Monthly Archives: January 2020

In rotation: 1/14/20

Madison, WI | Record store resurgence: vinyl sales jump as old tech trend grows: There are more streaming services than ever before in 2020. With a slew of options to listen to music, the comeback of a classic form of technology might make people scratch their heads. The Recording Industry Association of America estimates vinyl to outsell CD’s in 2019. Southern Wisconsin record store owners say they are happy they never got rid of vinyl, because it’s consuming most of their sales. MadCity Music is among that group of stores. It has been in Madison since 1981. Current owner, Dave Zero, credits the community for their strong support to buy local and admiration of music. “It [vinyl] makes up most of our sales,” Zero said. MadCity Music has always sold vinyl, but Zero didn’t expect it to come back as strong as it has in the past decade. He says their number one selling artist isn’t a classic, it’s a new artist, Taylor Swift. Drew Metter, the manager at Janesville’s Exclusive Company can relate to Zero. He said their number one vinyl selling artist has been Billie Ellish.

Columbia, SC | Music lovers keep vinyl alive: USC student Jesse Milliff set one of her favorite vinyl records, “Signs of Light” by The Head and The Heart, on her black turntable. “When I wake up in the morning,” the first song began. “I see nothing / for miles and miles and miles.” The record is one of more than 200 she has in wooden crates on her bedroom floor. Milliff, a third-year business management student, started listening to vinyl because of her dad. “He showed me all of his records,” she said, sitting under a Beatles poster next to her turntable. “I think Beatles ‘65 was the first one I listened to.” Milliff is among a large number of people who listen to vinyl records. Nationally, vinyl record sales have increased every year since 2005, reaching over $419 million in 2018, according to the Recording Industry Association of America (RIAA). Vinyl sales are expected to surpass CD sales this year, in part because of vinyl’s increasing popularity, but also because of a steep drop in CD sales, according to RIAA. In an age when the music industry is ruled by streaming services such as Spotify and Apple Music, vinyl has made its comeback. To be sure, vinyl sales still pale in comparison to those services, but the attraction is visceral and emotional.

Cumming, GA | Local bands rally around His Rock Music record store: Friends of the music store are planning a benefit concert to help rebuild the shop’s inventory. Local bands are now coming together to rock out and rally around a beloved record shop. A benefit concert is now in the works to help His Rock Music following a fire last Friday that destroyed the shop’s entire inventory. Several supporters of the music score are organizing the Feb 8th concert that will be held at the Ponce De Leon Music Center in Cumming off 1060 Dahlonega Highway. Lead concert coordinator and former His Rock Music performer, Rachael Nintzel said the studio has impacted so many people in the Atlanta music scene, “It’s more than just a central part of Cumming. Like yes, it’s a staple in Cumming, Georgia. But in the Atlanta and Georgia music scene, it’s where many bands got their start. “God called on me and said you need to do something. And the first thing that popped into my head was a benefit concert. There’s no better way to serve someone that has given us a space to hone on our talents than to showcase those talents,” adds Nintzel.

Los Angeles, CA | An Audiophile’s Guide to Visiting Los Angeles: A few weeks ago, we published an article here at AudiophileReview.com that asked the question: in order to be a well-informed, seasoned audiophile do you have to travel? For many, the answer is “yes,” as so many traditional brick & mortar stereo stores and regional AV chains have gone the way of the dodo. Replacing said retailers are often pretty mundane big-box retailers, non-audiophile-centric custom installation firms, and online retailers that, while compelling, can’t offer that old-school and often very appreciated in-store experience. AR-1-12-capitol-records-building450.jpgA willingness to travel gives you access to a growing number of regional audiophile shows, like AXPONA, Rocky Mountain Audio Fest, Capital Audio Fest, shows around Los Angeles, Toronto, New York, San Francisco, and–if you’re willing to make the occasional international jaunt, Munich. But if you don’t have a ton of frequent-flier miles nor the budget to make so many trips in a year, you can get a lot done with one relatively affordable plane ticket to a big city such as Los Angeles and experience the best of what the city has to offer for people who are looking to invest in their audiophile systems as well as have a great time.

