The TVD Storefront

Graded on a Curve:
Modern English,
Mesh & Lace

Celebrating Robbie Grey, born on this day in 1957.Ed.

When people think about Modern English, the band that was formed in Colchester in the early eighties, it’s invariably their 1982 hit “I Melt With You” that comes to mind. It was dreamy, irresistible, and impossible to avoid. But before “I Melt With You,” to wit on their 1981 debut LP Mesh & Lace, Modern English showed a far more raw and dissonant face to the world. Mesh & Lace led to no comparisons with Duran Duran because it was an uncompromising slice of droning noise boarding at times on chaos, and had far more in common with Joy Division and PiL than, say, Simple Minds.

Not everybody liked it, that’s for sure. Yo La Tengo’s Ira Robbins, writing for Trouser Press, sneered at Mesh & Lace, calling it “a load of monotonous droning and shouting by a precious art band oppressively weighed down by its self-conscious 4AD pretensions.” Precious they may have been, and droning to boot, but Mesh & Lace is anything but monotonous. Rather it’s an adventurous foray into the heart of darkness by a band that would soon enough undergo a sea change that led to the synthpop of “I Melt With You.”

I’d have never known had it not been for a review comparing noise vandals Clockcleaner to Modern English. This struck me as being akin to comparing GG Allin to the Partridge Family, because like most sentient humans I knew nothing more about Modern English than “I Melt With You.” “Balderdash!” I cried. But I’ll be damned if Mesh & Lace wasn’t one fearless foray into the precincts of noise for noise’s sake. Manic drumming, long drones, chanted lyrics—these guys took Joy Division one step further, by sacrificing their melodies to the exigencies of total desperation. Mesh & Lace doesn’t sound like affectation to me; it sounds like a fatal bludgeoning by Ian Brady, the Moors Murderer.

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The TVD Storefront

A Beatles Books
Roundup

The Fest for Beatles Fans will be held in Chicago from August 9–11, 2024 at the Hyatt Regency O’Hare. Some of the guests who will appear are Billy J. Kramer, Mickey Dolenz, Randy Bachman, Freda Kelly, Chris O’Dell, and Steve Holley and Laurence Juber of Wings. There will also be other musicians, panelists, historians, disc jockeys, experts, and writers. Bruce Spizer and Aaron Badgley are two authors who will be there who have recently published Beatles-related books. Here is a roundup of recent Beatles-related books, included those from Spizer and Badgley.

The Beatles A Hard Day’s Night & More by Bruce Spizer (498 Productions) Happening concurrently with the 60th anniversary of the release of the film A Hard Day’s Night, and related soundtrack and non-soundtrack albums, Bruce Spizer has come up with yet another indispensable book on The Beatles. Along with Mark Lewisohn, Ken Womack, and arguably a few others, Spizer is one of the most authoritative chroniclers of The Beatles.

This new book is Spizer’s eighth in his recent album series of books. The eight books prior to this series, which launched Spizer, focused on the various record labels the group recorded for during their short time together in the 1960s. This is the fourth book in the album series in which Spizer covers multiple Beatles albums.

The previous books in the series covered Please Please Me, With The Beatles, Introducing The Beatles, and Meet The Beatles; Yellow Submarine, and Magical Mystery Tour; and Rubber Soul, Revolver, and Yesterday and Today, respectively. This book is focused on the British and American versions of A Hard Days Night, The Beatles’ Second Album, and Something New.

The beautiful hardcover book begins with carefully researched writing on the four albums and singles from this period, along with album jacket art, singles sleeve art, and a healthy dose of rare memorabilia of all kinds. There is also coverage of other music that was released and, in some cases, popular at the same time, along with details on then current movies, and further context on the news and cultural makeup of the era.

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Graded on a Curve:
Bad Brains,
I Against I

The discography of the incalculably influential Bad Brains is in the midst of a long-overdue reissue program, and as the releases are coming through Bad Brains Records with assistance from ORG Music, this return to circulation has been a sweet development for both the fans and the band. I Against I, the beloved 1986 album from this stylistically restless outfit returns to availability this week; the options are compact disc, cassette, and black or plutonium color vinyl tucked into its original sleeve or a fresh Punk Note jacket designed by John Yates. Arguments will long persist over Bad Brains greatest achievement, but this album, their third and biggest seller, is surely a contender.

