The TVD Storefront

Graded on a Curve:
Peter Gabriel,
So

Like David Byrne and Paul Simon, Peter Gabriel fell hard for world music. Unlike his fellow aesthetes, Gabriel is afflicted with terminal cases of both gravitas and bombast. The former Genesis front man may have injected that band’s music with a degree of absurdist levity (at least live) uncommon in a genre, progressive rock, not known for its sense of humor, but the same can’t be said for his solo material. He’s one serious individual, our Peter, and his music is suitably ponderous. It’s not light on its feet and rarely makes you want to dance. It can’t. Peter Gabriel’s oeuvre has a serious weight problem. In his case that “art” in “art rock” weighs a ton.

Oh, he’s had his moments. Songs like “Solsbury Hill” and “Games Without Frontiers” were light of foot. But he’s English and he’s earnest (he put away childish things with Genesis) and he’s very much a product of progressive rock, a genre afflicted with a fatal case of pomposity. Further, his take on world music has always had a calculated feel to it–as The Village Voice’s Robert Christgau noted bluntly of his 1982 LP Security, “Self-conscious primitivism hasn’t cured his grandiosity,” although I for one don’t detect the primitivism. The percussion trimmings, sure, but the man’s a classic rarified product of advanced Western Civilization, and definitely of that breed of musical explorers who wouldn’t venture into the jungles of sound without porters and a thunderbox.

And to make matters worse Gabriel has a social conscience—which is laudable, of course, but hardly gives his music bounce or, God help us, lends it a sense of humor. Caring deeply about the state of the world is a burden, added gravity as it were, and gravity is a heavy proposition—it keeps things down, not up. All of which means the joys of world music are beyond him, and the last thing I would call his music (and this isn’t the case with the best of Byrne and Simon) is joyous.

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A morning mix of news for the vinyl inclined

In rotation: 6/2/23

Lockhart, TX | Plum Creek Records & Tapes new for musical finds in Lockhart: Everything from $1 used albums to rare finds priced much higher, Plum Creek Records & Tapes hopes to hit touch the musical hearts of Lockhart. The store, owned by Max Yancy and Grace Reyer, had a soft opening for much of May but is bustling now with a full slate of material in its cozy business. Customers were seen on a recent day thumbing through the variety of albums PCR&T has obtained, some through co-op agreements with Antone’s Record Shop in Austin as well as consignment through local collectors. Plum Creek Records & Tapes will be open Tuesday, Wednesday, Thursday, and Saturday from noon to 5 p.m., and Friday from 1-6 p.m. The store will offer new and used albums, with its focus to stock local artists such as RF Shannon, Chazz and Emile Bessette, Rattlesnake Milk, Jane Leo, and others.

Loves Park, IL | After Losing Everything In A Fire, CD Source Is Set To Open In A New Space In Loves Park: Before he decided to rebuild both his business and his extensive collection of CDs and records, Brian Bowman took time to grieve the loss of a shop he had grown over more than a quarter century. CD Source, located inside the former Park Theatre at 5723 N. Second St., was destroyed in an electrical fire last September. Then it was demolished and cleared away because of safety and nuisance concerns. “It’s not a person, obviously, but I went through the same sort of stages,” Bowman said. Now Bowman is on the cusp of a new stage. He’s preparing to reopen CD Source in a new location at 5704 N. Second St., just across the street from the shop he ran for years after moving from downtown Rockford. The new site will open at 11 a.m. Monday. …He said rebuilding the original store would have been too expensive, but they found a fitting location across the street that could be remodeled.

Chicago, IL | Wild Prairie Vinyl & Vintage is closing in June: Gossip Wolf has been fond of Wild Prairie Vinyl & Vintage since it opened in KStarke’s old spot at 1109 N. Western in late 2017, so it’s no fun to report that co-owners Natasha Rac and Alex Gonzales will permanently close Wild Prairie on Sunday, June 11. Gonzales says the couple have been feeling burned out and talking about closing up for a while. “We just had to tear the Band-Aid off,” he says. “It’s our decision. It’s not about money—it’s time to move on.” Rac and Gonzales have been selling off their vintage stock to local shops, and they’re in talks with several record stores about buying their inventory of 25,000 records. Depending on how those deals shake out, Wild Prairie may hold closing sales, and Gonzales says they’ll host a farewell party. “We’re trying to figure out everything right now,” he says. “It’s literally a day-to-day operation.”