Official Top 100 biggest selling vinyl albums of the decade: It was the decade vinyl came back in from the cold – who’s been gracing turntables the most in the 2010s? One of the most remarkable music trends of the 2010s has been the resurgence of a format once seen as obsolete. Since vinyl ceased to become the dominant physical format in the 1980s, fandom of the black plastic was restricted to DJs and collectors, with the odd enthusiast poring over stacks of vinyl in local record shops. In the last decade, however, vinyl has made a comeback. it’s now more widely available than it has been in years – you can even buy vinyl albums in supermarkets. The vinyl revival led Official Charts to launch the Official Vinyl Albums and Singles Charts, which are updated every week. There’s been a demand from some fans to hear vintage albums on the format they were originally recorded for, which has led to an increasing fondness by artists to reissue classics on vinyl, sometimes on very collectable limited editions, such as coloured discs or double LP sets with extra content.

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TVD Radar: The Marvelous Mrs. Maisel, Season Three OST vinyl in stores 5/15

VIA PRESS RELEASE | UMe has released the soundtrack for the third season of the multi-Emmy Award-winning Amazon Prime Video series, The Marvelous Mrs. Maisel.

Available now for streaming and download purchase, The Marvelous Mrs. Maisel: Season Three (Music from the Prime Original Series) features new original songs written by songwriters Thomas Mizer and Curtis Moore, and classic tracks from Doris Day, Louis Prima, Nina Simone, and many others. The soundtrack is also available for preorder on CD and in black vinyl and limited-edition color vinyl LP packages to be released on May 15, 2020. The first and second season soundtracks are available on CD and vinyl LP, and for digital purchase and streaming.

The Marvelous Mrs. Maisel’s Emmy Award-winning music supervision is overseen by Amy Sherman-Palladino, Daniel Palladino, and Robin Urdang, carefully selecting music from the era to enhance and complement the show’s scenes and plotlines.

“Music has been a central character since the launch of The Marvelous Mrs. Maisel, connecting viewers to this series’ 1950’s world — with award-winning results,” said Bob Bowen, Head of Music, Amazon Studios. “This year, as Midge’s story took a leap forward, we also went to the next level by creating original music for the first time. The result is a stellar soundtrack that mixes hits from the era with brand-new music that extends the Maisel universe even further.”

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TVD Radar: Bruce Springsteen, Five albums coming to vinyl for the first time, preorder now

VIA PRESS RELEASE | On 21st February, five Bruce Springsteen albums will be released on vinyl for the first time in over a decade by Columbia Records/Legacy Recordings. Together, these releases comprise the vast majority of Bruce Springsteen’s recorded output from the beginning of the millennium—a triumphant period which saw the long-awaited reunion of the E Street Band. Each album has been transferred from the original source masters, allowing for the highest quality pressings possible.

The Rising (2002) will be reissued on 2LP vinyl for the first time in over 15 years. The album offered messages of healing and redemption in the wake of the devastating attacks on 9/11, and saw The E Street Band re-unite in the studio for the first time in nearly a decade. Devils & Dust (2005) comes to vinyl for the first time since its original release on the format. The 2LP set remains one of Springsteen’s starkest studio albums, recalling The Ghost of Tom Joad a decade earlier. Live In New York City (2001) arrives on 3LPs for the first time since its original pressing. The set chronicles Bruce Springsteen and The E Street Band’s much-anticipated reunion tour, recorded over two nights at Madison Square Garden in 2000.Live In Dublin (2007) will be released on vinyl for the first time ever, a 2LP snapshot of Bruce Springsteen’s work with The Sessions Band, including classic folk songs popularized by Pete Seeger and radically rearranged versions of Bruce Springsteen favourites. 18 Tracks (1999) is coming to vinyl for the first time in over 20 years. The 2LP set features rarities like the original ‘Born In The U.S.A.’ demo and exclusive songs ‘Trouble River,’ a 1999 re-recording of ‘The Promise’ and Springsteen’s original version of ‘The Fever,’ made famous by Southside Johnny and The Asbury Jukes.

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Graded on a Curve:
Rush, Fly By Night

Today we remember Neil Peart who passed away on Tuesday, January 7, 2020 with a look back from our archives via our resident in-house provocateur Michael H. Little.Ed.