The Bad Brains story has been well documented. One of the few bands to come to punk from jazz fusion, they were a powerhouse of precise energy that barreled forth so furiously that the barrage could register as barely controlled. African-Americans in a scene dominated by Caucasians, Bad Brains stood out and excelled because they remained true to their experience, broadening the punk landscape rather than conforming to its more prevalent norms.

For some listeners, Bad Brains are the only hardcore punk band that matters. I don’t share this viewpoint, but do acknowledge that the list of worthy contemporaries is a short one, and will add that many of the other solid HC bands from the same era took direct inspiration from singer H.R., guitarist Dr. Know, bassist Darryl Jenifer, and drummer Earl Hudson.

Bad Brains weren’t perfect, however. They were enthusiastic about reggae (enough so that they became Rastafarians), and while that was admirable (and as said, helped to set them apart), the band’s excursions into the style, if not terrible, are still pretty far from top tier. I Against I is the first Bad Brains full-length release to not include any straight reggae tunes, which makes it their most consistently satisfying album to that point, even as its stand out moments don’t rocket as far into the stratosphere as those on the self-titled debut from 1982.

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A morning mix of news for the vinyl inclined

In rotation: 7/24/24

Minneapolis, MN | Extreme Noise record store announces 30th anniversary concerts: The volunteer-run punk and metal record store is hosting a series of concerts to celebrate its anniversary. Extreme Noise, the volunteer-run punk and metal record store in Minneapolis, is celebrating its 30th anniversary this year. The collective will mark the anniversary with a series of concerts beginning in July. It announced three shows this week, with each of them taking place at the Cedar Cultural Center. “After months of meticulous curation, we are excited to present a series of shows that embody the spirit of Extreme Noise, celebrating 30 years of our vibrant community,” the record store wrote in an announcement. “The Twin Cities have been through many trials and tribulations since our last anniversary celebration five years ago, and we can’t wait to share these thrilling shows with you.”

San Antonio, TX | Staying in the groove: How San Antonio’s record stores keep spinning. The evolution of how people consume music went from vinyl to digital platforms that provide access at our fingertips through streaming services like Spotify or Apple Music. Such change has seen some record stores vanish completely, but after 96 years vinyl still has a strong connection revolving around nostalgia that keeps audiophiles digging through the record bins. For Francois ‘Mike’ Robles, preserving vinyl is about living up to a legacy. Robles is the owner of Pink Zeppelin Books & Records, a place known for the loud local shows that he hosts, but he didn’t grow up collecting music. Robles inherited his father’s immense record collection dating back to the 1970s after he died from a heart attack in 2020. Pink Floyd and Led Zeppelin are the iconic groups that make up most of the large collection, hence the name ‘Pink Zeppelin.’ His father’s collection helped Robles appreciate physical media.

Los Angeles, CA | Incredible LA record store is also city’s lowest rated due to owner: The oldest record store in Los Angeles is also the lowest rated online because of its owner who admits he is an intimidating figure. Sanders Chase has run the Record Collector for more than 50 years and musicians including Michael Jackson, Notorious B.I.G., Frank Sinatra and Quincy Jones have walked through his doors. His store is filled with 500,000 classical and jazz records with another 300,000 in storage. But Chase’s store is the city’s lowest rated record store with 1.9 stars on Google reviews due to his management style. ‘Of course I’m intimidating,’ he told SFGate. ‘See, this is my problem. They’re curiosity seekers. Curiosity killed the cat.’ Chase becomes frustrated when customers do not know what they want and aimlessly browse through his extensive record collection.

