The TVD Storefront

Graded on a Curve:
The Supremes, We Remember Sam Cooke
& The Temptations,
Wish It Would Rain

The productivity of Motown Records endures as a highpoint in 20th Century music, an achievement that endures right up to the present. Long playing records are a superb point of entry into this bountiful garden of aural delights, and beginning this month Elemental Music kicks off the Motown Sound Collection, a thoughtfully assembled series that will reissue over two dozen Motown albums monthly throughout 2024 and into next year from a wide range of celebrated acts. The first two LPs, The Supremes’ We Remember Sam Cooke and The Temptations’ Wish It Would Rain and are available now.

There would seem to be little argument that Motown Records’ crucial format was the 45rpm single. For over two decades, Barry Gordy’s organization was an unstoppable hit machine (indeed, Hitsville, USA), and singles delivered a steady stream of material to the radio stations where the hitmaking process was extended, inspiring listeners young and old to bring those songs into their homes for repeat play.

If the hit single was Motown’s bread and butter, full length albums were a further validation of success. It’s to Gordy’s credit that he didn’t simply choose to dump hit singles and their flipsides onto LPs as an afterthought. Taking a considered and occasionally thematic approach to album assemblage secured Motown as a prestige enterprise in an era where youth music was still undervalued as largely disposable. The label’s LPs were regularly crossover hits themselves.

Recorded and released in 1965, We Remember Sam Cooke is the fifth album by The Supremes and the third in a trio of themed albums, following The Supremes Sing Country, Western and Pop, and A Bit of Liverpool. Those prior entries have their moments (and a reissue of the Brit Invasion set is on the horizon from Elemental), but the Cooke tribute connects as the most natural fit for the vocal group’s talents.

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A morning mix of news for the vinyl inclined

In rotation: 5/16/24

Los Angeles, CA | Los Angeles’ oldest record store up for sale: Los Angeles’ oldest record shop is looking for its second act. With over half-a-million vinyls, “The Record Collector” has been a fixture in the Melrose Arts District for decades. Walking into the The Record Collector takes you back in time. Owner Sandy Chase knows a thing or two about music as he’s a trained violinist and comes from a music family, with his mother meeting Thor Johnson, conductor of the Cincinnati Symphony. …Every record in here is sequentially arranged, so we can find anything on demand,” Chase explained. However, Chase said the time is now for someone else to take over the store. “The establishment is up for sale, the business and the building,” Chase added. The building was one of the first built on the stretch of Melrose in the 1920s. “There’s a cultural imperative. A musical imperative that this establishment be kept going,” Chase declared.

Bloomington, IL | Anniversary bash toasts Reverberation Vinyl’s 13 years — as records reasserted themselves: Every spring, John Anderson converts Bloomington’s Reverberation Vinyl into a mini concert venue. It’s his way of marking another turn around the sun for the Main Street record store he opened 13 years ago. It’s as good an excuse as any to get some of Anderson’s favorite bands to play Bloomington-Normal, in what he’s haphazardly labeled Reverberation’s annual anniversary/pre-Milwaukee Psych Fest/general bacchanal. To be clear, Reverberation Vinyl is not a concert venue; their May 9 anniversary bash felt something akin to a house concert with fewer places to sit. A rack filled to the brim with LPs in the center of the store relegates bands to two corners of the room with a small, donut-shaped crowd surrounding them. Stage lights consist of a couple strands of red twinkle lights hung at ceiling level. Craft services is a cooler labeled “band beer.” And yet, it was magical.

Louisville, KY | Underground Sounds moving to new Shelby Park location: A popular independent record store has found a new home in Shelby Park after being forced to close its former location in April, Louisville Business First reports. Craig Rich, owner of Underground Sounds, said he plans to reopen his record store at 1153 Logan St. near Atrium Brewing in a few months. “I’m gonna take a couple months off. It’s going to take me a month to prep it and then probably a couple weeks to put it back together,” Rich said. “We’ve got Underground Sounds in four different storage places. So, I’m hoping to open by the end of spring, at least, by the middle of the summer.” Rich launched Underground Sound in 1995 at 2003 Highland Ave. He moved to the store to the Barret Avenue location in 2019. Rich said he is still tweaking the store hours for the new location, but as the only employee, he no longer plans on working seven days a week.