I have hated Rush with a passion since the first time I heard Rush, or for 40 years, give or take a year or so. Rush exemplified everything I despised about rock: it was a show-offish band eager to demonstrate its sheer technical prowess and prog chops, fronted by a lead singer who screeched like a giant bird of prey. I reserved my greatest loathing for Geddy Lee, whose voice drove me nuts and whose bio I always felt should include a wingspread.

But recently I felt it incumbent upon me to give the Canadian power trio a second chance, probably because I’ve been so dead wrong about so many metal bands (e.g., AC/DC and Black Sabbath, to name just two) over the course of my long, strange career as a music critic. So I did something I’ve never done before: I listened to a Rush album in its entirety. I huffed Rush the band with the same avid dedication that I used to huff Rush the drug with my pal Dan “I’m Wasted Incorporeal!” Baker underneath the railroad bridge (now gone, alas) by the Littlestown Hardware and Foundry during the daily 9 a.m. coffee break, returning to the unspeakable tedium of my grinding machine with one walloping fandango of a skull-splitter.

And I’ll be damned; Rush isn’t half bad. Then again, Rush isn’t half good either. Let’s just say that Rush is better than I expected. Then again, I chose Fly By Night because it was recorded before the band started to devise 20-minute prog-epics with titles like “The Fountain of Lamneth,” and before lyricist Neil Peart’s hard-right turn towards science fiction and fantasy themes, to say nothing of the despicable objectivist philosophical notions of Ayn Rand. Such detestable subject matter—I’d sooner associate with Hirohito than a Hobbit, and that goes double for Ayn Rand—kept me at arm’s length from the band for eons, and I wasn’t sure I could give their later work a fair shake even now. When I hear the words “fantasy” or “science fiction” I reach for my Revolver—the Beatles’ LP, that is.

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In rotation: 1/13/20

Newport, RI | After six decades, iconic Newport store Music Box closes: When the final bell rang, Rob Lasky can recall taking the short walk from Thompson Middle School to the Music Box, where he would help his father run the family business. Charlie Lasky opened the record store in 1958 at 136 Thames St., and moved down a few doors down to 158-160 Thames Street in 1971. For decades, it was a popular spot for teenagers to meet up and check out the latest in music — be it doo-wop, rock ‘n’ roll, funk, disco, new wave, grunge or hip-hop. “So many people remember, back in the heyday, the Music Box was the destination to go downtown and meet and hang out. It was for a lot of people,” said Lasky, who worked at the shop alongside brothers Jay and Marc, as well as sister Marcia. But as music became more accessible online, the store in 2015 attempted to change with the times. It dropped the bulk of its CD selection, sold mostly vinyl records and expanded its inventory of toys and knickknacks. “The store is evolving…”

Brisbane, AU | Beloved Brisbane Record Store To Close: “The shoppe as you know it will be closing down here at 680 Ann Street, Fortitude Valley very soon.” A beloved Brisbane record store has announced it will be closing. Phase 4 Records, currently based in Fortitude Valley, shared the news on Facebook yesterday afternoon. “The shoppe as you know it will be closing down here at 680 Ann Street, Fortitude Valley very soon,” the store’s owners wrote. “So whether you might be crying into your hands or clasping them, stay tuned for updates and more detailed speech writing. New stock will still be hitting the floor as per normal as we got a nice swag of LPs in this week.” When approached by The Music, co-owner Julie Morrison confirmed the news but would not comment further. Opened in 2015, Phase 4 Records has become a staple in Brisbane’s vinyl landscape. We spoke to both Morrison and partner Donat Tahiraj, along with some other wax slingers from across the country, for Record Store Day last year about their collection.

Dallas, TX | Man Behind Iconic Dallas Record Store Dies: The Dallas music community lost a giant Saturday when Bill Wisener, the longtime owner of Bill’s Records, was found dead behind the register he’d manned for nearly 40 years. Wisener was a chain-smoker and had battled health issues over the last several years. Though a sign on the door of his South Lamar shop simply stated that the store was closed “due to unforeseen circumstances,” a small tribute started growing as regular customers stopped by to see if the rumors were true. Wisener first opened his store in 1981 on Spring Valley Road in north Dallas. “It was huge. It was the biggest record store you ever saw in your life. It was like an acre. It was just millions of records,” said Creative Director of the Kessler Theater Jeffrey Liles…That’s why several years ago, Liles produced a documentary for Wisener called “The Last Record Store.”

