Monthly Archives: February 2019

Mr. Koifish,
The TVD First Date

“Growing up, I remember my parents playing a lot of swing, jazz, and The Beatles on vinyl, and most distinctly, how very loud it was. Often, when they were cleaning, they’d turned up the music so much you could hardly even hear the vacuum cleaner.”

“I have an early memory of my brother and I breaking my dad’s very expensive turntable pickup. We were playing with it, putting our small toy cars on the turntable and watching them go round and round. He was very angry at us and moved the turntable so we couldn’t reach it.

I can’t remember exactly when I started playing vinyl myself or what my first record was, but I know it was during my teenage years in high school, shortly after I had moved out of my parents’ home. My friends and I were total music nerds; we had to have the “right” hi-fi system and the “right” record player. Most of my savings went toward the equipment. I started listening mostly to hip-hop, soul, and new soul like Marvin Gaye, D’angelo, Eryka Badu, A Tribe Called Quest, Blackalicious, Common, The Pharcyde, and The Beastie Boys.

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UK Artist of the Week: Safe To Swim

This week’s Artist of the Week comes all the way from sunny Brighton, UK! Indie quartet Safe To Swim have been making waves over there for some time now and with their debut EP “Boyhood” due for release in the Spring, it’s about time the rest of the world were introduced.

Their latest single “Make Things Like They Used To Be” takes the listener on a trip down memory lane as frontman Jim Filippides sings about the universal fears of adulthood and all the difficulties being a grown up can unfortunately bring.

Despite the melancholic subject matter, Safe To Swim are renowned for creating uplifting, infectious melodies and “Make Things Like They Used To Be” is no different. The single is oozing with addictive guitar riffs, swirling synths, and an undeniably vibrant chorus that is bound to move you.

As mentioned, Safe To Swim’s debut EP is due for release very soon and we can’t wait to hear it. Having already supported the likes of The Night Cafe, Anteros, and BLOXX, it’s safe to say that Safe To Swim are onto something pretty good.

“Make Things Like They Used To Be” is in stores now.

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Graded on a Curve:
ORG Music’s Jazz
Reissue Series

As Black History Month nears its conclusion for 2019, the opportunity arises to spotlight seven coinciding jazz reissues made available by ORG Music. Stylistically wide-ranging, including a few masterpieces, some overlooked gems, and a plethora of historical value from Bunk Johnson and Leadbelly, Ben Webster, Milt Hinton, Earl “Fatha” Hines, Cecil Taylor, the Art Ensemble of Chicago, and Albert Ayler and Don Cherry, all seven are out now.

Black history encompasses so much more than just music, of course. But there’s also no denying that music provides a fertile landscape of African-American achievement; even when limiting the scope to jazz, the body of high-quality work and noteworthy accomplishments is large enough that it can seem inexhaustible.

The pool only widens when considering examples that might fall short of the earth-shaking category but are still very much of interest, as history does not consist of an uninterrupted sequence of masterpieces and artistic breakthroughs; there’s a whole lot of interest in between, which is where At New York Town Hall 1947, a live recording on double vinyl featuring New Orleans trumpeter Bunk Johnson & blues-folk singer-guitarist Lead Belly, resides.

In a sense, the recording’s strongest attribute is history. Pressed to vinyl for the first time after hitting CD in 1993, it’s a document of one event from a series put on by an organization called the New York Jazz Club. In addition to Bunk and Leadbelly, this association rounded up an interesting band including trombonist Jimmy Archey, banjoist Danny Barker, clarinetists Omer Simeon and Edmond Hall, pianist Ralph Sutton, drummer Freddie Moore, and tubist-bassist Cyrus St. Clair.

Unfortunately, it wasn’t the greatest night for many in the assembled crew, including Bunk, and even after being mastered for vinyl by Dave Gardner, the limitations and flaws of the source recording are still quite evident. Leadbelly only performs on three cuts, none of them near the peak of his powers, and one being “Yellow Gal” (yellow meaning bi-racial, a problematic but not uncommon term in vintage blues recordings).

