A morning mix of news for the vinyl inclined

In rotation: 12/6/21

Wolverhampton, UK | Wolverhampton record shop to close tomorrow after more than 50 years selling music: A popular city centre record store is set to close its doors for the last time at the weekend. Oldies Unlimited in Wolverhampton will close its shop on Darlington Street on Saturday, December 4, marking the end of more than 50 years of record sales and band signings in the city. The shop was initially due to close on November 30, but is being kept open until the weekend when it will shut its doors for good. Owner Simon Malpas said the plan for the business going forwards was to run it online, shipping out records and posters through the Facebook page, as well as joining record fairs across Wolverhampton. Mr Malpas said it had been a difficult decision to close, but said the business would go on and thanked customers for their support. He said: “I just want to offer an immense thanks to everyone who has supported us over the last 50 years.

Tampa, FL | Seminole Heights record shop staple Microgroove celebrates 10-year anniversary this weekend: The dark lord of surf-rock, Mrenc plays the tunes. In the decade Microgroove has been open the Seminole Heights record shop—owned by New Granada label head Keith Ulrey—has been in a Buccaneers promo, hosted numerous shows including Xetas, Hand Out, Permanent Makeup, and, of course, struggled through an ongoing pandemic. The Best of the Bay-winning shop celebrates its tin year with a party featuring shoegaze-grunge act Mrenc plus live art and painting with Josh “Bump” Galletta. The party won’t be as raging as past years, but better than last year because the anniversary didn’t happen in 2020 (thanks to that son a bitch, COVID-19). Ulrey still is being extra-careful with the whole pandemic, so he said, “We’re keeping it light, a mini-party if you will, a truncated celebration.” There won’t be free beer and masks are required inside the store. But plan to do holiday shopping, everything is 10% off. And whatever you do, don’t park at Cappy’s.

Durango, CO | Toast Records and Tapes can help round out your vinyl collection: Shop will be open late for Noel Nite. For some music lovers, vinyl albums have never really gone away. And for a new generation of listeners who are just now discovering the warm sound, the cover art and yes, the smell (especially of old albums), there are plenty of records to be had. In fact, according to the Recording Industry Association of America’s Mid-Year 2021 RIAA Revenue Statistics report, consumers’ investment in vinyl records continues to climb, to the tune of hundreds of millions of dollars. “Vinyl records continued a remarkable resurgence in the first half of 2021. Revenues from vinyl albums grew 94% to $467 million, though the comparison versus the prior year includes a period in which retail stores were significantly impacted by COVID-19, and Record Store Day 2020 was delayed and did not occur in the spring (as it did in 2021),” the report said. It’s not just older acts still pumping out vinyl – artists like Taylor Swift, Harry Styles and Adele have albums available on vinyl as well, drawing in younger listeners.

Birkenhead, UK | Birkenhead record shop receives rare John Lennon vinyl gift from Yoko Ono: A Birkenhead record shop has been the lucky recipient of a rare John Lennon release thanks to the former Beatle’s wife and son. Yoko Ono and Sean Ono Lennon have sent out 50 vinyl copies of Happy Xmas (War is Over) to charities and shops across the UK in the hope the record’s sale will generate funds. A note attached to the gifts urged the charities to use the limited edition 12-inch vinyl acetates to “sell, auction [and] raise money”. The one-sided acetate, featuring John and Yoko, was hand-cut on the lathe at the legendary Abbey Road Studios. Each edition is stickered and numbered out of 50 and includes a machine printed signature from Yoko, making them hugely collectable. The selected recipients, which include 25 charities and 25 independent record shops, were personally chosen by Yoko and Sean with a note reading: “Happy Xmas.”

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TVD Los Angeles

The Best of Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

We’re only making plans for Nigel / We only want what’s best for him / We’re only making plans for Nigel / Nigel just needs this helping hand / And if young Nigel says he’s happy / He must be happy / He must be happy in his work…

Written by bassist Colin Moulding of the British new wave band XTC, “Making Plans for Nigel” is a New Wave classic. The song comes from the point of view of a parent. To be honest I can’t really remember making too many “life plans” in my early 20s.