Pittsburgh, PA | Unbroken record: The 59th running of a local vinyl and CD convention brought together regulars, first-timers and pros: The Pittsburgh Record and CD Convention brings together music lovers of all ages, from all walks of life and places far and wide, to a town where vinyl is still groovy. At the Pittsburgh Record & CD Convention on Saturday, July 13, vinyl records were not a thing of the past. Instead, they were a way to spark conversations and community connections that simply streaming music just doesn’t promote. This summer’s convention, at the West View Firemen’s Banquet Hall as it has been for the last three years, was the organization’s 59th show in its 28th year. The convention had smaller crowds than usual, according to its organizer Anthony Medwid, but the vendors and customers who attended were highly enthusiastic about the music and the community that comes with it. Medwid said they’ve had customers from other cities, states and countries. Some customers have never been to a record convention while others have been to the same one five times.

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TVD Radar: The Flaming Lips, The Soft Bulletin 25th anniversary zoetrope vinyl reissue in stores 9/6

VIA PRESS RELEASE | The Flaming Lips will celebrate 25 years of their seminal 1999 album, The Soft Bulletin, with the brand new The Soft Bulletin 25th Anniversary Vinyl out September 6. It will be available in limited-edition 2LP vinyl with stunning Zoetrope designs notably co-created by Drew Tetz and band frontman Wayne Coyne. Plus, it boasts brand new sleeve artwork in addition to an insert with text penned by Wayne. Click HERE to pre-order.

​Recently, Wayne took to Instagram in order to quietly tease this moment and share candid memories of The Soft Bulletin. Specifically, he reminisced about the finale “Sleeping On The Roof.” He revealed, “This little piece of music encapsulates the theme of The Soft Bulletin. It’s bleak and resigned but also comforting. It somehow is hopeless and hopeful at the same time.”

​The Flaming Lips first unveiled The Soft Bulletin on May 17, 1999. Anchored by staples such as “Race for the Prize,” “Waitin’ for a Superman,” and “Feeling Yourself Disintegrate,” it earned some of the highest critical praise of the band’s career.

Pitchfork placed it at #3 among “The Top 100 Albums of the 1990s,” hailing it as “godlike music” and professing, “Remarkably, the band’s music maintains a general air of feel-goodness while their lyrics concern sobering subjects as bleeding, bites, and mortality.” Moreover, Entertainment Weekly bestowed an “A” rating upon the record, Spin scored it “9-out-of-10,” NME applauded it with a “9-out-of-10,” and Pitchfork delivered a rare perfect “10.0” score.

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The TVD Storefront

TVD Radar: Twisters: The Album 2LP milky clear and translucent tan vinyl in stores now

VIA PRESS RELEASE | Atlantic Records has officially unveiled Twisters: The Album, the star-studded musical companion to the new adrenaline-pumping, big-screen thrill ride, Twisters, from Universal Pictures, Warner Bros. Pictures, and Amblin Entertainment. The soundtrack is now available globally at all retailers and streaming services, featuring the latest single “Dead End Road” from GRAMMY-nominated country star Jelly Roll.

Leading up to album release, Twisters: The Album released a string of singles from featured artists Sam Barber, Wyatt Flores & Jake Kohn, and Dylan Gossett. This was preceded by GRAMMY-award winning country superstar Miranda Lambert’s “Ain’t In Kansas Anymore.” This was preceded by the energetic “Steal My Thunder (feat. Tucker Wetmore)” by rising country star Conner Smith, and the electric, infectious “Feelin’ Country” by GRAMMY®-award nominated country superstar Thomas Rhett.

Also released, the heartfelt “Song While You’re Away” by GRAMMY®-award nominated singer-songwriter Tyler Childers, the sentimental “Out of Oklahoma” by GRAMMY®-award winning singer-songwriter and reigning ACM and CMA Entertainer of the Year, Lainey Wilson, the infectious line dancing anthem “Too Easy” from trailblazing country artist Tanner Adell, the energetic “Already Had It” from skyrocketing country star Tucker Wetmore, the homegrown “Never Left Me” by multi-platinum artist-songwriter Megan Moroney, the powerful “Hell or High Water” by chart-topping Multi-Platinum country sensation Bailey Zimmerman and exhilarating first single and Spotify’s Song Of The Summer, “Ain’t No Love In Oklahoma” from country superstar and 2x CMA Entertainer of the Year Luke Combs.

