The TVD Storefront

Graded on a Curve: Natalie Rose LeBrecht, Holy Prana Open Game

Composer, instrumentalist and vocalist Natalie Rose LeBrecht has released a handful of records in the 21st century, first as Greenpot Bluepot, then under her own name. Holy Prana Open Game is her latest, a striking blend of spiritual experimentalism and ethereal song form that coheres into meditative avant-pop with depth and edge. Fans of psychedelia, Minimalism, the cosmic outer reaches of New Age and even good ol’ dream pop should take note. Featuring contributions from guitarist Mick Turner and drummer Jim White of Dirty Three plus LeBrecht’s regular collaborator David Lackner on woodwinds, ewi, and additional synth, the album is out June 9 on vinyl and digital via American Dreams.

As revealed in Holy Prana Open Game’s nifty short accompanying essay by Douglas Wolk, the origins of LeBrecht’s latest album (by my count her third under her own name) was a 14-day practice of silent meditation she undertook in her music room in 2019. Upon soaking up the record’s six tracks, the roots of the recording shine through with clarity but with a broad range of styles rather than merely locking into floating ambient tranquility.

The Brooklyn-based LeBrecht has studied with the great drone pioneers of Just Intonation La Monte Young and Marian Zazeela, and has additionally assisted them at their sound-and-light installation the Dream House in NYC, so her handle on substantive drift is solid, but she’s also a writer of robust songs, and while she’s obviously comfortable with collaboration, the contributions to LeBrecht’s latest were executed remotely in 2020 during the COVID pandemic.

Without being told, I never would’ve guessed this was a pandemic album, as Holy Prana Open Game offers a surplus of enveloping warmth. Opener “Home” comes on like Terry Riley and very quickly LeBrecht’s vocals emerge, reframing the piece as a combination of dream pop and the devotional music of Alice Coltrane, at least until the tide shifts again toward the darkly psychedelic.

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A morning mix of news for the vinyl inclined

In rotation: 6/7/23

Oxford, UK | Big Scary Monsters Social Club in Oxford set to close: Big Scary Monsters Social Club—a craft beer bottle shop also selling vinyl records – is to close. The shop at 98 Cowley Road—known as BSM Social Club – was launched at the end of 2020 by Kevin Douch, and he has been running it with Gemma Hefferon-Douch and Leigh Shorter. Now, despite the support of loyal customers over the past three years, a decision has been taken to close due to ‘skyrocketing costs.’ It’s not the first Cowley Road business to fall victim to the cost of living crisis. Reign, a vintage store which traded for 17 years, closed in April and Atomic Burger closed in January. And restaurateur Clinton Pugh has revealed his Cafe Tarifa has been re-possessed and has blamed LTNs in east Oxford for making trading conditions difficult.

Bengaluru, IN | Bengaluru’s Record Room Launches Label, Set for Vinyl Launch of Indian Indie Compilation: Artists like Peter Cat Recording Co., The F16s, Easy Wanderlings, RANJ x Clifr x Issamood, Ditty and Lojal are among 10 acts featured on the LP, which has been in the works since 2021. When he was about 10 years old, Manipur-origin, Goa-based artist Lojal aka Martin Haokip discovered vinyl records in his mother’s old room. It was only a decade later that Lojal would hear music on an LP record player. “The idea of a vintage and worn-out technique or technology still captivating the ears and spiritual responses of a listener in today’s fast, compact, digital and modern world is captivating at the least,” he says. Lojal is among 10 other Indian independent artists featuring on vinyl in 2023, courtesy of craft beer and vinyl bar Record Room in Bengaluru. The space is launching Record Room Volume 1 – the first collection of 10 songs pressed on an LP – on June 11th. It also marks the start of the label arm of Record Room.