Liverpool, UK | The Mysterines to rock Jacaranda Baltic as part of record store tour: The Mysterines are gearing up to hit the stage at Jacaranda Baltic as part of their Record Store Tour on June 19, 2024. The Mysterines, from Merseyside, are on the brink of releasing their highly anticipated second album, ‘Afraid of Tomorrows’, the much-awaited follow-up to their critically acclaimed Top 10 debut, ‘Reeling’. Originally slated for release on June 21, via Fiction Records, ‘Afraid of Tomorrows’ will delve into deeper and darker territories within The Mysterines’ psyche, reflecting the band’s maturity and growth. Lead vocalist Lia Metcalfe said: “Afraid of Tomorrows is a mirror where you find you’re nothing more than a formless being, one made from celestial constellations – of traumas, of the old and new, mistakes, addiction, fear and happiness, loneliness, but ultimately a desire for life and the fight to keep living. It’s a collage of what’s been lost and of love unbounded.”

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TVD UK

TVD Live Shots: Keane
at the O2 Arena, 5/11

Twenty years on, Hopes and Fears remains a masterpiece, untouched by time. Few bands will have a moment like this, and even fewer will stick around to celebrate it at this magnitude. I saw this original tour in Houston, Texas in 2005 and now nearly two decades later, I’m amid 20,000 fans at a sold-out night two at the famed O2 Arena in London. The energy is electric, the music transcendent, and Keane’s timeless sound isn’t just enduring—it’s thriving, with the crowd’s roaring approval as proof.

Tim Rice-Oxley hammers on the keyboards like a heavy metal guitarist shreds during a face-melting guitar solo. You really can’t take your eyes off this guy as he’s clearly having the time of his life, pouring his heart and soul into every smash of the ivories. Tom Chaplin’s voice was the best I’ve ever heard it. Maybe it was made for arenas? It was just next level, and I’ve seen him perform Queen songs where I thought he was peaking. Add to that his signature charismatic leaps, swirls, and fist pumps, and you’ve got that 2004 magic refined and elevated.

The rhythm section of Richard Hughes and Jesse Quin keep it simple but elegant while locking in that signature Keane groove that lays the foundation for their biggest hits. It’s easy to forget that there’s no guitar in this band, something that was a bit of a talk trigger twenty years ago but Keane proved that it’s just not needed for what they do best. The songs, it’s all about the songs. And on this night it was hard to argue with the setlist.

The star of the night was of course Hopes and Fears played in its entirety, and let me tell you, this record still holds up like it was released yesterday. It’s not only one of the all-time best-selling albums in the UK, clocking up more than 3.5 million sales in the UK alone, but it’s a damn near perfect album. You could call it the Hysteria of brit pop with five singles dominating the chart as the hits just kept coming.

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The TVD Storefront

TVD Radar: Dead Man’s Town: A Tribute to Bruce Springsteen’s Born In The U.S.A., tri-color vinyl in stores 6/14

VIA PRESS RELEASE | Artists include Blitzen Trapper, Low, Trampled By Turtles, Joe Pug, Amanda Shires, Quaker City Night Hawks, Jason Isbell, Nicole Atkins, and more.

2024 marks the 40th anniversary of Bruce Springsteen’s Born In The U.S.A. Although it would become his biggest selling album with seven top 10 singles on the Billboard Hot 100, Luther Dickinson of North Mississippi Allstars says “any of those songs could be played with acoustic guitar alone and still be great.” Taking this idea as its premise, Dead Man’s Town: A Tribute to Born in the U.S.A. strips the album’s twelve indelible originals to the core, with contributions from Jason Isbell & Amanda Shires, Low, Nicole Atkins, Justin Townes Earle, Blitzen Trapper, Joe Pug, Trampled by Turtles, and more.

Rolling Stone described Jason Isbell and Amanda Shires’ Dave Cobb-produced cover of “Born In The U.S.A.” as “reimagining ‘Born in the U.S.A.’… with a reduced approach more influenced by that of the acoustic ‘Nebraska.’” Isbell says of his cover, “”Born In The U.S.A.” is one of my favorites because so many people have seemingly misunderstood the lyrical content and the song’s overall tone. When you listen to the demo, the dark, minor key arrangement makes it clear that this is not strictly a song of celebration. We wanted to stay true to that version.” Amanda Shires adds, “I love that the song paints a picture of struggle in the face of the American dream, and the irony in the chorus is delivered with such force that it nearly transcends irony altogether.”

