s except the 2020s. From the classic His Band and Street Choir from 1970 he redoes the obscure “I’ll Be Your Lover Too.” From Period of Transition, released in 1977, he remakes “You Gotta Make It Through the World.” The ’80s is represented by “The Master’s Eye” from Sense of Wonder from 1985, and “Someone Like You” from Poetic Champions Compose from 1987.

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TVD Radar: Joe Henderson, Multiple
Top Shelf reissue in stores 3/7

VIA PRESS RELEASE | Craft Recordings and Jazz Dispensary kick off the new year in style with a heady cult favorite from Joe Henderson, 1973’s Multiple. Returning to vinyl after more than 50 years, the album features a world-class ensemble of musicians—including Dave Holland, Jack DeJohnette, Larry Willis, and James “Blood” Ulmer—while it finds the influential saxophonist at the apex of his fusion period.

Arriving March 7th as part of Jazz Dispensary’s Top Shelf series, and available for pre-order today, Multiple is cut from the original analog tapes by Kevin Gray at Cohearent Audio and pressed on 180-gram vinyl at RTI. The LP is housed in a tip-on jacket, replicating Multiple’s original artwork. Fans can also find the album on digital platforms, as it makes its debut in hi-res audio on the same day as the vinyl release.

One of the most talented tenor saxophonists of his era, Joe Henderson (1937–2001) was a prolific leader and a sought-after sideman who played alongside the biggest names in jazz, including Herbie Hancock, Kenny Dorham, Chick Corea, and Alice Coltrane. The virtuosic Ohio-born musician launched his four-decade-long career in Detroit while attending college, before relocating to New York. There, he quickly built a name for himself performing on dozens of sessions for Blue Note Records, including those for Hancock, Horace Silver, Andrew Hill, and Lee Morgan.

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Graded on a Curve:
John Lee Hooker,
Burnin’

By the time John Lee Hooker recorded Burnin’ for the Vee Jay label in 1961, he’d been on the recording and performing scene in and beyond Detroit for roughly a dozen years, wielding a sui generis, some said anachronistic, yet surprisingly adaptable style, both solo and with backing. On Burnin’ the band consisted of the legendary Motown Records studio unit the Funk Brothers, and the results stand amongst the strongest full-length recordings in Hooker’s extensive discography. 

In September of 1945 Joe Liggins and His Honeydrippers scored a smash hit on the R&B charts with “The Honeydripper, Parts 1 & 2,” hitting #1 in September and staying there into the following year (18 weeks in total). Heard today and considered in the context of its time, the song’s modernity still shines: WWII is over, and with it comes a sense of optimism only encouraged by a record industry, unshackled by the ban on pressing 78rpm discs, that was cranking out musical advancements recently honed on bandstands, and as the war raged on, mostly heard via airchecks.

Flash forward to 1949, and John Lee Hooker hits #1 on the same chart with “Boogie Chillen’” (remaining at the top for only one week, but staying on the chart for 18), the debut release by this renowned bluesman, featuring Hooker solo on electric guitar in a wildly intense update of the rural “country” blues, the song’s rhythm produced by Hooker’s own foot stomping on a piece of plywood.

Hooker wasn’t the only artist to update and mutate downhome blues styles with amplification and harder and sharper edges and angles (see Muddy Waters, Lightnin’ Hopkins, Howlin’ Wolf, and Sonny Boy Williamson), but he was amongst the most uncompromising in how his style developed. Simultaneously a groundbreaker and a throwback, Hooker’s early success in an undiluted style helped to establish that any changes he made were on his terms.

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A morning mix of news for the vinyl inclined

In rotation: 1/15/25

Lancaster, UK | Lancaster independent record store to reopen bigger than ever: An independent record store in Lancaster is about to move to a bigger premises and will now be selling drinks as well as music. Forty Five Records will reopen at 7 Kings Arcade on Thursday, January 16. The new bigger store is just a stone’s throw from the previous shop in Kings Arcade, which opened in 2023 and closed in October while the new premises was refurbished. Forty Five Records is run by Martin Collins and Liz Crane, and Martin said they have put in a “big investment” to expand the business. “The new space came up and it’s so much bigger, around seven or eight times the size of the old shop”, said Martin. “It means we can offer more records, and we can also sell coffee, other hot drinks, soft drinks and non alcoholic beers. When we first opened, our plan was to sell every genre of music. I think, over time, we have seen what works really well.”