South Bend, IN | Music lovers flock to South Bend Record Show: Billed as the “largest, one-day sale of music,” the South Bend Record Show made its way back to Michiana on Sunday for the third time in 2023. Vendors from multiple midwestern states filled 85 tables with thousands of vinyl records, CDs, memorabilia, and more at the Gillespie Conference Center. From 9 a.m. to 5 p.m., hundreds of people came to talk about music, add to their collection, or find a music lover’s perfect holiday gift. “I just hope people can continue to enjoy the medium that they can come out here, swap stories with our vendors who are all really knowledgeable,” said Jeremy Bonfiglio, owner of South Bend Record Show. “Whether you’ve been doing it for 50 years or five minutes, you’re brand new to vinyl, it’s a great experience to come out.” The next record show takes place on Aug. 6.

Brisbane, AU | Brisbane Scores New Vinyl Listening Bar ‘Ruby, My Dear.’ Ruby, My Dear is a “true haven for music lovers.” Brisbane has scored the spectacular new vinyl listening bar, Ruby, My Dear, and it’s now open. Hosting regular Guest DJs, Ruby, My Dear also presents delicious meals including vegetable dumplings, deep-fried Agedashi tofu, seared Bonito tuna, Berkshire pork collar with caramelised mandarin miso and green chilli nashi, and much more. Also on the menu: an abundance of cocktails, including a good old Espresso Martini, the Yardbird, Honey Hiball, and Hard Boiled Wonderland, as well as beer on tap and a selection of wines. Ruby, My Dear officially opened on Thursday, 13 April. In a Broadsheet wrap-up, the publication revealed that the venue hosts DJs four nights a week, from Thursday to Sunday. In addition to the regular DJ spots, Ruby, My Dear will also have a live jazz band coming in to jam on the first Tuesday of each month.

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TVD Chicago

TVD Live Shots:
Taylor Swift at
Soldier Field, 6/2

How many sequins are too many sequins? Taylor Swift proved the limit truly does not exist on Friday night in Chicago. Playing her first of three sold out shows at Soldier Field, the 33 year old performer was met by a sea of bedazzled fans.

With a one minute countdown projected on the big screen, the eruption of cheers was near deafening as the crowd buckled up for a staggering three and a half hours of music. Opening with a shortened version of “Miss Americana & The Heartbreak Prince” and “Cruel Summer,” Taylor’s dancers emerged wearing pastel fans as the singer effortlessly strutted the stage. Moving on to perform “The Man” on a three story high scaffolding, Taylor’s dancers adorned her with a dazzling blazer—one of many costume additions throughout the night that would make audiences swoon.

“Thank you for spending so much… effort… to get here tonight…” the singer joked, referring to the heavily reported Ticketmaster affair that left many fans spending thousands on tickets. Despite the cost to attend, every fan I spoke to has affirmed they have zero regrets forking out a hefty chunk of change for the unforgettable, and often deeply meaningful experience.

Pausing between songs to recognize the beginning of Pride Month, Taylor expressed her admiration for the “brilliant crowds of people who are living their authentic lives,” going on to affirm that “…this is a safe space for you. This is a celebratory space for you. And one of the things that makes me feel so prideful is getting to be with you, and watching you interact with each other and being so loving, and so thoughtful, and so caring.”

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TVD UK

TVD Live Shots:
The Lemon Twigs at the Electric Ballroom, 6/1

In the buzz-filled Electric Ballroom of North London last week, the woman next to me exclaimed, “Aren’t these guys fantastic? They’re like, 17!” She was spot on with her enthusiasm, if not with their ages. The Lemon Twigs, composed of brothers Brian and Michael D’Addario, may no longer be in their teens, but their youthful energy and electrifying talent are captivating the rock scene.

Watching the Twigs perform was like witnessing the revival of classic rock stardom. Their performance sparked reminders of the look of Steve Perry and Journey at the peak of their powers, the harmonies of Badfinger, and the songwriting genius of Big Star, and yet it still felt like watching something new and fresh. The D’Addario brothers, hailing from Long Island, New York, demonstrated an uncanny ability to channel the exuberance of classic rock, infusing their music with rich harmonies that would make bands like Jellyfish beam with pride. The duo’s knack for multiple instruments, coupled with their ambitious songwriting, has made them a stand-out act that’s breathing life into a forgotten genre.