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In rotation: 2/26/19

Plymouth, UK | Delight as Plymouth HMV staff get their jobs back. Surprise reopening is a boost for workers, shoppers and Plymouth city centre: Plymouth city centre has been given a major boost after the HMV store re-opened – leaving staff and customers delighted. The roller-shutter rolled up at 9am on Saturday, February 23, 2019, more than two weeks after the huge Drake Circus Shopping Centre outlet shut suddenly. It is understood the chain’s new Canadian owner has reached an agreement with mall bosses British Land Company PLC on rental for the vast unit. It meant the store, one of 27 that closed when music store mogul Doug Putman bought HMV out of administration, could start trading again. It is understood staff were only called the evening before and given the good news they could go back to their jobs.

Dundee, UK | SAVED: Iconic store in Dundee city centre​ to stay open: The iconic Groucho’s record store is to stay open, its owner has announced. It was announced in September last year that the landlord was selling the shop premises and subsequently the sale was completed at the end of November. It left owner Alastair Brodie considering retirement and the record store – a mainstay in Dundee for 42 years and at its current Nethergate location since 1999 – under threat. But Alastair has announced it will stay open in a Facebook post on Friday night. He wrote: “After months of speculation I am delighted to announce that Groucho’s will not be closing in the near future as feared. “Fortunately we have been able to strike a deal with the new landlord to extend our lease by five years which I’m sure will come as a great relief to our loyal customers.”

UK | Fopp: The rise and fall of a music store empire: It was the mothership of an independent record shop empire that grew from a one-man Glasgow market stall to 100 stores across the UK. Fopp on Byres Road helped shape the musical tastes of thousands of Scots and influenced some of the country‘s most popular musicians. But its doors have been closed for good after the chain‘s owner, HMV, was bought by Canadian firm Sunrise Records. The deal has also led to – but it is the loss of the Byres Road branch which has been most keenly felt. Members of bands like Mogwai, Belle and Sebastian and Arab Strap have all described how the Byres Road shop – situated in the heart of Glasgow‘s student area – was a key part of their musical education in the late 1990s and early 2000s.

Des Moines, IA | Rock out, Merle Hay Mall: A store with 50,000 vinyl records is moving in: Get ready to rock, Merle Hay Mall. A record store is moving into the mall, complete with 50,000 vinyl records, cassette tapes, autographed pieces and live bands playing shows in the mall. Ratt’s Underground Records is moving into a 3,900 square-foot space at the mall on the lower level, next door to Expo and near Flix Brewhouse. Steve Ratcliff, the store’s owner, said he is moving his existing store at 617 Euclid Avenue and all of the vintage merchandise along with it. “I have a lot of opportunities going into the mall,” Ratcliff said. “I’ve been here in the Highland Park area for seven years and it’s a struggle.” The Merle Hay Mall store includes a poster and art gallery, heavy metal and punk rock patches and 1,600 band T-shirts. Ratcliff said his store will appeal to all genres of music lovers, “everything from punk rock to Hawaiian to barber shop quartet-type stuff.”

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TVD Radar: Boy Howdy! The Story of CREEM Magazine movie world premiere at SXSW, 3/10

VIA PRESS RELEASE | The world premiere screening of Boy Howdy! The Story of CREEM Magazine, has been announced via Rolling Stone.

Directed by Scott Crawford (Salad Days: A Decade of Punk in Washington D.C), the film is a gritty, no holds barred look at Detroit’s legendary CREEM Magazine and the unruly band of misfits that made it possible. Boy Howdy! The Story of CREEM Magazine will first screen on March 10 at SXSW in Austin, TX. See below for all announced screening dates. For two decades, CREEM Magazine broke industry barriers, rattled the cages of artists and bands alike and informed readers about rock ‘n roll music in a way that hasn’t been replicated since. Barry Kramer first published CREEM in 1969, and his son JJ Kramer produced the documentary alongside Jaan Uhelszki and New Rose Films in 2019.