Austin, TX | Austin’s Waterloo Records changes ownership, relocates: One of Austin’s staple record stores will change ownership and relocate to a larger location this spring, current owner John Kunz announced Jan. 2. Waterloo Records served as a home for Austin’s music scene for 42 years, including 35 years at its current location along West 6th Street and North Lamar Boulevard. The new owners, Caren Kelleher, the CEO of Gold Rush Vinyl, and Trey Watson, CEO of Armadillo Records, will move the store five blocks away to 1105 N. Lamar Blvd. “I would love this company to live on long after me, and I think we are on the runway to be able to do exactly that,” Kunz said. Kunz said he began searching for a new location in 2019 when his landlord sold the building to Endeavor Real Estate Group. He said he was not interested in signing a five-to-ten-year lease for a new building since he wants to retire soon, and if the ownership did not change, Waterloo would have to close entirely.

Lima, OH | Groamy’s music store hopeful for return after fire: Groamy’s CDs and Tapes was hit by a fire early Sunday morning, causing an estimated $200,000 in damage. Lima Fire Department was dispatched to the store at 1206 W. Robb Ave., Lima, at 4:47 a.m. Sunday. According to LFD investigator and inspector Shawn Allgire, the department had the fire under control approximately 30 minutes after they arrived. The total estimated losses are $75,000 for the building and nearly $125,000 for contents inside. The report is not finalized, and investigations are still ongoing, according to the LFD. Owner Gene “Groamy” Frueh explained the uphill battle could’ve been worse. “It’s not a total loss,” he said. “People keep saying that, but it’s not a total loss.” He is encouraging the public to follow the store’s Facebook page for upcoming information as he learns it. Frueh is hopeful to re-open soon, aiming for Record Store Day on April 12.

Victoria, BC | Come for the Records, Stay for the Dad Jokes: Hang out with owner Gary Anderson at Victoria, B.C.’s The Turntable. Spend a little time with Gary Anderson and you’re apt to conclude that the guy has all the attributes of a natural-born entertainer: big smile, massive moustache, big personality, booming voice, gifted storyteller—and a huge laugh. In fact, early in his adult life Anderson spent a fair bit of time on stage—playing drums and providing backing vocals while touring with aspiring Canadian rock bands Hellhound, Fable, and Task Force. For the past four decades, he’s brought music to his customers’ ears as the owner/operator of The Turntable, a record store in the Canadian city of Victoria, B.C. And more recently, he’s added another schtick to his repertoire as the handwritten message on a piece of paper taped to the front window of his store explains: Free Dad Jokes Inside! 

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TVD Radar: The Drowns, View From the Bottom reissue in stores 3/7

VIA PRESS RELEASE | Fan-favorite punk rock ’n’ rollers The Drowns have established quite a dedicated following over the course of several albums and years of relentless touring, but their debut album View From the Bottom has been tough for fans to get ahold of for quite awhile. The band have now remedied that, and a new pressing is available now for pre-order via Pirates Press Records, the band’s longtime label, with a release date of March 7th.

Rather than a simple re-pressing, the entire album sounds better than ever thanks to the expert re-mastering job courtesy of legendary Seattle producer Jack Endino (Nirvana, Soundgarden, Murder City Devils…just to name a few)! In addition to being pressed on eye-catching 12” Marble Vinyl, the artwork has been revamped and presented in a minimalist black-on-black spot matte jacket with a metallic red foil stamped pitchfork.

With a debut album, a band generally hopes that one or two songs will stand the test of time, stick around long term, and give fans something to latch on to, relate to, and most importantly, want more of. View from the Bottom surpasses that marker handily. The Drowns came straight out of the gate guns blazing with the opening track and lead single “Eternal Debate,” which sounds just as relevant today as it did when originally recorded! In re-visiting the record, fan-favorite live set staples like the title track and buried treasures like “Faithfully, Faithless,” and “Overexposure” are just waiting to be re-discovered!

