Monthly Archives: January 2021

Graded on a Curve:
Chris Brokaw,
Puritan

Chris Brokaw is noted as guitarist, drummer, vocalist, and songwriter, but between his work as a solo artist, soundtrack specialist, collaborator in numerous bands and session player, he’s also been one of the busiest musicians on the global scene. This says a whole lot about the guy’s dedication, temperament and sound decision making. His latest solo album, Puritan, is equally loquacious on the subject of staying power through creative verve. Offering nine solid songs elevated by seamless execution, it’s out January 15 on 140 gram vinyl (black) and digital via 12XU.

Although he was active in the late 1980s, notably in the band 7 or 8 Worm Hearts (alongside guitarist Glenn Jones, tape manipulator Phil Milstein and others), Chris Brokaw’s made his proper splash into the indie milieu at the dawn of the following decade as the drummer in Codeine, and then followed that up a couple years later in Come, where he shared guitar and vocal duties with Thalia Zedek.

Brokaw’s talent has impacted dozens of scenarios since then, but that Zedek sings and plays guitar on two of Puritan’s tracks underscores cohesiveness amid the breadth. Along with Zedek, Tricia Anderson and Claudia Groom sing on a track apiece, but the album’s core trio is Brokaw on guitar and vocals with Dave Carlson on bass and Pete Koeplin on drums, their playing sharp throughout.

However, as a solo record, this set appropriately finds Brokaw consistently in the foreground, with his vocals immediately up front in the opening title track. But it’s his guitar that gets an extended instrumental spotlight in the cut’s back half, a stretch simultaneously establishing a trio dynamic that’s both heavy and lithe. For the very next selection, “Depending,” the gears shift into melodic-rock territory of a near singer-songwriter comportment.

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In rotation: 1/13/21

Dublin, IE | Boutique coffee and record store opening on the northside later this month: Wavetable is a new speciality coffee and record store opening in Drumcondra later this month. New coffee spots have been popping up all around Dublin in recent months and another one is about to add its name to the list, with Wavetable – Ireland’s first boutique specialty coffee and record store – due to open over on the northside later this month. A venture born out of a shared love for music and coffee, the new spot draws inspiration from minimalist, Nordic design and will offer customers a space where they can enjoy both at the same time. Serving up a range of specialty coffees, they’ll also have plenty of delicious vegan cakes and groovy records to help keep you on the straight and narrow. Oh, and they’re pet-friendly too. So, win-win-win. Starting out with takeaway service only, owners are hopeful they’ll be able to welcome customers inside as soon as restrictions allow.

London, UK | New book celebrates London’s best-loved record stores: London’s Record Shops is a new book celebrating physical music stores in the English capital. The 128 page book is a collaboration between writer Garth Cartwright and photographer Quintina Valero and is set to be published by The History Press Ltd on April 1. Although the specific record shops included has not yet revealed, the publisher’s synopsis notes: “From Brixton dub shacks to Hackney vinyl boutiques, Camden’s rockabilly ravers to Southall’s last Bollywood shop, underground Peckham outlets to Soho’s legendary dance music hub, these brilliantly eccentric and engaging emporiums are documented with striking photographs and incisive interviews.”

Barrie, ON | Entrepreneurs rewind the tape on music mediums: Barrie duo launches Tarantula Tapes as a way for bands to get their music out to the masses; ‘It’s almost like what happened with vinyl 10 or 15 years ago is now happening with cassettes’ They’re back! Or maybe they never even really left. For almost 60 years, cassette tapes have been one of the formats music fans — and musicians — have used to hear their favourite tunes. Now a Barrie company is helping punk bands — who may or may not have had their music previously released on CDs and/or vinyl — spread the word about their music in a format invented the same year Ringo Starr joined The Beatles. Tarantula Tapes, a cassette tape-only record label that started up near the end of summer 2020, is the brainchild of Casey Cuff and partner Core (pronounced Kor-Ree) Bee. While they both work full-time, they are also musicians and recent events over the last 10 months (Hmmm, what could that be?) and some extra spare time helped spawn the idea of creating cassettes for their fellow punk musicians.