The film is directed by Scott Crawford (who also directed the critically-acclaimed documentary Salad Days: A Decade of Punk in Washington D.C.) and explores the magazine’s humble beginnings in Detroit’s Cass Corridor in the late 1960’s to becoming a national powerhouse publication.

Later it takes viewers through the tragic and untimely death of its publisher Barry Kramer and its most famous alum Lester Bangs. CREEM’s newsroom could be as wild and unruly as the music it covered and the oftentimes controversial interviews it featured with artists like Iggy Pop, MC5, Lou Reid, J. Geils, Patti Smith, The Clash, Ramones, Alice Cooper, KISS, Cheap Trick, Blondie and many more.

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TVD Radar: Paul and Linda McCartney present the reissue of Professor Longhair Live on the Queen Mary, in stores 4/5

VIA PRESS RELEASE | Originally released in 1978 on Harvest Records, Professor Longhair’s Live on the Queen Mary documents a legendary performance from the Venus and Mars album release party thrown by Paul and Linda McCartney and Wings in 1975.

Live on the Queen Mary was recorded March 24, 1975 on its titular cruise ship, while docked in Long Beach, California. Highlights include the rollicking “Mess Around,” the standards “Stagger Lee,” “Everyday I Have the Blues,” “I’m Movin’ On,” and Professor Longhair’s own hits “Mardi Gras in New Orleans” and “Tipitina” about which Hugh Laurie writes, “Because that live version of Tipitina, oh sweet Lord. If the record had nothing else on it, it would still be a treasure beyond price.”

Professor Longhair a/k/a Henry Roeland “Roy” Byrd (December 19, 1918 – January 30, 1980) was a New Orleans blues singer and pianist. He was active in two distinct periods, first in the heyday of early rhythm and blues and later on during the resurgence of interest in traditional jazz surrounding the beginnings of the New Orleans Jazz and Heritage Festival. Professor Longhair’s influence was crucial to many of his fellow New Orleans musical legends, such as Fats Domino, Allen Toussaint, and Dr. John, all of whom were touched by his rumba, mambo, and calypso piano based blues sound.

Live On The Queen Mary will be re-released April 5 via Harvest / MPL across digital platforms, on CD and on newly remastered 180gram vinyl LP. The album will feature a foreword by Hugh Laurie, as will the limited edition “Long Live Fess” deluxe, which will also feature the 180gram LP, the double A-Side 7” Single “Tipitina”/” Mess Around,” and more. Track listings for the various formats are as follows:

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TVD Vinyl Giveaway: Jewel, Pieces of You

Jewel’s Pieces of You was released 24 years ago. (Let that sink in.) While you’re feeling terribly old right about now—something new has landed in stores: a 2LP reissue of Ms. Kilcher’s debut record—and we have 3 copies to award to 3 of you. First, some background on the reissue:

Craft Recordings is pleased to announce their upcoming reissue of Pieces of You, the debut album from Jewel, one of the most successful singer-songwriters of all time. Long out-of-print, Craft Recordings reissues this landmark album on February 15th. Like the original, the 2-LP vinyl features five bonus tracks that originally appeared as B-sides on the album’s single releases, with lacquers cut by Chris Bellman at Bernie Grundman Mastering and pressed at Memphis Record Pressing. Barnes & Noble also will be selling an exclusive blue vinyl version.

Acclaimed American singer-songwriter-poet Jewel has enjoyed career longevity rare among her generation of artists. Since achieving international stardom over 20 years ago, Jewel has emerged as a charismatic live performer and a respected songwriter with 12 studio albums, four GRAMMY® nominations, and over 30 million albums sold worldwide. Signed before she was 19, Jewel credits her great mentors Bob Dylan, and Neil Young who took the time to encourage her as a young artist, advising her to take risks and make music she is authentically interested in.