New York, NY | MoMA has opened a gorgeous new record store pop-up: New Yorkers have a new record shop in Soho with dozens of records to set their needles on. Through March 1, the MoMA Design Store at 81 Spring Street will have a special concept space it collaborated on with Williamsburg’s Earwax Records called The Record Shop. The pop-up, which is decorated with color blocks of bright pinks, yellows and greens, is meant to unite music and design in one space in a reflection of 20th century pop culture, MoMA says. Inside, audiophiles will find more than 45 records (Duran Duran, The Rolling Stones, Talking Heads, Miles Davis, Philip Glass) from MoMA’s permanent collection, featuring cover designs by modern artists like Andy Warhol, Raymond Pettibon, Richard Avedon and Robert Frank, all of whom have been featured at MoMA, which just recently reopened after a major renovation. “The best album covers are a compact visual expression or translation of the music they deliver,” Juliet Kinchin, the curator of Modern Design at The Museum of Modern Art, says. “As an art form, they have been attuned to the rapid changes in popular music, fashion and design that can be otherwise difficult to represent cogently in the collection.”

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The Best of The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

And if you turn up the dream to cure yourself free from searching for a new afterlife / The purpose of life, you know there’s still time to tune into the right side / Well I assumed that we were lovers yesterday / The turning tide that that love us to pray / You know what I would do if I were you

As The Idelic Hour says hello to 2019, I’m blasting into the year like a rocket to Russia. ’18 is gone and I haven’t met a soul who’s missed those recent days.—although it’s fairly pathetic how much Mr. Donald is trying ruin everyone’s new year.

Fuck it, fuck him, and anyone with a sour word or note. If it’s cold, let’s turn the heat up, swing and shake it up until the punch is sweet.

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TVD Radar: Maniac
OST, 2LP yellow and pink vinyl in stores now

VIA PRESS RELEASE | Maniac, 2018 psychological dark sci-fi series starring Emma Stone and Jonah Hill deluxe 2LP soundtrack in stores today on neon yellow and pink colored vinyl.

Waxwork Records is proud to present Maniac Original Netflix Series Soundtrack by Dan Romer. Starring Jonah Hill and Emma Stone, Maniac is a 2018 psychological dark sci-fi series that follows two strangers who connect during a mind-bending pharmaceutical trial. The soundtrack by Oscar nominated composer Dan Romer is an orchestral and electronic hybrid with incredible production and diverging sounds. Playful electronics alternate between fast moving and ambient synth work. Chasing percussion transitions seamlessly with dramatic, lush strings. The soundtrack to Maniac is a textural playground that caters to any listener. Like the series, the soundtrack is cerebral, emotionally provoking, and hypnotic.

Waxwork Records had the pleasure of creating a deluxe 2xLP soundtrack package to Maniac featuring 180 gram neon yellow and pink vinyl, old style gatefold jackets with overall UV gloss coating, printed inserts, and design by Aesthetic Apparatus.

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TVD Radar: Betty Davis, Betty: They Say I’m Different documentary DVD in stores 1/17

VIA PRESS RELEASE | Funk Queen Betty Davis changed the landscape for female artists in America. She “was the first…” as former husband Miles Davis said. “Madonna before Madonna, Prince before Prince.”

An aspiring songwriter from a small steel town, Betty arrived on the ’70s scene to break boundaries for women with her daring personality, iconic fashion and outrageous funk music. She befriended Jimi Hendrix and Sly Stone, wrote songs for the Chambers Brothers and the Commodores, and married Miles—startlingly turning him from jazz to funk on the album she named Bitches Brew. She then, despite being banned and boycotted, went on to become the first black woman to perform, write and manage herself. Betty was a feminist pioneer, inspiring and intimidating in a manner like no woman before. Then suddenly—she vanished.

Creatively blending documentary and animation, Betty – They Say I’m Different traces the path of Betty’s life, how she grew from humble upbringings to become a fully self-realized black female pioneer the world failed to understand or appreciate.

After years of trying, the elusive Betty, forever the free-spirited Black Power Goddess, finally allowed the filmmakers to creatively tell her story based on their conversations.