While their recorded music is a blend of 7’0s rock and pop-baroque influences, their live performance takes it up a notch. I walked into the Electric Ballroom expecting a mellow, ’70s-style rock band. Instead, I was met with an explosive, high-energy spectacle that left me unsure of where to look. The music was a rollercoaster ride, heavy at times and reminiscent of Zeppelin, married beautifully alongside the jangly pop of 10cc, all while still maintaining a unique twist. It was clear the Twigs draw inspiration from a variety of sources, channelling them into a sound that’s distinctly their own. I know this sounds cliched, but give them a listen and you’ll hear exactly what I mean.

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TVD UK

UK Artist of the Week: Anaïs Cardot

Rising neo-soul sensation Anaïs Cardot stuns on new single “Colors,” out now.

Get ready to be blown away by Anaïs Cardot and her mesmerising single “Colors.” Anaïs is a French and Gabonese artist currently based in Ottawa, Canada. Her latest cut sees Anaïs singing soothingly in French and it’s the perfect summer sizzler for these warm, woozy days. Influenced by vocalists such as Ella Fitzgerald, Portuguese guitarist Joao Gilberto and her family’s musicality, Cardot has been crafting her unique sound since the young age of fourteen.

Cardot has received high praise from culture-shifters like Masego and PJ Morton, who have enjoyed her angelic voice on renditions of beloved covers as well as gracefully written original work. And as we near her graduation from Canada’s Ottawa University, we gear up for her highly anticipated debut EP “Pink Magnolia,” due for release later this year.

“Colors” is in stores now.

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The TVD Storefront

Graded on a Curve: Albert Ayler, Sonny Sharrock, Byard Lancaster reissues from Superior Viaduct

The ever-dependable Superior Viaduct label of San Francisco is reissuing three slabs of primo avant-garde jazz on June 9, Albert Ayler’s In Greenwich Village, Sonny Sharrock’s Black Woman, and Byard Lancaster’s It’s Not Up to Us. It’s a deliciously wide-ranging yet interconnected trio of albums that are expanded upon further below.

As his discography is currently undergoing something of a resurgence, let’s start with the great saxophonist Albert Ayler’s In Greenwich Village, particularly as the performances it offers are directly related to the live material collected in ORG Music’s recent Record Store Day box set release Europe 1966 (a 4LP edition featuring music previously heard on the Hat Hut label’s 2CD Berlin, Lörrach, Paris & Stockholm Revisited).

Superior Viaduct’s trim reissue features Ayler’s band from that ’66 tour, with Ayler on saxophones, his brother Don Ayler on trumpet, Michel Samson on violin, William Folwell on bass, and Beaver Harris on drums, with the Stateside addition of Joel Friedman on cello and either Alan Silva or Henry Grimes completing a two-bass lineup with Folwell. In short, this is Ayler’s music at the height of its power, at once weightier and at its most breathtakingly expansive in its ecstatic energies.

The beautiful simplicity of Ayler’s melodies is in full effect, as is collective abstraction of a jaw-dropping intensity, with both aspects reaching an apex in “Truth is Marching In.” As amazing as Ayler’s studio albums could be (and a handful of masterpieces reside in that number), Ayler’s music fully flowered in the live setting, and for decades In Greenwich Village was the amongst the easiest ways to access its glories; the album came out on CD in 1989, with Love Cry (one of the aforementioned studio masterpieces) following in ’91.

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A morning mix of news for the vinyl inclined

In rotation: 6/6/23

Portland, OR | Iconic record shop in Portland shuts down amid skyrocketing crime: “It was finally after the third break-in, I had just said, ‘If this happens again, I can’t do it anymore.’” On Thursday, Exiled Records closed its location at Southeast Hawthorne and 47th Ave in Portland, OR after 15 years in business due to multiple break-ins and a decline in foot traffic at the location. In a post on Instagram, the store wrote, “To say we are sad to leave the Hawthorne community is an understatement.” The post continued, “We are hopeful that those who visited will come dig at EXILED WEST, where we will continue to have an incredible selection of new and used vinyl as well as CD’s and tapes!” According to KATU, the move comes after the location experienced three break-ins and vandalism in the last year and a half. The most recent incident occurred less than two weeks ago when a man experiencing a mental health crisis smashed store windows with a skateboard.