50th anniversary of Janis Joplin’s ‘Pearl’ album to be celebrated with vinyl reissues, other special releases: Today marks the 50th anniversary of the release of Janis Joplin’s posthumous final studio album, Pearl. To commemorate the milestone, a series of special releases are planned for 2021, included a limited-edition colored-vinyl reissue that’s due out in April. The Pearl reissue, which will be pressed on pearl-white vinyl, can be pre-ordered now from the Vinyl Me, Please record club. In addition, a high-fidelity 180-gram two-LP box set reissue of Pearl, mastered from the original tapes and cut at 45 r.p.m., will be released in July as part of Mobile Fidelity Sound Lab’s “UltraDisc One-Step” series. You can pre-order that now, too. Pearl was released about three months after Joplin’s October 1970 death from a heroin overdose and spent nine consecutive weeks at #1 on the Billboard 200 in early ’71. The album features Janis’ chart-topping cover of Kris Kristofferson’s “Me and Bobby McGee,” as well as such other classic tunes as “Mercedes Benz,” “Move Over” and “Cry Baby.”

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TVD Radar: I’m Too
Old For This Sh*t: A Heavy Metal Fairy Tale
doc streaming now

VIA PRESS RELEASE | “One of the best documentaries I’ve seen in a long time, period!”Eli Roth

Multi-hyphenate superstar Chris Jericho has added the title film producer to his extensive career list with the release of I’m Too Old For This Sh*t, a brand-new documentary film produced by Jericho, his debut in the role, and directed by Nathan Mowery.

I’m Too Old For This Sh*t, available now via Gravitas Ventures on iTunes, Amazon and various streaming platforms (run time: 89 minutes), captures the unpredictable highs and lows of ‘80s underground, fan-favorite heavy metal band Siren as they reunite more than 30 years after their breakup for a special performance in Germany at the Keep It True Festival. The heavy metal fairy tale is filled with hope, comedy, emotion, and more proving it’s never too late to fulfill lifelong dreams.

“I’ve been playing in bands for 35 years and I’ve NEVER heard a story like Siren’s,” shares Jericho. “We all had bands in high school that we felt would tour the world and sell a million records, but most of them break up by senior year and never do. However, Siren was different. In the early ‘80s, they had a ton of buzz and a shitload of talent, but typical inner band politics broke them up and most of the guys never played in another group again.

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TVD Radar:
Allen Ginsberg, At
Reed College: The First Recorded Reading of Howl and Other Poems

in stores 4/2

VIA PRESS RELEASE | “One of the most important documents in the history of American literature in the second half of the 20th century.”Dr. Pancho Savery, Reed College

Allen Ginsberg’s first public reading of his epic poem “Howl” took place at San Francisco’s famous Six Gallery in October of 1955. Along with Ginsberg, the evening included readings by Gary Snyder, Philip Whalen, Philip Lamantia, and Michael McClure. Poet and anthologist Kenneth Rexroth was the emcee, and Jack Kerouac, Lawrence Ferlinghetti, and Neal Cassady were in attendance. Unfortunately for literary history, no one recorded the Six Gallery reading, and it was long-thought that the first recording of “Howl” was from a reading at Berkeley in March 1956.

Before visiting Berkeley, however, Ginsberg had traveled to Reed College in Portland, Oregon, with Gary Snyder to give a series of readings. Snyder and Philip Whalen had been students at Reed and had studied under the legendary calligrapher Lloyd Reynolds. Other attendees of Reed have included Steve Jobs, James Beard, Barry Hansen (Dr. Demento), Barbara Ehrenreich, Ry Cooder, Mary Barnard, Lee Blessing, Del Hymes, Arlene Blum, Eric Overmyer, and Max Gordon (founder of the Village Vanguard jazz club in NYC).

On February 13 and 14, 1956, Snyder and Ginsberg read at Reed, with the Valentine’s Day performance recorded then forgotten about until author John Suiter, researching Snyder at Reed’s Hauser Memorial Library, found the tape in a box in 2007. Suiter immediately recognized the significance of the recording. Its discovery made headlines after it was verified in 2008, but the recording itself was never made widely accessible until Reed named its 16th president, Dr. Audrey Bilger in 2019; it happens that Bilger’s wife, Cheryl Pawelski, is a Grammy Award-winning record producer and co-founder of Omnivore Recordings who has long been interested in Ginsberg’s writing and performances.