Port Orchard, WA | Record store takes a spin in downtown PO: Of all the collections accumulated by one of Port Orchard’s newest business owners, none brought more of a smile to the face of Julian Maltby than his extensive assortment of vinyl records. It’s a passion that he grew up with in the walls of a record store operated by his father. As his passion grew for the dated music format, the music industry rediscovered vinyl as a viable product. Today, vinyl continues to thrive in an entertainment economy that left it for dead just a few decades earlier. “There’s lots of interest for vinyl coming back up for years and years,” he said. “As of 2022, according to NPR, it took over all of the media sales, physical sales in the industry.” The rise in popularity, along with a continued love for music, motivated Maltby to start a new venture as a business owner. By the end of June, C-Side Records is expected to open in downtown Port Orchard.

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TVD Radar: Alanis Morissette, The Collection 2LP vinyl debut in stores 8/25

VIA PRESS RELEASE | Today, internationally renowned singer-songwriter Alanis Morissette celebrates her birthday. Nearly two decades ago, she released her jampacked greatest hits CD, The Collection, which will see its vinyl debut this summer.

The Collection will be available on August 25 as a 2-LP ($34.98) on black vinyl. Pre-order HERE. A transparent grape-vinyl version ($34.98) will be available the same day exclusively from Target, as well as a crystal-clear version at your local indie retailer.

The Collection covers the seven-time Grammy® Award-winner’s career between 1995 and 2005, when the Canadian popstar first broke out in the States. It includes a handful of Morissette’s well-known singles, several soundtrack selections, and her performance of Seal’s hit “Crazy,” which debuted on The Collection in 2005.

Five songs from her #1 album, Jagged Little Pill (1995), appear on the set, including the smash singles “You Oughta Know,” “Ironic,” and “You Learn.” The album catapulted Morissette to global stardom, earning her five Grammy® awards, including Album of the Year. The record was certified 16x platinum, selling over 33 million copies worldwide. It is the 16th best-selling album of all time in the U.S. and the third best-selling album by a female artist.

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TVD Radar: Jack Dejohnette, Idris Muhammad, and Leon Spencer ‘Top Shelf’ reissues in stores 7/14

VIA PRESS RELEASE | Jazz Dispensary is proud to announce the next harvest of its offerings from the acclaimed Top Shelf series, with a triple groove of reissues featuring Jack DeJohnette’s Sorcery, Idris Muhammad’s Black Rhythm Revolution!, and Leon Spencer’s Where I’m Coming From.

These reissues mark the first wide vinyl release of all three albums in over 40 years. As with every title in the Top Shelf series, which reissues the highest-quality, hand-picked rarities (all culled from Craft Recordings’ vaults), the albums have been cut from the original analog tapes (AAA) by Kevin Gray at Cohearent Audio and pressed on audiophile-quality 180-gram vinyl at RTI. The LPs are housed in tip-on jackets, featuring faithfully reproduced original designs. Available to pre-order, the releases are due out July 14th at JazzDispensary.com and record stores worldwide. Additionally, Jazz Dispensary is releasing its first-ever Smokeware collection, which features rolling papers, grinders, and rolling trays, as well as a brand-new tote bag.

In a career that spans five decades and includes collaborations with some of the most iconic figures in modern jazz, GRAMMY®️ winner Jack DeJohnette has established an unchallenged reputation as one of the greatest drummers in the history of the genre, collaborating with the likes of John Coltrane, Miles Davis, Ornette Coleman, Sonny Rollins, Thelonious Monk, Bill Evans, and so many more. Along the way, he has developed a versatility that allows room for hard bop, R&B, world music, avant-garde, and just about every other style to emerge in the past half-century.

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Graded on a Curve:
Ron Wood,
Gimme Some Neck

Celebrating Ronnie Wood on his 76th birthday.Ed.

If your idea of heaven would be a cross between the Rolling Stones and the Faces, then Ronnie Wood’s your man. He’s done stints in both bands after all, and while I infinitely prefer his work with the Faces (he kinda disappeared into the Stones machine, in my opinion) you can hear echoes of both bands in his 1979 solo LP Gimme Some Neck, which boasts a mix as dirty as Rod Stewart’s mind and lots of Wood’s jet engine of a guitar, the one to be heard on the immortal “Stay With Me.”

