
Lene Lovich is an American-born, British-based new wave artist whose wild originality helped define the late-’70s post-punk sound.
After moving from Detroit to London, she immersed herself in the art scene, writing lyrics for Cerrone’s “Supernature” before breaking out with her 1978 debut Stateless. Its single “Lucky Number” became an instant classic—off-kilter, infectious, and unlike anything else on the radio—introducing her playful, theatrical voice and bold visual style to the world.
Through her releases on Stiff Records and beyond, Lovich fused punk urgency with pop hooks and art-rock experimentation. Her look and sound—braided hair, angular rhythms, bursts of yelps and whispers—pushed the boundaries of what pop could be.
After stepping back in the ’80s to raise a family, she returned with Shadows and Dust in 2005 and still performs today, an enduring symbol of creative freedom and eccentric brilliance.
We spoke about all these things in the midst of her current travels with The B-52’s and Devo here in the US, her first full US tour in 35 years.
Radar features discussions with artists and industry leaders who are creators and devotees of music and is produced by Dylan Hundley and The Vinyl District. Dylan Hundley is an artist and performer, and the co-creator and lead singer of Lulu Lewis and all things at Darling Black. She co-curates and hosts Salon Lulu which is a New York based multidisciplinary performance series. She is also a cast member of the iconic New York film Metropolitan.

He formed Kula Shaker in 1996; the debut, K, became one of the UK’s fastest-selling debuts of the ’90s. The band’s sound mixes ’60s psychedelia with elements of Indian music. The name, suggested by Mills after his first trip to India, was created in honor of one of the twelve
Daniel and I talk about his electromagnetic tendencies, the formation of Bauhaus, his love of solitude and city, chrome, gear, how he first discovered the EBow, music he loves, and the Ashes and Diamonds album.
Bob, also an artist and spent many years working for Andy Warhol, producing silk screens until his death. He has been a passionate member of New York’s art and music scene since the early ’70s.
Their latest five song EP “Tomorrow Remember Yesterday” is a collection of newly recorded songs whose origins harken back decades. Says Vox, “These songs were amongst the very earliest songs we got together pre-Peel session in 1981, but were discarded at the time due to them feeling unfinished.”
Culled from a single decaying cassette tape labeled “July 1978,” these recordings are a window into the musical life of one of our greatest living actors who holds music as dear as all the art forms he participates in. The raw and organic tone of these recordings evokes the breeze and spirit of 1970’s Venice and Malibu beach where they were recorded.
We discuss Jon’s early days in the slums of London, his passion for reading, art, and the political and social themes that influenced their music. King discusses what brought him to make music and the broader cultural landscape that shaped their work.
She’s also a sculptor, DJ, and painter with a background in ceramics, installation, and collage. Grauzone alumni include Echo & the Bunnymen, Lebanon Hanover, Anja Huwe (Xmal Deutschland), A Place to Bury Strangers, DAF, and many more, which speaks to the range of Natasja’s vision as a curator and artist.
O+ is a community-rooted organization that connects artists and musicians with health and wellness care through a radical exchange model that started with an annual music and healthcare exchange festival and has expanded into year-round care.
John was first inspired by bands like Black Flag that took him on a journey through punk with many bands and establishing himself and a benevolent master of chaos ceremonies. In 2008, he was cast in a Fuse Channel show called Rock and Roll Acid Test in a stuntman/maniac with a hammer role. This is what first brought the family out to California, where they started making their very distinctive films entirely on their own. Now they have become punk masters of horror.
We spoke about his early musical life and journey to New York. First working with R&B icons like Mary J. Blige as an engineer, to joining the Tom Tom Club as lead guitar, to forming The Du-Rites and Lulu Lewis, and making ten full-length albums between both of these last two acts over the last decade.
From Hermanos Gutierrez, to Danger Mouse, Lulu Lewis, Adrian Quesada, Vampire Weekend, Just Blaze, Dan Auerbach, Greyhounds, Madlib, Michael Kiwanuka, and many more. He’s also a co-founder and shares producer and songwriter duties with Pablo Martin (my partner) for their funk outfit, The Du-Rites.
Her memoir
Cynthia’s distinct image and half-spoken, sharp delivery have undeniably influenced current artists like Florence Shaw of Dry Cleaning.









