This said, I did make “nightlife plans” daily and I dare say notoriously. As I’m putting together this week’s set I’m procrastinating thinking about how, as we’ve grown older, we tend to always be making serious plans. Ugggh…what a revelation. “What’s your plan?” Every day, with everything.

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The TVD Storefront

TVD Radar: Marshall Crenshaw reissue series continues with #447, in stores 2/4

VIA PRESS RELEASE | “I love it that phonograph records are popular again,” enthuses Marshall Crenshaw. “They were consigned to oblivion by the music business back when I was recording for Razor & Tie, but now they’re back!”

The veteran rock ’n’ roll tunesmith, whose beloved body of work encompasses ten studio albums as well as a variety of EPs, compilations and live discs, recently regained ownership of the five acclaimed albums he released on the Razor & Tie label between 1994 and 2003. In 2020, Crenshaw launched a series of ambitious revised editions of those albums, on his own Shiny-Tone label (distributed through Megaforce) on CD, vinyl, and digital on February 4, 2022. The new expanded reissues, all of which include newly recorded bonus tracks, are being released on vinyl, as well as on CD and on all digital platforms.

The reissue series, which began with Crenshaw’s 1996 effort Miracle of Science, now continues with a freshly revised edition of his 1999 set #447, remastered by legendary engineer Greg Calbi. The original 11-song set includes such instant Crenshaw classics as the tongue-in-cheek “Dime a Dozen Guy,” the haunting “Television Light,” the infectious “Tell Me All About It,” and the romantic “T.M.D.” Recorded in the artist’s own home studio as well as Nashville’s Alex the Great studio, #447 features Crenshaw on vocals, guitar, bass, drums, percussion and various vintage keyboards, with additional instrumental contributions from such kindred spirits as Brad Jones, Bill Lloyd, Greg Leisz, Andy York, and former E Street Band member David Sancious.

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The TVD Storefront

Graded on a Curve:
White Wizzard,
Flying Tigers

It’s seldom a band releases an album so bad in so many ways all you can do is fling your hat into the air and shout “Huzzah!” Pulling off such an audacious feat requires teamwork, dogged persistence and no small amount of unshakable stupidity. It also helps to have no taste.

One such band is Los Angeles’ White Wizzard. One of the things that makes White Wizzard so wonderfully special is their subject matter, which on their 2011 sophomore effort Flying Tigers includes the lost city of Atlantis, the pyramids, the War of the Worlds, a kid from a far-off galaxy named Starchild, and the Rainbow Bar and Grill in West Hollywood. That’s a lot of ground to cover in less than an hour, but if there’s one thing White Wizzard love it’s a challenge.

One of the most pressing questions about Flying Tigers is whether it’s a concept album. The short answer is yes, with caveats. Nine of the LP’s twelve songs take us to astral and/or demonic realms; the remaining three take us to Los Angeles and Tokyo. How did these outliers make it on to the LP? My guess is they separately creepy-crawled into the studio in the dead of night and accidentally hit record while wrestling for a Snickers bar.

Songs like “Starchild,” “Starman’s Son” (I’m taking it they’re the same person), “War of the Worlds,” “Dark Alien Overture, “Fall of Atlantis,” and “Blood on the Pyramids” lead me to believe that bass player and lyricist Jon Leon has watched every pseudo-documentary about ancient aliens ever made, and believes they’re the gospel truth. Tell him Adolf Hitler traveled to earth via the Jefferson Starship and he’ll ask you if Adolf took any selfies with Grace Slick.

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A morning mix of news for the vinyl inclined

In rotation: 12/3/21

Oshkosh, WI | Oshkosh’s time capsule: The Exclusive Company: The Exclusive Co., located in downtown Oshkosh, creates an old-time atmosphere for music and entertainment lovers to purchase new and used records, DVDs, DJ equipment and much more. “You don’t see many local record stores anymore, and we offer things that you can’t find at Target or Walmart,” said Isaac Lamers, the record store manager. “The store creates a vibe and it is almost like stepping into a different decade.” According to their website, The Exclusive Co. is America’s oldest full-line independent record store. Owner James Giombetti, who died on Nov. 13, was known to many as Mr. G and for his catchphrase, “Say it with me.” Giombetti started his career selling records out of the trunk of his car and at flea markets. He opened the first store in 1956 in West Bend, Wisconsin. He sold records and then slowly expanded his inventory to include other things like turntables, portable audio equipment, TVs and stereo systems.