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K.C. Clifford,
The TVD First Date

“My father is a bluegrass musician. He founded a band in the early ’70s called Mountain Smoke. They are notable for several reasons, but the most widely known is Mountain Smoke was Vince Gill’s first band. They opened for Kiss and have had wild things happen, like playing on the White House lawn for several presidents, being written about by Billboard, and most recently, they were featured and had a song licensed in Ken Burns’ 8-part documentary series, Country Music. By the late ’70s, my Dad had left the band behind for the world of business. But music was in his blood, and in so much of how he raised me. Decades later, he would reunite with the band and his love of playing. They still perform today.”

“My dad set music aside and went on to be a very successful businessman. He took deep pride in providing for his family, and he worked and travelled a whole lot of the time. Although we have since repaired the wound of his absence, the truth is he missed many of the little moments in my childhood. One of the most crystallized memories I have as a young girl follows here.

My dad has a huge vintage vinyl record collection. He isn’t just a musician, he is a true music lover. Among his collection, he owns a 45 record for every hit single from the years 1955 t0 1965, and many, many more. He once ran into our burning house to rescue the records and his vintage guitars from certain destruction.

On the rare nights I remember him being home at my bedtime, if I played my cards right I’d get to go down to his study in my pajamas, hair still wet from my requisite bath. Dad would play records for me, I would dance and we’d sing along. It was the freest I ever saw him—no stress, no weight of the world, no anger—just his love of music.

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Graded on a Curve: Sweathog,
Sweathog

Lookie here: This here reviewer wouldn’t be talking about this here album if this here band hadn’t come up with their name a good 4 years before Welcome Back Kotter made its television debut in 1975. Or if the band hadn’t slapped a salacious pair of ass cheeks on the front sleeve of its eponymous debut Sweathog, raising a lot of censorious eyebrows when it oinked its way into record stores back in 1971.

You’d think I have better ways to spend my time than reviewing LPs based on such trivialities. But you’d be wrong, so here goes: Sweathog was a San Fran band that scrapped the Bay Area’s prototypical hippie shuck and jive in favor of a slightly less MOR alternative to the likes of such corporate monopolies as Chicago, Three Dog Night, and Grand Funk Railroad.

Sweathog dished out a highly resistible hash of rock, funk, gospel, and misspelling (“Layed Back by the River”), and while you probably won’t want to actually listen to Sweathog much, its caboose of a cover will look simply fabulous on the wall of the basement you refuse to go into because you bought your house from the Smurls, the West Pittston, Pennsylvania family whose claims of a cellar poltergeist culminated in Papa Smurl’s claiming he’d been raped–twice–by a scaly she-crone with a young girl’s body and green gums. You can read all about his awful ordeal in 1986’s The Haunting.

Sweathog boasted a high-quality Three-Dog-throated vocal approach and the crack–but hardly innovative–musicianship of keyboardist (and lead singer) Lenny Lee Goldsmith, guitarist Robert Morris “B.J.” Jones, and drummer Barry “Frosty” Smith. But slews of other bands with less talent made a successful go of it, for the simple reason that they had a unique sound to hang their hippie headband on.

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In rotation: 1/10/20

Frederick, MD | Vinyl revival at Frederick record shops: Streaming is king, but audiophiles are still spinning. On an unseasonably warm Saturday afternoon in January, Mervin Reyz was shopping at Rock and Roll Graveyard in downtown Frederick. The 49-year-old Baltimore resident was perusing through the boxes of vinyl records to supplement a new Christmas gift: a turntable. “One of my good friends, he likes music, and we talk a lot about music turntables and vinyls and it just got me interested,” Reyz said, while already pulling Prince’s “1999” album for possible purchase. Montika Brown, of Frederick, was in the same store also flipping through a collection of LPs. She has built her collection to about 50 albums. “I’m looking for whatever catches my eye or most of the stuff I grew up listening to that was either lost or got messed up,” she said. “I look for a lot of that stuff and some new stuff. Things that may catch my eye that I haven’t seen before or heard before. Sometimes it’s even the cover art will catch my eye and I’ll be like, ‘Ohh, what’s this?”’

