Monthly Archives: January 2017

Graded on a Curve: Parquet Courts,
Human Performance

If there’s one thing I’ve learned in many years spent listening to music, it’s this: If you’re going to honor your idols by means of rank cannibalism, you are best advised to bury the skeletons afterwards, and deep. Which brings us to the strange case of Parquet Courts’ 2016 release Human Performance, which has sent the critics of our planet into unseemly paroxysms of rapturous praise. And I get it—Human Performance is an excellent LP in its way.

But I have my reservations. Because—and here’s where the cannibalism comes in—while I respect Human Performance for what it is, I can’t help but hear echoes, and more echoes, of other bands, better bands, and these echoes come damn close to ruining my listening pleasure altogether. The Velvet Underground, the Talking Heads, Devo, Beck, Pavement, Pere Ubu, even Jimi Hendrix, for Christ’s sake—I can hear them all in what is less an album than a flawed attempt at musical transubstantiation. Parquet Courts wears its influences on its sleeve, instead of picking up spade and shovel and making sure its mass grave is deep enough.

The first step towards killing one’s idols is by aping them; to paraphrase Oscar Wilde, imitation is the sincerest form of homicide. But after the dirty deed has been performed, one must be careful to wash the blood off one’s hands and then move on. And I thought Parquet Courts had done just that on the noisy and experimental 2015 “Monastic Living” EP. True, the critics universally panned it, but the EP had a metal machine heart and the guys in Parquet Courts should have taken all that critical carping as a signpost that they were on the right path.

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Play Something Good with John Foster

The Vinyl District’s Play Something Good is a weekly radio show broadcast from Washington, DC.

Featuring a mix of songs from today to the 00s/90s/80s/70s/60s and giving you liberal doses of indie, psych, dub, post punk, americana, shoegaze, and a few genres we haven’t even thought up clever names for just yet. The only rule is that the music has to be good. Pretty simple.

Hosted by John Foster, world-renowned designer and author (and occasional record label A+R man), don’t be surprised to hear quick excursions and interviews on album packaging, food, books, and general nonsense about the music industry, as he gets you from Jamie xx to Liquid Liquid and from Courtney Barnett to The Replacements. The only thing you can be sure of is that he will never ever play Mac DeMarco. Never. Ever.

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Graded on a Curve:
Jodi,
Pops de Vanguardia

The Paraguayan outfit Jodi sprang to life in the late ’60s through the combined efforts of teenage brothers Joern and Dirk Wenger. In 1971 they cut an extremely rare private press album, and upon the occasion of its recent reissue, Guerssen Records imprint Out-Sider posed this question: is it “the best lo–fi garage album from South America?” That’s frankly a stumper, but after soaking up the dozen tracks on this once impossible to find LP, it’s obvious Pops De Vanguardia belongs in the discussion. It’s out now on vinyl, compact disc, and digital with five bonus selections.

Born in Paraguay but of German descent, Joern and Dirk Wenger were like countless ’60s teenagers in their catching of the rock ‘n’ roll bug, but a big distinction in their story was life under the military dictatorship of Alfredo Stroessner. Well, that and the siblings, with Joern in the lead, built their own studio, appropriating a section of the industrial paintings-related factory owned by their family.

Prior to Jodi, the brothers had debuted on record as part of The Rabbits, a high school outfit that cut a 4-song garage/ beat EP for the Guarania label in ’69. Categorized as extremely rare (only 300 units were pressed), the set was recorded in a professional studio, and based on “Buscándote,” the one tune from the EP that’s tacked onto the end of Pops De Vanguardia’s CD and included on the vinyl download card, the contrast is striking.

The Wenger’s home studio was certainly an achievement, but it’s also undeniable that Jodi’s album is an excursion into lo-fidelity, though don’t misapprehend that descriptor as commentary on competence. Joern’s interest in studio recording eclipsed any desire for live performance, with his indifference to gigs spelling the end of The Rabbits. Part of the reason for the studio focus relates to the widespread influence of LPs, e.g. Sgt. Pepper’s and Pet Sounds, that were the byproduct of advanced recording techniques rather than practice space-bandstand synergy.

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In rotation: 1/18/17

Cash in the Attic? With vinyl sales booming and collectors forking out thousands for rarities… is your old record collection worth a fortune? Is your old record collection worth a fortune? Vinyl sales are booming and collectors are forking out thousands of pounds for rare discs in mint condition. Take the time to research the versions of your vinyl, as you may have the odd gem in there. Here, Ian Shirley of Record Collector’s Rare Record Price Guide picks out rare discs fetching top dollar.