The only problem is Wood’s vocals; at best he sounds like a Dylan imitator, at worst his voice is as thin as cheap toilet paper. He’s at his best when he’s joined by the LP’s backing vocalists, who include some bloke named Mick Jagger, some other bugger named Keith Richards, and the legendary Jerry Williams, aka Swamp Dogg. Other notables on the LP include Mick Fleetwood, Dave Mason, Charlie Watts, Bobby Keys, and former Faces’ band mate Ian McLagan, whose keyboards give such songs “We All Get Old” an indisputable Faces feel.

But as I said previously, it’s the gritty mix, reminiscent of the Faces’ best music and the Stones’ Exile on Main Street, that makes this LP special. No polish here, thank you very much. Instead the best songs almost sound like demos, albeit good ones. Wood has his limitations both as a vocalist and a songwriter, but he sure knows his rock’n’roll, which means he’s well aware that it’s best left unvarnished, like a coat of primer on an old muscle car.

Songs like “F.U.C. Her” (which features Dave Mason on both acoustic guitar and drums) and “Infekshun” (great drumming, C. Watts, and keyboards by who knows who!) make up for what they lack in political correctness with a raucous sound that takes you all the way back to the invention of the duckwalk; “F.U.C. Her” features bona fide decent vocals by Wood and doesn’t sound like either the Faces or the Stones, while Wood’s wild and wooly guitar on the latter tune definitely makes up for his limited vocal range. And both he and McLagan dirty up the big sound of the Bob Dylan tune (Bobby wrote it for Eric Clapton, but dummy turned it down) “Seven Days.” Kudos to Wood’s pedal steel guitar, as well as to Mick Fleetwood’s tight drumming.

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Demand it on Vinyl:
The Stranglers, The Stranglers 4CD set in stores 7/7

VIA PRESS RELEASE | Over the course of five decades, pioneering English rock band The Stranglers—one of the longest surviving bands to emerge from the 1970s UK punk rock scene—have crossed genres and fanbases, amassing 23 UK top 40 singles and 19 UK top 40 albums.

On July 7, 2023, Mercury Studios is proud to release The Stranglers, a four CD-boxed set compiling four of their classic 1990s albums: About Time (1995), Written In Red (1997), Coup de Grace (1998), and the live album Friday The Thirteenth: Live At The Royal Albert Hall (1997). These albums, which were all previously released by Eagle Records in the ’90s, are now being packaged together for the very first time.

Originally brewed in the mid-70s UK pub rock scene, The Stranglers held a certain distinction from their local scene peers. They were ahead of the curve of the UK punk explosion, and though they could channel the aggressive spit-and-snarl of the time, they also harbored a unique musical hunger that kept them unchained to a singular genre. Exploring the wells of art rock, ’60s psychedelia, new wave, goth, and pop music, their sound was a blend of underground influence and melodic pop sensibility.

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Graded on a Curve:
Ray Barretto,
Que Viva La Música

If you dig rhythm and are unfamiliar with percussionist-bandleader Ray Barretto, jeepers creepers are you in for a substantial series of treats. And in a sweet turn of events, Craft Latino, the Craft Recordings subsidiary that specializes in reissuing prime Latin heat from numerous labels including Fania (the imprint’s logo a reliable sign of quality), has just returned Barretto’s 1972 LP Que Viva La Música to print after a long overdue absence. The exquisite blend of fire and finesse is available now on 180 gram vinyl and hi-res digital.

Raymundo “Ray” Barretto Pagán was one of the greats of Latin music, though in fact his considerable rep is further distinguished through his extensive jazz background prior to his mastery of the salsa style, and with pachanga and boogaloo along the way; “El Watusi” was a sizable pachanga hit in 1963 and the man’s Acid LP was a considerable boogaloo breakthrough in ’68.

While no single musician is responsible for salsa’s development, Barretto was a major contributor to its growth, and as the opening title track of Que Viva La Música makes obvious, by the early 1970s his band’s artistry was in full blossom, with Barretto responsible for arranging (on this album alongside pianist Luis Cruz) in addition to hitting the congas and leading the group.

The trumpets soar via a three horn line featuring René López, Joseph Roman, and Roberto Rodriguez, as Adalberto Santiago’s vocals are warm and expressive, Luis Cruz’s piano adds dimension to the whole, and the rhythms, courtesy of Barretto, Johnny Rodriguez on bongos and congas, Orestes Vilató on timbales and percussion, and Santiago doubling on guiro, are in full effect. Bassist David Perez strengthens the foundation with panache.