Northampton, UK | Christmas shopping: Iconic Northampton record store reveals secret behind 21-year success and the ‘desirability’ of vinyl: “A 12″ record sleeve is like a piece of art, a lot of people put them up on their walls. There’s a desirability about them.” An iconic Northampton record store which has been in business for more than two decades is calling on residents to support the High Street this Christmas. In the run up to Christmas, the Chronicle and Echo is celebrating and promoting the best of local businesses in a bid to get more people out shopping locally. The second shop in our coverage is Spun Out record store in Gold Street, which is owned by Chris Kent and has been in business for 21 years now. Chris said: “We started in 2000. We realised there was nothing on the street for young people’s interest, so we started up as a clothing and record shop to have a local focus point for that sort of thing.

San Jose, CA | East Side Record Swap at Mexican Heritage Plaza: Music nerds of all stripes can agree: vinyl is how music is meant to be heard. The gorgeous campus of the East Side’s Mexican Heritage Plaza is set to host a daylong celebration of the most durable format, with a plethora of vendors hawking records across genres, and DJs spinning great hip hop to show the digital natives what’s up. The guest of honor is producer Domino of Bay Area rap legends Hieroglyphics, who will be spinning vinyl himself as well as guesting on a live taping of San Jose’s excellent Dad Bod Rap Pod.

Corpus Christi, TX | Back to Business: Why Hybrid Records is more than music, it’s about community: Owner Carlos Cooper’s vision for his business was for it to become a staple of Corpus Christi. Growing up in the Sparkling City by the Sea, he wanted a record store where people could congregate to discuss music, art and the community. With no business background, Cooper took a risk and opened up his small shop and figured things out as he went. “If I sat too long and thought about it, I’d talk myself out of it at some point,” Cooper said. Knowing his regulars on a first-name basis, he is able to make that connection with the community and help people discover new music they might not have found on their own. “…Hybrid Records. It’s a record store first and then a cultural community hub second. We hope to create an environment where people can gather and discuss all types of art. Plus support the local artist scene.”

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TVD UK

TVD Live: Amyl and the Sniffers at the Electric Ballroom 11/24

While the rest of the world is just discovering UK punk sensations and critic’s darlings, IDLES, Amyl and the Sniffers are primed to be the next unexpected force to be reckoned with.

The words Aussie and punk aren’t mentioned very often in the same sentence, so one would wonder how in the hell a punk band from Australia gets it so right. They’ve got the look, the attitude, and now the anthems to boot. With the buzz they have across Europe, and especially how they have been embraced in London, you might even think they were locals.

On the second night of two sold-out gigs at the north London institution The Electric Ballroom, Amyl and the Sniffers brought out both old and new punks. Singer Amy Taylor with her signature look, along with the rest of the band—including the resurgence of the mullet—have certainly impacted the minds of the fans and their fashion sense.

From the DIY outfits to several tributes to Amy’s fringe, to the pissed mates’ in the smoking lounge with their glorified mullets, this isn’t just another gig; it’s a movement. A resurgence of the classic punk look and feel marries perfectly to the aggressive sounds and potent lyrics. It’s as much of a statement as it is a reflection of the public’s appetite for a band that stands for something in a world where people need something to align with. It felt like a trip back in time to the late ’70s when punk ruled London.

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The TVD Storefront

TVD Radar: U-Roy, Solid Gold U-Roy 2LP gold vinyl in stores 12/17

VIA PRESS RELEASE | The original version of U-Roy & Jesse Royal’s “Small Axe” can be found on the acclaimed new album, Solid Gold U-Roy, available now via Trojan Jamaica/BMG for streaming and download. Limited Edition 2LP Gold Vinyl will be exclusively available at VP Records retail outlets in Queens, NY and Miramar, FL on December 17, and available for pre-order online via VP Reggae now.