B-Side records to continue after heartwarming response: “The outpouring of support and well-wishes and offers to work was overwhelming. Who knew so many people cared about a little old record store? Not us,” Manley said in an email interview. “We are humbled and thankful beyond words for the kindness of the community.” The small shop at 436 State St. has survived the decline in vinyl record sales in the late 1990s and 2000s and the arrival of digital music through iTunes and on-line streaming services.

“Saddest Record Store in the World” Closes Seven Months after Extremist Attack: Velvet Indieground, a record shop in Istanbul run by a Korean expat, has closed. The store figured prominently in the media after what an extreme Islamist attack on June 17 of last year, when a handful of Turkish individuals entered the premises, assaulted customers with metal and wooden clubs, and vandalized the property, condemning them for drinking during Ramadan. Customers had gathered at the time for a meet-up to listen to music by Radiohead.

Upminster store enjoying ‘fad’ as vinyl hits record 25-year high: To understand what is causing the peak in vinyl sales, the Recorder took a trip to Upminster’s own Crazy Beat Records, a shop which stocks at any one time in excess of 100,000 items on vinyl and CD. The store, in Corbets Tey Road, started out as a predominantly black music store with people coming from all across London for rare records. It now specialises in anything from classical to reggae music and has been owned by Gary Dennis for the past 27 years. Gary believes the current boom is a “fad” as consumers become fascinated and hooked on the physical format of music. “Vinyl records have that wow factor,” he said.

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TVD Radar: The Chemical Brothers’ full catalog on vinyl in stores now

VIA PRESS RELEASE | Limited edition color vinyl of first seven studio albums available exclusively at U.S. independent record stores.

All eight of The Chemical Brothers’ studio albums are now available on vinyl. Today, (1/13) Astralwerks reissued the GRAMMY-winning U.K. band’s first seven studio albums on double LP vinyl. The reissues—plus 2015’s Born In The Echoes—can be found on black vinyl at retailers everywhere.

To celebrate the reissues, Astralwerks has also released the first seven albums on hand-numbered, limited edition colored double LP vinyl. These special pressings are limited to 1,000 copies of each title and are available exclusively from U.S. independent retailers. Fans can purchase them at Amoeba and at local independent record stores in the following colors:

Exit Planet Dust (1995) – Clear Vinyl
Dig Your Own Hole (1997) – Solid White Vinyl
Surrender (1999) – Solid Blue Vinyl
Come With Us (2002) – Solid Red Vinyl
Push The Button (2005) – Transparent Blue Vinyl
We Are The Night (2007) – Soda Bottle Clear Vinyl
Further (2010) – Transparent Green Vinyl

Each comes repackaged in the original sleeve artwork that the first pressings came in. Audio has been cut from the original lacquers directly from the studio of the original engineer, Mike Marsh, and fully approved by The Chemical Brothers’ Ed Simons and Tom Rowlands.

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Graded on a Curve:
Bic Runga,
Close Your Eyes

Singer-songwriter Bic Runga has been active since the mid-’90s. Huge in her native New Zealand, she’s amassed a solid discography including a live collaboration with fellow Kiwis Tim Finn and Dave Dobbyn while counting Sir Elton John as a fan. Her early records are noted for being composed entirely of self-penned material, but her latest is a broad landscape made up largely of smartly chosen covers; offering a handful of gems, Close Your Eyes has just received global release on vinyl and compact disc through the new international pop label Wild Combinations.

Having sprang from the ’90s adult alternative zone, Bic Runga’s records are amongst the better examples of the form. Nearer to pop traditionalism than any sort of iconoclastic mode, she’s still tangibly contemporary as her work reveals nothing secondhand, the songs imbued with emotion yet refreshingly direct. While Runga hasn’t equaled her chart accomplishments elsewhere (she does have a following in neighboring Australia and Ireland), listening to ’97’s Drive and ’02’s Beautiful Collision, it’s clear that under different circumstances she could’ve.

Between her initial pair of albums, she toured with Tim Finn (Split Enz/ Crowded House/ Finn Brothers/ solo) and Dave Dobbyn (Th’ Dudes/ DD Smash/ solo), a combo affair that resulted in the 2000 release Together in Concert: Live. Touching upon the work of three intelligent but accessible New Zealand songsmiths (spanning the ’70s to the new millennium), it was a stone cinch for commercial success in their home country (it climbed to #2 on the NZ Album Chart and chalked up 26 weeks on the survey).

