Category Archives: TVD Washington, DC

TVD Live: The Zombies at the Birchmere, 7/17

Half a century ago this summer, The Zombies were in Abbey Road studio working on an album that would both break up the band and bring them back together decades later. Fifty years later, they were winding up another US tour whose center point was a group of songs from that album that only grew in stature over the years, Odessey and Oracle.

In a show at The Birchmere in Alexandria Monday, the songs soared as lovely chamber pop concoctions—“Care of Cell 44,” “A Rose for Emily,” and “This Will Be Our Year,” leading into their biggest hit, “Time of the Season.” Oddly, it was that last one that didn’t seem well executed—the handclap, drumbeat, breath that was the basis of its precise backbeat seemed shaky (perhaps because they left the handclap to the audience), the keyboard solo by Rod Argent want a little long and wandered a little far afield, the big choral singalong a bit wanting (again because of the audience).

Overall, the group known for its bad timing (they broke up before “Time of the Season” became a hit and wouldn’t reform to tour or otherwise capitalize on it) sounded extraordinarily great. That’s because the vocals of lead singer Colin Blunstone, operatic and high ranging, seemed untouched by the passing years, perhaps because he’d been resting it so long. Argent’s voice wasn’t bad either, though he hid it most of the night, even on songs from his project following the Zombies, also called Argent.

There was more British rock royalty in this small unit: bassist Jim Rodford, who had co-founded Argent, went on to play with the Kinks from 1978 until the band stopped touring in 1996. He also spent time in versions of the Animals and the Swinging Blue Jeans. He’s 76; Argent and Blunstone are 72. The two younger members of the band, drummer (and son) Steve Rodford and guitarist Tom Toomey—both seemed to have white hair in sympathy with their elder bandleaders.

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Play Something Good with John Foster

The Vinyl District’s Play Something Good is a weekly radio show broadcast from Washington, DC.

Featuring a mix of songs from today to the 00s/90s/80s/70s/60s and giving you liberal doses of indie, psych, dub, post punk, americana, shoegaze, and a few genres we haven’t even thought up clever names for just yet. The only rule is that the music has to be good. Pretty simple.

Hosted by John Foster, world-renowned designer and author (and occasional record label A+R man), don’t be surprised to hear quick excursions and interviews on album packaging, food, books, and general nonsense about the music industry, as he gets you from Jamie xx to Liquid Liquid and from Courtney Barnett to The Replacements. The only thing you can be sure of is that he will never ever play Mac DeMarco. Never. Ever.

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TVD Live: NRBQ at the Amp by Strathmore, 7/15

It was a shock six years ago when the newest incarnation of NRBQ was actually something that had been touring as the Terry Adams Rock & Roll Quartet.

Adams had been the mainstay of the Q since the start, more than 50 years ago now, but still. NRBQ had been on a hiatus for a couple of years because of Adams’ stage four throat cancer. Longtime fans were still ready to object to his seemingly arbitrary unveiling of a new group of younger musicians under the venerable name. And then it turned out, hey they were pretty good.

The 2017 version of Q that played the Amp by Strathmore in North Bethesda Saturday night were able to conjure up the spirit of daffy joy and unpredictable musical tangents for which the band has always been known.

Adams, at 69, is still the center of this musical maelstrom, calling out songs and attacking his keyboards with fists and karate chops with an electric fan blowing back his trademark bangs and hair, now turned grey. It looked like he was riding a horse more than playing an instrument half the time.

He wasn’t singing quite as much, either because of the bout with throat cancer or because this was the end of a tour that included a swing through California. But he was full of music, playing more than 30 tunes that included Q favorites, catchy newer ones from the new lineup and oddball covers.

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Play Something Good with John Foster

The Vinyl District’s Play Something Good is a weekly radio show broadcast from Washington, DC.

Featuring a mix of songs from today to the 00s/90s/80s/70s/60s and giving you liberal doses of indie, psych, dub, post punk, americana, shoegaze, and a few genres we haven’t even thought up clever names for just yet. The only rule is that the music has to be good. Pretty simple.

Hosted by John Foster, world-renowned designer and author (and occasional record label A+R man), don’t be surprised to hear quick excursions and interviews on album packaging, food, books, and general nonsense about the music industry, as he gets you from Jamie xx to Liquid Liquid and from Courtney Barnett to The Replacements. The only thing you can be sure of is that he will never ever play Mac DeMarco. Never. Ever.

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Play Something Good with John Foster

The Vinyl District’s Play Something Good is a weekly radio show broadcast from Washington, DC.

Featuring a mix of songs from today to the 00s/90s/80s/70s/60s and giving you liberal doses of indie, psych, dub, post punk, americana, shoegaze, and a few genres we haven’t even thought up clever names for just yet. The only rule is that the music has to be good. Pretty simple.

Hosted by John Foster, world-renowned designer and author (and occasional record label A+R man), don’t be surprised to hear quick excursions and interviews on album packaging, food, books, and general nonsense about the music industry, as he gets you from Jamie xx to Liquid Liquid and from Courtney Barnett to The Replacements. The only thing you can be sure of is that he will never ever play Mac DeMarco. Never. Ever.

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TVD Live: Lindsey Buckingham / Christine McVie, The Wallflowers at Wolf Trap, 6/26

PHOTOS: RICHIE DOWNS | Of the many incarnations of Fleetwood Mac since 1967, the most popular by far is the California version ushered in by the addition of Lindsey Buckingham and Stevie Nicks. Probably because they sold 40 million copies of their self-titled album in 1975, and because people loved Stevie. It was Buckingham, though, who brought a new songwriting touch and production texture. By the time those two joined, Christine McVie had been in the band five years and was already a growing presence with her own distinctive pop turns.