The dub-powered new take on Bob Marley’s classic early hit, “Small Axe” sees the late, great Daddy U-Roy trading big vocals with Kingston, Jamaica-based singer-songwriter Jesse Royal over an indelible riddim that is rich with instrumentation and reverb, yet leaves enough space as to highlight the contrasting deliveries of the singer and deejay, as well as the guitar and piano by Zak Starkey, organ by Robbie Lyn, and fresh backing vocal arrangements courtesy of Robbie Shakespeare, Tony Chin, and Sharna “Sshh” Liguz.

On hearing U-Roy & Jesse Royal’s version of “Small Axe,” legendary producer and Island Records founder Chris Blackwell commented, “I love the unique production sound, it’s “f*cking great!” “It was and always will be an honor and a pleasure to work on U-Roy’s recordings,” says Zak and Sshh. “We miss him, but our mission is to keep his legacy strong with the music that lives on. Jesse Royal gives a stand-out performance with passion and talent that we have come to know from ‘the small axe’. Maximum Respect!”

“We are all from the same bloodline,” says Jesse Royal. “Products of one of the greatest places on Earth! Walking talking blessings. The session for me was a school, as whoever knows me knows that I’m an avid studier when it comes to the ones who set it! The vibrations are always high, as the respect is mutual, and for me the level of gratitude was undeniable! Incredible concept that the team came up with, and brilliant execution by the musical team. Truly honored to be a part of such an amazing project!”

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The TVD Storefront

TVD Radar: Shed Seven, A Maximum High 25th anniversary 3LP box set in stores now

VIA PRESS RELEASE | Originally released on 1st April 1996, A Maximum High is Shed Seven’s crowning recorded achievement to date, charting at number 8 and remaining on the Official UK Album Charts for a triumphant 37 weeks.

The record spawned five hit singles: ‘Where Have You Been Tonight?’, ‘Getting Better’, ‘Going For Gold’, ‘Bully Boy’ and ‘On Standby’, with the York band making appearances on Top Of The Pops no less than four different times during a momentous year. In 2021, to celebrate the 25th Anniversary of A Maximum High, Shed Seven are proud to release two new versions of their magnum opus.

A Maximum High 25th Anniversary 3LP is a Bowling Ball Coloured triple vinyl reimagining of the album’s long-out-of-print Special Edition CD, newly remastered at Abbey Road. The Special Edition CD was originally released following the album’s final single on September 16th 1996, fortifying the record with a bonus CD featuring all the band’s 1994-1996 B-sides along with two newly recorded tracks. A Maximum High 25th Anniversary 3LP’s artwork has been faithfully reproduced from the exact Special Edition CD’s layout.

Also available to pre-order is the A Maximum High 25th Anniversary Box Set, which includes the A Maximum High 25th Anniversary 3LP, In Colour – Shed Seven Live At The Hanover Grand LP, Max-HiRangeDemonstration Tape CD, an exclusive signed art print and A Maximum High UK tour laminate, all in one lidded box.

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The TVD Record Store Club

Graded on a Curve: New in Stores for December 2021, Part One

Part one of the TVD Record Store Club’s look at the new and reissued releases presently in stores for December 2021. 

NEW RELEASE PICKS: Beauty Pill, “Instant Night” (Northern Spy) The title track of this 4-song EP came out digitally last year. In his notes accompanying this physical expansion (clear vinyl in a transparent plastic sleeve and a clear CD with a silver center in a transparent jewel case), Beauty Pill’s singer-guitarist-producer-chief songwriter Chad Clark describes the song’s political-protest genesis, it’s poetical (rather than polemical) sensibility, and it’s unexpectedly quick finish via socially distanced recording (on a rooftop), so that the cut was rush released by Northern Spy in hopes of inspiring citizens to vote in the Presidential election in November of 2020. The track is also noteworthy for its lack of drums and for highlighting Beauty Pill’s woodwind quartet. Clark says it sounds like Phillip Glass music, which is detectable but not blatantly. The main thing is that the song is built to last rather than carrying the rapid-fire datedness of so much political music. The drums roll back into the picture on the other cuts, and the horns stick around for the swank “You Need a Better Mind,” which gets a nifty remix. A-