Pieces of You was released in 1995, recorded in a studio on Neil Young’s ranch, and included Young’s backing band, The Stray Gators. The album stayed on the Billboard 200 chart for two years (peaking at #4) and spawned Top 10 hits including the certified platinum single “You Were Meant for Me,” “Who Will Save Your Soul,” and “Foolish Games.” Described by Rolling Stone as “a record that carved out a perfectly confessional, coffeehouse niche between the decline of grunge and the rise of slinky pop princess.” The album also reached mainstream success, going on to sell over 12 million copies and becoming certified 12x platinum ─ making it one of the best-selling debut albums of all time.

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Andrew Leahey,
The TVD First Date

“I can still picture my parents’ old stereo. It was this massive, silver-colored piece of machinery with a weighted radio dial. They probably purchased it as the ’70s gave way to the ’80s, so it was already a bit dated by the time I began pushing its buttons. Even so, the thing fascinated me. You’d flip the switch to “on” and everything would light up.”

“We were mostly a cassette tape family. Our favorite albums would rotate between my dad’s car stereo, my brother’s Walkman and my bedroom boombox. Somewhere around middle school, though, I simultaneously made the jump to CDs and inherited a turntable that had been collecting dust in a corner of my foster brother’s room.

The record player confused me at first, but I remember appreciating the challenge it presented. I’d never dealt with speaker wire before. I’d never had to buy a new record player needle. It turned the listening experience into a physical one, and I think it made me care about the whole thing a bit more. I had to earn the right to play music on that thing.

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Graded on a Curve:
Kiss, Alive!

Kiss: The McDonald’s of Rock! The ultimate mass-produced fast food for your ears! Over 100 million albums served and counting! Hell, they actually kinda LOOK LIKE Ronald McDonald! And their concerts should have drive thru windows!

Which is to say that while other bands may produce better songs, when it comes to dependable lowest-common-denominator rock product, Kiss makes most (if not all) of your other hard rock outfits look like mom and pop burger joints.

But I’m not slagging ‘em. No matter highly evolved your tastebuds may be, don’t you ever get the unshakable hankering to sink your teeth into a Mickey D’s cheeseburger? They’re so wrong they’re right! And it’s just like that with Kiss. I can make fun of the make-up and the dumbed down music (they make Grand Funk sound smart!) but when push comes to shove I can’t resist songs like “Strutter” and “Black Diamond” and “Rock and All Nite” any more than I can a holster of McDonald’s fries. They’re greasy and taste great with salt on ‘em!

And THEE DEFINITIVE Kiss product is of course 1975’s Alive!, which in the great seventies live el pee tradition is a twofer and as such probably one LP too long, but who’s counting? Think of it as a double Happy Meal! As a graduate of the Class of ’76 I couldn’t escape this baby, everybody owned a copy on 8-track and played it nonstop in their cars as they rolled down the main drag of Littlestown, Pennsylvania (which was so small it didn’t EVEN HAVE a McDonald’s) looking for girls WHO DIDN’T EXIST, that is when they weren’t playing Frampton Comes Alive! (which in the great seventies live tradition was a double album as well).

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In rotation: 2/25/19

Redditch, UK | Redditch record shop celebrates fourth anniversary following vinyl revival: Redditch record shop Vintage Trax is celebrating its fourth anniversary after reaping the benefits of the vinyl revival. The popular business, on Birchfield Road in Headless Cross, will be marking the event this Saturday, February 23, music, giveaways and of course cake. Owner Ros Sidaway, credits the increasing demand and popularity of records for her shops success. She said: “It’s not just the local area we serve, we have customers regularly coming from the Birmingham area, Warwickshire, the South West, Wales and London. “We even have people from around the UK and overseas visiting the John Bonham memorial in Redditch town centre who come up to the shop too.” Last year alone 4.2 million records were sold in the UK an increase of 1.6 per cent from 2017.