Although 2005’s terrific Birds maintained Runga’s streak as the sole author and shaper of her records, after a long break in the schedule Belle appeared in ’11 with Kody Nielson (The Mint Chicks/ Opossum/ Silicon) as producer and sporting a bunch of songs cowritten with Nielson and others. Plus, in a tidbit foreshadowing Close Your Eyes, the set’s title track is a cover of the theme song to the French television series Belle et Sébastien.

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UK Artist of the Week: Be Charlotte

Fronted by teenager Charlotte Brimner, Scottish three-piece Be Charlotte are set to release a brand new single later this month. I’ve no doubt that it’s going to take the world by storm.

“One Drop” showcases just why Brimner is already regarded as one of Scotland’s most cutting-edge songwriters. Skillfully fusing an eclectic range of genres, the track combines elements of hip-hop, electro, and pop, creating a truly infectious and hugely addictive dance-floor anthem.

As Brimner’s Scottish twang alternates between sweeping, impassioned vocal power and gritty beat-boxing loops, “One Drop” races with twinkling melodies alongside throbbing beats and glitchy electro vibes—a vibrant and innovative creation, bound to propel Be Charlotte into the mainstream in no time.

Having already received acclaim from BBC Radio 1 and Radio X, Be Charlotte have also been named as one of The Great Escape’s First Fifty for 2017, and are going to be playing SXSW in March. This year certainly looks set to be a big one for Be Charlotte.

“One Drop” is out 20 January via AWAL/Kobalt Label Service.

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Graded on a Curve:
Paul and Linda McCartney, Ram

You can grouse all you want about how Paul McCartney graduated from the Beatles only to become one of the world’s biggest purveyors of pure treacle, but that’s being unfair. Sure, I would gladly dunk my head in a pail of skunk piss to avoid hearing “Let ‘Em In” and “Silly Love Songs,” and that goes double for “Ebony and Ivory” and “Listen to What the Man Said.” You’re free to disagree, but I am of the belief that all four of the aforementioned songs are enough to disprove widely held assumptions about the continuing progress of the human species.

But. But! During the course of his long post-Beatles career the most lachrymose member of the Fab Four has bequeathed us some of the catchiest songs—I’m talking about “Band on the Run,” “Jet,” “Smile Away,” “Rock Show,” “Live and Let Die,” “Uncle Albert/Admiral Halsey,” etc.—you’ll ever hear. All of them may be lightweights, but they can knock out just about anything in their class.

Bottom line? I am of the opinion that Sir Paul’ genius resides in his amazing ability to overcome his natural predilection towards producing pure pap for soft rock people. There’s no denying that the old boy has demonstrated an uncanny capacity for recording horseshit, but he’s simply too talented to let his worst instincts completely overwhelm his facility at turning out irresistible melodies. And it could be his love for pot, but he also has a strange but likeable tendency towards the downright surreal.

Take Ram, his 1971 collaboration with wife Linda. True, Ram may not be representative of McCartney’s overall output, as it doesn’t include a single insufferable song, although “Long Haired Lady” comes flirtatiously close. On the other hand, “Uncle Albert/Admiral Halsey” is a brilliant pastiche and predecessor to the landmark “Band on the Run,” and while I laugh at it I also love it more than I did my dear old grandma, the insufferable prick. Just listen to it! The falling rain! The sound of thunder! That wonderful megaphone! That posh English accent! The inimitable Marvin Stamm’s magic flugelhorn! The talk of pies! And I could go on! But you get the idea.

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TVD’s Press Play

Press Play is our Monday recap of the new and FREE tracks received last week to inform the next trip to your local indie record store.

Anjou – Soucouyant
Boogarins – Olhos
Granfalloon – EFFY
Frances Luke Accord – Nowhere To Be Found
Rocky Wood – Bail Out
Olive & The Pitz – Landlocked
Antenna Man – Knockdown
The Jones Family Singers – All God’s Children Ain’t Free
Almond & Olive – Standing at the Precipice
Altar Eagles – Skeletal
The Gods Themselves – So Hot

TVD SINGLE OF THE WEEK:
Black Star Riders – Testify Or Say Goodbye

Toma – Going Nowhere
James Raftery – Everything
Daddy Lion – Maslow
The Nyx – Home
I Am The Polish Army – David Bowie
Matthew Squires – Debt Song
Thurst – Alienation
STRAIGHTLINE – Not Afraid
Impala – Pilot (Feat. Tima Dee)
Mess Kid – SWM
Mykki Blanco – Loner “Remix” feat. WIKI

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In rotation: 1/17/17

Vinyl Sales Aren’t Dead: The ‘New’ Billion Dollar Music Business: Vinyl records are projected to sell 40 million units in 2017. This will bring the past seven years’ collective sales to the $1 billion benchmark for the first time this millennium. This impressive milestone has been untouched since the peak of the industry in the 1980s. While explosive by today’s standards, according to Deloitte, in its heyday (‘81), total vinyl album sales topped $1 billion in just that year alone.

