
I recently spoke with Daniel Ash, musician, songwriter, and singer—and a founding member of Bauhaus, Tones on Tail, and Love and Rockets.
Daniel and I talk about his electromagnetic tendencies, the formation of Bauhaus, his love of solitude and city, chrome, gear, how he first discovered the EBow, music he loves, and the Ashes and Diamonds album.
The new band consists of Daniel in his usual roles bringing his signature post-punk, glam and experimental style. He is joined by Bruce Smith on drums, programming, and backing vocals. Bruce is a veteran of Public Image Ltd. and The Pop Group. Paul Spencer Denman is on bass. Paul is best known as the bassist for Sade and Sweetback.
Ashes and Diamonds have released the single and video for “On A Rocka” whose video was directed by Jake Scott, and their latest single “Setting Yourself Up for Love.” The full album is out on Halloween through Cleopatra Records via streaming and limited edition vinyl. It’s all gorgeous!
Radar features discussions with artists and industry leaders who are creators and devotees of music and is produced by Dylan Hundley and The Vinyl District. Dylan Hundley is an artist and performer, and the co-creator and lead singer of Lulu Lewis and all things at Darling Black. She co-curates and hosts Salon Lulu which is a New York based multidisciplinary performance series. She is also a cast member of the iconic New York film Metropolitan.

Beyond his work with the band, he’s shaped the sound of artists across genres—from The Orb, The Verve, and Paul McCartney to Kate Bush, Crowded House, Gina Birch, and Pink Floyd’s David Gilmour—blending experimental, dub, and atmospheric elements into a signature production style. His career bridges punk, mysticism, and radical creativity, making him one of the most singular figures in modern music.
I met Tytti back in September when we played the same Synthicide night, and I was completely blown away by her and her band Modem. They’re a synth-pop duo she started with Ville Valavuo in 2020, drawing on their shared love of the electronic sounds of the ’80s.
After moving from Detroit to London, she immersed herself in the art scene, writing lyrics for Cerrone’s “Supernature” before breaking out with her 1978 debut Stateless. Its single “Lucky Number” became an instant classic—off-kilter, infectious, and unlike anything else on the radio—introducing her playful, theatrical voice and bold visual style to the world.
He formed Kula Shaker in 1996; the debut, K, became one of the UK’s fastest-selling debuts of the ’90s. The band’s sound mixes ’60s psychedelia with elements of Indian music. The name, suggested by Mills after his first trip to India, was created in honor of one of the twelve
Bob, also an artist and spent many years working for Andy Warhol, producing silk screens until his death. He has been a passionate member of New York’s art and music scene since the early ’70s.
Their latest five song EP “Tomorrow Remember Yesterday” is a collection of newly recorded songs whose origins harken back decades. Says Vox, “These songs were amongst the very earliest songs we got together pre-Peel session in 1981, but were discarded at the time due to them feeling unfinished.”
Culled from a single decaying cassette tape labeled “July 1978,” these recordings are a window into the musical life of one of our greatest living actors who holds music as dear as all the art forms he participates in. The raw and organic tone of these recordings evokes the breeze and spirit of 1970’s Venice and Malibu beach where they were recorded.
We discuss Jon’s early days in the slums of London, his passion for reading, art, and the political and social themes that influenced their music. King discusses what brought him to make music and the broader cultural landscape that shaped their work.
She’s also a sculptor, DJ, and painter with a background in ceramics, installation, and collage. Grauzone alumni include Echo & the Bunnymen, Lebanon Hanover, Anja Huwe (Xmal Deutschland), A Place to Bury Strangers, DAF, and many more, which speaks to the range of Natasja’s vision as a curator and artist.
O+ is a community-rooted organization that connects artists and musicians with health and wellness care through a radical exchange model that started with an annual music and healthcare exchange festival and has expanded into year-round care.
John was first inspired by bands like Black Flag that took him on a journey through punk with many bands and establishing himself and a benevolent master of chaos ceremonies. In 2008, he was cast in a Fuse Channel show called Rock and Roll Acid Test in a stuntman/maniac with a hammer role. This is what first brought the family out to California, where they started making their very distinctive films entirely on their own. Now they have become punk masters of horror.
We spoke about his early musical life and journey to New York. First working with R&B icons like Mary J. Blige as an engineer, to joining the Tom Tom Club as lead guitar, to forming The Du-Rites and Lulu Lewis, and making ten full-length albums between both of these last two acts over the last decade.











