Philadelphia, PA | Latchkey celebrates anniversary with tunes and treats: If you haven’t made it out to Latchkey, the vintage and vinyl boasting East Passyunk hotspot, this weekend holds the perfect opportunity to check it out. On Saturday, June 10, from noon to 6 p.m., Latchkey is throwing their First Anniversary Karaoke Blowout, which will be packed full of refreshments (from Otto Distilling Co. starting at 3 p.m.), games, prizes and the main event of karaoke, hosted by DJ Pat Pharari. Those who pipe out the best performances also will have a chance to win $20 Latchkey gift cards. Then, Philadelphians are also invited to join in on an afterparty celebration called the “Afterparty Like It’s 1999.” The ticketed 90s-themed bash will kick off at 7 p.m. and run until 10 p.m. and will feature more karaoke, burlesque and drag performances, a best-dressed contest, complimentary cocktails and light bites, and other surprises.

Jacksonville, IL | Local Record Store to Host Outdoor Music Festival: Local record store Pizza Records have announced they’ve organized their first outdoor musical event. The first ever Pizzapalooza will be held Saturday, June 10th in the Gilham House parking lot, located at 326 West State Street, at 4PM. The line up of musical acts include local talents Sean Taylor starting things off at 4, followed by Scratching the Surface at 5:30, and Robinia Groove closing the night 7. Food vendors Coatney’s BBQ and That’s My Jam! A Sandwich Company will be serving from 4-9PM. Shopping will also be available inside Gilham House during the event. Pizza Records has been in business since October and have been hosting monthly music shows inside Gilham House since January. Owners Devin & Heather Smock said in a press release that they are starting the event small, with plans to grow the event each year.

Manchester, TN | Upcoming vinyl album sale to benefit Historical Society: From classic rock staples by Fleetwood Mac and the Eagles to the folk stylings of Bob Dylan and Peter, Paul and Mary, more than 300 vintage vinyl albums will be available for purchase during the Manchester Community Market Saturday, June 10. The albums are being sold by The Coffee County Historical Society. “The albums were donated by Button Dale and she was one of the founders of the museum,” Historical Society volunteer Bonnie Gamble said. …While a collection of vinyl albums was started for the Coffee County Historical Society Museum, located in the historic Coffee County Courthouse on the Manchester town square, the museum is trying to refocus its collection on items more directly related to Manchester and Coffee County. “She started the collection of the albums, but at this point, now that we have so many items we need to weed out a little bit,” Gamble said.

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The TVD Storefront

TVD Radar: Starship Troopers (Original Motion Picture Soundtrack) 2LP vinyl debut in stores 8/4

VIA PRESS RELEASE | Varèse Sarabande and Craft Recordings announce the first-ever vinyl release of Basil Poledouris’ thrilling score for the 1997 cult classic, Starship Troopers. This 2-LP Extended Edition includes 29 cues from the film, remastered by Chas Ferry and Melinda Hurley.

The album is housed in a gatefold jacket, featuring new artwork by illustrator and graphic novelist, Malachi Ward. Rounding out the packaging is a fold-out poster of Ward’s design, plus new liner notes by the film’s director, Paul Verhoeven, and musician Zoë Poledouris, who reflects on her late father’s work. Starship Troopers Original Motion Picture Soundtrack is set for release on August 4 and available for pre-order now. Fans can also find a Varèse Sarabande Vinyl Club edition of the album (pressed on Blood & Bug Juice Marble vinyl and limited to 500 copies) exclusively at VareseSarabande.com.