Robert Ashley, eL / Aficionado (2021) (Lovely Music, Ltd.) Per the title, this is a 2021 recording of an opera by the late avant-gardist Ashley, a work that premiered in 1987 with many performances following over the next seven years and a prior recording released by Lovely Music in ’94. Until October 21-23 of this year at Roulette in NYC, the opera was last performed in 1995. This CD, released on 10/22, features the cast of the 2021 production, with mezzo soprano Kayleigh Butcher stepping into the role formerly played by baritone Thomas Buckner. eL / Aficionado offers a series of conversations between an “agent” (Butcher) and her three interrogators (Brian McCorkle, Interrogator No. 1; Bonnie Lander, Interrogator No. 2; Paul Pinto, Interrogator No. 3). Espionage and intrigue are essential components in the work, but Ashley’s intent wasn’t to construct a spy story, not even a post-modern/ nonlinear example of such. Instead, the unwinding complexity seems focused upon the friction between public personas and private-inner lives. Tom Hamilton’s orchestration, recording, and mixing are essential. A-

REISSUE/ARCHIVAL PICKS: Robert Ashley, Foreign Experiences (Lovely Music, Ltd.) For this 1995 recording of Foreign Experiences, an opera that’s part of Ashley’s early 1990s tetralogy, with Perfect Lives and Atalanta (Acts of God) to follow, Sam Ashley is Don and Jacqueline Humbert is Linda, characters familiar from Improvement (Don Leaves Linda), which preceded Foreign Experiences in said tetralogy, first recorded for Nonesuch in 1991 (a new recording of Improvement (Don Leaves Linda) was released on CD in 2019 by Lovely Music, featuring a new group dedicated to realizing Ashley’s work). For this release of Foreign Experiences, the ensemble consists of Robert Ashley himself along with Thomas Buckner, Margareta Cordero, Joan La Barbara, and Amy X Neuburg, this group having interpreted Ashley’s work from 1992-2012. Here, they are recorded by Tom Hamilton and Cas Boumans, with the release mixed and edited by Hamilton. Even at this relatively early point, the “band” is in prime form, and the prose is some of Ashley’s very greatest. He was an absolute master of language. A+

Calvin Keys, Proceed With Caution (Black Jazz – Real Gone) Keys got his start in the ’60s backing up a slew of soul jazz organ heavyweights, and on Shawn-Neeq, his debut as leader from 1971 (reissued early in 2021 as part of Real Gone’s Black Jazz reissue program and already sold out at the source), it’s not hard to tell, as he has a crisp, lithe, clean approach that’s occasionally reminiscent of Grant Green. Keys notably nixed the organ for Shawn-Neeq, electing instead for the electric piano of Larry Nash, a decision retained for Proceed With Caution, though the pianist this time is Kirk Lightsey. Those allergic to Fusion need read no further, but ears open to the style should understand that while Shawn-Neeq is a solid effort, its follow-up is an all-around improvement; the scope is broader both instrumentally and compositionally, there’s plenty of heat and edge, and nary a trace of smoothness. The year was 1974. Had this been released by one of the major labels in the mid-’70s, say Columbia or Warner Brothers, my guess is it would be perennially in print rather than getting its first-time vinyl reissue in 2021. A

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A morning mix of news for the vinyl inclined

In rotation: 12/2/21

Philadelphia, PA | 6 Best Record Shops for Crate Diggers in Philadelphia: Collecting and listening to vinyl records is a classic tradition turned modern trend that really made a comeback the past few years. Record stores are more than just commercial spaces; they’re cultural destination to mingle with fellow music obsessives, treasure chests of rare and vintage goodies, and venues to discover new music. Philadelphia is a city full of lively culture known for its music, so finding a great record store around town could not be easier. That said, we have collected a list of record stores in Philadelphia to visit we’re sure will carry your must-haves, collectibles and favorites. Happy create digging!