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Graded on a Curve:
Rush, Rush

Remembering John Rutsey, born on this day in 1952.Ed.

Sounding less like a bird of prey than a castrati with a gerbil up his ass, Geddy Lee is trying to tell us something. Xanadu, subdivisions, the spirit of radio, how we’re all trees in the forest and if you happen to be a stunted one you’re shit out of luck—your guess is as good as mine. The late Neil Peart, may he rest in peace, wrote ‘em, and your average 13-year-old with a unicorn glitter notebook would have rubbed his nose on the playground gravel.

Behind Geddy, prog-metal bric a brac: 2012’s ping-ponging title track (Rush isn’t a band, it’s a kid with attention deficit disorder) boasts seven parts including a grand finale, and is less a suite than a Frankenstein monster of ill-fitting parts. As for the band’s concept albums, Geddy himself has been quoted as saying, “Even I can’t make sense of them.”

Either you love Rush or you loathe ‘em, and I loathed ‘em up until the day I realized they were a comedy act. Now I love ‘em. Geddy cracks me up every time he opens his beak. “Closer to the Heart” is my all-time favorite song.

But there was an old Rush before the new Rush, and the old Rush can only be heard on the band’s 1974’s eponymous debut. With the soon-to-be-booted John Rutsey on skins, and nary a tedious 19-minute musico-philosophical discourse on Ayn Rand’s The Fountainhead in sight, everybody’s favorite Molson belchers made like Led Zeppelin on Beaver Tails, and while your critic types derided Rush as a turd hamburger, I like it cuz I’ll take good old-fashioned hard rock over mutant mullet metal any day.

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TVD UK

UK Artist of the Week: flowerovlove

PHOTO: TOM J. JOHNSON | London-based newcomer flowerovlove proves she’s one to watch with the release of her infectious new single “breaking news,” out now.

Produced by Duck Blackwell and co-written with close friend Ines Dunn, the sun-soaked single is bound to put a smile on your face instantly. Talking about the single, the south London artist—also known as Joyce—says, “I was feeling sad when I wrote it, actually. I wanted to feel something lovey dovey, so I wanted to manifest feelings through a song. “breaking news” is about the thought process when you go from a crush to falling in love super uncontrollably fast and you can’t stop it, in combination with the shock of realising ‘whoa this is more than a crush.’”

floweroflove is not only an emerging fashion icon—having fronted campaigns for brands such as Gucci and Maison Kitsuné—but she is also a quickly evolving songwriter who champions self-love and womanhood. Definitely one to watch for 2024…

“breaking news” is in stores now.

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The TVD Storefront

Graded on a Curve: Adam Rudolph and Tyshawn Sorey, Archaisms I & Archaisms II

Adam Rudolph and 2024 Pulitzer Prize winner Tyshawn Sorey are two of the very finest composer-percussionist-drummers on the current scene. With Archaisms I and Archaisms II, they’ve combined forces for two of the year’s best releases. The first is a duet recorded on December 16, 2021, the second a percussion quintet captured on February 9, 2023; both are live performances that thrive on inspired, intense interaction and robust compositional strategies. The sets are out now through Yeros7, with Meta Records handling the 180 gram vinyl in North America and Defkaz Records shipping everywhere else.

On record, Adam Rudloph’s creativity spans back to the 1970s where he was co-founder of the Mandingo Griot Society with Gambian kora player Foday Musa Suso; released by the Flying Fish label in 1978, their debut album featured Don Cherry as a guest. Versatility, a common trait in drummer-percussionists, is reinforced by Rudolph’s playing partners. Amongst them are Sam Rivers, Pharaoh Sanders, Jon Hassell, Philip Glass, Wadada Leo Smith, Muhal Richard Abrams, and Andre 3000. In 1988, he began a lengthy and fruitful association (15 releases) with multi-instrumentalist Yusef Lateef.

