Monthly Archives: October 2012

Graded on a Curve:
Yo La Tengo,
Stupid Things

Early in 2013, Hoboken NJ’s seemingly inexhaustible indie-rock titans Yo La Tengo will return with their thirteenth studio album, and the band’s current EP Stupid Things provides a taste of what’s in store. Three versions of the same tune might infer a record containing mainly completist appeal, but there is plenty of diversity on offer here, and when matched with another terrific plunge into the heart of the band’s well defined sound, it all translates into an extremely worthy listen.

Yo La Tengo were initially thought of by this observer as a critic’s band. Let me restate that; they were considered by yours truly as a band featuring a music critic in its lineup. While as a rock writer, Ira Kaplan was never accurately described as famous, he was certainly notable, for in addition to his scribing for New York Rocker and The Village Voice, it’s his liner notes that figure on the back cover of the ROIR self-titled Bad Brains release, an essential LP if there ever was one. So, if not as well known as critic-musicians Lester Bangs and R. Meltzer, he was working in the same tradition, at least somewhat.

I add that qualifier because as much as I enjoy Bangs’ work with the Delinquents and Birdland, or Meltzer’s participation in the proto-Angry Samoan group Vom, those instances were essentially but blips on the radar screen of punkish lore along with being modest chapters in the stories of those two heavyweight writers. The fact that Lester never managed a follow-up LP with either group fits his legendary rep like a knee high tube sock, and the antagonistic snot of Vom, like so much of Meltzer’s storied career, was truly built for brevity.

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TVD Vinyl Giveaway: Ellie Goulding, Halcyon

From a small English town to uber raves around the globe, one voice has gone from a mere whisper to speaking volumes to a neon clad, dubstep-loving generation.

You might assume Ellie Goulding’s body of work relies on the current crop of dubstep remixers, but this six-string toting blondie is more than just a voice heard over Skrillex drops. We’ve got a copy of her newest album Halcyon for one of you to get your mittens on to see just what we’re, er…raving about.

http://www.youtube.com/watch?v=5hzgS9s-tE8

Goulding is a singer/songwriter who has made huge strides artistically reaping commercial and critical success since her 2009 debut single “Under the Sheets.” She’s developed a sound all her own which has come into full bloom on Halcyon, which hit store shelves just this morning.

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TVD Ticket Giveaway: The Temper Trap
at the Fillmore Silver Spring, 10/13

Australian quintent The Temper Trap secured a spot in the indie rock scene with the release of their 2008 song “Sweet Disposition.” 

The lead single from their 2009 debut album, Conditions, not only landed on the charts in the UK, Ireland, and Japan, but it would also go on to be used in a variety of commercials, TVs, and movies, including the hit (500) Days of Summer and a commercial for Diet Coke.

http://youtu.be/iW0uYfq3VLU

Since then, the group has gone on to record and release their eponymous sophomore album on Liberation Records. Of the new album, lead singer Dougy Mandagi has said, “I want this album to be bigger, and I want the record to do well, I don’t want just one or two songs to do well, I want people to realize we’re capable of making records.”

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Posted in TVD Washington, DC | 14 Comments

Show of the Week: Antibalas at Tipitina’s, tonight, 10/9

Area clubs have been doing a fine job filling out their mid-week schedules over the past month or so. Tonight is no exception when the Brooklyn-based Afrobeat orchestra makes a stop at the uptown club. The Free Agents Brass Band open.

A void was left with the untimely passing of Fela Anikulapo Kuti in 1997 at the young age of 58. He was the first superstar from Africa who turned a compelling blend of James Brown-style funk, African call-and-response vocals, edgy jazz and overt political content into his own musical style—Afrobeat. It also made him a pariah of the government of Nigeria and led to imprisonment and beatings.

http://www.youtube.com/watch?v=KMXlEqlnAIg&feature=player_embedded

Fela had a huge family and almost immediately after his death one of his oldest sons, Femi, took up the torch. His music has a more modern feel, but was well received by new and old fans alike. More recently a younger son, Seun, took up the mantle as well. He tours with Egypt 80—one of his father’s best-loved ensembles.