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The TVD Storefront

Graded on a Curve:
VA, You Can Walk
Across It On The Grass: The Boutique Sounds of Swinging London

If a time machine existed, there might be several periods and more importantly places cultural travelers would love to go back and visit. Going way back, a trip to Florence during the Renaissance would be heaven for art lovers. Also appealing would be Paris in the 1920s, an explosion of modern art and literature and an exploration of new modes of living.

More recently, there were many happening places to be during the 1960s, such as the Greenwich Village folk scene and San Francsico for the psychedelic experience, but few would rival England during the Swinging London scene. While this time only lasted a few years, primarily in the mid-’60s, that time-frame is somewhat elastic. Though new modes of living, art, fashion, photography, film, pirate radio, the shops, the clubs and other happenings exploded, perhaps the music of the era was its best feature and has had the most enduring legacy.

This new 3-CD, 63-track box set presents some of the grooviest sounds from that amorphous time, with tracks here from 1963 through 1968, but it also includes music that is part of other scenes, genres and sounds. The tracks here mostly reflect the period just before The Beatles made the A Hard Days’s Night movie and mostly before psychedelic music seemed to be at its peak.

There are many familiar names included here such as Kiki Dee, Manfred Mann, The Yardbirds, Dusty Springfield, The Troggs, The Kinks, Eric Burdon & the Animals, The Who, Tom Jones, John Mayall’s Bluesbreakers with Eric Clapton, The Spencer Davis Group, The Easybeats, Georgie Fame & the Blue Flames, Small Faces, Jack Bruce (including as a member of The Graham Bond Organization with Ginger Baker), The Moody Blues, and Petula Clark (with England Swings). The tracks from these artists are wonderful, some are even fairly well known and certainly Small Faces, The Kinks and The Who were also central to the mod scene.

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The TVD Storefront

TVD Radar: Bruce Springsteen, Born In The U.S.A. 40th anniversary red vinyl reissue in stores 6/14

VIA PRESS RELEASE | Sony Music will commemorate the 40th anniversary of Bruce Springsteen’s history-making Born In The U.S.A. on 14th June with a special-edition release featuring new coloured vinyl and expanded packaging.

Available on translucent red vinyl, this anniversary edition of Born In The U.S.A. will feature a gatefold sleeve and exclusive booklet with archival material from the era, new liner notes penned by Erik Flannigan and a four-colour lithograph.

Released on 4th June 1984, Born In The U.S.A. had an unprecedented seven Top Ten singles, sold over 20 million copies to date and captured the pop culture zeitgeist with once-in-a-generation impact. Springsteen and The E Street Band’s accompanying Born In The U.S.A. tour included 156 sold-out performances across the globe, while tracks like “Dancing In The Dark,” “No Surrender,” and “Glory Days” remain staples of their live show to this day.

Forty years after the Born In The U.S.A. tour kicked off in the summer of 1984, Springsteen and The E Street Band started the European leg of their 2024 run last weekend in Cardiff, garnering five star reviews in The Times, Daily Telegraph, The Sun and Mail on Sunday. The tour follows a triumphant run across the continent last year, which sold 1.6 million tickets and was praised as among the best of the band’s career.

The 40th anniversary release for Born In The U.S.A. follows Sony Music’s career-spanning Best Of Bruce Springsteen collection, which is now available as an 18-track set across 2 LPs or 1 CD and digitally as an expanded 31- song package.

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The TVD Storefront

Graded on a Curve:
Tim Easton,
Find Your Way

Since debuting on his own in the late ’90s, singer-songwriter Tim Easton has released a slew of records and played countless shows all over the globe. Currently in the midst of an extensive tour, his latest album Find Your Way is out May 17 on LP, CD, and digital through Black Mesa Records. It’s a robust set of blues-tinged, country-infused folky Americana that finds Easton in strong voice across ten solid songs.

Prior to releasing his first solo album Special 20 in 1998 (reissued in 2023 by Black Mesa on LP and CD), Tim Easton was part of the Haynes Boys, a Columbus, OH-based Americana outfit that released a pair of 45s and a CDEP spanning back to 1993 plus one self-titled full-length in ’96 (reissued on LP by Re-Vinyl Records in 2015). Haynes was also in Kosher Spears, and fronting the Freelan Barons, he recorded Beat the Band in 2011.