Seattle, WA | Dumb Shit Overheard in a Seattle Record Store: Anyone who’s worked in retail can tell you dozens of anecdotes about the boundless idiocy of the general public. Those who toil in record stores are no exception. In fact, the comments that customers in those establishments utter carry an extra frisson of unintentional comedy due to the shifting popularity of recording formats and the aesthetic properties of music itself. Back when I worked at Everyday Music circa 2003-2004, one gentleman asked with sincerity, “Do you carry CDs?” without even noticing the tens of thousands of them sprawled out before him. Yeah. Recently, a Seattle music retail employee shared with me a list titled “Dumb Shit,” which this person’s been compiling for several years. Read these remarks and ROFL, while also weeping for humanity.

Lansdale, PA | Liberty Vinyl Plans To Shut Down In Lansdale: Liberty Vinyl, the record shop located inside Liberty Vapor, is shutting down after they were told no one under 18 can enter. A bit of sad news emerged this week for fans of local music shops. Liberty Vinyl, the unique record store located inside Liberty Vapor, is shutting down after they were told no one under 18 can enter. The record store remains open for the time being, as the entire store is 30 percent off. That includes vinyl, record players, speakers, and clothing, owners announced in a statement issued on social media Monday. “We don’t feel that music should be restricted to adults,” the statement read, in part. “So the choice was made to close the record store.” As of Jan. 1, no one under 18 is allowed to enter due to regulations regarding products sold by Liberty Vapor. On Feb. 1, no one under 21 will be allowed in. An exact final closing date for Liberty Vinyl has not yet been announced.

Boston, MA | Iconic Boston record shop Skippy White’s will play its final tune: An iconic Boston record shop that has been open for 59 years will soon be closing its doors. Skippy White’s, located in Boston’s Roxbury neighborhood, is going out of business. The shop’s owner and namesake, Skippy White, is a walking music history book with the kind of knowledge you can’t get online. He opened his first record store in 1961. His business survived a fire and decades of new styles of music, and outlasted eight-track tapes, cassettes and CDs. But it could not overcome the rise in streaming. “The record business is not what it used to be,” White said. White announced on Facebook that he will be going out of business, which was disappointing news for hundreds of his loyal customers. “I’ve had people in all day long (Friday), feeling that they love me,” White said. “It’s the rapport I have with people who come into the store.”

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TVD Live Shots: Clutch and The Steel Woods at the 9:30 Club, 12/29

So nice, we reviewed ’em twice.Ed.

Clutch, the mighty four-piece from Frederick, Maryland, performed to a sold out crowd at DC’s 9:30 Club to give 2019 a much-needed final kick in the nuts.

As tradition would have it, the band’s annual December run of mid-Atlantic shows (known to kids across the land as “ClutchMas”) has Clutch on a three show run that includes Washington DC, Sayreville NJ, and Philadelphia PA. For three days the band performs unique sets at each venue, delivering grit and explosiveness to the good little boys and girls with a lucky golden ticket.

This year’s DC stop was the 9:30 Club, and for those in the room who were not too drunk to notice (single digits, trust me) Clutch was in exceptionally good form. As for me, I’m always excited to see Neil Fallon and the boys play live, and as usual they never disappoint.

“You Can’t Stop Progress” and “Power Player” from 2007’s Beale Street to Oblivion got the evening up and running, and “Ghoul Wrangler,” “Gimmie the Keys,” “How to Shake Hands,” and “Book of Bad Decisions” from the 2018 album of the same name kept the evening festive. “Rats,” CCR’s “Fortunate Son,” and “Sucker for the Witch” were among my favorites of the night.

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TVD Radar: Charlie Parker, The Savoy
10-Inch LP Collection

in stores 2/28

VIA PRESS RELEASE | Craft Recordings is proud to announce the release of The Savoy 10-Inch LP Collection, which spotlights Charlie Parker’s groundbreaking bebop sessions for the legendary jazz label, spanning 1944 to 1948. The deluxe, four-LP box set—also available digitally—features newly restored and remastered audio, faithfully reproduced artwork from the original 10-inch albums, plus a booklet containing vintage photos, rare ephemera and new liner notes from GRAMMY® Award-winning journalist and author Neil Tesser.