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UK Artist of the Week: Cristina Hart

This week’s Artist of the Week is Swiss-born, alt-pop songstress Cristina Hart. She had quite the year last year—despite the chaos—and released her critically acclaimed debut EP “Sell A Dream” in December. Keep an eye on this one, we’re sure 2021 is going to be an exciting year for Cristina.

“Sell A Dream” is a perfect collection of alt-pop vignettes for any pop fanatic looking to spice things up this winter. Opener “I’m a Mess” is a celestial delight from the offset, oozing with infectious melodies that will have you singing along in no time. “Bad Girlfriend” and “Vanilla” similarly follow suit, with Cristina’s relatable lyricism and rich, soulful vocal always on point.

Closing with gorgeous power ballad “Will You,” we’re privy to a more vulnerable side to Cristina that we haven’t seen previously. Her effortless vocals soar over subtle piano chords, creating a sound akin to that of Gabrielle Aplin.

Cristina Hart currently resides in London where she is no doubt a discovery on the live circuit. For now, however, we highly recommend enjoying her ethereal tones from the comfort of your own home.

“Sell A Dream” is in stores now.

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Graded on a Curve: Midnight Sister,
Painting the Roses

Midnight Sister is the duo of Los Angelinos Ari Balouzian and Juliana Giraffe, two interdisciplinary artists who are releasing their second full-length Painting the Roses January 15 on vinyl, CD, and digital via Jagjaguwar. Established as co-writers, the classically trained Balouzian brings his skills as arranger while Giraffe’s impact is felt through a voice that’s warm and rich. Breathy? Oh my. The songs are consistently vivid, frequently lush and reliably strange, as Midnight Sister maintain a pop sensibility throughout. Hovering between warmly retro and approachably surreal, there’s never a dull moment as the LP’s dozen tracks unwind.

The label bio relates that Midnight Sister’s halves have worked in “fashion, visual art, video and film scoring,” with Giraffe a filmmaker and Balouzian having arranged for musicians Tobias Jesso and Alex Izenberg. Their 2017 debut Saturn Over Sunset is described as her first time writing and performing music and his inaugural dive into dishing out “true pop music.”

True pop it is, but Painting the Roses is frequently as bent as a box of boomerangs, though with appreciable acumen on display, the record flows instead of just amassing a succession of shallow attempts at weirdness. This is apparent right off in opener “Doctor Says,” which blends the sophistication of strings and the measured emotiveness of Giraffe’s voice with cascades of pop-rock guitar.

As a beginning, it’s engaging enough, but the ’70s big-beat soulfulness of “Satellite” kicks the album into cruising gear, with bass large enough to bring the productions of Leon Michels to mind, plus a handful of diagonal violin lines and recurring surges of tweaked, occasionally backward, mellotron. Next, “Foxes” starts out as vividly baroque-poppy as prime ’70s ELO but then gets glitter-funk sassy and with hints of Beatles-esque psych-pomp (meaning we’re back in Jeff Lynne territory).

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In rotation: 1/12/21

‘Spending more on home entertainment’: Vinyl sales skyrocket thanks to COVID-19 pandemic: The record renaissance has gone from niche novelty to record-breaking sales thanks, partly, to the global pandemic. Vinyl purchases in the United States have eclipsed those of compact discs for the first time in over 30 years, with local sales echoing the trend. Apera Te Hemara’s record collection is a story of his life. From the first LP record that he bought in the ’70s, he’s been hooked on the total experience. “Just the action of putting the vinyl onto a turntable, putting the stylus on and hearing all the crackles and pops… I think that’s great,” Te Hemara says. New Zealand’s largest music retailer Real Groovy says for the first time in 40 years, record sales both here and overseas have surpassed those of CDs. “The Christmas week, not the week before, we sold more new vinyl records than we ever have in the history of Real Groovy,” Grant McAllum from Real Groovy says.