In tandem with Evan Phillips (of The Whipsaws) and Leeroy Stagger (of an extensive solo discography), Easton is also part of the contemporary folk aggregation Easton Stagger Phillips, the trio having cut two albums, One for the Ditch in 2008 and Resolution Road in 2013, both for Blue Rose Records (the Rebeltone label handled the vinyl for Resolution Road).

But now a dozen albums deep, Easton is best known as a solo artist. His latest, produced by Stagger and recorded in Victoria, British Columbia with an all-Canadian backing band that includes Geoff Hicks, Jeremy Holmes, Jeanne Tolmie, Ryland Moranz, and Tyler Lieb, opens with the title track’s strummed acoustic, double bass and snare foundation, soaring pedal steel, a hint of Dylan in Easton’s vocal, and brief injections of fiddle.

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A morning mix of news for the vinyl inclined

In rotation: 5/15/24

Tokyo, JP | Tokyo Record Shop Offers Precious J-pop Memories of Bygone Era; No Age Restrictions When It Comes to Being: Showa-era idols, American cars and other striking images catch the eye at Diskunion Shinjuku Showa Kayou Store in Tokyo. The record shop carries tens of thousands of vinyl records from the 1970s and 1980s, and store manager Kenji Shinoki, 48, allowed me to listen to Showa idol Akina Nakamori’s 1983 album “Fantasy.” He placed the LP on a record player, and as I listened to her record through earphones, I realized that she sounded a bit clearer than when I listen to songs on my phone. “Songs made back then were meant to be played on vinyl, so you can hear them at their best,” Shinoki said. Showa Kayou Store opened in Shinjuku in 2013, when the popularity of Showa-era (1926-1989) J-pop was growing. The shop moved to its current location last year. I was expecting the store to be filled with middle-aged men and older customers buying records they could not afford when they were younger. But to my surprise, I saw quite a few foreigners and young people in the shop, too.

Athens, GA | Sense of Place: Wuxtry Records is the heart of Athens’ musical legacy: If you were to plan a musical pilgrimage to Athens, Ga. — one of the birthplaces of alternative rock and home to bands like R.E.M., Pylon, Drive-By Truckers and The B-52s — you would be smart to schedule in a whole day to visit Wuxtry Records. It’s the kind of record shop you could spend forever in. As part of our Sense of Place: Athens series, World Cafe stopped by the independent record store to find out why it’s such an important part of the Athens music scene and its music history. In this session, we’ll meet the folks who run Wuxtry, like owner Dan Wall and longtime manager Nathaniel Mitchell. Wall talks about some of Wuxtry’s former employees who went on to become famous, and about how this record store has survived thanks to their dedication to vinyl.

AU | Vinyl revival: What went wrong for music megastores like Sanity and Brashs. Major music chains like Brashs, HMV and Sanity have largely disappeared from the retail landscape, yet small independent record stores are still going strong. How did we get here? During the 1990s – the last truly lucrative decade for physical music sales – brick and mortar record stores were found on every high street and in every shopping mall across Australia. In Sydney alone, more than 50 record stores existed within an eight-block radius of the city’s CBD – not including the 20-plus specialist stores in neighbouring Darlinghurst and Surry Hills. Today, within those same eight blocks, only three stores remain – Birdland, Red Eye Records and Utopia Records. All of them are independent.

Portland, ME | Maine’s vintage record sellers thrive on the chase of finding vinyl treasures: There is nothing like walking into a record store and seeing the shelves and rows of different vinyls just waiting to be gone through. The excitement peaks when one store may have the Def Leppard “Pyromania” vinyl you’re after, and the other has the Fleetwood Mac “Rumours” album that you’ve searched high and low for. As soon as you step foot into Electric Buddhas, you are immersed into another world of everything retro. You are greeted by the owner, Mike Breton, who is cashing out customers at his tiki-inspired cash register stand surrounded by a wide variety of things — everything from a “Godzilla” poster to albums to old video game systems, cassettes and VHS tapes. There are rows and rows of different albums to file through, ranging from Frank Sinatra to Elvis to Duran Duran. There’s a range of rock and roll, country, R&B, jazz, classical, hip-hop and everything in between.