Hartlepool, UK | Northern Rocks in Hartlepool for lovers of vinyl records: Vinyl is, for Phil Dunn, labelled with love. The music suitor has fulfilled a long-time ambition and opened up a record store. Northern Rocks Vintage Vinyl, based inside Kiwi Trading in Hartlepool, sells vinyl albums and singles from across the years. And Dunn is also passing on his knowledge and expertise when it comes to jukeboxes and record players too. With a hefty collection at home, Northern Rocks – regulars at the old Gemini club in Hartlepool will recognise the logo – is a big extension of his personal vinyl enthusiasm. Dunn admitted: “It’s a lifetime of work – as a record collector I’ve built up a collection of around 10,000 albums.

Decatur, GA | Phonographs are ‘anachronistic,’ per Georgia legislation. Vinyl collectors spin with disbelief: A bill in the legislature is getting some heat from record collectors for describing a phonograph as “anachronistic.” That word describes something as outdated, and record collectors say the machines that play vinyl records are far from anachronistic. The bill is the very first one sponsored by state Rep. Josh McLaurin (D-Sandy Springs), who was first sworn in five weeks ago. His first-ever bill takes on the phonograph, a machine invested by Thomas Edison in 1877. Yet it persists in 21st century culture. The evidence is in Wuxtry Records, a north Decatur institution opened in 1978. Yes, some people still buy music at Wuxtry and other stores. And its owner Mark Methe is quick to point out they still buy vinyl records.

Los Angeles, CA | Math professor’s fortune is pure vinyl: …But prior to getting into the academic life, Pumar had been stockpiling on vinyl records since the age of 16. “I had a friend in high school, whose parents gave him all of their old records, and I was at his house. As soon as I saw a record on the table, in motion, producing music, I got utterly fascinated and it’s been a total obsession ever since,” Pumar said. Pumar has accumulated a massive collection of 1,214 Vinyl’s [“Vinyls” is not a word. The plural of vinyl is in fact, vinyl. —Ed.] and said that choosing one favorite is hard. He said his collection is worth anywhere between 16,000 or 40,000 dollars. His most prized pieces of his collection are the ones where he got to meet the artist and have them sign his vinyl. “All the signed ones I have are priceless, because there is that interaction there where I got to meet the artist.” Pumar said.

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TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Fruit tree, fruit tree / No one knows you but the rain and the air. / Don’t you worry / They’ll stand and stare when you’re gone. / Fruit tree, fruit tree / Open your eyes to another year. / They’ll all know / That you were here when you’re gone.

This has likely been the coldest winter week in the thirty some odd years I’ve lived in LA. Twice this week I’ve found myself in a morning traffic jam on top of a crisp and scenic Mulholland Drive. It came clear as the morning—to be stuck on Mulholland is certainly nothing to complain about. In fact, the top of our canyon still carries the magic of plants and native Americans.

I found myself staring at trees and enjoying the simplicity of their company. Indeed, since moving to our pad in the canyon, I’ve always regarded the trees as neighborhood and friends. It’s as though this week’s cold has grown whiskers for us all.

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TVD Live Shots:
The Dead South and
The Hooten Hallers at the O2 Forum Kentish Town, 2/15

Canadian bluegrass punk rebels The Dead South have arrived and their moment is now. Having sold out their biggest UK tour to date, this quartet is primed to take the reins from the terribly overrated Mumford & Sons with a return to the style of the original rowdy acoustic punks, The Avett Brothers. It’s traditional, it’s edgy, the lyrics tell a great story, and you can’t help but stomp your foot and be pulled into the energy that these guys produce on stage.

Based in Regina, Saskatchewan, the band was formed in 2012 and has released two full-length albums and an EP to date. The songs “In Hell I’ll be in Good Company,” “Honey You,” “Boots,” and “Banjo Odessy” are instant classics for the genre and sound even better live than on the records.

Famed London venue the O2 Forum in Kentish Town was jam-packed with 2300 fans, the largest crowd to date for these guys, and it was a rip-roaring ride through the band’s short but celebrated catalog backed by one of the most impressive light shows I’ve seen at the venue. As these guys have just recently appeared on my radar, it became immediately apparent why the buzz and the hype around The Dead South is legit, and it will be interesting to see where the band goes next as they’ve clearly outgrown another London venue.

