My Morning Jacket scorched their way through three sold-out shows at the historic Chicago Theatre, proving to all who witnessed that they are still one of the greatest live bands ever to grace the stage.
No matter how many times I see this band live, they do not cease to amaze and impress me. Each night was unique and special—not one song was repeated throughout the course of their most recent Chicago residency. But a couple of things were consistent every night: they jammed their asses off for 2.5 hours and their light show was spectacular (like, DAZZLING).
These guys are true masters of their craft and damn it’s truly something special to see. Between Jim James’ gorgeous, swirling voice (which sounds stronger than ever, I might add), Carl Broemel’s backing vocals and guitar solos (and don’t forget about his sexy sax solos!), Patrick Hallahan’s commanding presence (best hair ever) and extraordinary drum skills, (Two Tone) Tommy Blankenship’s thumping bass and debonaire suits, and Bo Koster’s piano wizardry (clearly the keyboardist with mystique), the men of My Morning Jacket filled the historic venue with their songs and—more importantly, spirit.
If you haven’t yet, go see this phenomenal band.
PHOTOS: BRIGID GALLAGHER | Last Friday, Tame Impala played to a sold out crowd at the Riviera Theatre in Chicago. It’s been particularly muggy in the Windy City which made the show a rather, um, sweaty and musty one.
Tame Impala is known for their psychedelic rock sound that is often compared to many albums recorded in the late 1960s and early 1970s, and the live show definitely rides this wave. Projections of reverberating rainbows and fractals, and constant smoke in the air made the experience such that it felt like we were stuck in a kind of 1960s time warp soundtracked by Tame Impala’s woozy, psychedelic sound which is the vision of Kevin Parker.
The band wasted no time playing one of their newest songs, “Let It Happen.” I overheard someone standing next to me say, “Eh, that song’s pretty cool,” but I couldn’t help but notice that maybe the band just wanted to get that one out of the way before diving into the grittier, more droned-out songs like “Mind Mischief” and “Why Won’t They Talk To Me” from the beloved 2012 album, Lonerism. Or maybe, I just wanted that one out of the way…
Folk rock supergroup Crosby, Stills & Nash returned to Chicago for the first time in six years to play two sold out shows at the Chicago Theatre. With over 4 decades of music under their belt, the trio did a nice job of blending the old with the new, playing many fan favorites as well as some newer solo material.
Together they sounded as good as ever and the crowd agreed, giving them standing ovations after almost every song. While the group has a history of interpersonal conflict, those issues seem to be firmly in the past. There was a sense of genuine joy radiating from all members and their on-stage chemistry was evident even from the nosebleeds.
Take a fun trip down memory lane when CSN comes to a city near you this year.
PHOTOS: BRIGID GALLAGHER | Touring to promote his new album, Carrie & Lowell, Sufjan Stevens played his first of two shows at famed Chicago Theatre last Friday and created a beautifully intimate experience for the mesmerized, sold out crowd. Stevens focused mostly on his new material, playing all 11 songs on the album, while also sprinkling in fan favorites throughout the night. As opposed to his previous tours, this show leaned more towards a poetry reading than a rock production, but like always it highlighted Stevens songwriting prowess and intense passion.
Little Scream opened up the show, and while they were a bit timid, they fit with the mood in the room and worked well to warm up the audience. Lead singer, Laurel Sprengelmeyer, made a point of telling the audience how much she’s been enjoying touring with Sufjan Stevens and how she cries every night during his performance.
After a short break, the lights came down and the crowd cheered with excitement as Stevens entered the room. From the moment he stepped onstage, Stevens was completely in the moment and never stepped outside his focused demeanor. In fact, it almost seemed as though he was unaware that there was a crowd in front of him at all, and instead concentrated inward toward the memories of his past. Stevens’ new album is an honest and emotional piece, centered around the passing of his mother in 2012. As he sings each song, you can see the anguish in his eyes and feel the passion behind his words. You simply can’t help but be drawn into his captivating energy.
PHOTOS: MICHAEL SOLOMON | If you’re a vinyl collector in the Midwest, chances are you were at the CHIRP Record Fair on Saturday afternoon.
Collectors and vendors came from all over—from New Haven, WI and Shelbyville, IN to Seattle and Pittsburgh—plus lots of vendors from here in Chicago. Pictures of the fair are captured here.
If you missed it, fear not. The CHIRP Record Fair will come back for the Pitchfork Music Festival in July, so—see you in Union Park.
CHIRP (Chicago Independent Radio Project) is holding their annual, CHIRP Record Fair and Other Delights this Saturday at Plumber’s Hall in Chicago. And, it’s not just a record fair—CHIRP has invited a bunch of their friends to grace vinyl lovers with “other delights”—there will be live music and deejays all day, improv, plus delicious food and coffee.