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TVD Washington, DC

TVD Live Shots: Avatar with Conquer Divide
and Oxymorrons at the NorVa, 5/11

Swedish metal gods Avatar returned to the US last week and I have lots to say about it, having had the pleasure and privilege of covering the Norfolk, VA date Saturday night. Avatar continues to hit home runs with their support acts—last year’s tour with Native Howl and Orbit Culture was incredible, and on this quick headlining tour they knock it out of the park with Conquer Divide and Oxymorrons.

The freak show was still assembling when Oxymorrons took the stage at 8PM. From New York, Oxymorrons (brothers Demi “Deee” and Kami “KI,” drummer Matty Mayz and vocalist/guitarist/bassist Jafe Paulino) produce a mashup of rap, rock, funk, and punk that they refer to as “melanin punk.” It makes for an explosive sound and frankly an awesome way to get the night rolling.

The dual vocalist brothers have bottomless energy, weaving around and playing off each other while performing and working the crowd. They excel at it and are very easy to like. Meanwhile, Mayz and Paulino pound out the punk rock sounds. It makes for delightful, barely contained chaos and is a ton of fun to watch.

Arguably the cherry on top of all this is the band’s message of justice and self-acceptance. So, roll up wearing your bunny ears and mismatched socks with loafers, come out in your spiked ski mask and Wampa-looking furry boots. Be your “weird-ass” self. Oxymorron’s latest album is Melanin Punk, which includes banger “Look Alive,” a track that made Billboard’s Maintream Rock chart.

Michigan based Conquer Divide then took the stage as the next act. Interestingly, this band also has two vocalists (Kia Castillo and Madison Spencer) along with guitarists Kristin Sturgis and Isabel Johnson, and drummer Samantha Landa. I was at the show in Indianapolis earlier that week, and these young women bore the brunt of what was a disastrous sound problem at the venue. They were only able to play three songs before it was determined that the issue was unfixable, and they had to leave the stage. The women were pros about the whole thing, engaging with the crowd and treating us all to some impressive a cappella work before taking their bows.

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The TVD Storefront

TVD Radar: Erasure, Cowboy 2CD deluxe hardback book edition
in stores 5/31

VIA PRESS RELEASE | Erasure (Andy Bell and Vince Clarke) will release the 2CD Deluxe Hardback Book edition of 1997’s classic Cowboy album on Mute / BMG on 31 May 2024.

Cowboy—their eighth studio album, originally released in March 1997—saw the duo return to the UK Albums Top 10 and lead single, “In My Arms” (described by The Guardian as “pop at its purest”) is available here also in a rare acoustic version, giving the synth-pop ballad a more intimate feel. The “downright anthemic” (Billboard) “Don’t Say Your Love Is Killing Me” soon followed, and the 2CD collection includes a new remix by Belgium synth pop maestros, Telex. Third single “Rain” is given the remix treatment for this release by Blancmange, who celebrate their 45th 2024, and outsider pop trio Stealing Sheep.

Produced by Gareth Jones (Depeche Mode, Liars, Yann Tiersen), and Neil McLellan (The Prodigy), the album was recorded in studios in sunny Spain and in London, and released in North America on Madonna’s Maverick label. This new edition of Erasure is packed with a booklet that features sleeve notes by Electronic Sound’s Mat Smith and exclusive photographs by Peter Ashworth, and includes three previously unreleased remixes, along with B-Sides, demos, classic remixes, an extended version of their cover of Blondie’s “Rapture,” and rarities.

This is the latest release in a series of 2CD Deluxe Hardback Editions. Erasure’s eighteenth studio album, The Neon, was released in 2020, going straight into the UK Official Albums Chart at #4—their highest chart position since I Say I Say I Say.

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TVD UK

UK Artist of the Week: Kynsy

Having recently signed to Nice Swan Records alongside the likes of English Teacher and SPRINTS, Dublin’s latest rising star Kynsy is looking to make a splash with new single “Money,” out now.

Talking about the release on Instagram, Kynsy said, “This song dives deep into the complexities of love, nostalgia, and longing, offering a raw exploration of the heart’s journey. Produced in my bedroom with the help of Caesar Edmunds on mixing duty, this project pushed me out of my comfort zone, and I’m proud to say I took the leap.” “Money” is a scuzzy indie-pop delight from the offset. Fans of the likes of Soccer Mommy and Alvvays will feel at home here.