Tyshawn Sorey’s recording debut came on Vijay Iyer’s 2002 disc Blood Sutra. From there, the collaborations flowed as he continued conservatory study; he’s currently a professor at the University of Pennsylvania. Sorey’s on record with Anthony Braxton, Sirone, Billy Bang, John Zorn, Roscoe Mitchell, Steve Lehman, Myra Melford, Kris Davis, Ingrid Laubrock, Marilyn Crispell, Craig Taborn and many more. Sorey’s also the leader or co-leader on over 20 releases; Uneasy, issued by ECM in 2023 with Iyer and Linda May Han Oh, is a gem.

Sorey’s Pulitzer Prize for Music was awarded for his composition Adagio (for Wadada Leo Smith). Like Rudolph, Sorey has played with Smith, Roscoe Mitchell, Dave Leibman and Bill Laswell. Rudolph is also the leader of numerous projects including Adam Rudolph’s Moving Pictures and Go: Organic Orchestra; 2019’s Ragmala: A Garland of Ragas, featuring Go: Organic Orchestra with Brooklyn Raga Massive, is a magnificent joining of forces.

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A morning mix of news for the vinyl inclined

In rotation: 7/23/24

Upper Darby, PA | This Upper Darby Record Collector Has a Store, But You Shouldn’t Stay Too Long. The owner of R&B Records in Upper Darby has an interesting customer approach: if you must come to his store, don’t stay long and know what you want, writes Beccah Hendrickson at 6abc. Val Shively prefers doing business by mail. “This is a landfill, not a record shop,” he said. The store, open since 1990, gives him somewhere to keep his extensive collection. “I sell records. I sell enough to still be here. But I love to buy, that’s my game. That’s me at my best,” Shively said. The older and more obscure, the better. He’s been collecting records since the 1950s. “I heard this record ‘Don’t Be Cruel’ by Elvis Presley when I was 12 years old, and I went nuts. I don’t know what it was. It just hypnotized me or mesmerized me or something,” he said. It’s possible he has the largest record collection in the world, numbering in the millions. And by discouraging the casual customer, that just leaves the serious and curious.

Melbourne, AU | The best record stores in Melbourne: Whether you’re a veteran crate digger, a mild enthusiast or a total newbie, these are the best stores for record-loving musos. Nothing beats going analog and hearing the warm crackle and pop of spinning vinyl. In the wake of the digital music revolution, bricks-and-mortar record stores took a brutal hit, but luckily vinyl has enjoyed a renaissance in recent years, with sales on the rise. Is it of any surprise? Considering the ‘TikTokification’ of music and the fact everything is now downloadable, heading to a store and sifting through black-wax gems feels somewhat ritualistic. Plus, chatting to record shop owners and picking their brains is like encountering a bastion of infinite musical knowledge. Looking for something that is a blend of David Bowie, Afro-punk and folktronica? They’ve got just the LP. So if you’re a seasoned crate digger looking for an obscure bootleg or just want to pick up your favourite album now that it has been remastered, check out the best record stores in Melbourne.

Columbus, GA | Birds of a Feather: Musicians flock to Blue Canary Records. What took some time to get off the ground has now become a local sensation. When Blue Canary Records owner Brian Cook first opened his Uptown shop’s back room as a music venue, he had to ask local bands and artists to play. Now, the small venue’s performing calendar almost fills itself. Cook says it’s been mostly a word of mouth situation. “A lot of bands and a lot of musicians now know of the record store and the back room and the kind of vibe that we are we’re putting out here,” Cook said. “It’s become kind of talk of the town a little bit.” The owner, who opened his record shop – the only one of its kind in Columbus – in Aug. 2023, admitted it’s not uncommon for him to get a call from a local act asking, “Hey, when can we get on the calendar?” As of now, that wait looks like at least a couple of months. The Blue Canary booking log is currently filled through August and into September. Part of that may be due to the crowd Cook’s shop caters toward.