These historic recordings, reissued as the world celebrates the 100th anniversary of Parker’s birth, feature such jazz greats as Miles Davis, Dizzy Gillespie, John Lewis, Bud Powell, and Max Roach. Set for a February 28th release date, The Savoy 10-Inch LP Collection is available for pre-order today (1/8), while the instant grat single, “Ko-Ko,” can now be streamed or downloaded on all major digital outlets. “Ko-Ko” was one of Bird’s early masterpieces and his first recording as a leader. In 2003, “Ko-Ko” was added to the National Recording Registry, categorized as a recording that is, “Culturally, historically or aesthetically important, and/or inform or reflect life in the United States.”

When saxophonist Charlie “Bird” Parker and his contemporaries introduced bebop in the ’40s, they were ushering in a bold new style that would influence modern music for decades to come. Nowadays, as Neal Tesser argues in the box set’s liner notes, it’s easy to forget that bebop was considered avant-garde. “Bebop undergirds such a vast swath of American music that its revolutionary nature recedes into the background. It is now so familiar and comfortable, such an ever-present part of the family history, that non-historians can hardly envision it ever being ‘revolutionary.’”

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TVD Radar: Stop, Hey What’s That Sound: Classic Protest Songs Reinvented in stores 1/31

VIA PRESS RELEASE | Next month Americans will get set to vote in the presidential primaries, kicking off nine months of what might be the most important election in this nation’s history.

On January 31, Petaluma Records will release Stop, Hey What’s That Sound: Classic Protest Songs Reinvented—a call to action, featuring liner notes from famed music critic Rob Tannenbaum. Today they premiere the latest single, an updated cover of Joni Mitchell’s “Big Yellow Taxi” featuring Sasha Dobson. Dobson grew up in Santa Cruz, CA in a musical family: her dad, a jazz pianist, and her mom a well-known singer. Sasha moved to Brooklyn at 17, releasing five solo albums and EPs, touring with Willie Nelson and Norah Jones, with whom she started the Americana trio, Puss N Boots, along with Catherine Popper. Proceeds from the single, out Friday, will go to support Headcount.org.

In 2016, when Trump was elected, political pundits and cultural vanguardists, while trying to look on the bright side of a global catastrophe, predicted Trump’s election would catalyze a great new era of protest songs, a revival of punk-rock activism and idealism. The children of Joe Strummer and Joan Baez would run free and set fire to our culture, purifying it by burning it… We’re still waiting.

Acclaimed songwriter and producer, Roger McEvoy Greenawalt, who has worked with Strummer, Nils Lofgren, Iggy Pop, Ric Ocasek, and Rufus Wainwright, among others, got out his sling-shot. After moving from New York to Los Angeles, Greenawalt launched Petaluma Records with his cousin Nion McEvoy, the illustrious Chairman & CEO of San Francisco’s Chronicle Books, and co-executive producer of the wildly successful Mr. Rogers doc Won’t You Be My Neighbor.

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TVD Radar: Jefferson Airplane, Woodstock Sunday August 17, 1969 3LP in stores 1/31

VIA PRESS RELEASE | The 3-LP set comes inside a gorgeous, double-gatefold jacket sporting photos of the band at Woodstock, most taken by legendary lensman Henry Diltz with liner notes by folk-rock guru Richie Unterberger. Comes pressed on limited edition “vibrating” violet vinyl to commemorate Grace Slick’s comment on stage that “Everyone’s vibrating.”

At the muddy miracle that was Woodstock, the most miraculous performance just might have been Jefferson Airplane’s. The band had been one of the first to sign on for the festival, their imprimatur prompting many other acts to hop on board, and their stature had landed them a coveted headlining slot closing Saturday night’s schedule. But, as the torrential downpours and the unexpected crush of half a million people kept on delaying their set, the chances of putting on anything approaching a quality performance seemed to diminish.

According to Paul Kantner, “We were supposed to go on at 10:30 at night and we’d been up and down about four or five times on acid that night, getting ready to go on, and then everything was delayed for whatever reasons. So, we didn’t get on until like 7:00 the next morning and everybody was pretty much burned out.”

Kantner’s protestations to the contrary, the Airplane (with guest pianist Nicky Hopkins in tow) played a scorching two-hour set that defied the elements and the circumstances. Grace Slick led the charge as the band plunged into a frenetic version of Fred Neil’s “The Other Side of This Life”: “Alright, friends, you have seen the heavy groups. Now you will see morning maniac music. Believe me, yeah. It’s a new dawn!”

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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