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A morning mix of news for the vinyl inclined

In rotation: 6/1/23

Memphis, TN | Memphis Record Pressing becomes largest vinyl record manufacturer: Last month Memphis Record Pressing, already one of the biggest players in the fast-growing vinyl record pressing industry, held a pair of ribbon cuttings to commemorate the completion of a $30 million expansion that positions the eight-year-old company as the largest vinyl record manufacturer by volume in North America. On April 13, the mayor of Bartlett, Tennessee, the Memphis suburb that Memphis Record Pressing has called home since its 2014 founding, joined company co-founders, CEO Brandon Seavers and COO Mark Yoshida, and other dignitaries to cut the ribbon on MRP’s $21.3 million expansion of its pressing plant. A week later on April 20th, Bar-Kays bassist James Alexander and Moneybagg Yo producer Ari Morris were among the guests who helped christen MRP’s new $7.5 million packaging and shipping hub at 7625 Appling Center Dr. The ribbon cuttings cap a growth phase that saw MRP triple its physical footprint and staff.

Wales, UK | Blackwood record shop owner charts Welsh music history: The owner of a record store in Blackwood has amassed a musical history of Wales with a Gallery of Welsh Greats forming part of his 17,000+ vinyl selection. Heart of the Valleys record shop owner Alun Kent is much more than a vinyl collector and enthusiast. The self-styled ”trusted custodian of rare recordings by Welsh bands and singers” says he is providing a unique international service for vinyl collectors to fill gaps in their personal collections. Mr Kent’s Heart of the Valleys record shop in Blackwood is a treasure trove of rare and iconic records going back to the early 1960s. In total, Alun’s collection exceeds 17,000 vinyl records from R&B, soul, Motown, rock, heavy metal to Northern soul and jazz. In total, Alun’s collection exceeds 17,000 vinyl records from R&B, soul, Motown, rock, heavy metal to Northern soul and jazz.

Moncton, CA | Moncton store offers a trip back in time: From gum ball machines, to arcade classics, to rows of vinyl’s and videos, Spin-It Records & Video helps turn an everyday shopping experience into a trip back in time. “I just took my childhood bedroom and I threw it into a store and hoped for the best,” said owner Patrick Parisè. The main differences between his childhood room and his store is the number of arcade games and the size. …“I’m a stubborn kind of fella and I have young children and I want them to grow up in a world where video stores exist because it was such a huge part of my childhood – going to the video store on a Friday night, smells like popcorn when you walk in, talk to the clerk, talk to the other patrons about movies that they’ve watched lately and they’ll recommend stuff to you,” he said. “Just the whole experience of it that with streaming services doesn’t exist.”

Regina, CA | Friends, customers reflect on legacy of beloved Regina X-Ray Records owner Dave Kuzenko: CJTR community radio co-founder and vinyl expert died on May 25. It’s been a hard week for Regina’s music scene as it mourns the loss of longtime local record store owner Dave Kuzenko. Kuzenko was well-known in the Queen City as owner of X-Ray Records downtown. He was also a long-running columnist at CBC Saskatchewan and co-founded the community radio station 91.3 FM CJTR. His daughters Ivy and Anastasia Kuzenko confirmed his death in an Instagram post Friday. “We are so heartbroken to share the news of Dave’s sudden and unexpected passing in hospital,” the post reads. “His family was by his side, and he went gently and with humour as was his nature. This community and the friendships you shared meant the world to him, and we know how much he meant to the music community in Regina. Our dad will be deeply missed and loved forever.”

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TVD Radar: Anastasia Minster launches Kickstarter campaign to fund third studio album Song of Songs

VIA PRESS RELEASE | “The divinity of art. The one that upsets us, stirs us, inspires us and makes tears flow. This voice coming from elsewhere, stripped of all artifice to exist only thanks to itself, to its fragility as much as to the unshakeable awareness of its power.”
Raphaël Duprez, Indiemusic.fr

Singer and composer Anastasia Minster is thrilled to announce the launch of her Kickstarter campaign to fund her third studio album, Song of Songs featuring a 30-piece orchestra. The campaign is now live and will run until June 22, inviting fans and music enthusiasts to contribute and support this remarkable musical endeavor.