Alhambra, CA | Alhambra’s Vinyl Shop: Offering ‘oldies’ to the new classics. Being a business owner in Alhambra is a full circle experience for Angelle Laigo. She grew up here, took piano lessons in this neighborhood at Pedrini Music when she was a kid and still sings in the choir at her local church. Her father started a community newspaper here after immigrating to the U.S. from the Philippines. He called it Street News. And here, on Main Street, is Str33t Records — Laigo’s homage to her father’s newspaper, community and her love of vinyl (Fun fact: the full name of the shop’s logo is Str33t Records ⅓, which is a nod to the revolutions per minute that records spin). “Str33t Records is the continuing legacy… of my family,” she says. “It’s a family passion project. I really couldn’t have done this without my entire family.” Str33t Records is right in the middle of the hustle and bustle of Alhambra’s Main Street, snuggled between restaurants, boutiques, cafes and entertainment. The standing chalkboard sign at the front of the shop is an invitation to check out the music inside.

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TVD UK

TVD Live Shots: Noel Gallagher’s High Flying Birds at Alexandra Palace Park, 7/20

Walking back to the train after Noel Gallagher’s High Flying Birds show at Alexandra Palace Park, I overheard a question that encapsulates the ongoing debate among fans: “Was it better than Liam?” This question, though inevitable, is shortsighted. You simply can’t compare the two. Both Gallagher brothers are phenomenal talents in their own right, but Noel’s performance showcased his unique ability to blend his illustrious past with a forward-looking artistry that few can match. Throughout the show, Noel’s trademark wit and “get off my lawn” quips between songs added a layer of charm and authenticity that only he can deliver.

Noel Gallagher, the mastermind behind some of the greatest songs in British rock history, brought his High Flying Birds to Alexandra Park for a mesmerising night, celebrating the release of his latest studio album, Council Skies. Critics and fans alike have showered praise on this album, and for good reason. It’s a testament to Noel’s enduring genius as one of the best songwriters the UK has ever produced.

Opening the set with “Pretty Boy,” the lead single from Council Skies, Noel immediately showcased his knack for crafting songs that are both contemporary and timeless. This track, along with others like “We’re Gonna Get There in the End” and “Open the Door, See What You Find,” highlighted Noel’s evolution as an artist. These songs aren’t just filler; they stand as pillars of his current creative output, demonstrating that Noel is far from resting on his laurels.

What made this night truly exceptional, however, was Noel’s decision to weave in a generous helping of Oasis classics throughout the set. Unlike his brother Liam, who opens with Oasis songs and unashamedly bashes out the hits, Noel makes the crowd work a bit more for them. The audience was treated to an array of beloved tracks, from “Going Nowhere” to “Talk Tonight,” and the reaction was electric. The crowd went absolutely bananas, proving that these songs are as vital and vibrant as ever.

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The TVD Storefront

TVD Radar: Rory Gallagher, The BBC Collection 3LP, 2CD,
& 18 CD/2 Blu-Ray set
in stores 10/11

VIA PRESS RELEASE | Rory Gallagher The BBC Collection is the definitive collection of Rory Gallagher’s recorded performances at the BBC. A 20 disc set that includes eighteen CDs containing radio concerts and sessions from 1971 to 1986 and two Blu-Ray discs of BBC TV concerts and studio performances from 1973 to 1984.

​With over three quarters of the audio recordings having never been officially released before, and the concerts on the Blu-Ray discs being officially released for the first time, this all encompassing set is a must-have for Gallagher fans and is the perfect demonstration of his raw power and energy live. In addition, 2CD and triple-LP The Best of Rory Gallagher at the BBC sets will be released featuring eleven of Gallagher’s best BBC studio recordings and a thirteen track (twelve on 3LP) 1979 BBC In Concert Live from The Venue performance. It will also be made available digitally. All three versions will be released on 11 October and are available to pre-order HERE.

These releases celebrate the importance of Rory Gallagher, who was possibly the most recorded musician of the 1970s by the BBC. This set was amassed from the BBC archives and Rory Gallagher’s own transcription discs and off-air cassette recordings. The boxset spans 16 years of his career (1971–1986), taking in highlights such as the 1977 dual television and radio broadcast Sight & Sound concert, Gallagher’s headlining set at the Reading Festival in 1980 to the emotional At Midnight concert live from the Ulster Hall in Belfast, 1984.

