
The arts have always served as an effective way to tackle difficult feelings. Mental health has become a very hot topic in the last few years for two reasons: the first is that mental health challenges have continued to become destigmatized, and the second is the continued realization that—believe it, or not—someone that you know, most likely several of the people you know, grapple with a mental health challenge of their own.
The arts serve as a conduit through expressing feelings that aren’t so easy to communicate with mere words. Non-profit record label Future Youth Records knows this well and offers young performers a way for them to express their feelings about complicated social issues in musical terms. Ontario’s Tausha Hanna connected with the label and together they have completed two significant projects. On the the first, Tausha was one of the featured performers on Julian Lennon’s, “Saltwater” which supported Lennon’s White Feather Foundation.
Recently, Tausha has completed her second project with the label. This time, shifting the focus away from environmental concerns and toward mental health initiatives. Tausha was connected with Academy Award winner Billy Bob Thornton and his stalwart musical partner from The Boxmasters, J.D. Andrew. They were both impressed by a song of Tausha’s titled, “As I Ever Was” and invited her to Billy Bob’s studio to produce and record the song together.
What you’ll hear on this episode is Billy Bob Thornton, J.D. Andrew, Tausha and I have a frank discussion regarding the state of mental health support in our current society and examples of ways that the arts serve as a valuable tool in combating the challenges that so many people face. It’s also a refreshing portrait of new and experienced performers joining forces for a common goal. Their conversation further highlights how creative partnerships can complement initiatives such as mental health support Calgary, demonstrating the powerful role the arts can play in promoting emotional resilience.
Evan Toth is a songwriter, professional musician, educator, radio host, avid record collector, and hi-fi aficionado. Toth hosts and produces The Evan Toth Show and TVD Radar on WFDU, 89.1 FM. Follow him at the usual social media places and visit his website.

Earlier this year, BMG reissued General Public’s debut album All the Rage and their second studio album Hand to Mouth which feature a few of the group’s hits including “Tenderness” which, at the time, showed up in not one, but two John Huges films, Sixteen Candles and Weird Science—you can’t get much more ’80s than that.
I’d been hoping to interview 
Gary’s new album is titled Intruder and it is an exploration of the concept that the Earth is tired of us lowly humans kicking it around and has decided to fight back. At an earlier time, the thesis Gary posits might have garnered a few chortles and eye rolls, but in today’s climate, well, it feels as though we ought to sit down with Gary and hear him out; he might be onto something. Don’t say Gary Numan didn’t warn you.
Originally hailed by The Village Voice as “the new Dylan,”
Colleen “Cosmo” Murphy is certainly one of those people for me. Not only do I learn about plenty of great music on her weekly online program Balearic Breakfast, but I also regularly take a deep dive into her world-renowned podcast and live series,
Genre is a funny thing when it’s applied to nearly any field. On one hand, there’s nothing wrong with an artist being aligned with—or, being seen as representative of a certain genre—even if it’s a point of frustration for the artist. On the other hand, music listeners should allow artists the latitude to adjust their compass to explore other styles of music without untoward rebuke, but sometimes it’s not easy to persuade an audience to follow an artist’s whims and dalliances. It is what it is.
Harper Simon has chosen to explore these topics in a brand-new, wide-ranging, multimedia project titled,
There won’t be just one gathering dedicated to vinyl either: the town will host a conference and a festival who have made the wise decision to co-locate in the capital of North Holland. A few months ago
Who else to take us on this multicultural, international trip but 
If you’re serious about delving into your music collection thoroughly, the pictures, graphic design, and words (words just like these words that you’re reading at The Vinyl District) are necessary parts of the music appreciator’s toolkit. In the digital age, however, where does that leave the good old magazine? Things aren’t what they used to be in the print industry, but a small resurgence of periodicals dedicated to music and vinyl exists because there’s nothing quite like seeing pictures of stuff: a musician’s face while they let loose on stage, or perhaps a few moody shots of your favorite artist during the recording process. Our experience with music is uplifted and underscored even more when those images are coupled with thoughtfully analytical words from excellent writers.


I had my own experience with this phenomenon just a few months ago when I hosted bassist Marty Isenberg on this program to discuss his recently released album featuring jazz covers of music from Wes Anderson films. As I enjoyed his record, I noticed the vocalist who was featured on many of the tracks and whose voice served to tie the project together: 












