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TVD Live Shots:
Animal Collective at Merriweather Post Pavilion, 10/2

Animal Collective returned to Merriweather Post Pavilion, for which they named their last album, on Tuesday 10/2 to unleash their new album, Centipede Hz, to a hometown crowd.

Their set was heavy on new songs and reworked versions of older otracks, resonating far back to the lawn dancers wrapped in the night’s eerie fog. Their energy built slowly, culminating in vindication that despite veering from their last album’s formula, they can still captivate audiences for an evening.

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TVD Live: Slash with Myles Kennedy, the Fox Theater, Oakland, 10/2

The year was 1987. I was in Junior High. A friend walks up to me in the hallway between classes and gives me a cassette tape with “Appetite for Destruction” scribbled across it. He says to me, “Listen to this; it will change your life.”

This was a few months before “Welcome to the Jungle” became a staple on MTV, and many months before “Sweet Child o’ Mine” would become the biggest song in the world. Little did I know the juggernaut of rock that I held in my hands would become the biggest selling debut album of all time. This record was the soundtrack to my adolescence and the mystique of the whiskey-drinking, Les-Paul-slinging, top-hat-wearing, rock ‘n’ roll god was the driving force behind it.

Fast forward to 2012 and last week at the Fox Theater in Oakland. Slash featuring Myles Kennedy and the Conspirators played to a packed house and came out of the gate all guns a’blazin. The band played songs from 2012’s Apocalyptic Love while mixing in some classics from Slash’s past. The band blasted into the GnR classic “Nighttrain” on the third song ,and at that point the crowd knew that they were in for a hard rock extravaganza.

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The Cringe:
The TVD First Date

“People have asked me why I’ve bothered to print up a big gatefold album version of our new record, despite the fact that most people are getting their music online these days, and it’s pretty simple. Back when I was a kid, I used to spend hours listening to my favorite bands on vinyl—the Beatles, the Who, the Stones, Led Zep, Pink Floyd, and I always loved becoming totally absorbed in the album artwork and cool packaging stuff, even the record sleeves—the more stuff to look at and study while the wax was spinning, the better.”

“Whether it was the full color books of Magical Mystery Tour, the posters of Dark Side of the Moon, or the watercolors printed onto the inner sleeve of In Through The Out Door (which would only appear when painted with a wet brush), or the 40-page book of beautifully staged, plot-specific photography—as well as a cool first-person narrative story—that accompanied the double-album Quadrophenia, album packaging, as much as great album sonics, was part of the thrill, part of the story, and part of the active experience of listening to your musical heros on a shiny black record.

Look, the convenience of MP3 has its benefits—I do love having an entire record collection in my pocket—but there is no physical product exchanged: nothing to collect, display, study, and cherish. So, if someone goes through the trouble of purchasing a tangible item, that they can hold in their hand, I believe The Cringe owes it to them to give them their money’s worth, and try to offer them a similar listening experience I had when I sat down in my living room, opened the gatefold, and dropped the needle.

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Graded on a Curve:
Tame Impala, Lonerism

Those with an interest in psychedelic pop who haven’t already checked out Perth, Australia’s Tame Impala should surely spend a little time getting acquainted with their not yet voluminous discography. Lonerism is just their second full-length release in fact, and it’s an impressive enough slab of the classic meeting the current to engender a little bit of worry concerning the continued musical growth of leader Kevin Parker.

Tame Impala’s debut LP Innerspeaker appeared back in 2010, and presented an act that was working solidly in the non-retro ‘60s psychedelic pop-rock tradition, though they clearly fell to the melodic side of the spectrum, sounding at times like a non-bubblegum descendant of the Elephant 6 collective and at other moments a smidge akin to the aura offered up by The Flaming Lips, though the Aussie combo were far more tidy in execution then those Okie oddballs.

