Progressive indie jam rockers Moon Taxi are picking up steam in a variety of scenes and their relentless touring and energetic live performances have made them a fan favorite. Hailing from Nashville, Tennessee, the 5-piece creates a blended upbeat sound and wih a new album coming out in the fall, they are constantly pushing the envelope with their memorable vocal melodies and powerful instrumentation.
On their current summer tour which has stopped at most major music festivals, they swung through Chicago for Lollapalooza. We spent time with guitarist Spencer Thomson and keyboardist Wes Bailey to discuss life on the festival circuit, how the venue and vibe might change their set, and their methodical process to recording for a vinyl record.
Welcome, great to have you guys. How’s your Summer been going thus far?
Spencer Thomson: Wonderful. We’ve been playing a lot of festivals, getting around playing new songs off our upcoming album. Having a good time.
You guys have any favorite shows so far?
ST: We just played British Columbia for the first time for a festival called Pemberton.
ST: Yeah wonderful. Our first time up there, that was a real standout for sure.
So, how would you say the space you’re playing might affect the way you perform? You guys play a lot of these huge, open festivals in front of enormous groups of people—how does that compare to playing a small, intimate indoor venue?
ST: Sheer volume. You know, we try to make things as loud as possible. The song selection might be a little different, you know? Especially whether it’s day or night, it might be a bit of a different set. It’s something that we like to do, consider all those things and be able to kinda modify ourselves and the set to fit the environment.