Ipswich, UK | From 45s to CDs, which record shops were your favourites over the years? Which was your favourite record shop in Ipswich as a teenager? Long before the days of CDs, let alone streaming and downloads, youngsters across the area saved up their pocket money to buy the latest 45s and albums. Today we’re looking back at some of the most popular music shops Parrot Records, in Queen Street in Ipswich town centre, was the place to browse through endless stacks of LPs back in the 1970s. Top DJ Noel Edmonds carried out the official opening in 1976. Later on the store became Rex Records, and continued to be the town’s best-known independent record shop until it finally closed in 2005, marking the end of an era. The Ipswich branch of Virgin Megastore was another popular place to buy records, and our gallery includes a photo of DJ Bruno Brookes cutting the cake at an official opening in 1986. Another fondly remembered record shop was Andy’s Records, which had branches around the area. In more recent years, vinyl fans have also been able to seek out their favourite music at pop-up shop events in Ipswich Tourist Information Centre, which has now sadly closed.

“Are You Now or Have You Ever Been”… a Side-ist? OK, before we start, a word about the title. The late Scott Campbell, a remarkable musician from Tallahassee, had just released what would be his final recording late in 2016, An Old Photo, that included a great song with that title. But what, you may ask, is a SIDE-IST? Good question. This goes back to the glory days of vinyl (and it is delightful understanding that vinyl has come roaring back), when people often gravitated to one side or the other of a record album. Yes, of course many albums were solid all the way through, but if you “are now” or “have ever been” a vinyl junkie, then you know exactly what I’m talking about. Take last night. I was listening to Argus, the third album from Wishbone Ash (1972). I was impatient with the first three songs (on CD or Spotify), waiting to get to Side 2, with “The King Will Come > Leaf and Stream > Warrior > Throw Down the Sword.” Same with Sisyphus from Cold Blood (1970); I rarely listen to Side 2. How about Paul Kantner’s Blows Against the Empire (1970)? Side 1 was fun, but usually we headed straight for “Sunrise”! (You can call it Jefferson Starship if you want.)

Washington, DC | Interview With Cool Kids Vinyl Record Shop Owner “…D.C. needs a space like Cool Kids Vinyl to give all guests the opportunity to not only take in the history of vinyl records, but to experience the pop-culture side of it. Cool Kids Vinyl has a focus on Hip-Hop and we are trying to preserve its essence in the city by allowing people to come in, chat, ask questions and learn from one another in their community. We have that time capsule almost that puts you in that 70s, 80s, 90s realm, where the music can just be appreciated a bit more. In a generation of online streaming, vinyl gives listeners a piece of memorabilia that online streaming doesn’t offer. The listening experience is unmatched, it transforms you back in time and provides more of a listening experience than online streaming. Because vinyl is more tangible than streaming music, we are giving the current generation the opportunity to physically feel the music and connect with it on a more intimate level.”

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TVD Radar: Mutiny, A Night Out With The Boys reissue in stores 1/22

VIA PRESS RELEASE | Jerome “Bigfoot” Brailey is an American drummer who started performing in the early 1970s with several R&B groups from the likes of The Unifics, The Chambers Brothers, and The Five Stairsteps where he developed his unique style and finesse on drums.

Later in 1975 he joined George Clinton’s P-Funk collective and has appeared on many of Parliament and Funkadelic’s most popular recordings (some of which he also co-wrote). Brailey played on classic albums like Mothership Connection and One Nation Under A Groove. Samples from that body of work (and his drum arrangements) have since then appeared on hundreds of hip hop and contemporary R&B songs by renowned artists such as Kendrick Lamar and Childish Gambino.

Jerome Brailey is a member of the Rock and Roll Hall of Fame (inducted in 1997) and part of their “50 greatest drummers in the Hall” list (stating that his drum style kept Parliament-Funkadelic rooted in the old-school “James Brown-style funk”). Next to this achievement, he was proclaimed by Rolling Stone as one of the “100 Greatest Drummers of All Time” for his steady kick drum, shifty hi-hat action, and intricately unpredictable snare patterns. Brailey earned numerous Gold and Platinum records with the P-Funk Organization and has worked as a session drummer for many talented artists such as Herbie Hancock, Buddy Miles, Snoop Dogg, and Pharoah Sanders.