Paris, FR | Paris 18th: the Dizonord record store organizes a large vinyl clearance sale in a loft: Notice to all diggers and vinyl hunters, a rather exceptional event will take place on the weekends of December 4 and 12. Dizonord, record store emeritus of the 18th arrondissement, organizes with the distributor Topplers a large clearance sale of 50,000 vinyl records of electronic music at declining prices. …The place was still kept secret until now. Finally, a loft close to the store was chosen to host this great event. Specialist in experimental music, the northern Parisian record store Dizonord celebrates all musical genres, even those you have probably never heard of before. Suffice to say that we can find nuggets among the tens of thousands of records put on sale for the occasion. And for once, we can combine quality with quantity, since the prices, never exceeding 5 € per item, will decrease over the course of this musical festival.

Charleston, NC | Deep Crates is calling all vinyl record fans to Tin Roof this Friday: Deep Crates Charleston is a monthly meetup organized by local DJs Thematik and Mosaic to bring together vinyl record collectors and music fans to nerd out over their favorite tunes. The event is held the first Friday of every month at Tin Roof West Ashley and features local and regional DJs, vinyl collectors, record vendors, producers and local dance crews Dancing On Air, Hipnotik BodyRock and The Bronx Boys. “I never know what to expect of the night,” DJ Thematik said. “We don’t tell people what to bring or what to play. This next one is going to be called the Old School Edition because everybody playing has been involved in the scene for over two decades. You can expect a mix of funk, soul and old-school hip-hop. And it’s always all vinyl.”

New York, NY | NYC’s First-Ever Vinyl Record Craft Beer Bar Survives Pandemic and Readies for Expansion: Who would have thought a business that combined craft beers and vinyl records would be a winning concept? It’s been working for NYC-based Chris Maestro, who opened BierWax in late 2017 in Prospect Heights, Brooklyn. And now, having survived the pandemic, he is opening a second location in the borough of Queens. BierWax was on a business boom just before the pandemic. The business was turning a profit right before the pandemic, making about half a million dollars a year, The Gothamist reported. The 45-year-old former city public school teacher combined two of his passions: craft beer and vinyl records. And BierWax puts both in play. There are 5,000 records stacked on shelves behind the bar, and the taps are filled with a finely curated selection of local craft beer.

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The TVD Storefront

TVD Radar: The Lemonheads, It’s A Shame About Ray 30th anniversary 2LP deluxe edition in stores 3/4

VIA PRESS RELEASE | Available on deluxe limited edition double LP and bookback CD, featuring essential and unreleased extras: b-sides, demos, covers, and KCRW 1992 session track with unseen photos and new liner notes.

At the start of the 1990s, before It’s A Shame About Ray, Lemonheads were likeable enough, personable. They had a handful of great fuzzy pop tunes influenced by the same bands everyone was influenced by (Hüsker Dü, The Replacements), and a couple of lickable covers, including a particularly evocative one of Suzanne Vega’s ‘Luka’. Their singer Evan Dando loved Howe Gelb’s ramshackle Giant Sand and the beautiful, tragic, music of Television Personalities’ Dan Treacy and Gram Parsons. His band were sweethearts: a photographer and a best buddy/pastry baker — they were the fifth best band in Boston. It wasn’t an insult. There were a lot of great bands in Boston back then.

They might’ve been called ‘grunge’ if he’d hailed from the other side of America. But the band were on the verge of breaking up. Work on their fourth album (their major label debut on Atlantic), 1990’s under-praised, and under-sold, Lovey resulted in tour fisticuffs.

Then, the sun-kissed, languid It’s A Shame About Ray appeared, with its swoon-some production from the Robb Brothers (“All done at LA’s Cherokee Studios by the brothers, a threesome of siblings who had a band called the Robbs in the ’60s who, instead of playing down the acoustic poppy side of Dando’s music, or burying it in studio gloss, let his songs speak for themselves.”), and – eventually – that monstrous break-out throwaway cover of a single, ‘Mrs. Robinson’ (Paul Simon reportedly hated it)…

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The TVD Storefront

Graded on a Curve:
The Beatles, Get Back (Callaway)

The Thanksgiving holiday weekend of 2021 won’t be remembered for pumpkin pie, turkey, holiday traffic or football games. It will be remembered for the debut of the three-part Get Back series on The Beatles directed by Peter Jackson, available to stream on Disney+.