Based on the 1959 novel by Robert A. Heinlein, Starship Troopers is set in the 23rd century, when Earth is governed by the militarized United Citizen Federation. Equal parts science fiction and satire, the 1997 film lampoons right-wing nationalism—but cleverly packages it in an action-packed teen drama. The plot centers around teenager Johnny Rico (Casper Van Dien) and his friends, who join Earth’s military to fight an interstellar war against an alien species known as the Arachnids. Directed by Paul Verhoeven (RoboCop, Total Recall, Basic Instinct), Starship Troopers also stars Denise Richards, Neil Patrick Harris, Jake Busey, Dina Meyer, Michael Ironside, and Patrick Muldoon. Elevating the film’s action-packed scenes is a propulsive score by the Emmy®️ Award-winning composer and conductor, Basil Poledouris (Lonesome Dove, RoboCop, The Hunt for Red October).

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The TVD Storefront

TVD Radar: Tom Waits, Closing Time 50th anniversary reissue in stores now

VIA PRESS RELEASE | Originally released in 1973, this year marks fifty years since the release of Tom Waits’ highly influential debut album Closing Time. To commemorate the occasion, new 50th anniversary vinyl is out now. Available in black and clear versions as a double 180g LP cut at 45 RPM with half speed mastering by London’s Abbey Road Studios, the gatefold jacket was also specially created with thicker board and black poly-lined inner sleeves.

Included in Rolling Stone’s 100 Greatest Song Writers of All Time and a 2011 inductee into the Rock and Roll Hall of Fame, Waits’s Closing Time began the career of this legendary artist and his foray into the exploration of sound and the canon of American and European songwriting—from folk to jazz to blues and gospel to cabaret and spoken word—all in service of his experience of the human condition from every rung of the ladder. This is the launch of a voice and eye so singular that “Waitsian” has become an adjective used by critics and dictionaries to describe his aesthetic and style.

Called “a minor key masterpiece filled with songs of late-night loneliness” by All Music Guide, Closing Time features the distinctly lyrical storytelling and a seminal blending of jazz, blues, and folk styles that would come to be associated first with Waits.

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The TVD Storefront

Graded on a Curve: Laurie Anderson,
Tenzin Choegyal, Jesse Paris Smith, Songs from the Bardo

Celebrating Laurie Anderson on her 76th birthday.Ed.

Eastern spirituality has inspired a lot of music, with only a small percentage aptly assessed as substantial. An even tinier amount rises to the level of artistry found on Songs from the Bardo, the release from NYC avant-garde cornerstone Laurie Anderson, multi-instrumentalist, composer and musical director Tenzin Choegyal, and multi-instrumentalist, composer, and climate activist Jesse Paris Smith. Described as a collaborative composition featuring Anderson’s readings from the Tibetan Book of the Dead, the results are contemplative and exploratory without ever meandering into facile formlessness.

It might read as if I’m being unnecessarily hard on music that’s infused with Eastern spiritual-philosophical qualities. Twenty years ago, that would’ve been true, and I’d probably have expressed matters much more harshly (and with less maturity), but in the ever-loving now I’m merely riffing on Sturgeon’s Law (and that’s not to suggest Ted’s maxim is the gospel truth).

I’ll add here that the term Eastern spirituality is a rather severe generalization, so let me highlight the specific; Songs from the Bardo is described by the label as a “guided journey through the visionary text of the Tibetan Book of the Dead,” the enduring masterwork of Nyingma Buddhism, with the intention to open up the philosophy’s traditions to current and future generations as both pure listening and a store of insightfulness.

Accompanying downloads are certainly useful, but for those buyers with working turntables, they are generally inessential. In the case of Songs from the Bardo, which does offer the card with the code, this observation is somewhat arguable, as listening to the music in one uninterrupted stream, having done so now numerous times, feels optimal.

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The TVD Storefront

Graded on a Curve:
Oren Ambarchi, Sagittarian Domain

“To a man with a hammer,” goes the old saying, “everything is a nail.” Such is the case with Australian avant garde drummer Oren Ambarchi, who in a moment of serendipity laid eyes on an electric guitar and, well let him tell it: “There happened to be one laying around in our rehearsal room. I picked it up and starting hitting it with drumsticks and using it in whatever way I wanted to use it in, and one thing led to another. I’m glad I wasn’t trained… I never wanted to learn to play it properly, it was an object as much as an instrument.”