Much of the comparison to the Rob Schneider camp came through a shared Beatles-derived disposition, and the latter similarity was related to Tame Impala being mixed by Dave Fridmann, the man in the chair for such major ‘90’s efforts as Mercury Rev’s Deserter’s Songs and the Lips’ The Soft Bulletin. However, Innerspeaker wasn’t conceived as an intricate and expansive psych bombshell, lacking the lushness and ambition inherent to those works; much of Innerspeaker’s running time was occupied with fairly well-mannered rocking filtered through a prism of light fuzz, woozy keyboards, and other accessibly far-out additives.

While far from a mindblower, Tame Impala’s debut was a strong one. Maybe it’s most impressive characteristic was in sounding so obviously contempo while harkening backward so openly for the sources of their inspiration, another similarity shared with The Apples in Stereo and early of Montreal.

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TVD Live: Garbage
at The Warfield, 10/1

The story of how Garbage came to be is fascinating—it’s one of both chance and circumstance. While I won’t go into the details (you can read the story on Wikipedia, and it’s well worth your time) the bottom line is that Garbage has sold more than 17 million albums worldwide. After releasing a slew of critically acclaimed albums in the ’90s and into the ’00s the band still has a story to tell. This time though, it will be on their terms.

After a 7 year hiatus, Shirley Manson and company have returned with a stunning comeback record. Not Your Kind of People is both classic Garbage and a giant leap forward at the same time. Releasing the record on their own independent label, Stunvolume Records, one has the sense that this is what the band sounds like unfiltered—without any expectations or major label pressure.

But isn’t this how every band should blossom into their own? Not necessarily. Many bands, and I do mean many, benefit from the direction and support a major can contribute. In this case though, you have all the experience you need to forego the buy-in from label execs.

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TVD Ticket and Signed Vinyl Giveaway:
Divine Fits at the 9:30 Club, 10/18

Perhaps one of the most-beloved, critically-acclaimed new supergroups of 2012, Britt Daniel (Spoon), Dan Boeckner (Wolf Parade, Handsome Furs), and Sam Brown (New Bomb Turks), otherwise known as Divine Fits, released the new video for the single “Would That Not Be Nice” just last week.

Stereogum premiered the video, elaborating that the “terse and hard-pounding first single together … is quietly proving to be one of 2012′s greatest, most enduring rock songs.” We have your chance to see it live when the power trio stop by the 9:30 Club next week because we are sending one of you plus a friend to the show for free.

http://www.youtube.com/watch?v=Q71UePIN_ps

Not only that, but the winner will receive a signed copy of the Divine Fits’ debut LP, aptly titled A Thing Called Divine Fits, which was released via Merge at the end of August.

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Posted in TVD Washington, DC | 18 Comments

TVD Live Shots:
Two Door Cinema Club at the 9:30 Club, 10/3

Before Alex Trimble of the Two Door Cinema Club walked onto the stage at the 9:30 Club on Wednesday night, the crowd was already anxiously awaiting him for a very special reason. The entire front row was holding homemade Happy Birthday signs and balloons for the band’s front man, who celebrated his birthday over the band’s three-day stay in DC this week.

The word on the street, and according to a few tweets from Two Door Cinema Club’s Twitter, was that the band played their full set at the 9:30 Club on the Tuesday evening prior, then proceeded to play a DJ Set at the U Street Music Hall the same night. I caught them Wednesday evening back at the 9:30 for another full set. It’s so nice to see a band who not only makes the entire club extremely and euphorically overjoyed, but who obviously love playing for their fans. Trimble repeatedly said how much he loved DC, how it was the best place to ever spend a birthday, and how much he hated to leave our city.