Radio Wasteland Records opens Friday in Midland: Break out your turntables and get ready for a blast from the past because a record store is opening in Midland on Friday. Radio Wasteland Records, located at 718 George St., will offer an extensive assortment of vintage vinyl and new releases for young and old music lovers alike. “What we have, as far as an offering goes, runs the gamut. If you can think of an interesting genre for vintage vinyl, I think we can represent it here,” owner Jim Gleason said. The store, located just four blocks north of Dow Diamond, will host a collection of genres ranging from rock and roll and soundtracks to radio shows and even a few area recordings.

Tunbridge Wells pop-up vinyl shop owners want to reopen elsewhere in town: A pop-up vinyl record shop in Tunbridge Wells has closed down, but the owners want to reopen in town, saying the business “exceeded all expectations”. Vinyl Revolution, which was based in Camden Road, had opened at the end of October but only had plans to be open at the venue until January due to a proposed redevelopment of some of the shops on the edge of the Royal Victoria Place centre. “For an idea that literally only came to us three months before we opened, the shop has exceeded all our expectations – a large part of that is due to being in Tunbridge Wells,” co-owner Rachel Lowe told Kent Live.

Re-covered in Vinyl: Fully half the modern world seemed to be covered in vinyl back in the ’50s and ’60s, and of course these days everyone is collecting vinyl records again. They might indeed sound better than their digital descendants, but there’s no denying the vintage appeal of all things vinyl. So it’s vinyl on centre stage as the collector’s collective Made by Legacy, which specialises in organising American-style flea markets, mounts its latest funky retail extravaganza tomorrow and Sunday on the roof of Bangkok’s Fortune Town mall. This is the eighth edition for a dazzlingly diverse flea market that has previously evoked nostalgia for Vietnam-era GIs, childhood toys and classic cars. This year’s 150 booths will be piled high with vinyl stuff – and a whole lot more besides.

Music’s Weird Cassette Tape Revival Is Paying Off: For Andy Molholt, there’s something oddly special about hitting play on his boombox at the beach. The Philadelphia-based musician tours frequently with his band Laser Background and, between that and the many shows he helps book back home in Philly, he winds up seeing a lot of bands perform in bars, basements, and warehouses. If he likes them, he usually buys a tape. “It’s nice to only be able to listen to what’s in front of you, instead of having the entirety of music at your fingertips with Spotify and all that,” says Molholt of his growing tape collection. “There’s also something warm and fuzzy about tapes to me, maybe in a nostalgic kind of way.”

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We’re closed.

We’ve closed up the shop for the Martin Luther King Day holiday. While we’re away, why not fire up our free Record Store Locator app and visit one of your local indie record stores?

Perhaps there’s an interview, review, or feature you might have missed? Catch up and we’ll see you back here tomorrow.

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TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

In every dream home a heartache / And every step I take / Takes me further from heaven / Is there a heaven? / I’d like to think so / Standards of living / They’re rising daily / But home oh sweet home / It’s only a saying

Now that we’ve said hello to 2017, let say hello to today—full moon Friday. Mercury in retrograde! Greetings from Laurel Canyon—oh, and by the way, this here canyon is closed. Yes, and in addition to the bittersweet farewell to our lovable and funky prez, it poured and rained and poured. Then a house slid into Laurel Canyon. Talk about your morning drive becoming a metaphor for the future…

Our canyon is closed. Were not cut off from the rest of the world or the city, but maybe that might not be such a bad thing.

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TVD Radar: I Keep It
To Myself / The Best Of Wilko Johnson

VIA PRESS RELEASE | Continuing his association with the reactivated Chess imprint, the label that issued so many of the tunes that inspired him in his youth, I Keep It To Myself / The Best Of Wilko Johnson draws together 25 tracks recorded between 2008 and 2012 by the legendary guitarist and songwriter with backing largely provided by Blockheads Norman Watt-Roy (bass) and Dylan Howe (drums), the same rhythm section that performed on Wilko’s enormously successful Going Back Home album with Roger Daltrey.