Anastasia Minster is known for her captivating melancholy piano-driven music in the style of noir chamber pop. With the release of her previous albums, Hour Of The Wolf in 2017 and Father in 2020—featuring a notable collaboration with the esteemed English musician, composer, and record producer, Steve Jansen—Minster has firmly established herself as a talented and introspective artist. Through her poetic compositions, she fearlessly delves into the depths of human emotion, crafting musical landscapes that resonate with listeners on a profound level.

Song of Songs is set to be a conceptual album, drawing inspiration from the ancient Hebrew poem of the same name, which explores the multifaceted nature of love. Minster’s lyrics will traverse the spectrum of love, encompassing its dark complexities and its awe-inspiring glory. Her deep interest in psychology and personal development, coupled with years of dedicated research, will imbue this album with a profound exploration of romantic and non-romantic love.

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New Release Section

New Release Section: Margaret Glaspy,
“Act Natural”

VIA PRESS RELEASE | Margaret Glaspy has announced the August 18 release of her new album, Echo The Diamond, via ATO. Today she shares the first taste of the album via the LP’s exultant opening track “Act Natural.”

The song captures the strange thrill of infatuation, channeling wonder and wide-eyed bewilderment into her lyrics from the first verse (“Are you a paradise bird?/’Cause violet shines bright in both your eyes/That can’t be natural”). “‘Act Natural’ is about trying to play it cool when you meet someone remarkable,” shares Glaspy. “I wrote it in the afternoon in the back of a tour bus and the riff came separately when I got home. It is one of my favorite songs on the record to play live.” The video for the track, directed by Phineas Alexander, is a deep dive into Glaspy’s artistic New York City community and a showcase of her love for the guitar.

Glaspy will celebrate the release of Echo The Diamond with an in-store performance and album signing at New York City’s Rough Trade on August 18. She has also confirmed her first North American tour in support of the album. She and her band will hit the road on September 28 for a show at Washington, DC’s Union Stage. The tour concludes at the Lodge Room in Los Angeles on November 14.

Along the way she will make stops in, among other markets, Toronto, ON on October 2, Chicago on October 7 and Seattle, on November 9. Margaret will play a hometown show at New York City’s Bowery Ballroom on October 20. Ahead of the tour she will head to the UK for a run of dates supporting Half Moon Run as well as a headline show at London’s Omeara on September 20.

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Graded on a Curve:
The Kinks,
The Journey Part 1

Over the years, many compilation albums of the music of The Kinks have been released. Reprise Records, the group’s first American record label, famously released the double-album set The Kinks Kronicles in 1972. The impetus behind the release was the group leaving the label and signing with RCA.

Reprise actually created an excellent and still sought after release. The two-LP set included one previously unreleased track and 13 non-album B-sides. Music journalist John Mendelson selected the tracks and contributed liner notes. Reprise had previously released a greatest hits album in 1966. There have been nearly 40 compilation releases of the group’s music from various US and UK labels over the years, representing the good, the bad, the ugly, and unfortunately totally unnecessary.

If The Beatles were the big bang of pop music in the 1960s, The Kinks might represent the next big bang. Just barely before the Rolling Stones and The Who, the group scored hits with an explosive new sound, boasted one of the best ever English pop songwriters (Ray Davies), and quickly grew as witty chroniclers of English life.

This 2-LP, vinyl set includes 30 tracks and there are 36 on the CD set. The vinyl was mastered by Kevin Gray and sounds excellent, especially the many mono tracks. There are liner notes by three of the four original members of the group, Ray Davies, Dave Davies, and Mick Avory, included in the eight-page booklet. The time period is 1964 through 1971, from their self-titled debut album through the soundtrack to Percy.

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TVD Radar: Little Richard, The Complete Atlantic & Reprise Singles ruby red vinyl
in stores 7/14

VIA PRESS RELEASE | Little Richard’s one-of-a-kind career veered wildly from the sacred to the profane, but everything he did was profound; he was one of the greatest gospel and rock and roll singers of all time. And you can scale the dizzying heights of both sides of the man’s mountainous talent on this 15-track collection, which brings his Atlantic and Reprise singles back to vinyl, almost all for the first time since they originally came out on 45s.

