
Some festivals are built around a headliner. Power to the People was built around a cause. On Saturday, October 3, with the midterm elections a month away, Tom Morello filled Merriweather Post Pavilion in Columbia, Maryland, with generations of performers from rock, punk, folk, and hip-hop, then asked every person who came through the gates to do more than sing along: register, organize, and show up.
A share of every ticket went to VoteRiders and HeadCount, dozens of nonprofits set up shop in the Freedom Village behind the lawn, and the artists spent the day wandering into each other’s sets like one big extended family with something to say. It was loud, joyful, defiant, and at times genuinely moving—a reminder that music has always been one of the best ways to bring people together, pointed in the same direction.

The day started on the grass. The lawn filled first, and by the time the first few bands hit the stage, it was packed, blankets and bodies stretching up the hill. Nobody was easing into this one.
The Last Internationale owned the main stage from the jump. Delila Paz sounded amazing and carried the kind of presence that makes an opening slot feel like a headline set, and when bassist Chris Barker launched himself off a speaker mid-song, it was killer. Morello has championed this band for years, and there was no better way to open the Pavilion stage at his festival.
The Linda Lindas came out fun, lively, and spunky, and they were the ones who really kicked off the day’s energy for me—no small feat, considering I was running on zero coffee. Their punk is pure joy, and the crowd fed off every bit of it.
















