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TVD Radar: Discogs to donate sales revenue to MusiCares, supporting those affected by the Los Angeles fires

VIA PRESS RELEASE | Discogs, the world’s leading music discovery and record collecting platform, is raising funds for MusiCares to help support the artists and other music industry workers who have been affected by the devastating fires in Los Angeles.

Discogs’ sales revenue from January 17, 2025, will be donated directly to MusiCares, the non-profit charity founded by the Recording Academy providing financial aid to those in the LA area who need help with evacuation, relocation, medical care, mental health services, and more. Discogs calls on record collectors around the world to help support fundraising efforts for LA.

“Our hearts are with Los Angeles during this unimaginable time. The resilience and generosity of the music community are truly inspiring, reminding us how powerful we can be when we come together. This Friday, every record purchased will support independent sellers and small businesses worldwide while also helping a wonderful nonprofit dedicated to rebuilding and uplifting LA’s music scene. Let’s turn our shared love of music into meaningful action for those who need it most,” said Jeffrey Smith, Discogs’ Vice President of Marketing.

Learn more about what the Discogs community is doing to help then shop for records on Friday, January 17 to help raise money for MusiCares.

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Graded on a Curve: Captain Beefheart and the Magic Band, Bluejeans & Moonbeams

Remembering Captain Beefheart in advance of his birthdate tomorrow.Ed.

Every Captain Beefheart fan knows that his releases Unconditionally Guaranteed and Bluejeans & Moonbeams marked the nadir of his career. Desperate attempts at commercial success, both LPs met with critical opprobrium and horrified the good Captain’s fans. Even Beefheart, aka Don Van Vliet, his critical cred in ruins, come to regret them; he labeled them “horrible and vulgar” and urged fans to take them back for a refund.

Remember that ’60s TV show Branded starring Chuck Connors, who played a soldier in the Wild West? Who, wrongly convicted of some crime, had his shoulder epaulettes ripped off and his sword broken in half during the opening credits, which ended with him standing stoically outside the closed fort gates, facing the grim prospects of surviving in the savage wilderness the best he could? Well that’s what happened with these albums. They were branded, given the bum’s rush, and left shivering in the rock wilderness, while Beefheart fans tried their level best to forget them.

But nothing attracts me like a spectacular disaster, which is why I’ve watched every Irwin Allen film like 38 times. So I was eager to listen to Bluejeans & Moonbeams, which is generally considered a bigger fiasco than Unconditionally Guaranteed, or the Titanic even, because Beefheart’s Magic Band fired him in disgust after Unconditionally Guaranteed, leaving him to round up a whole new Magic Band that was around only for Bluejeans & Moonbeams. What’s more, the untaught Beefheart, who had always counted on a musical director to realize the sounds he heard in his head, was forced to do without one on Bluejeans & Moonbeams. And finally, he was still seeking commercial success, which entailed his curtailing many of the quirks and idiosyncrasies that made his music so intriguing in the first place.

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TVD UK

UK Artist of the Week: Cloth

Scottish twin-sibling duo Cloth recently shared their new single “Polaroid,” and it’s a dreamy delight from the offset.

Channelling the likes of Wet Leg, Cloth combine classic indie-rock soundscapes with shoegaze and dream-pop infused sensibilities creating something truly magical. Lyrically, “Polaroid” carries a quietly devastating impact and discussion of the loss of a friendship. Vocalist Rachael Swinton elaborates, “We knew that we wanted to push ourselves outside our comfort zone and write a really upbeat, fast track which would feel great to play live. ‘Polaroid’ has such a strong, driving beat and a soaring string arrangement from Owen Pallett. We’ve never had strings on our music before so this was a real first for us.”

“I was a little nervous about the idea because I think adding strings can sometimes go one of two ways—they can sound great or they can overpower the nuance of everything going on underneath. I can still remember hearing Owen’s arrangement for the first time and just turning to Paul with the biggest smile on my face—they absolutely nailed it. ‘Polaroid’ is quite different to anything we’ve done before, but I think it’s one of the most exciting songs we’ve made.” “Polaroid” was produced by Ali Chant (Perfume Genius, PJ Harvey, Yard Act).

“Polaroid” is in stores now via Rock Action. It’s the band’s first release since their 2023 album Secret Measure.