Ambarchi is a musical gadfly with a preference for a good, steady metronomic groove who’s played with just about everybody who’s anybody in the avant/noise rock world, including Sunn O)))—he’s appeared on several albums and played with them live. He’s engaged in projects with its individual members as well, in the bands Burial Chamber and Gravetemple. He’s also collaborated with the equally eclectic Jim O’Rourke, who was a member of Sonic Youth between 1999 and 2005, composer/musician Chris Townend, Warm Ghost’s Paul Duncan, composer Alvin Lucier, and enough other musical pioneers to populate New York City’s Lower East Side. Just take a gander at his discography and start counting. Ambarchi is one busy guy.

Ordinarily such rarified bona fides would mean as little to me as his highfalutin’ goal of “re-routing the instrument into a zone of alien abstraction where it’s no longer easily identifiable as itself. Instead, it’s a laboratory for extended sonic investigation.” Believe me, I’d be much more impressed if he were to collaborate with Black Oak Arkansas’ Jim Dandy Mangrum. And I’d have never even heard of him had I not been sitting in my brother’s minivan when he turned on Ambarchi’s 2012 LP Sagittarian Domain.

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A morning mix of news for the vinyl inclined

In rotation: 6/5/23

Longmont, CO | New thrift store for retro enthusiasts opens its time machine doors: The store’s location, which is a little off the beaten path on Eleventh Avenue and Kimbark Street. Just a block away from the main drag, Longmont’s newest gem Omnia Vintage Thrift & Collectables isn’t merely a shop, it’s a time capsule, a treasure chest brimming with an eclectic collection of memorabilia from yesteryears. In Longmont, Omnia Vintage distinguishes itself from conventional thrift stores by specializing in retro collectibles. At a lively intersection of past and present, visitors can expect to find treasures ranging from vintage t-shirts from the 80s, 90s, and 00s to Magic the Gathering cards, antiques, vintage toys, vinyl records, comic books and just about anything the mind can imagine. The store’s location, which is a little off the beaten path on Eleventh Avenue and Kimbark Street, may mean residents won’t stumble upon it during a regular stroll down Main Street. But the owners aren’t counting on foot traffic. They’re confident in their excellent collection, aiming to win customers over by reputation, quality and the uniqueness of their offerings.

San Francisco, CA | Vinyl Dreams celebrates 10 years in the business of beats: Dance music shop to host four days of free DJ sets on Haight Street. 10 years ago this week, Michelangelo “Mike Bee” Battaglia softly opened Vinyl Dreams at 593 Haight Street. The below-ground storefront previously held two other dance music-centric stores: Black Pancake Records and Tweekin Records. Vinyl Dreams is still hanging on, an achievement made all the more incredible by the fact that former Amoeba Music electronic genres buyer Battaglia’s curation doesn’t include anything you’ll find on the pop charts. Instead, you’ll find dividers for super-specialized slices of boundary-pushing electronic music. Not just house or techno but, for instance Balearic, a more fluid and chilled-out style of dance beats that gets its name from the Balearic Island of Ibiza. Vinyl Dreams hearkens back to an era when there was a circuit of record stores in San Francisco for DJs and fans alike to stay connected with dance music sounds and styles from around the world.

Emilia-Romagna, IT | ‘People have lost everything’: Italian record shop Flexi launches fundraiser after flood damage: In the northern region of Emilia-Romagna, 15 people have died and thousands more have been forced to leave their homes. Flexi, a longstanding record shop in the Italian region of Emilia-Romagna, is raising funds following severe floods. In a GoFundMe launched on Friday, May 26th, the shop explained how “flood water filled the entire basement,” leaving furniture, electrical equipment and roughly 2000 records “irreparably damaged.” The statement continued: “We’re conscious that the disaster around us is huge, and there are much more badly affected areas where the river has taken almost everything. But we also know that Flexi isn’t just an ordinary shop. In almost 40 years, it has become a centre of culture and sharing, which is keeping up, standing firm and reshaping itself by looking to the future, always focusing on passion and love for music. That’s why we need your help in order to be able to restart and face the immediate costs of restoring what’s no longer there.”

