VIA PRESS RELEASE | Filmtrax today released the Keeper—Original Motion Picture Soundtrack, featuring an original score by composer Edo Vanbreemen, available digitally beginning November 14. Known for his evocative and psychologically immersive soundscapes, Van Breemen brings his haunting, textural style to NEON’s Keeper, directed by Osgood Perkins.
For the film, Van Breemen crafted a minimal, organic score built from live acoustic recordings and bespoke sample instruments, incorporating tapping, knocking, and wooden textures that reflect the film’s eerie cabin setting. Made By Mutant will release the Keeper—Original Motion Picture Soundtrack on vinyl on Tuesday, November 18. Keeper is now playing in theaters. Edo notes “I’m thrilled to announce the release of the Keeper original score. It was an honour to work on Oz Perkins’ newest film and I’m grateful for all the talented musicians who contributed to create this. It’s rare to experience such creative freedom on a project of this scale. I hope the music delights and terrifies.”
Edo Vanbreemen is a Canadian-American film composer celebrated for his evocative, immersive, and at times haunting scores. Known for his ability to craft gripping soundscapes across narrative films and documentaries, Edo often composes in solitude from a remote cabin on a small island in the Salish Sea near Vancouver, British Columbia—an environment that deeply informs his atmospheric style.
Recent work includes The Monkey, Keeper, The Track, and BRATS, as well as the upcoming The Backrooms (A24) with Kane Parsons. These projects showcase Edo’s wide-ranging mastery of synthesis and acoustic orchestration, drawing from his background as a classically trained and improvisational pianist, multi-instrumentalist, and accomplished producer. His collaboration with director Osgood Perkins on Keeper demonstrates his experimental edge—building an original sample library from bespoke live recordings to shape the film’s eerie sonic identity.
Beyond traditional scoring, Edo is also recognized for his groundbreaking work in spatial sound composition and immersive audio design. As a collaborator with Lobe Studio and 4DSOUND, he pushes the limits of three-dimensional sound to create rich, psychologically resonant environments that blur the line between music and space.
Earlier in his career, Edo emerged from the Canadian indie music scene, directing the influential Unfamiliar Records—home to boundary-pushing artists such as Mac DeMarco, Japandroids, and members of the Mood Hut collective. This experience sharpened his studio instincts and cemented his experimental, genre-fluid approach to composition.
Edo frequently collaborates with Vienna-based orchestrator-composer Johannes Winkler and Vancouver engineer-composer Jeffrey Innes, with an emphasis on live acoustic sessions. His projects feature performances from acclaimed artists including Nadia Sirota, Rafiq Bhatia, Rusanda Panfili, Alexander Overington, Jenn Bojm, and Samuel Davidson, resulting in scores that balance innovation, emotion, and sonic depth.