Richard recorded and self-produced the Atlantic material in 1962 and leased it to the label for release the following year, right before his return to rock and roll with two triumphant UK tours. Only “Crying in the Chapel” has seen reissue since; the other three tracks (esp. “Hole in the Wall” and “Travelin’ Shoes”) hit that glorious balance between spiritual fervor and emotional frenzy that only he could pull off.

The Reprise material dates from 1970 to 1972 and was helmed by famed Specialty producer Bumps Blackwell as well as by Jerry Wexler, Tom Dowd, and Quincy Jones (“Money Is” from the soundtrack to The Heist), with musical contributions by legendary Richard sidemen Lee Allen and Earl Palmer as well as folks like Travis Wammack.

The non-LP side “Shake a Hand (If You Can)” is the rarity, but tracks like “Freedom Blues,” its B-side “Dewdrop Inn,” and “Mockinbird Sally” testify that Richard’s brilliance remained unabated. Mastered, like many of our Real Gone singles collections, by Aaron Kannowski, The Complete Atlantic & Reprise Singles features liner notes by Little Richard expert Bill Dahl, and comes on ruby red vinyl. A timely release to go along with the new Little Richard documentary.

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Graded on a Curve: Ricado Dias Gomes,
Muito Sol

Having previously played on three 2st century albums by Tropicalia kingpin Caetano Veloso, the Brazilian multi-instrumentalist, vocalist, and songwriter Ricardo Dias Gomes released his debut solo album in 2015. He’s remained productive since, with his latest Muito Sol scheduled for release June 9 on vinyl (500 copies, black) and digital through Hive Mind Records. Recorded in New York, Lisbon, and Rio de Janeiro with an impressive group of players, the LP’s 10 tracks strengthen Gomes’ rep as an auteur on the contemporary Brazilian scene.

The Caetano Veloso albums featuring Ricardo Dias Gomes’ input are from 2006, Zii and Zie from 2009, and Abraçaço from 2012. If not ranked amongst Veloso’s strongest works, this trifecta was largely well received by critics and fans alike. By the time of Abraçaço, Gomes and his cohorts Pedro Sá (guitar) and Marcelo Callado (drums) had been given the name Banda Cê, a tag that reinforced their importance to Veloso’s overall thing at this stage.

That Gomes branched out on his own is no surprise. His 2015 solo debut -11 is a stirring blend of elements, including aspects of Musica Popular Brasileira and Tropicalia but infused with a 21st century thrust that integrates robust experimentation and an impulse to branch out stylistically. The 2018 mini-LP Aa is even better; featuring guest Arto Lindsay, it pairs well with Thiago Nassif’s 2020 LP for Gearbox, Mente (on which Lindsay also plays) in solidifying New Directions in Brazilian musicmaking.

In 2019, This Whole Emptiness, another strong LP co-credited to Gomes and the duo Star Rover, was released. Having recorded two albums of their own plus a collab with singer-songwriter Jesse Harris, Star Rover is guitarist Will Graefe and drummer Jeremy Gustin, both of whom contribute to Muito Sol, along with guitarists Ryan Dugre, Julian Desprez, and Pedro Sá, percussionist Gil Oliveira, trumpeter Alex Toth, saxophonist-flautist Tiago Queiroz, and synthesizer players Jonas Sá and Shahzad Ismaily.

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A morning mix of news for the vinyl inclined

In rotation: 5/31/23

Montreal, CA | The 5 Best Record Stores In Montreal To Get Your Vinyl Fix: Relax To Some Sweet Tunes At The Best Montreal Record Stores. Immerse yourself in Montreal’s vibrant music scene at some of the best record stores in Montreal. Discover where you can relax to sweet tunes and explore a world of musical treasures. From vintage vinyl to contemporary releases, these record stores offer a diverse selection of genres and a haven for music enthusiasts. Whether you’re seeking rare finds, local artists, or international hits, these stores provide a unique and immersive experience that celebrates the beauty of physical music. So, let’s take a leisurely stroll through Montreal’s record stores and let the music transport you to new sonic landscapes.