Few entertainment collaborations have come together that included such powerhouse forces as The Beatles, Disney, and the director of The Lord of the Rings trilogy. That’s a lot of egos and a lot of lawyers, yet the final results have put fans of The Beatles in a rapturous state and, other than a handful of grumpy critics, the series has been rightfully embraced by the critical community.

This has truly been a cultural watershed and a welcome reprieve from the collective exhaustion related to Covid and right-wing rhetoric and violence. It’s a balm of brotherhood and remembrance of The Beatles ability to still make great music, even if it wasn’t their best period, and to delight us with their infectious charm.

As with the film, the publication date of Get Back, the book, has been changed more than once. The book is a beautiful companion to both the movie and to a lesser degree, to the audio reissues. Published by Callaway, the book has some similar characteristics to the original Get Back book that came with the Let It Be album, released in the UK and Canada in 1970.

Like that book, also entitled Get Back, it features the photography of Linda McCartney and Ethan Russell and is somewhat of a follow-up to the iconic design by Kosh of the original Get Back. There are also three photographs by Terence Spencer in the new book, which did not appear in the original Get Back book.

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TVD UK

Needle Drop: GARGALO, “King of Dark Waters”

The holidays are coming! Which means it’s the perfect time to get cozy and listen to some fantastic new winter warmers. Our latest discovery comes from TVD favourite GARGALO (aka Bruno G. Roth) who we previously featured as an Artist of the Week back in October. GARGALO’s EP “King of Dark Waters” is out now and definitely worth a listen.

Channelling the likes of Grizzly Bear and Beach House, the EP combines hypnotic atmospherics with indie-rock soundscapes creating a sound that is undeniably compelling. Bruno’s distinctively unique vocal style feels reminiscent of MGMT’s Andrew VanWyngarden, taking us back to the late noughties instantly.

Lead single “Out of Sync” is brimming with colour and celestial moments, whilst follow up single “Monroes” perfectly encapsulates the bittersweet complexities that are engulfed within the entire EP. In fact, each track on this powerful EP percolates with ethereal undertones, making it that perfect winter warmer for these dark, cold months that are quickly coming.

“King of Dark Waters” is in stores now.

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The TVD Storefront

Graded on a Curve:
Eddie Hazel,
Game, Dames and
Guitar Thangs

The late guitarist Eddie Hazel remains highly esteemed for his role in shaping the funk rock juggernaut that is Parliament-Funkadelic. With beaucoup assistance from the P-Funk All-Stars including George Clinton himself, Hazel released Game, Dames and Guitar Thangs, his solo debut, in 1977, an absolute fiesta of string bending that quickly fell out of print, grew to be highly sought after, and therefore became rather expensive. On December 3, the folks at Real Gone Music are bringing out an edition on blue vinyl, its affordability sure to be appreciated by longtime fans and curious newbies alike.

I suppose it’s possible to review Game, Dames and Guitar Thangs without mentioning Hazel’s role in Parliament-Funkadelic, but I’m not sure what purpose that would serve, particularly as so many of his bandmates contribute to it, specifically bassists Bootsy Collins and William “Billy Bass” Nelson, drummer Tiki Fulwood, keyboardist Bernie Worrell, guitarists Michael Hampton, Gary Shider, Glenn Goins, and those Brides of Funkenstein, Dawn Silva and Lynn Mabry. Additionally, George Clinton had a hand in writing all four of the record’s originals, with Hazel a co-writer on two of them.

It’s the original stuff, which is very much in the sonic ballpark of P-Funk, that made Hazel’s only non-posthumous solo album such a pricey item for such a long time. And even after being reissued on CD and vinyl on a handful of occasions in the 21st century, copies of the first pressing (in good condition, natch) still changed hands for roughly 200 smackers.