George Clinton’s funk empire was not without its disagreements and Jerome Brailey’s Mutiny project was a direct result of just such a disagreement (as well as one of the more notable offshoots of the P-Funk axis). Mutiny performed in a style not far removed from the classic P-Funk style and with a lot of emphasis on the dual lead guitar work, but what makes them unique compared to their contemporaries is that at times their recordings also emit a darker, more sinister feeling.

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TVD Radar: The Black Crowes, Shake Your Money Maker 30th anniversary 4LP box in stores 2/26

VIA PRESS RELEASE | The Black Crowes Present: Shake Your Money Maker, the multi-platinum debut by the seminal rock n’ roll band The Black Crowes, is being re-released in multi-formats sets on February 26, 2021, through UMe/American Recordings.

Band founders, brothers Chris and Rich Robinson, with original producer George Drakoulias, oversaw the creation of the re-release. Most exciting are the 4LP and 3CD Super Deluxe versions, which includes the original album, remastered; 3 never-before-heard studio recordings; 2 unreleased demos from the band’s early incarnation as Mr. Crowe’s Garden; B-sides; a spectacular, high-energy 14-song unreleased concert recorded in their hometown of Atlanta, GA in December 1990; reproductions of an early Mr. Crowe’s Garden show flyer, setlist and tour laminate; a 4″ Crowes patch; and a 20-page book with liner notes by David Fricke.

One of the previously unheard studio songs, “Charming Mess,” which was originally slated to be the band’s first single, but was ultimately left off of the album entirely, is available today.

A 2CD Deluxe version has the remastered album along with the unreleased studio songs, demos, and b-sides. There are also standard 1CD and1LP versions that are the mastered version of the original.

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Graded on a Curve:
Boney M.,
The Greatest Hits

Let me just say from the outset that most people would sooner push a turd up a mountain with their nose than read a review of Boney M. I know I would, and I wrote the damn thing. But I can think of plenty of good reasons to listen to the cheesy Euro-disco of this Euro-Caribbean vocal group, created by German record producer Frank (the genius behind Milli Vanilli) Farian.

The first good reason to listen to Boney M. is they’re masters of kitsch–one only need check out their video for “Rasputin” to be convinced. The guy playing Rasputin is a Borat double, and the lyrics are hilarious. The second good reason to listen to Boney M. is, believe it or not, they produced some good disco songs, many of which were as ubiquitous to European dance floors as coke spoons were to Studio 54. Imagine a dollar store Abba with–and this is all-important–a dada twist. Tristan Tzara would have loved them.

Boney M. are superstars in such disco hotbeds as Russia, Norway, and South Korea, which says everything you need to know about their appeal. They hardly made a dent in the U.S. market, and the loss is ours, because they’re oodles of good dumb fun. It’s undeniable that most of the tracks on The Greatest Hits-one of the approximately 10,000 or so greatest hits compilations out there–blow big time, but a few of its cuts are inspired shlock and essential additions to your disco library.

The first thing you need to know about Frank Farian is he’s a man of exceptional erudition; he may have majored in Disco Studies at Germany’s Heidelberg University, but he minored in history. And it’s apparent on the dance floor fabulous “Rasputin,” a monograph of sorts on the hard-to-kill Svengali and renowned Lothario. ”There was a cat that really was gone,” sing Boney M., before calling Rasputin “Russia’s great love machine.” Farian’s also an expert on America’s legendary criminal figures, as he proves on “Ma Baker.” Aside from the fact that the crime matriarch in question’s name was Ma Barker, it’s almost as wordy as Gordon Lightfoot’s “The Wreck of the Edmund Fitzgerald” and sounds better beneath a glitter ball.

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In rotation: 1/11/21

For the 15th year in a row, U.S. vinyl album sales increased. Harry Styles’ Fine Line helped U.S. vinyl album sales achieve yet another banner year — their highest total in 30 years of tracking — as the set closed 2020 as the top-selling vinyl album, according to MRC Data. The set sold 232,000 copies on vinyl during the tracking year (Jan. 3 through Dec. 31, 2020). Vinyl album sales totaled 27.54 million in 2020, up 46.2% compared to 2019. 2020 marked the 15th consecutive year vinyl album sales grew, and the largest year for vinyl album sales since MRC Data began tracking sales in 1991. Vinyl LP sales also saw their best sales week ever in the MRC Data era, when 1.84 million vinyl albums were sold in the week ending Dec. 24, 2020. Vinyl LP sales were the third-biggest-selling album format in 2020, trailing two formats that both declined: CDs (40.12 million; down 26%) and digital albums (34.39 million; down 12.5%).