Including re-workings of Wilko penned Dr Feelgood favourites ‘She Does It Right’, ‘Twenty Yards Behind,’ ‘Sneaking Suspicion,’ and ‘Roxette,’ alongside further dynamic numbers such as ‘Turned 21,’ ‘Some Kind Of Hero,’ ‘Out In The Traffic,’ Barbed Wire Blues,’ ‘Down By The Waterside,’ and ‘I Really Love Your Rock ‘n’ Roll’—I Keep It To Myself / The Best Of Wilko Johnson is a splendid collection of high-octane rhythm & blues with that unmistakable Wilko Johnson Fender greatness stamped all over it. Songs that are sung from the heart and played from the soul.

He’s unlike any other musician, Wilko. If you have the good fortune to see him in the flesh, watch his hands (not his plectrum) chopping out mean riffs, chopping out brutal guitar solos, as he moves constantly, towards the crowd and away from the crowd. Like his music—in motion, always. Songs rarely reach the three-minute mark. But by the time they’re finished you know you’ve been to a gig. The Stranglers Jean Jacques Burnel said of Wilko’s former outfit Dr Feelgood, “I often say to journalists there is a bridge between the old times and the punk times. That bridge is exclusively The Feelgoods, it allowed us to go from one thing to another. That’s the connection, the DNA.”

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Ty Richards,
The TVD First Date

“I’ve never been good at first dates or surface conversations so I’ll just awkwardly dive right into it and either scare you off or make you fall in love with me. I have one true musical idol and its Mr. Frank Zappa. Mostly out of pure envy though. His music is good, but really I love him because that son-of-a-bitch put out 60-something albums and I haven’t. And he only made it to age 52. If I could choose to be like anyone it would be him. RIP.”

“I wouldn’t be here if I didn’t love me some warm gooey vinyl. As a producer and gearhead, I really enjoy seeing the resurgence that is happening of all-things-analog. I cobbled together my first demo as a 13-year-old kid by recording on an old ’90s Sony 2-channel Karaoke machine straight to cassette tape with the stock microphone that came with it, an old Squier Stratocaster, and a fifty-dollar practice amp.

I even picked up my dad in the background of one of the songs yelling like he always did, “TURN THAT THING DOWN, GODDAMMIT!!!!!” As a third wave analog nerd, I’m proud to say I’ve finally kissed 15 years of digital recording goodbye and come full circle to invest in a mid-’80s Tascam 388 tape machine that I bought off my good friend McCullough Ferguson of Whit.

That said, I’ve learned to be good friends with the digital era too, living a life that embraces the good of both worlds while leaving out the bad. I think this cliché of living a “hipster” lifestyle, as a mere recreation of a Wes Anderson film is dumb. I don’t want to use a typewriter and I don’t need a messenger hawk. I like my Mac and I prefer texting, thank you.

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TVD Radar: Kris Kristofferson, The Austin Sessions: Expanded Edition in stores, 2/10

VIA PRESS RELEASE | In the summer of 1997, Kris Kristofferson spent a few days in Texas recording stripped-down versions of his best-known songs. Released by Atlantic Records in 1999, The Austin Sessions pairs the acclaimed outlaw country songwriter with a band of studio aces and guest harmony vocalists for intimate versions of classics like “Me and Bobby McGee,” “Why Me?,” and “Sunday Morning Coming Down.”

Rhino Records celebrates these powerful recordings with an expanded version of the album that features remastered sound and includes two unreleased session outtakes. Fred Mollin, who produced the original album, tells the story behind the sessions in the collection’s liner notes, which also feature several unpublished photos from the time. The Austin Sessions: Expanded Edition will be available February 10 on CD ($13.98) and digitally ($9.99). A remastered vinyl version of The Austin Sessions will also be available on the same day ($21.98).

Kristofferson recorded The Austin Sessions at Arlyn Studios in Texas with a group of session veterans from Los Angeles and Nashville who were hand-picked by Mollin, who also plays acoustic guitar on the album. Kristofferson’s longtime touring guitarist Stephen Bruton appears on several songs as well.

Mollin recalls: “I knew in my heart that I could pull off a great under-produced production and give Kris the album he always wanted to make: one that felt like it had the uniqueness and rootsy feeling that Dylan accomplished on his early electric albums.”

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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