Since both Buckingham and McVie were such forces for new music for Fleetwood Mac all these years later, you’d think they’d just save any new song ideas for perhaps a group album to accompany a supposed Mac farewell tour next year (certainly no new recordings were released in conjunction with their last 2014 tour). But the two released their Lindsey Buckingham/Christine McVie album this month under their own names and are backing it with a tour that made its fourth stop Monday before a very forgiving audience at Wolf Trap in Vienna, VA.

The two—Buckingham, 67, looking very much the same as always; and McVie, elegant and super slim at 73—entered the stage hand in hand, as if they were nearing a cliff edge from which they’d jump. And things started shakily enough, with Buckingham relying on his fussily played acoustic on much slower renditions of familiar songs, from the opening ‘Trouble” to his fingerpicking showcase “Never Going Back Again.” McVie for her part there did “Wish You Were Here” from the 1982 Fleetwood Mac LP Mirage. Both had a little trouble finding the right key to start songs and were never as smooth vocally as they had been on record.

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TVD Live Shots:
Steve Miller Band
and Peter Frampton
at Merriweather Post Pavilion, 6/23

Last Friday evening, Merriweather Post Pavilion and the surrounding woodlands of Columbia, MD played host to two rock giants. Both the Steve Miller Band and Peter Frampton are co-headlining a joint US tour, and fittingly both artist’s catalogs are synonymous with summertime gatherings. Yes, powerhouse co-headlining tours seem to be a back as a summer trend and happily for Merriweather’s audience, the pairing of two of rock’s most prolific artists brought them a night of the genre’s most celebrated songs.

Kicking off the evening, Peter Frampton primed the crowd with his clean and precise guitar tones, his well written rhythms, and his signature voice box that still gets cheers from fans after all this time. Frampton played a solid set and sounded quite fantastic—his solo breaks on his signature Gibson Les Paul ringing through the hills. He even threw in a solid cover of Soundgarden’s “Black Hole Sun” as a tribute to the late Chris Cornell.

When Steve Miller took the stage, he did so quite gracefully with a rather calm walk to the microphone. Apparently Miller’s a man of very few words, short of a brief hello and introduction a few songs into his set. Getting right to it, Miller’s unassuming approach and humble stage presence contrasts with the caliber and reach his songs have attained through the years.

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TVD Live: Alejandro Escovedo, Sammy Brue
at The Birchmere, 6/24

PHOTO: TODD V. WOLFSON | Alejandro Escovedo brings a lot of talented approaches into one rock figure. His show at The Birchmere in Alexandria Saturday had aspects of both his hard rocking post punk career and also his quieter acoustic material. In both, he was backed by a talented three-piece, who wailed when the electricity was full and sat with him when he grabbed the acoustic.

Bringing a variety of influences into his music, from rock, to Texas songwriter traditions, to country, punk, and Tejano, Escovedo seems to have been super-energized since a life-threatening health scare 14 years that also sidelined his music for more than a year.

With the proverbial new lease, he seems at 66 unleashed on stage, and appears as youthful as the other new additions to his band, bassist Aaron McClellan and guitarist Nick Diaz, who added soaring solos in a number of songs. Longtime associate Scott Laningham continues on drums. Too bad it’s not the all-star backing band he had last spring when touring his latest album Burn Something, which featured Peter Buck and Scott McCaughey on guitars and co-writing.

But Escovedo’s plenty able to do these things without them, so he started with rockers he recorded from the last few albums, “Can’t Make Me Run,” “Dear Head on the Wall,” and “Shave Cat” before pulling up a chair and considering some of his oldest songs dating back to “Five Hearts Breaking,” which came alongside a long monologue about the old country musician who inspired it. It was from his first solo album, Gravity, now marking its 25th anniversary.

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Play Something Good with John Foster

The Vinyl District’s Play Something Good is a weekly radio show broadcast from Washington, DC.

Featuring a mix of songs from today to the 00s/90s/80s/70s/60s and giving you liberal doses of indie, psych, dub, post punk, americana, shoegaze, and a few genres we haven’t even thought up clever names for just yet. The only rule is that the music has to be good. Pretty simple.

Hosted by John Foster, world-renowned designer and author (and occasional record label A+R man), don’t be surprised to hear quick excursions and interviews on album packaging, food, books, and general nonsense about the music industry, as he gets you from Jamie xx to Liquid Liquid and from Courtney Barnett to The Replacements. The only thing you can be sure of is that he will never ever play Mac DeMarco. Never. Ever.

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TVD Live: Elvis Costello and Imelda May at Wolf Trap, 6/22

PHOTOS: RICHIE DOWNS | At a time when heritage artists have been distinguishing their tours with reverent presentations of their classic albums, playing them in strict order, one side and then the other, Elvis Costello has found a more flexible vehicle in a tour to celebrate his 1982 Imperial Bedroom.

A landmark album in his rich period of complex pop, it’s provided him with a playground, not only to revisit most (but not all) of its songs, but to veer off into other parts of his career. That means some of the early hits with the Attractions that are staples of his live shows, but also a couple of intriguing but as yet not recorded songs he wrote for a musical version of “A Face in the Crowd.”

Still, that means his generous show with the Imposters at Wolf Trap Thursday skipped pretty much everything from his last 17 or so studio albums, dating back to 1986. Costello, 62, already played the tour in the market back in November, but had some new tricks up his sleeve for the outdoor venue whose ambience on a hot summer night he likened to “the tropical bird house at Regent’s Park.”

Preparing a DC setlist, he said, “every song sounded like it was some bad satiric revue.” He toyed with playing “Waiting for the End of the World,” for example, or “Brilliant Mistake.” He ended up marking the political moment with “Accidents Will Happen.”

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