The Stars of Record Store Day—Who Sells the Most Records? Record Store Day 2023 has become the most successful since its creation in 2007. We look at some revealing data—like how few vinyl record buyers own a record player—and the biggest stars of Record Store Day 2023. For those who don’t have their finger on the pulse of the record industry, Record Store Day might sound like a madcap attempt to drum up enthusiasm for a niche resurgence in the physical format—even among some who appreciate the younger generation’s seeming interest in vinyl alongside the diehard enthusiasts. Conceived in 2007 as a way to celebrate the fun and diverse culture surrounding independent record stores and the communities they serve, Record Store Day has also become a way to encourage and celebrate the unique culture of the physical music format space in an industry dominated by streaming. But naysayers to the sheer volume that Record Store Day is capable of moving need look no further than the Luminate data revealed following Record Store Day 2023 to see the value in the promotion and to recognize that it’s more than just a nod to vinyl’s comeback in the industry.

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TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Never said I was a stool pigeon / I never said I was a diplomat / Everybody is under suspicion / But you don’t want to hear about that

‘Cause you tease, and you flirt / And you shine all the buttons on your green shirt / You can please yourself but somebody’s gonna get it

It’s pretty cold and gloomy for the the first week of summer, but we’re gonna act as if it’s here in our canyon.

With a playlist of records that’s gonna turn “green” into “gold,” let’s head into June and shed the gloom with classic song and brilliant new bands.

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TVD Washington, DC

TVD Live Shots:
Rival Sons with
The Record Company
and Starcrawler at
the Fillmore Silver Spring, 5/30

In December 2012, Rolling Stone ran an interview with Jimmy Page. Being a lifelong Led Zeppelin fan, and knowing that Page rarely gave interviews, I read it with excited interest. The article noted that Page kept up with current music; he mentioned that one of the bands he’d been listening to was Rival Sons.

Figuring Pagey was on to something, I immediately sought out the band’s music. Blown away by the loud, bold, rock and roll, Pressure and Time, Rival Sons’ 2011 album, entered my regular rotation. During the late summer of 2013, I traveled to Whitesburg, Kentucky to see the band for the first time; they played Summit City Lounge in the tiny Appalachian town as a nod to the local rabid fanbase. I made friends that night I have to this day.

Ten years later, I finally got to cover Rival Sons when they made a stop at the Fillmore Silver Spring on the Darkfighter tour last Tuesday night. The Record Company and Starcrawler provided support. The Fillmore shook with the sounds of true dirty rock and roll.

Starcrawler got the night started. From Los Angeles, Starcrawler (lead singer Arrow de Wilde, guitarist Henri Cash, bassist Tim Franco, and drummer Seth Carolina, pedal steel/guitar player Bill Cash) has already amassed a fanbase of big names, including Iggy Pop and Elton John. These musicians are young, charismatic, and play raw glam rock.

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TVD Chicago

TVD Live Shots:
Olivia Jean with
The Knee-Hi’s at the Empty Bottle, 5/18

Hitting the road in support of her latest Third Man Records release Raving Ghost, Olivia Jean and her talented backing band gave their all to Chicago, the last stop on the first leg of the tour. Gal Gun and The Knee-Hi’s provided support before Olivia took the stage.

Wearing her signature bouffant, paired with chic cat eye makeup, Olivia immediately began shredding on her guitar as soon as her set started. Shifting between surfer rock and heavy grunge effects, her music paired beautifully with her raw and powerful vocals. She even lended her talents to a stunning rendition of Enya’s “Orinoco Flow,” which the crowd immediately ate up.

The crowd was a mixture of equal amounts of jumping around and standing and admiring, with a general appreciation for the show unfolding on stage. One couldn’t help but notice how many attendees had a huge smile plastered on their faces. As the night came to an end, the crowd was left wanting more.

Olivia is an unmatched powerhouse on guitar, so whether you’ve been a fan since her The Black Belle days, or you’re hearing her music for the first time, you can’t help but be amazed at how she has honed her craft.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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