The Dublin based artist has developed her own songwriting rules that have given her the ability to experiment, push her own boundaries, and avoid being pigeonholed into any one genre. Kynsy is definitely one to watch…

“Money” is in stores now.

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The TVD Storefront

Graded on a Curve: Hampton Hawes,
For Real!

On May 17, the Craft Recordings Contemporary Records Acoustic Sounds series continues with an 180 gram pressing of For Real! by pianist-composer-bandleader-survivor Hampton Hawes. A superb mix of original material and standards, the LP’s six songs undeniably extend from bebop and yet are wholly in tune with their year of origin 1958, as an unperturbed West Coast ambience deepens the vibes. Cut from the original master tapes by Bernie Grundman and released in a tip-on sleeve, the set has never looked or sounded better.

Saxophonists are notorious thunder stealers, so it’s unsurprising that most of the records Hampton Hawes cut as a leader are trio sessions. His first three, all released by Contemporary in 1955–‘56, are trios with bassist Red Mitchell and drummer Chuck Thompson. These are The Hampton Hawes Trio, This Is Hampton Hawes, and Everybody Likes Hampton Hawes.

But the man did branch out a bit, following up the above albums with three more for Contemporary from a quartet that featured Mitchell, drummer Buzz Freeman and guitarist Jim Hall, all titled All Night Session!. The contents of those LPs, essentially studio jam sessions, were recorded in 1956 but not released until ’58 as three separate volumes that shared the same photograph of a suave and smiling Hawes.

Adding Hall broadened the sound with little risk of the pianist being overshadowed. Another quartet record, Four!, was recorded and released in 1958, this one replacing Hall with guitarist Barney Kessel and Freeman with drummer Shelly Manne. If lacking the loose spontaneity of the recordings with Hall, Four! benefits from a killer band as Hawes was entering his prime.

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A morning mix of news for the vinyl inclined

In rotation: 5/14/24

Regina, CA | Friends, customers reflect on legacy of beloved Regina X-Ray Records owner Dave Kuzenko: It’s been a hard week for Regina’s music scene as it mourns the loss of longtime local record store owner Dave Kuzenko. Kuzenko was well-known in the Queen City as owner of X-Ray Records downtown. He was also a long-running columnist at CBC Saskatchewan and co-founded the community radio station 91.3 FM CJTR. His daughters Ivy and Anastasia Kuzenko confirmed his death in an Instagram post Friday. “We are so heartbroken to share the news of Dave’s sudden and unexpected passing in hospital,” the post reads. “His family was by his side, and he went gently and with humour as was his nature. This community and the friendships you shared meant the world to him, and we know how much he meant to the music community in Regina. Our dad will be deeply missed and loved forever.” Kuzenko opened Records on Wheels in the Scarth Street Mall in 1987. By 2004, he moved to 11th Avenue and opened X-Ray Records.

Rochester, NY | Records on the rise in Rochester. This is why we love vinyl again. You see signs of it in Rochester and similar cities, with new acolytes and prodigal consumers returning to the fold — the lasting re-birth of vinyl has happened. If you are young and love Taylor Swift, this might feel new. It’s actually a re-boot of a long-standing American hobby of form and function appreciation that lasted a century before almost dying in the early 2000s. One of many vocal fans of the vinyl rebirth is Sigmund Bloom. His mantra: “Get a record player. Start a record collection. Because it’s the ritual. It is marrying music back to ritual. And whenever you take your record out and you handle it very gently, because it’s a precious thing. … it’s a moment in your life when you slow down and you make yourself ready to receive something.” …Love of vinyl has more crossover than ever. Rochester’s recent Record Store Day showed that.

Chattanooga, TN | The Decline of Music Stores: As a longtime music lover, Jay Purdy still gives his money to music stores. Even as everything music has quickly turned into one big online subscription, Jay still prefers the physical copy of the music. If he is making dinner, the Crosley is going to bump some Justin Timberlake. In the car, he still pops in a CD and jams out to TakingBackSunday. Jay believes that the value of music has been diminished by streaming platforms. “There used to be a certain feel on Tuesday’s when new music would come out, everyone anticipated Tuesdays because that’s when new music was released,” Purdy said. “It’s just another day when music comes out on a streaming platform”. In a technology-forward world, will music streaming be the demise of music stores or will vinyls and CDs become vintage and a possible trend for the future?