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TVD Radar: Lee Moses, How Much Longer Must I Wait? Singles & Rarities 1965-1972 in stores 5/24

VIA PRESS RELEASE | Light In The Attic continues to illuminate the works of soul music “mystery man” Lee Moses on the heels of their recent reissue of his seminal (and only) LP, Time and Place.

With How Much Longer Must I Wait? Singles & Rarities 1965-1972, the label presents a collection of material pre-dating 1971’s Time and Place, reflecting Moses’ initial bid for stardom via a series of now-legendary 45s recorded with Atlanta producer Johnny Brantley. This definitive package collects all of Lee Moses’ non-album singles and B-sides, including the Southern soul smash “Bad Girl” (both versions), plus three previously unreleased tracks together in one package for the first time ever.

The release appears on Light In The Attic’s Future Days Recordings imprint, which is a nod to songs born ahead of their time. As for the unreleased Lee Moses recordings – much like the man himself, little is known about them. What remains is an oeuvre that has become synonymous with raw and emotionally charged Southern soul. While we may never know all we wish we knew about the man behind the music, but with How Much Longer Must I Wait? we can finally complete the picture of his work. Essential listening for anyone with a heart.

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JD Simo,
The TVD First Date

“I’m JD Simo and I’m a vinyl junkie.”

“I mostly scour bins for old blues, R & B, and funk records, but I also have a fondness for mono garage rock and psychedelia from the 1960s. Because I travel constantly, one of my favorite pastimes is hitting my favorite spots while on tour to see what I can score. For several years I didn’t travel with a record player and that led to constant frustration. I’d score a mint Excello Records Slim Harpo King Bee and not be able to enjoy it till I was home. Needless to say, it didn’t take long for me to find a funky old unit. My cherished mid 60s GE is my constant companion.

There are several favorite spots I have around the world, most notably Grimey’s in my hometown of Nashville, Amoeba in San Francisco, Reckless Records in Chicago, and my favorite, Antone’s Record Shop in Austin, TX.

Antone’s was opened in the 1980’s by the grandaddy of the Austin music scene, Clifford Antone. His history as a blues fanatic and champion of the underdog is widely known and luckily a decade after his death, his legendary nightclub and cherished record store are still going strong thanks to a dedicated staff and supportive local community.

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Graded on a Curve:
Deer Tick,
Divine Providence

Hey, how about we forget about this stupid review and go get trashed instead? Yeah, yeah, yeah, drinking to excess is bad for your moral fiber and could even land you in the rooms of Alcoholics Anonymous or in an El Camino wrapped around a utility pole (like me!), but sometimes you just gotta go off like a human roman candle or die a little inside, ya know?

And it’s this wild hair up yr ass, this impulse to just go off the rails and to hell with the consequences, this itch that you just GOTTA scratch that Deer Tick captures so wonderfully on 2011’s divinely raucous Divine Providence. The LP title’s a salute to the band’s Rhode Island hometown; the contents therein include some of the most barbaric yawps and calls to get shitfaced this side of Gang Green’s “Alcohol” or the Dictators’ damn near definitive “Weekend.”

Divine Providence is by no means a perfect album; the first four songs are drop dead great, near perfect actually, but after that it’s hit or miss if only because the party mostly peters out and Deer Tick is reduced to pure songcraft, the problem with that being that a couple of these songs sound suspiciously like songs by other bands.

Deer Tick’s owe a heavy debt to the Replacements, and on “Main Street” they don’t even try to hide it. And I can’t listen to “Chevy Express” (what a waste of a great title!) without hearing Spoon. Meanwhile, “Make Believe” is a bizarro homage (or should I make that wholesale swipe?) of Neil Young’s “Like a Hurricane,” right down to its human cannonball guitar riff and opening lines (compare “I saw you dancing through the window” to “Once I thought I saw you/In a crowded hazy bar/Dancing on the light/From star to star”), with a touch of Spoon tossed in for flavoring.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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