Des Moines, IA | Blast from the past: vinyl records are getting a new spin at a Des Moines store. What started as a Facebook group has turned into a thriving shop. In a time of uncertainty, a little nostalgia can go a long way. And that’s what Vinyl Cup Records in Des Moines is hoping to offer music lovers of all ages. It started as a Facebook group in 2017. Store owner Luke Dickens was a collector and would go to shows and pop-ups. He quickly learned his passion was shared by many, saying “we went from 40 members to 2000 members in six months. My wife said get these records out of my house. Okay, so I open the record store.” Dickens and store manager Benji Rask say listening to a record is an experience that transports you into the studio. And it’s certainly nostalgic. But there’s also something magical happening with vinyl. It’s bridging generations. They say “I think that people are really liking kind of going back in time a little bit because we are so attached to our devices, kids are listening to what their parents were, and also new artists, almost every new artist is releasing on vinyl.”

New York, NY | Vinyl sales saw record-setting increase in 2020: Music fans purchasing albums as vinyl records has become more popular in recent years. But sales in 2020 were record-setting. “I think it’s dedicating yourself to something. It’s fashionable. It’s appealing to have a collection. It’s appealing to support your artists in a way that you’d like,” says Rutgers University freshman Sebastian Denis. Denis was shopping at the Princeton Record Exchange to add to his vinyl record collection. The store sold 3,800 new vinyl records in December – an unprecedented number in the digital era, according to owner Jon Lambert. “At times, I feel like I’m in the ‘80s again. But there’s something about these times and that sort of shopping and that sort of experience,” Lambert says. While it was unclear how much of a role the pandemic played in the sale increase, it is a fact that buying habits have changed. Vinyl outsold CDs in 2020 for the first time in nearly 35 years. There was more than a quarter-billion dollars’ worth of sales in the first half of 2020 alone.

Rapid City, SD | Local vinyl record businesses see sizable surge in sales during Christmas week: Local businesses, like Black Hills Vinyl and Ernie November, saw a surge in vinyl record sales during the week of Christmas. It’s the trend that shined through for the old way of listening to music as nearly two million records were sold nationally in the week of December 24. A record in and of its own. Local stores like Black Hills Vinyl and Ernie November cashed in, but the rise in record sales didn’t necessarily come as a surprise, since both businesses said that vinyl says have been increasing over the years. “We’ve definitely had a jump this year in records, but we’ve seen it for the last 10 years; creeping up every year, except this year it would be an exception where it was drastic,” said Keith Coombes, the Manager of Ernie November. “We more than doubled our record sales in the month of December.” A global pandemic is actually helping these businesses in a time where people weren’t able to see their favorite performers live in action.

Grove, OK | The Farr Side column: 2021 arrives, vinyl-y: Picture this: I’m sitting on the floor with the albums “Thriller,” “Purple Rain,” “Like A Virgin,” “Synchronicity,” “Footloose,” “Private Dancer,” “Can’t Slow Down” and so many others. It’s like it was yesterday. That’s because it was yesterday. I never dreamed I’d relive those kinds of moments again. But I did and I’m loving it. Music has been a huge part of my life and that will never change. Can you imagine how thrilling it was for me to venture into the stores over Christmas and see what I was seeing? Thank goodness for having to adorn masks, because I’m sure the look on my face was … interesting. I was like a kid in a candy store. I used to love going to department stores to check their music offerings. It’s been a sad realization to see the music section dwindling over the past few years in the wake of digital music and streaming services. Don’t get me wrong, the ease and quickness to play music is wonderful. But it’s not the same experience.

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The Best of The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

The woman from the supermarket / Ran to call the cops / “He must be high on something, ” someone said / Though it never made The New York Times / In The Daily News, the caption read, / “Save the life of my child!” / Cried the desperate mother…

Yesterday was pretty stressful. How do we handle Corona protocol? Even Presidents, movie stars, and pro-hoopers get it. I hear we need to try to stay calm, keep extra clean, and for now keep your distance.

