
I recently spoke with Jason Williamson of Sleaford Mods—frontman, social commentator, author, and actor.
Alongside the band’s thirteen albums, Jason has appeared in Peaky Blinders and stars in the new rave-era thriller Game, directed by John Minton and produced by Geoff Barrow (Portishead). We talk about drugs, therapy, breaking free from addiction, the birth of Sleaford Mods, artistic perspective, live performance, and the new record, Demise of Planet X out on Rough Trade on January 16th.
Tune in for a long, open listen.
Radar features discussions with artists and industry leaders who are creators and devotees of music and is produced by Dylan Hundley and The Vinyl District. Dylan Hundley is an artist and performer, and the co-creator and lead singer of Lulu Lewis and all things at Darling Black. She co-curates and hosts Salon Lulu which is a New York based multidisciplinary performance series. She is also a cast member of the iconic New York film Metropolitan.

His iconic photographs of the Ramones, Patti Smith, Television, Blondie, Talking Heads, Richard Hell, and many more offered a window into that world that stays with us today. It’s an astonishing record.
Daniel and I talk about his electromagnetic tendencies, the formation of Bauhaus, his love of solitude and city, chrome, gear, how he first discovered the EBow, music he loves, and the Ashes and Diamonds album.
Beyond his work with the band, he’s shaped the sound of artists across genres—from The Orb, The Verve, and Paul McCartney to Kate Bush, Crowded House, Gina Birch, and Pink Floyd’s David Gilmour—blending experimental, dub, and atmospheric elements into a signature production style. His career bridges punk, mysticism, and radical creativity, making him one of the most singular figures in modern music.
I met Tytti back in September when we played the same Synthicide night, and I was completely blown away by her and her band Modem. They’re a synth-pop duo she started with Ville Valavuo in 2020, drawing on their shared love of the electronic sounds of the ’80s.
After moving from Detroit to London, she immersed herself in the art scene, writing lyrics for Cerrone’s “Supernature” before breaking out with her 1978 debut Stateless. Its single “Lucky Number” became an instant classic—off-kilter, infectious, and unlike anything else on the radio—introducing her playful, theatrical voice and bold visual style to the world.
He formed Kula Shaker in 1996; the debut, K, became one of the UK’s fastest-selling debuts of the ’90s. The band’s sound mixes ’60s psychedelia with elements of Indian music. The name, suggested by Mills after his first trip to India, was created in honor of one of the twelve
Bob, also an artist and spent many years working for Andy Warhol, producing silk screens until his death. He has been a passionate member of New York’s art and music scene since the early ’70s.
Their latest five song EP “Tomorrow Remember Yesterday” is a collection of newly recorded songs whose origins harken back decades. Says Vox, “These songs were amongst the very earliest songs we got together pre-Peel session in 1981, but were discarded at the time due to them feeling unfinished.”
Culled from a single decaying cassette tape labeled “July 1978,” these recordings are a window into the musical life of one of our greatest living actors who holds music as dear as all the art forms he participates in. The raw and organic tone of these recordings evokes the breeze and spirit of 1970’s Venice and Malibu beach where they were recorded.
We discuss Jon’s early days in the slums of London, his passion for reading, art, and the political and social themes that influenced their music. King discusses what brought him to make music and the broader cultural landscape that shaped their work.
She’s also a sculptor, DJ, and painter with a background in ceramics, installation, and collage. Grauzone alumni include Echo & the Bunnymen, Lebanon Hanover, Anja Huwe (Xmal Deutschland), A Place to Bury Strangers, DAF, and many more, which speaks to the range of Natasja’s vision as a curator and artist.
O+ is a community-rooted organization that connects artists and musicians with health and wellness care through a radical exchange model that started with an annual music and healthcare exchange festival and has expanded into year-round care.







