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Graded on a Curve: Funkadelic,
Maggot Brain

Celebrating George Clinton on his 83rd birthday.Ed.

A decade or so ago my friend D., a borderline sociopath jailhouse-type individual, suggested we go rock climbing. Without ropes. Idiot that I am, I said sure. I was some 20 feet off the ground—a frightful distance when you looked down—when I found myself unable to go forward or retreat. Suddenly my left leg began to violently shudder. D. looked over (I think I was whimpering for help) and mirthfully cried, “You’ve got Disco Leg!” That’s when I fell, breaking my ankle and cracking my skull.

That “Disco Leg!” never fails to crack me up, and for some reason always brings to mind Funkadelic, the greatest funk-rock band of ‘em all. And of all their LPs, my all-time fav-o-reet has always been 1971’s Maggot Brain. (Yeah, I know, 1978’s One Nation Under a Groove is brilliant, fantastic, blah blah blah, but I’ve made up my mind, and I’m too dumb to change it.) I would say you can thank guitar svengali Eddie Hazel for making Maggot Brain my most treasured slice of P-Funk, but it would only be partly true—some of the tunes on Maggot Brain barely feature Hazel at all, and I still love them every bit as much as my Black Power Fist Afro pick.

Maggot Brain features one of the more unfortunate covers in music history, with its front cover depicting a black woman buried up to her neck screaming in agony and back cover showing the same woman’s head, now become a skull. Why, it’s almost as creepy as the cover of Herbie Mann’s Push Push, on which Herbie shows off his ghastly lubed-up chest pelt for reasons I don’t care to speculate about. And the same goes for Maggot Brain. Then again, what do you expect from a band that entitles an LP Maggot Brain in the first place? P-Funk was a crazy-eyed crew of acid-gobbling freaks, and on LSD everything seems like a grand idea.

Some brief history: George Clinton’s Parliament was founded in the late 1950s in Plainfield, New Jersey as a doo wop group called the Parliaments. But then psychedelics hit town and the Parliaments became Parliament, and morphed from played doo wop to do wot?, by which I mean they went funky berserk. Funkadelic began its career as the backing band for Parliament, but by the early seventies Parliament and Funkadelic were separate entities with different sounds but utilizing most of the same musicians. Funkadelic was the freakier of the two outfits, a funk-rock monolith that melded psychedelia, big honking guitar riffs, Bible-belt blues, James “Soul Brother No. 1” Brown’s flaming funk, Frank Zappa’s absurdist humor, and Sun Ra’s astral plane crash jazz, to cite just some of their influences.

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Graded on a Curve:
Dr. Feelgood,
Malpractice

What am I missing when it comes to English pub rock legends Dr. Feelgood? That’s easy—the pub. I’ll bet you I’d be in seventh heaven if I were hearing them live in a packed public house called The Plough and Merkin, chugging a pint of lager without bothering to remove the cigarette from my mouth, but I’m not. I’m sitting alone in my apartment, with nary a lager lout, football hooligan, Dickensian street urchin (how’d he get here?), or slumming Tory MP in sight. Where are my mates? And the blowsy matron with a bad red dye job, lost in reminiscences of loo knee-tremblers past? And where’s Charles Shaar Murray? He never misses these guys!

But what do I know about the goings-on in English pubs? I’ve only ever been in one, The Blind Beggar in London’s East End, where legendary gangster Ronnie Kray (one of Morrissey’s last of the international playboys) shot and killed George Cornell, and I was there in the middle of the afternoon and the place was as dead as, well, George Cornell. Deader even.

No, Dr. Feelgood is a purely British phenomenon—like Cliff Richard, the Bob’s your uncle and Spotted Dick, and as close as I can come to an American equivalent is the J. Geils Band sans Magic Dan’s showboat harmonica. Except Dr. Feelgood never made the big time thanks to songs like “Love Stinks” and “Centerfold,” and good for Dr. Feelgood says I.

