TVD Live Shots: Newport Folk Festival, 7/25

NEWPORT, RI | Fort Adams was once again transformed into an oasis of music, arts, and recreation as the yearly tradition for so many had finally arrived—the Newport Folk Festival. Circled on attendees’ calendars nearly a year in advance, there was a heightened level of excitement as day one of this three-day music festival kicked off. The legacy of NFF is one of kindness and inclusion, and this year’s events contributed to that shared joyful experience through the effort of a whole community.

The Newport Folk Festival’s unique charm, built on a love for music, sets it apart from the rest. These pervasive qualities are shared by attendees, employees, and the artists themselves. Fans respectfully embrace new and familiar artists, leading to meaningful experiences for both attendees and performers.

“Happy New Year!” Producer and Executive Director Jay Sweet excitedly greeted a cheerful crowd at the Harbor stage. “I always brag to any person at every other festival—if you want to see what true music fans are like, come to Newport because they are there from the very first note to show up and help support artists, so thank you for being here.”

Sweet introduced the first main act of the day, Nathaniel Rateliff, who started the day off early. “If I get here in the morning, do you think more people will get here to see the younger artists and start this thing off?” Rateliff’s question proved correct as the crowd overflowed into the aisle to be a part of his heartwarming set.

Rateliff greeted the audience, offering kudos for being an “open-minded and open-hearted community here that is one unto itself, and I feel honored and privileged to be here this year. This festival offers the opportunity to better ourselves and leave as better people.” His affection for the NFF crowd served as a prelude to what would be a shared consensus among the performing musicians—love and appreciation for the fans.

Those who came early were rewarded with the most fun and energetic set of the day from Snacktime, an alt/funk/soul group from Philly. Truly appreciative of the moment, their infectious energy remained high, with songs containing playful sing-alongs and impressive musicianship. “Such an amazing place to gather with not only amazing fans but so many legendary artists as well. Truly an unforgettable weekend, and we can’t wait to come back.”

The larger-than-life ambassador of New Orleans Bounce music, Big Freedia, took to the main Fort stage in the early afternoon and woke up the entire crowd with a loud and glamorous set. Backed by musicians and dancers, Freeida excelled in the summer heat through impressive crowd control, signature catchphrases, and a distinctive voice. Crowd interaction was at an all-time high as she invited five ladies from the audience to wow the crowd with their best dance moves.

The previous night held the first ever Newport Folk All Star Game—a benefit softball game at the famous Cardines baseball field supporting free local music lessons. Kevin Morby was a captain for one of the teams and also had the pleasure of performing on the main Fort stage the next day. Starting his set with the rhythmic “This Is a Photograph,” Morby had the crowd moving from his first note. In one of the sweetest moments of the day, Morby welcomed Waxahatchee singer Katie Crutchfield to the stage as the duo shared the microphone during “Bittersweet, TN.”

Thunderstorms rolled in from the west, causing all in attendance to either seek shelter or return to their cars to ride them out. In keeping with the kind NFF spirit, attendees who drove a car welcomed those who traveled by sea or bike to stay with them during the storm. Soon enough, the skies cleared and the music resumed, providing what felt like a reset for the rest of Friday night and a preparation for the weekend ahead.

Starting back up on the main stage was the remarkable Kenny Loggins, who brought a fun and infectious energy. Loggins adorned an ear-to-ear smile—clearly happy for the chance to play shortly after it had been uncertain. With the Gator Creek cover “Danny’s Song” and chart toppers “I’m Alright” and “Footloose,” Loggins had the entire crowd feeling lively and rejuvenated.

Closing down the Quad stage for the night was a magical set by the Yeah Yeah Yeahs. In what felt like an homage to their simplistic acoustic-based songwriting beginnings, the YYYs delivered a blend of electric and acoustic versions of their most well-known hits while also including Bjork and David Lynch covers. Lead singer Karen O was visibly overcome with joyful emotion during “Gold Lion” as she unsuccessfully tried to restrain a euphoric smile. Seeing how special this set was to the artist proved that the setting of this festival allows musicians to showcase their art in a new and exciting way.

Closing the first night of music was Jack Antonoff and Bleachers Present the Ally Coalition. The alt/indie-pop band Bleachers from New Jersey started off their set with “Rollercoaster” and included a special stripped-down version of “I Wanna Get Better.” Antonoff introduced special guests Weyes Blood and Waxahatchee to perform, and later, this tandem was also joined by Dan and Peggy Reeder.

The crowd was surprised with Grammy Award winner Maren Morris gracing the stage with a rendition of “Don’t Go Dark.” Canadian singer-songwriter Rufus Wainwright followed up Morris with a heartfelt cover of Dylan’s “Not Dark Yet” as the setting sun illuminated him in a warm orange glow. Too excited to even wait to be announced, Jeff Tweedy was plugging his guitar in and smiling, ready to begin. Tweedy harmonized with Antonoff with a Lana Del Ray cover and also a Wilco hit “Kamera.” To top it all off, Paramore’s lead singer, Hayley Williams, was introduced to a loud welcome from an ecstatic crowd. Williams unveiled her new single “Mirtazaphine” and unleashed her prowess with a cover of Modern English’s “I Melt With You.”

Antonoff took the time to address the Newport crowd, stating how unique it is that this festival sells out every year even before the lineup is announced. His heartfelt appreciation for the supportive environment fittingly bookended how the day began with Nathaniel Rateliff addressing the morning crowd. Rateliff’s promise of this festival leaving the attendee as a better person seemed like a lofty goal in the morning hours and a poetic ending to day one.

ALEX G