Indio, CA | Geodes and Musical Gems: Indio’s New Rocks & Records Store Combines Vinyl and Fossils—With an Emphasis on Community. As the city of Indio continues to pour money and effort into revitalizing downtown, new businesses and events are popping up that celebrate arts, culture and community—and one of the latest additions is Rocks & Records. Rocks & Records sells … well, rocks and records. Music fans hoping to add to their vinyl collection, or perhaps start one, can browse the shelves filled with used and new selections, while mineral enthusiasts can view beautiful fossils, crystals, jewelry—and even edible chocolate rocks! While the pairing seems odd, fans of both records and rocks have been in the store since it opened in early February, often after grabbing coffee from Encore Coffee/Little Street Music Hall, or before heading to shop vintage clothing and oddities at Urban Donkey, or after grabbing a bite at Indio Taphouse or Gabino’s Creperie.

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TVD Los Angeles

TVD Live Shots: BeachLife Festival,
5/3–5/5

WORDS AND IMAGES: CHRIS LOOMIS | The 5th annual BeachLife Festival took over Redondo Beach for a three day celebration of music, art, and beach life culture. The 2024 edition of BeachLife included headlining sets from Sting and Incubus as well as performances from Seal, ZZ Top, Devo, Dirty Heads and many more. BeachLife curates its performances with an eclectic grouping of artists who span everything from rock to indie pop, country, new wave, punk, reggae and everything in between which makes for one of the premier festivals in the state of California.

Set up with four stages strategically placed throughout the festival grounds, the Hightide and Lowtide stages cater to the larger well-known acts, the Speakeasy stage allows for intimate acoustic performances from punk legends and indie artists while the Riptide stage mixes established artists and up and coming acts. What makes BeachLife standout amongst festivals is the Hightide and Lowtide stages NEVER overlap performances, and each artist gets a full 60 minutes on stage so you don’t have to make those tough decisions on what artists to watch and which to miss.

In addition to bringing top live musical acts to fans, the festival gives back to the community by partnering with nonprofit organizations in the area as well as offering multiple levels of VIP options, special culinary choices while dining side stage, galleries with art created by members of the music community, beautiful SoCal beach scenery, games, shopping and the opportunity to say “I was there” . . . what’s better than music on the beach.

While the weather was partly sunny and mild on Friday and overcast on Saturday, Sunday was plagued with high winds which ultimately forced the festival to shut down early (about 5:30PM) as dangerous wind gusts kicked up forcing Fleet Foxes, Trey Anastasio, and Sunday’s headliners My Morning Jacket to not play their respective sets—an unfortunate situation for paying fans and the bands, but safety first always wins.

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The TVD Storefront

TVD Radar: Keane,
Hopes and Fears 20th anniversary reissues
in stores 5/10

VIA PRESS RELEASE | Exactly 20 years after its initial release on May 10th, Keane announce full details of their forthcoming special remastered version of Hopes and Fears, undoubtedly one of the best debut albums ever. Pre-order HERE.

The band also take to the road this year to embark on a full world tour. US dates include LA’s prestigious Greek Theatre on September 5th, Nashville’s fabled The Ryman Auditorium on September 15th, and NYC’s legendary Radio City Music Hall on September 24th. UK and Irish dates include two huge and extremely special shows at London’s O2 Arena on May 10th and 11th.

Making up this 20th anniversary celebratory release, comes a special version of the original album remastered and cut by Frank Arkwright at Abbey Road Studios, as well as the unveiling of B-Sides, previously unreleased demos and rarities. 5.1 Dolby Atmos mixes come from David Kosten.

On the same day as the box set release, the band play the first of two London 02 Arena shows as part of a world tour that kicks off April 1st in Mexico City before reaching Europe and the UK. Their U.S. tour starts off in September at UC Berkeley’s Greek Theatre on September 4th and concludes at Washington, DC’s The Anthem. More dates are to be announced.

Keane recently took their live show to India and South Africa, playing these countries for the very first time and proving the ever-growing demand for the band worldwide. They were joined onstage in Mumbai with Anoushka Shankar to play a special version of “Everybody’s Changing.”

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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