In the meantime, The Idelic Hour is here to provide a touch of comfort for those who need an hour of great curated tunes to free their mind. I find old songs are sometimes better friends than people.

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In rotation: 1/8/21

The Real Reason Why Vinyl Sales Just Skyrocketed Record Levels, Passing 1991: Album sales decreased in 2020 across digital and physical. During the year everything else seemed to be in free fall, vinyl sales shot up by a staggering 46.2% according to MRC Data’s 2020 year-end report. Vinyl sales have been steadily increasing for the past 15 years. …The first Record Store Day took place in 2008, starting a legacy and tradition of celebrating the unique culture of record stores and everyone in them. Usually, on the day of, music lovers and vinyl aficionados come out and support indie record stores while getting their hands on special releases. In 2020, the community rallied to show indie stores extra support during a time when small businesses struggled intensely under the toll of the pandemic. While Record Store Day is usually an event in April and November, it became a four-part series in 2020. This helped drive sales.

The Official Top 40 best-selling vinyl albums and singles of 2020: Kylie Minogue, AC/DC, Idles and Joy Division are among the UK’s top selling vinyl releases of the year. Sales of vinyl records climbed for a 13th consecutive year in the UK in 2020, with new as well as classic albums enjoying success on the revived format. As fans turned to music during a difficult year, sales of vinyl jumped by over a tenth (11.5%) year-on-year to almost 5 million (4.8m), music industry body the BPI reports. Many also supported indepedendent record shops by purchasing locally, with hundreds offering online delivery as the UK comes in and out of lockdown. Last year Official Charts launched the Official Indie Record Store Finder, encouraging their customers to become virtual cratediggers. We also teamed up with Record Store Day and National Album Day to launch The Record Club in association with Bowers & Wilkins – a livestream series that takes place every other Wednesday that encourages viewers to order the album of the guest act in each episode through their local record shop, give it a listen, then watch the broadcast to find out all about it.

Top 5 reasons why vinyl records are better than digital music: Music fans across the UK are embracing old experiences and purchasing vinyl records in droves. With many cancellations of gigs over the last year, it’s no surprise that the UK vinyl market has boomed. Listen to a superior sound quality: While digital music is produced for a smooth, clean listening experience, vinyl records offer a sound quality like no other. If you want to recreate the sound experience of a live concert, vinyl is about as close as you can get. From the soft crackle between tracks to the specific timbre of your favourite singer, vinyl effortlessly captures the qualities your ear loves to hear. Enjoy a real, hands-on experience: Whichever record player you decide on (choosing the right one can take time) you’ll enjoy a real experience when playing your records. From sliding the record out of its sleeve to lowering the needle, it is a hands-on experience that will make you appreciate music in a new way.

10 Great Album Covers, Chosen by Andrea Beaulieu of Studio Linear: Nirvana, Likke Li, Björk and more. My childhood was full of music. From a young age—3rd grade, to be exact—I started piano lessons, which continued all through grade school and high school, and then I attended college for music composition. I played in many bands starting in 7th grade, playing in a friend’s basement for hours practicing music by Green Day, Nirvana and other grunge-inspired music. I really wanted to be a rock star and had a family that encouraged that path. Music is in my blood, I suppose you could say. My dad once researched our family tree to find that on one side we were distantly related to Eric Clapton and on another side our roots came from Cape Breton, where we are connected to the MacMaster family of musicians. I have these wonderful memories of being a little girl and watching my grandmother play her honey blonde piano or my dad buying me that electric guitar I wanted for Christmas and we would just jam for hours, him on the bass and me on any instrument I could get my hands on. Yeah, my childhood was full of the favorites.

Record Store Recs: Estereomance Are All In Their Feels With Vinyl From El Paso, Los Angeles & Mexico City: These three record stores are important locations for us. Amoeba in L.A. always gives us that big city treat; You can literally stay there for hours, finding new music every minute. We love that they have in-store shows that a lot of great artists perform at—that always inspires us and makes us daydream of playing there one day. We are mostly working when we are in L.A., but we made it a tradition to make time in our schedule to go and find records there; it feels like a souvenir from each trip. The last time we were there, Adria got Quincy Jones’ Sounds…And Stuff Like That!! (1978, A&M Records), Manu got Madvillain’s Madvillainy (2004, Stones Throw Records) and Paulina got Aretha Franklin’s Aretha Now (1968, Atlantic Records).