“The whole goal is to be a place for people to shop for records and an event for everyone whether they’re serious vinyl collectors or not,” says Shawn Campbell, the founder of CHIRP. “One of the nice things about the station is what we give our deejays a way to play whatever format they like. And many of the deejays in the studio spin vinyl. I’m sure a lot of deejays, in the weeks after the record fair, are going to be spinning their records on the air.”
CHIRP has been taking online community radio by storm since the summer of 2007 and now boasts worldwide listenership. In November 2014, the FCC granted the station a broadcast license to build a radio tower and construction begins later this year.
If you’re really jonesing to get first picks, you’ll want to snag the $25 early-bird tickets which allow you in-and-out access to the fair all day starting at 8am plus gives you dibs on the expansive collection of vinyl for sale from notable Chicago record shops plus vendors from out of town. If you want to attend but you prefer a bit more sleep on Saturday morning, the event is open to all other ticket holders beginning at 10am and is $7 or $5 with a Record Fair flyer or ad. Grab tickets here.
PHOTOS: BRIGID GALLAGHER | Belle and Sebastian, the indie-pop veterans from Glasgow, took the stage at the Riviera Theatre Friday night. After witnessing Friday’s performance, it’s clear that Belle and Sebastian don’t really care whether or not you think their music is just a soundtrack for all things twee. After 19 years and nine beloved records later, it seems that they, and especially frontman Stuart Murdoch, just want to throw dance parties. And the people want to dance.
Belle and Sebastian have just begun their US tour in support of their ninth record, Girls in Peacetime Want to Dance. Friday’s show opener was the Scottish two-piece, Honeyblood.
I heard several people around me exclaim that Belle and Sebastian was their “all time favorite band” and it was hard not to notice the anticipation and eagerness of the audience—it’s been five years since the last record, Belle and Sebastian Write About Love. During the set up, any time a microphone was adjusted or a light flickered, someone in the crowd would enthusiastically start whooping and clapping. So when the dozen or so musicians that make up Belle and Sebastian’s touring band took the stage and began the show with “Nobody’s Empire,” it was a relief. Next, they played “I’m A Cuckoo,” a throwback from 2003’s Dear Catastrophe Waitress.
Benjamin Booker brought his unique blend of garage rock and blues to Chicago last weekend for a sold-out show at the Metro.
The New Orleans-based musician has quickly become a name to know since his 2014 self-titled debut album dropped, and his energetic and uproarious shows have rightfully added to the buzz surrounding him.
As far as punk blues goes, Benjamin Booker is the current kingpin. His raspy vocals and vigorous guitar riffs draw you in and his on-stage charisma keeps you there. Go see him in an intimate venue setting while you can.
PHOTOS: MICHAEL SOLOMON | Andrew Jackson Jihad came through Chicago’s Metro last Friday, March 27, and they brought a lineup stacked with passionate and lively punk acts. The Smith Street Band, Jeff Rosenstock, and Chumped each provided their own unique style, but there was a distinct common thread shared between all the bands that made for a fantastic overall show.
It had been a couple of years since I’d been to an authentic punk show. Growing up on Long Island, I spent much of my free time going to local punk/ska shows in church basements and neighborhood bars, and these shows taught me that the energy of a great punk show can be something special. When lyrics are shared rather than performed, and when there is a unifying spirit in the room which blurs the line between performer and audience. Friday’s show at the Metro brought back all of these feelings, and reminded me how extraordinary a punk show can be.
Chumped started things off and fit wonderfully as the opener. The female led 4-piece has a sound that lands somewhere between Alkaline Trio and The Get Up Kids, and their upbeat melodies had everyone bobbing their heads. Their catchy “Something About Lemons” contained a strong build-up and climax that landed particularly well with the audience.
Chicago hometown heroes, Mucca Pazza, will continue their residency at Revolution Brewing in Chicago’s Logan Square and you can bet that these shows will be anything but boring. With a sound that’s a wonderfully absurd medley of gypsy punk, big band brass, and New Orleans funk (among other genres), the 30+ member group emits a totally unique energy and is simply impossible to categorize.
To celebrate the vinyl release of their 4th album, L.Y.A., the band will play the album in its entirety on March 30th as they perform as “Sitting In Chairs,” an alter ego of the festival band which instead plays small, intimate spaces.
After their humble beginnings in the Chicago underground punk scene, Mucca Pazza have grown into a nationally recognized act, performing with the likes of Primus and The Flaming Lips and at festivals such as Lollapalooza and Rothbury. By utilizing a marching band rhythm section, an extensive horn and woodwind section, assorted string instruments, and an accordion, they create an adventurous and vivacious musical experience for their listeners.