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Graded on a Curve:
Sun & Rain,
Waterfall

Described as a fully-collaborative quartet, Sun & Rain consists of Nathaniel Morgan on alto saxophone, Travis Laplante on tenor saxophone, Andrew Smiley on electric guitar, and Jason Nazary on drums. Co-composed by the four members when they were all together in the rehearsal space, their first album was built across a span of six years. An expansive work comprised of five sections, the music thrives on a collective precision that is in key intervals astoundingly intense. Waterfall is out now on vinyl in an edition of 500 copies through Out of Your Head Records.

The members of Sun & Rain have played in numerous ensembles but the most pertinent to Waterfall is Little Women, a four piece led by Laplante that featured Darius Jones on alto sax, Nazary on drums, and Smiley on guitar (replacing Ben Greenberg). Little Women recorded three albums between 2007 and 2013; the second and third, Throat and Lung, were released by Aum Fidelity with Smiley in the lineup.

The relationship between Little Women and Sun & Rain isn’t difficult to discern, but listening to Waterfall, it’s just as clear why Laplante chose to differentiate this fresh incarnation with Morgan stepping into the alto sax position. The rise in compositional rigor is palpable throughout the continuous piece (the sections are titled “Waterfall I” through “Waterfall V”), with jazz a vital component in the foundation. However, the overall structure is just as rooted in art-rock that radiates an appealing European vibe.

One could also cite Sun & Rain as having a non-noodlesome prog inclination, or just say they’ve honed an especially cerebral strain of experimental jazz-rock. The sound of Waterfall is likely to give a good goosing to fans of Soft Machine and ears attuned to the band that shape up the Rock In Opposition scene, while lovers of burly free jazz throwdowns won’t be disappointed, as the intertwined lung power of Morgan and Laplante is substantial.

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A morning mix of news for the vinyl inclined

In rotation: 1/14/25

Berlin, DE | New record shop BIG CHOON to open in Berlin’s Zemin Art Gallery: A new record shop is opening in Berlin. Located within Zemin Art Gallery in Kreuzberg, BIG CHOON is a project that’s been started by two members of the Auslanderbehorde collective: DJ Regret and Potkid. The shop aims to cover a wide range of genres and styles, “from proper electro to IDM, acid techno to ’00s minimal, early rave to ’90s tech-house,” the team told Resident Advisor. “We’re aiming to be a tiny room full of well curated underground electronic music records, and offer a more intimate and unique digging experience.” BIG CHOON also plans to host regular in-store events, parties and workshops.

Stroud, UK | Record shop of the year says vinyl ‘here to stay.’ A Gloucestershire-based record store has won Record Store of the Year 2024. Sound Records, in Stroud, won the accolade despite being up against well-established independent shops such as Rough Trade and Piccadilly Records in Manchester. Owner Tom Berry said he thinks the success of his store lies in selling cheaper records. He said: “The key is having good records—new released and second-hand stock—and making sure we price our records fairly.” Sound Records have been trading for about six years in Stroud and now has three stores. Mr Berry told BBC Radio Gloucestershire he sees people of every age coming into the shop. “We get the 50-something man that comes in and he’s buying the records from his youth,” he said. “But we do actually get an awful lot of young people now as well.”

Manistee, MI | Manistee DJ spins vinyl into thriving resale business: From vinyl records to vintage VHS tapes, local resident Nate Markham is breathing new life into old media. Markham, a DJ and longtime music enthusiast, has turned his passion for records into a thriving business, called Nate’s Records. Operating out of his mother’s booth at Maryann’s Antiques, he has quickly become a go-to source for vinyl enthusiasts in the area. “I started this in March,” Markham said. “I got into it because my mom has an antiques booth at Maryann’s Antiques. She’s been doing that for 10 years, and one day I was like, ‘Hey, how about I put a crate of old records in your antiques booth?’ They ended up selling like hotcakes, and now I can’t buy records fast enough to keep up with how fast I sell them.”