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Demand it on Vinyl: Richard Pryor, Richard Pryor and ‘Craps’ (After Hours) expanded editions in stores 2/26

VIA PRESS RELEASE | Naming him the #1 stand-up comic of all time, Rolling Stone wrote of Richard Pryor: “Pryor was untouchable … If [George] Carlin is the brain and conscience of comedy, Pryor is its guts and heart, and it’s unlikely the man referred to as the ‘Picasso of our profession’ — by no less than Jerry Seinfeld — will ever be topped.” On February 26, 2021, Omnivore Recordings will release expanded editions of Pryor’s first two recordings, Richard Pryor and Craps’ (After Hours). Both will be available on CD and Digital.

Scott Saul, author of Becoming Richard Pryor, wrote in his liner notes for the Richard Pryor reissue: “What you hold in your hands is something precious: both the landmark debut that was, and the piece of cultural dynamite that might have been. In its original form, Richard Pryor alerted the world that Pryor had stepped out of Bill Cosby’s long shadow and developed a style — surreal, nervy, improvisational — that was all his own.”

Richard Pryor, originally released in 1968, featured cover art (shot by legendary photographer Henry Diltz) that should have let the buyer know this was not your average comedy record. Pryor was at a career crossroads that year, when the album was recorded at the Troubadour in West Hollywood. He’d already become a regular on The Merv Griffin Show and The Ed Sullivan Show, and was signed to the same agency that handled The Beatles and The Supremes. But it wasn’t just his love of artistic freedom that pulled him toward what many looked at as defiance. Pryor wanted to not only change comedy, but how we look at ourselves and those around us.

Richard Pryor’s original eight tracks make up the first disc of this new edition, while the second disc contains 21 tracks from the out-of-print Evolution/Revolution: The Early Years (1966-1974) collection — originally co-compiled by producer Reggie Collins, who helms this new set along with Jennifer Lee Pryor and Grammy®-winning producer Cheryl Pawelski. Remastering is by Grammy®-winner Michael Graves.

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Graded on a Curve:
Wendy & Bonnie,
Genesis

Genesis, the sole album from the teen femme duo Wendy & Bonnie was released in 1969 to no fanfare, but over the decades it has quietly grown into a solid cult item. 2008 found Sundazed issuing a 2CD/3LP set with a massive helping of extra tracks, but that still in-print edition is a reward for the record’s most ardent converts. In a nice turn of events, on the 21st of this month the label is offering a fresh 180gm vinyl pressing of the original release’s fitfully strong but likeably minor charms, and it’s a gesture far more fitting to the needs of a moderately admiring listenership.

Calling Genesis a period piece will automatically impact some readers as a putdown, in part due to many folks’ yardstick of measurement for the art of the past relating directly to whether or not it’s relevant to right now. On the other end of the spectrum, at least a few of Wendy & Bonnie’s most passionate fans surely prize the duo’s only LP precisely because it is indeed so evocative of the time and circumstances of its making.

Though I’m generalizing, those who love Genesis purely for its Flower Power era ambience are likely to value Roger Corman’s ’67 film The Trip over the great cinematographer Haskell Wexler’s first directorial effort, ‘69’s Medium Cool. The former is a spirited teen-exploitation flick that uses clichés and stereotypes as inspired playthings, but the latter is a one of kind motion picture with a seriousness of intent specifically concerning the upheavals of the tumultuous year of 1968.

And people who expressly use the term period piece as an insult could easily be prone to burdening The Trip and Medium Cool with that problematic bag, though with the possibility that Corman’s movie might be “appreciated” as camp and Wexler’s effort referenced as symbolic of the folly inherent in attempting a formally challenging, legitimately political cinema. And if the denigrators were asked to pair Genesis with one of these films on the basis of shared traits, I’m pretty sure the majority would choose The Trip.

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