They were meaner and leaner than the J. Geils Band too—they sounded like the aggro-soundtrack to a bit of grievous bodily harm. They were hard men playing hard music, and while they certainly didn’t give you the impression they’d just picked up their instruments and they weren’t calling for anarchy in the UK, they kept things primally simple enough that it wouldn’t have surprised me a find a young soon-to-be Sex Pistol in that imaginary pub of mine, taking notes. Which is why a British journalist wrote of the band, retrospectively, “Feelgood are remembered in rock history, if at all, as John the Baptist to punk’s messiahs.”

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A morning mix of news for the vinyl inclined

In rotation: 7/22/24

London, UK | Rock and God In This North London Musical Mecca: “God runs this shop,” Derek Burbidge declares. “I rent it from God.” In the mid-1950s, the likes of Elvis Presley and Little Richard wrestled with what they felt to be the tension between rock ‘n roll and religion. As a born-again Christian though, Burbidge fears no such contradiction. …Independent record shops are, improbably, multiplying in recession-hit Britain. A recent report found that there are now 461 in the UK—figures not seen since Derek started business in the 1990s. In order to survive, however, many have diversified: Bradford’s Record Café boasts a charcuterie counter, while The Record Deck snakes along the canal system, bringing the party wherever it pulls up. These are extremes, though most places will serve you a decent flat white as you dig the crates. Burbidge is aware of the trend, but it’s not for him. “I used to sell CDs,” he offers, and then frowns at the memory: “I got rid of CDs.”

Los Angeles, CA | LA’s oldest record store is also its lowest rated: The Record Collector, a longtime stalwart in Los Angeles, has an owner with a very particular approach and business model. On a recent balmy weekday afternoon, Sanders Chase, a professional violinist-turned-record store purveyor, sits behind a wooden desk and watches as several customers stride into his Los Angeles shop, the Record Collector. Their eyes trail heavenward, toward the labyrinthine stacks bursting with thousands of used classical and jazz records — 500,000 to be exact. “Hi folks,” Chase calls out to the group, adjusting his spectacles. “Need any assistance?” The newcomers smile shyly and keep walking around. He then turns to me. “See, this is my problem,” he mutters under his breath. “They’re curiosity seekers. Curiosity killed the cat.” Someone else strolls into the store. “Is there anything I can steer you to?” Chase asks him. The man says no; he’s just looking around. “Make a list and come back, because that’s basically how we do it,” Chase tells him.

Bridgetown, AU | Llama Lounge brings new sounds to Bridgetown: A new live music bar and record store has opened on the main street of Bridgetown. Karma Llama Records opened as a brick-and-mortar store in another location in Bridgetown in late 2022. After hosting a few in-store performances in the first six months, the team behind the venue felt opening a bigger store and incorporating a bar and stage was a natural progression. After 18 months of hard work and renovating an old building they purchased in Bridgetown, they are now celebrating the opening of a live music space and bar, The Llama Lounge, which is incorporated into the Karma Llama Records building at 106 Hampton St. “My wife Tania and myself are music lovers and record collectors,” said Karma Llama co-founder Scott Hyde. “Opening a store was a great way to connect with other collectors and musos and talk music every day.” …The new venue has already proved to be a hit with musicians.

Nashville, TN | Indie Record Store Profile: Grimey’s New & Preloved Music and Books in Nashville: As part of a series on independent record stores, Billboard looks at one of Music City’s enduring shops, while co-owner Doyle Davis discusses Grimey’s contributions to Nashville. Like a lot of independent record shops, Nashville-based Grimey’s New & Preloved Music and Books sometimes offers giveaways for customers, with prizes such as tickets to local shows and vinyl pressings. But given its location in the creative hub of East Nashville, Grimey’s co-owner Doyle Davis says those giveaways have led to some unusual moments. “We’ll take a picture of the winner and tag them on social media when they pick up their prize,” Davis tells Billboard. “One time, we posted a photo of a guy showing off his prize—and [rock icon and former Led Zeppelin lead singer] Robert Plant was walking up the aisle right behind him. When we posted that [photo], all the comments were like, ‘Robert Plant photo-bombed your guy.’”

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