Lanarkshire, UK | Music fan turns hobby into business by opening new record store: Callum Taylor, from Newmains, has launched Manse Road Music with his dad Robert and the new store has quickly become a firm favourite with locals enjoying the large selection of records old and new on offer. A Lanarkshire music fan has put his love of music and art into practice by opening a record store. Callum Taylor, from Newmains, has launched Manse Road Music with his dad Robert and the new store has quickly become a firm favourite, with locals enjoying the large selection of records old and new. And Callum’s girlfriend Jasmin Reid has been delighted with the success of the store in such a short time. “The store is filled with records, CDs, a jukebox and amazing artwork done by Callum. It’s become a hub for creativity and also for the older generation to reminisce. “He has had a visit from the local MSP and the feedback from local people has been amazing.”

Brighton, UK | Vinyl shops and independent venues: Plan a musical weekend in Brighton: …The Record Album, situated on Terminus Road just a few steps from Brighton Train Station, is, for me and many others, the best record shop in the city and, quite possibly, the country. The historic musical Mecca first opened in 1940, not long after the advent of recorded music. The shop’s founder, George Ginn, ran the business for nearly 80 years until his retirement in 2018, so the place is rich in familial fibre. The place is compact but holds cases upon cases of highly collectable records, ranging from rare first pressings to film soundtrack classics. One record shop won’t cut the mustard if you’re a serious music lover. Worry not, as you leave The Record Album and head back towards the station, if you take Trafalgar Street east, you find yourself on the fringes of the North Laine. On Trafalgar Street, you’ll find The Wax Factor and Rarekind Records, while further south on Sydney Street lies Across the Tracks on the corner. So fill your boots!

Perth, AU | Perth’s best record stores: Wax on, wax off with the best record stores in Perth. Dada Records: One of Perth’s – if not Australia’s – longest running independent record stores, entering Dada’s is like walking into a slice of history. Operating since 1971, and in its current CBD location since the 80’s, Dada’s has remained unchanged for decades – including Rob sitting behind the counter. Except, of course, for the constant influx of new stock. Boasting one of the southern hemisphere’s largest record collections, with both new releases and second hand vinyl, you’ll leave with your arms full of old favourites as well as new discoveries. The Record Finder: Speaking of crate digging… the crate digger’s mecca might just be The Record Finder. Another long-established vinyl dealer that’s been operating since 1966, this is where to get that hard-to-find vintage title or browse their collection of second hand cassettes. You might pay a premium, but for a one-of-a-kind find, it’ll be worth it.

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TVD Washington, DC

TVD Live Shots:
Avatar with Orbit Culture and Veil of
Maya at the Fillmore Silver Spring, 5/25

Avatar brought their Swedish metal circus to the Fillmore Silver Spring last week, one of the last stops on the Dance Devil Dance tour. Joining Avatar was fellow Swedish death metal band Orbit Culture and Veil of Maya, from Chicago. It was a marathon night—the festivities started at 7:30 sharp and it was after 11:30 when the Fillmore emptied out. The crowd was left exhilarated and joyful after an incredible show. I expected nothing less.

Swedish melodic death metal outfit Orbit Culture (Niklas Karlsson, Frederik Lennartsson, Richard Hansson, and Christopher Wallerstedt) kicked the night off with an enjoyable set. The 30-minute set featured songs from the band’s newest album Nija such as “Open Eye,” “North Star of Nija,” and “The Shadowing.” The buzz among us photographers and our security pal, Keith, was that the band had a distinct Metallica sound to their music. Orbit Culture’s latest track is “Vultures of North,” released in August 2022, a brutal, thudding bit of violence I just added to my music library.

Chicago metalcore band Veil of Maya (Marc Okubo, Sam Applebaum, Danny Hauser, and Lukas Magyar) took the stage and promptly had us photographers dodging crowd surfers in the photo pit. Launching into the 2021 single “Viscera,” the band’s 12-song set showcased songs from across the band’s career. In particular, “Godhead,” “Red Fur,” and “Synthwave Vegan” are from Veil of Maya’s latest album, [m]other, released this year. That album is praised for Veil of Maya’s ability to evolve. It was an excellent set that prepped the crowd for the dark carnival to follow.

I first caught Avatar in 2019, when I covered them at the Anthem in Washington, DC; they were on tour as support for Babymetal. I had never heard of the band and had no idea what I was getting into when they took the stage. There have only been a few instances in my life where I felt like I’d been hit by lightning seeing a band for the first time; that night a bolt hit me square in the head. From that moment, I was hooked on the thundering metal made by the five men from Gothenburg, Sweden (Jonas Jarlsby, John Alfredsson, Johannes Eckerström, Tim Öhrström, and Henrik Sandelin).

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