Salt Lake City, UT | How 2 record stores are fostering Salt Lake City’s all-ages music scene: They’re part of an effort to establish “third spaces” for people under 21 to hang out and create community. A crowd of young adults nod their heads in time to a jazz trio as it weaves through its set on the stage at Fountain Records. The dimly lit underground venue at 202 E. 500 South in Salt Lake City buzzes with energy. The place is small enough to create an intimacy that seems to unite the room. While timeless music and old brick walls elicit the past, the space allows young adults to connect, live and in person. …Terry, the store’s owner and founder of the creative label FOUNTAINavm, said bringing musicians and audiences back together has been crucial to redeveloping a community around music after the pandemic pulled many people into solitude and dependence on technology. “I hope these third places get you off your phone and into the world more,” he said.

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TVD Radar: De La Soul, Clear Lake Audiotorium with sea green gel sleeve in stores 3/7

VIA PRESS RELEASE | Iconic hip-hop group De La Soul continues to celebrate their enduring legacy with exciting announcements for 2025. Fans of the group will soon have access to one of their most coveted releases, as their legendary EP “Clear Lake Auditorium” arrives on March 7, 2025, in digital and on limited-edition CD and vinyl in a sea green gel sleeve. Pre-order available here.

Originally pressed in 1994 as an exclusive promotional release for select DJs, “Clear Lake Audiotorium” has achieved near-mythical status among collectors. The album includes four tracks from De La Soul’s Buhloone Mindstate era, with two rare collaborations: “sh.Fe.Mc’s” featuring A Tribe Called Quest and “Stix & Stonz” with contributions from Tito of The Fearless Four, Grandmaster Caz, LA Sunshine of the Treacherous Three, and Prince Whipper Whip. This limited-edition release is a chance for fans to own a piece of hip-hop history.

Ahead of the release, De La Soul will bring their signature sound to Lincoln Center in New York City on January 17, 2025, following in the footsteps of an already legendary 2023 memorial celebration at New York’s Webster Hall around their catalog release. De La Soul’s headlining debut at David Geffen Hall represents their first major show in NYC in 16 months and a landmark moment for the future of hip-hop.

Adding to the excitement, Posdnuos of De La Soul is gaining Grammy buzz for his featured performance on the track “When the Sun Shines Again” alongside Common and Pete Rock from their album The Auditorium Vol .1, a collaboration that underscores the continuing relevance and influence in the hip-hop world. The band’s momentum extends internationally as well with a concert at X-TRA in Switzerland on February 17, 2025.

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TVD Radar: David Lee Roth, The Warner Recordings 1985–1994 5LP, 5CD in stores 2/21

VIA PRESS RELEASE | Rhino will unveil a very special David Lee Roth boxed set, The Warner Recordings 1985–1994, on February 21, 2025. It includes the first five solo releases recorded by the Rock and Roll Hall of Fame® Inductee and original Van Halen lead vocalist in one comprehensive collection for the very first time.

Spanning one of the greatest runs in rock ‘n’ roll history, the set offers lifelong fans and newcomers alike the chance to experience “Crazy from the Heat” [1985], Eat ‘Em and Smile [1986], Skyscraper [1988], A Little Ain’t Enough [1991], and Your Filthy Little Mouth [1994] in succession. The Warner Recordings 1985–1994 arrives in multiple configurations, including 5CD.

40 years ago this month, on January 28, 1985, Roth officially debuted as a solo artist with the “Crazy from the Heat” EP. It crashed the Top 15 of the Billboard 200 and reached RIAA Platinum status. Plus, he logged a pair of Billboard Hot 100 hits—the medley of “Just a Gigolo/I Ain’t Got Nobody” vaulted to #12, while his take on “California Girls” by The Beach Boys soared to #3, replicating the 1965 chart success of the original. Meanwhile, “Crazy from the Heat” would later serve as the title of his New York Times best-selling autobiography in 1997.

The EP paved the way for his first full-length solo LP, Eat ‘Em and Smile. Released on July 7, 1986, it bowed in the Top 5 of the Billboard 200 and eventually went RIAA Platinum. Roth hyper-charged his sound, accompanied by an all-star band consisting of Billy Sheehan [bass], Gregg Bissonette [drums], and Steve Vai [guitar]. Together, they served up anthems such as “Yankee Rose,” “Tobacco Road,” “That’s Life,” and more. KERRANG! notably christened it ”Album of the Year,” and he launched the seminal Eat ‘Em and Smile Tour in its wake.

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