These guys were great live. The lights and strobe displays were some of the best I have seen all year. It felt at times like a huge dance party with the crowd bouncing up and down to the music. I’ve never seen them play before, and let me say, they bring enough energy and charisma to light up our fair city. I hope they stop back through and play here often.

Some of the shows highlights were songs like “Next Year,” “Eat That Up, It’s Good for You” and “What You Know.”

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TVD Live:
Virgin Mobile FreeFest at Merriweather Post Pavilion, 10/6

If you were lucky enough to snatch tickets before they “free’d” out within minutes of being released in late August, then you were among the 50,000 people in attendance at the fourth annual Virgin Mobile FreeFest at Merriweather Post Pavilion this past Saturday, October 6th.

Similar to previous FreeFests, the 2012 line-up boasted a diverse list of singers, bands, and DJs performing between two stages and a Dance Forest. This year’s FreeFest also featured a surprise appearance from Virgin owner Sir Richard Branson, who stood on the roof of the Pavilion and treated nearby fans to a champagne shower.

Speaking of showers, I was pleasantly surprised to find the weather, which never seemed to make up its mind between being bright and sunny or ominous and overcast, held out for the entirety of FreeFest and only got noticeably chilly in the latter hours.

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TVD Ticket Giveaway: The English Beat and Paul Collins Beat at the State Theatre, 10/12

Personally, I have to hand it to whoever had the brilliant idea to pair 2 of our favorite bands on one bill. Despite the common “beat” in their names, The English Beat and Paul Collins Beat have yet to share a stage—until, that is, a run of dates through the States that stops at Virginia’s State Theatre this Friday night, 10/12.

On the road since the summer release of Keep The Beat: The Very Best of The English Beat, Dave Wakeling told us in July, “What was interesting about The Beat was we had a number of different phases from the quite fast angry – not angry – but strident first album, to a more eclectic, introspective second album, to a sort of bold, brassy, pop third album.

http://youtu.be/doyqWt9Ed1k

So, this Keep The Beat: The Very Best of The English Beat record that Shout! Factory bringing out now, I’d say that’s the best because it would give a sample of the sort of different sides of us that we went through over the years.”

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Posted in TVD Washington, DC | 5 Comments

TVD Recommends:
Chris Staples at the Tonic Room, 10/9

Audiotree will be bringing Seattle singer/songwriter Chris Staples to Chicago for its Showcase tomorrow at the Tonic Room. Chris is touring in support of his latest solo release, American Soft, but he’s no stranger to the music scene.

Lead vocalist of the Florida indie-rock group, twothirtyeight until they disbanded in 2003, Chris formed and fronted Discover America. Across all of his endeavors, Chris has racked up an inarguably impressive discography of EPs and full length releases including this year’s “American Soft” which was funded by a successful Kickstarter campaign last winter.

You can check out Chris’s multiple vinyl releases including 12” and 7” records with both twothirtyeight and Discover America on his online store. If you’re planning on taking advantage of this killer opportunity for a free show, grab all of the information you’ll need, below.

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Jimmy Nash:
The TVD First Date

“Oh, vinyl! Where does the love affair begin? How long we did wait for the return of your grooves and otherwise silky smooth circular frame.”

“I suppose my earliest memory of vinyl is at about 5 years old as I watched the sun pour in on an old 12 inch in the back window of our car, and turn its velvety black, flat surface, into a velvety black, wavy surface which seemed much more intriguing to me at that age. Later, I found out that you could also play them on a record player.

http://youtu.be/OjSB2DDa8fo

Vinyl was always a part of my household growing up because my parents were both singer/songwriters. My Dad had over-ordered several of his old albums from the 70’s, so we ended up with about 2,000 pieces of vinyl that lived in our garage for over 25 years, and weathered 4 different moves. He would always say “these will all be worth something again one day.” As luck would have it, people are now flocking to buy vinyl again, and consequently clearing enough space to turn a one-car garage back into a two-car garage. (By the way, the heaviest substance known to man during a move is a box filled to the brim with vinyl.)

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