The Strokes bassist Nikolai Fraiture is embracing the role of frontman with his new project Summer Moon. A supergroup of sorts consisting of Stephen Perkins of Jane’s Addiction, Camila Grey of Uh Huh Her, and Noah Harmon of Airborne Toxic Event, Summer Moon’s debut release With You Tonight is in stores now.
We chatted with Nikolai in advance of the record’s arrival in the racks.
Was Summer Moon always band you were thinking about starting? How did it come about?
Summer Moon was actually more of an album title that I had a couple of years ago. Then over time the project changed and involved other people, so I thought it sounded better as a band name rather than putting it out as another solo album.
It started in my music space. I have a recording space in my home in New York. I had some songs that I was working on and then I asked some friends in New York to play and jam and kind of try to breathe life into the songs. We recorded over a lot of what I had already done and I did some recording in Austin, Texas, as well. And then finally, I hunkered down and finished the album. Then I met some musicians in Los Angeles and that’s our current lineup—Stephen Perkins, Camila Grey, and Noah Harmon.
Was it a different experience from making a Strokes album? Did you draw from different influences?
Yeah, I feel like with Summer Moon I can take a lot more risks than I would otherwise. I was listening to this genre that I stumbled upon called Italo Disco, kind of weird Italian disco from the ’70s and ’80s. The tones and the experimental nature of the synthesizers and the overall music is what influenced part of the album.
Is that a deliberate sound you were aiming for with Summer Moon?
It was kind of a blend of things. Tonally, I really liked that influence, but overall the songs are a lot longer experimental things—the structure isn’t super tight. So, blending that idea of the tones into more structured songs, like influences that I’ve had from New York all my life, mainly makes the composition of the album, rather than just that influence. It wasn’t like I heard that and then wanted to do it. It’s more like one aspect of the album.