Lending Game, Dames and Guitar Thangs fresh ears on the occasion of Real Gone’s new vinyl edition (the label issued it on CD back in 2012 featuring notes by P-Funk Minister of Information Tom Vickers, with copies still available) reestablishes the most important factor in the record’s enduring stature, which is a baseline standard of quality. It is an eminently listenable record, providing that one is amenable to the P-Funk sensibility of course, and to Hazel’s playing in particular.

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A morning mix of news for the vinyl inclined

In rotation: 12/1/21

Tarrytown, NY | Tarrytown Music Hall Brings Vinyl Back: River­town record-lovers are in for a treat. Last month, The Tar­ry­town Mu­sic Hall opened a record store on its premises, Mar­quee Records, which sells new and vin­tage vinyl at a dis­counted price. And the best part: pro­ceeds go di­rectly to the the­ater. The store, lo­cated on the sec­ond floor of the Mu­sic Hall right above the mar­quee, is the brain­child of life­long Tar­ry­town res­i­dent Greg Jacquin, a singer/​song­writer who has been vol­un­teer­ing at the Tar­ry­town Mu­sic Hall for the past few years (and has per­formed on its stage.) When the the­ater closed dur­ing the be­gin­ning of the pan­demic, Jacquin came up with the idea of sell­ing do­nated records to help keep the venue afloat. Af­ter a two-day sale prof­ited close to eight thou­sand dol­lars, the mu­sic hall—or more specif­i­cally Ex­ec­u­tive Di­rec­tor Bjorn Ols­son and The­ater Man­ager Ka­rina Ringe—were in­spired to open a real record shop in one of the mu­sic hal­l’s of­fices.

Seattle, WA | Meet the record store aspiring to be the U-District’s newest creative space: In January, vinyl collector and business owner Ken Tomkins moved into a space on the north end of the Ave that would soon become Seattle Records, a store specializing in vinyl and multilingual books. With only a fraction of students living on campus during the 2020-21 school year and the continued digitization of so many aspects of life, businesses in the U-District were hurting. However, aided by the recent vinyl revival and a massive collection of inventory, Tomkins took to the Ave in search of a space that would spur community gathering. Prior to opening the storefront, Tomkins sold records and books online via e-commerce sites like Amazon. Among his concerns were the isolation and high fees associated with online sales. After six years, Tomkins made the transition to a physical store, hoping to create a space that could serve as a meeting place instead of just a retail shop. “It’s good to have physical places,” Tomkins said. “People need physical reality, not just online.”

Athens, OH | New vinyl store opens in Athens: The record store Republic of Athens Records, or ROAR, held its grand opening Nov. 19 and Nov. 20. ROAR, 79 1/2 E. State St., started as a pop-up in Little Professor Book Center, located at 65 S. Court St., back in July. After hearing the positive feedback from the customers, Athens resident and founder Michael Wood decided to transition to a storefront. “Certainly, the overwhelming number of people coming in every day and saying, ‘Hey, this is so great. We needed this’ (was an indication),” Wood said. “People have wanted the store for a long time.” Lisa Kieliszewski, owner of The Standard Salon, leased the extra room she had to Wood, providing the space he needed to open his store. In the spirit of its grand opening, ROAR raffled off autographed memorabilia and special edition records. ROAR gave away an autographed copy of British rock band IDLES’ album Joy as an Act of Resistance as well as Patrick Paige II’s album If I Fail Are We Still Cool? Both albums are special finds, and customers had to stop in the store to be eligible to win.

Melbourne, AU | Soundmerch launches record store in Melbourne: Independent Australian music merchandise company Soundmerch has launched a new record and merchandise store in Melbourne. Open now, the store can be found on Oxford St, Collingwood and is open every day. The store is set to host in-house performances, exclusive merchandise drops, album signings and more. …“When Covid hit…..touring died off, and we found a massive increase with our online sales. The business flipped on its head overnight,” he said. “The online store went insane and became the main part of what we do. Artists were pushing their merch online, for many it became their main source of income. We were the facilitator between bands and their fans. “Previously we were all about the production of merch for touring. Then it turned and was all about the production of merch for online. With that came a massive uptake and demand for vinyl records. So we started stocking more and more titles. To the point where we could (and did) open a real life record store.”

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