Author Archives: Brigid Gallagher

It’s been a long time coming. First the thrill of the 2019 announcement that Rage Against The Machine was reuniting for a world tour after an eight-year hiatus. Then 2020 hit and, well, you know what. So here we are, two and a half years later, finally able to feast our eyes, ears and souls on their Public Service Announcement Tour. And boy does it live up to expectations.

Run the Jewels kicked off the evening doing what they do best: winning over every single person in the arena. Killer Mike and El-P are quite literally a dynamic duo. Social activists, feminists, comedians, hype men—and oh yeah supreme rappers—they do it all. Their set left me feeling empowered and energized.

Next up was Rage. Much needed Rage. A rageful call to arms. Emotional catharsis in the form of song. For a couple hours, Rage Against The Machine (Zack de la Rocha, Tom Morello, Brad Wilk, Tim Commerford) gave us permission to be angry and outraged at the state of our world; at the fact that their music, thirty years later, is more relevant than ever. They gave us permission to scream and stomp and laugh and clap. To cry and dance and sing. They gave us some healing. And I’m not sure there’s a better gift than that.

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It’s not easy to command an audience when you’re the lone musician on stage, but Ben Folds is a seasoned pro.

Between his masterful piano playing, unmistakable voice, and humorous anecdotes, his presence can easily fill any venue. Clevelanders were treated to a beautiful night at Cain Park this past Thursday. It was the kind of night we dream about when we’re buried in our homes under piles of snow during the winter.

Folds provided a setlist spanning his 30+ year career that prompted singalongs, laughter, dancing, and tears. My heartstrings were especially tugged during his Ben Folds Five covers, as I was instantly transported back to jamming out to those records in high school. He plays Chautauqua Institution tonight before heading south to Nashville to play with their orchestra. Catch him on the road this summer!

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It’s been five long years without a My Morning Jacket show in Cleveland, but that streak was fortunately broken last week in a scorcher of a set (both literally—it was hot AF—and figuratively—the band itself also melted faces) at Jacob’s Pavilion.

The show kicked off MMJ’s summer tour, which unfortunately came to a grinding halt two days later, as frontman Jim James tested positive for Covid. Consequently their two Louisville homecoming shows were cancelled, Detroit and Columbus were rescheduled, and I’ve spent the last week feeling pretty damn lucky that I got to see them at all. MMJ is set to resume their tour in Madison, Wisconsin on July 1st and hopefully this is the last time that Covid interferes with their health and wealth.

As for the Cleveland show, it was full of everything I love about My Morning Jacket: soaring vocals, epic solos, full-on jam-outs, and thoughtful production lighting. Their band chemistry is simply off-the-charts—not to mention that they’re all musical wizards—and that combo makes for something seriously special.

Keyboardist and Lakewood native Bo Koster got a little extra love from the crowd after his solo on “Feel You,” but ultimately every member of the band dazzled. On more than one occasion I saw mouths gaping open all around me. It’s how you can identify new members of the flock.

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If you know anything about King Gizzard and The Lizard Wizard, you know that these Australian rockers are a prolific bunch. Since 2010, they’ve released 20 studio albums. Twenty!

Their musical style ranges from psychedelic to progressive to thrash metal (and everything in between), so it’s impossible to predict what’s in store when you buy a ticket to see them live. You can, however, expect a colorful, energetic, and tongue-wagging experience.

Such was their show at Cleveland’s Agora. Fans were even treated to two live debuts from the Gizzverse (“Presumptuous,” “The Grim Reaper”), and plenty of face-melting moments. Band members Stu Mackenzie, Ambrose Kenny-Smith, Joey Walker, Cook Craig, Lucas Harwood, and Michael Cavanagh hit the east coast next before touring Europe this summer. They’ll probably release a couple albums as well.

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Baltimore’s Turnstile have been around for a decade but are just beginning to get their credit due. Their 2021 release Glow On received critical acclaim for good reason—it fucking rocks. Ever since, this hardcore band has been catapulted into the mainstream. They’re also one of the most exciting live bands around.

Each member of the band—Brendan Yates, Franz Lyons, Daniel Fang, Brady Ebert and Pat McCrory—have such captivating stage presences that it’s hard to know who to focus your eyeballs on. Especially since you’re probably headbanging. Or crowd surfing. Or screaming along to the lyrics.

Catch them on tour this summer and you won’t be disappointed. That’s a promise.

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“Welcome home!” a lone voice screamed to native Clevelander Holly Laessig, one half of the vocal powerhouse that is Lucius, and the Beachland Ballroom crowd erupted.

There’s nothing Clevelanders love more than another Clevelander—especially a famous one. The other half, Jess Wolfe (who is equally awesome and from LA), addressed the crowd: “Of all the amazing experiences we’ve had, nothing feels as good as being here with you singing along to our music that we wrote from the bottom of our hearts. Thank you.” Then they dove into a gorgeous rendition of “Dusty Trails,” and made practically everyone weep.

It was nice to hear songs from their latest album Second Nature, live. Released last month, it’s Lucius’ first album since 2016. But don’t let that fool you—they’ve been very busy. Between touring the world with Roger Waters and lending their vocals to track after track for the likes of Harry Styles, Brandi Carlile, John Prine, Mavis Staples, and Jeff Tweedy to name a few, the women of Lucius have been busy as hell. Their new originals are as sparkly and vibrant as their outfits, and their disco vibe was perfectly capped off with a finale cover of Donna Summer’s “I Feel Love.”

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“Did Jacob Collier just play five instruments in the span of 20 seconds…and we’re only on song one?,” I asked myself while sprinting around the photo pit, clumsily attempting to capture the musical savant as he dashed from one end of the stage to the other, conducting the crowd. Yep, he sure did.

And that’s the Jacob Collier experience: a dazzling multisensory explosion of sounds, colors, ideas, and talent. It can be overwhelming and potentially induce feelings of inferiority for not knowing how to play 45 instruments. But there’s no time to wallow because the Londoner’s innate charm and enthusiasm sweep you right up.

At 27, it’s not a stretch to refer to him as a virtuoso and I look forward to continuing to be astonished by him in years to come.

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One of the most magical attributes of music is its ability to allow the listener to time travel. And some bands do it better than others. One such band: Interpol. Upon the first riffs of “Untitled”—from their brilliant 2002 debut, Turn on the Bright Lights—the packed Agora erupted into cheers and then quickly quieted so as to not miss a note.

The entire show was a transportation: every instrument clear and precise; every song a spectacle of lights (cheers to whoever produced the lighting for this particular tour); every moment a cherished one by a member of the audience. Interpol has aged well, their music lasting the test of time and their musicianship at an all-time best.

Their tour continues through the fall with dates in the US, Europe, and South America. Get yourself a ticket.

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