Monthly Archives: October 2017

In rotation: 10/25/17

First Record Pressing Plant to Open in Oakland Since 1930s: By early next year, Oakland will be home to new a record pressing plant, the first of its kind in the city since the Victor Records plant closed in 1935. Second Line Vinyl has ordered a new vinyl record press, which is expected to arrive by February of 2018, according to Second Line CEO Zane Howard. The company plans to buy five more presses by the end of next year. With six presses working full time, Howard estimates the plant, called Bump Town, will be able to manufacture 2 million records a year. The new press couldn’t come sooner. There’s currently about a dozen vinyl pressing plants in the U.S., and for smaller, independent labels, it takes an estimated four to six months for an order to be filled. And records continue to post year-over-year sales gains, despite articles predicting the end of the “vinyl boom.”

The BPL’s massive vinyl collection will soon be available to the public: The Boston Public Library’s record collection — we’re talking about old school vinyl here — runs the gamut. There are pop albums like “No Jacket Required” by Phil Collins (featuring his 1985 chart-topping hit “Sussudio”) and “Hangin’ Tough” by New Kids on the Block, along with obscure titles such as “Hitler’s Inferno In Words, In Music: Marching Songs of Nazi Germany” and “Please Pass The Biscuits, Pappy (I Like Mountain Music)” by W. Lee O’Daniel and his Hillbilly Boys. The physical copies of those recordings have long sat in storage in a basement, but library officials have decided it’s time to clear them out and make them accessible to the public once again.

Calgary record collectors gather for southeast show: Vendors and collectors alike got the chance to show off thousands of vinyl records at the Calgary Music Collector’s Show in Acadia on Sunday. Over the past 10 years, music on vinyl records has seen resurgence as digital music fans are taking a look back at analog recordings. They say there is something different in the older media. “You get the in-between sound. There’s something that records have. You can’t skip it. It’s an in-between sound there and I really like that about them,” said Jacqueline Stutz, a vinyl record collector. Fans have been meeting in Calgary twice a year for the past nine years, looking for albums to round out their collections. Mark Corner, one of the organizers, says the show has a lot of rare records too.

Mondo and Death Waltz Reveal Details For Nightmare on Elm Street Vinyl Boxset: Mondo and Death Waltz have revealed all details for their upcoming “Box of Souls”, an 8-LP box set of every A Nightmare on Elm Street soundtrack in the films franchise (no, the remake is NOT included). Each soundtrack was lovingly remastered by James Plotkin and there will be original artwork from Mike Saputo. Additionally, each boxset will come with a 12-page booklet that includes extensive liner notes and interviews with composers and cast members, including Charles Bernstein, Mark Patton, Jack Sholder, Ira Heiden, Craig Safan, Lisa Wilcox, Jay Ferguson, and Charles Brigden. Each record will come on black vinyl.

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TVD Live Shots: Dead Kennedys and LOOM at the O2 Islington, 10/14

Punk rock legends Dead Kennedys made a triumphant return to London for two sold-out shows at the O2 Academy in Islington. I was fortunate enough to be at night number two and witness one of the finest examples of the first wave of punk. East Bay Ray, Klaus Flouride, D.H. Peligro, and Ron “Skip” Greer were in fine form, blasting through a frantic yet tight, no frills 75-minute set that celebrated one of punk rock’s greatest catalogs.

This was my second time seeing the band over the past few years, the first being in LA, and you would never guess that these guys started nearly forty years ago. Struck in the head with two beers from the crowd during the shoot revealed the crowd hadn’t missed a beat either. While I prefer UK punk over that from the US, Dead Kennedys put on a show that proved the San Francisco Bay Area can still hold its own and even surpass expectations.

While we are on the subject of expectations, it’s time to move on from the tired, fruitless comments that “it’s not Dead Kennedys without Jello.” Yes, it is—and it has been for more than a fucking decade so get over yourself and move on like the rest of the music world. Punk is a mindset and an attitude and it’s alive and with Ron Green as the current frontman. He plays the part so brilliantly that the classics not only have a new life to them, but they’ve evolved.

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TVD Vinyl Giveaway: Robert Plant, Carry Fire Test Pressing

What’s more rare than a Led Zeppelin reunion tour? Why, that would be a test pressing of Robert Plant’s brand new LP Carry Fire—however we have one to give away to one of you. First, some official background on the new release which is in stores right this very moment:

Robert Plant’s new album, Carry Fire, is out now on Nonesuch/Warner Bros. Records. To pick up a copy, head to your local record store, iTunes, Amazon, and the Nonesuch Store, and listen now on Spotify, Apple Music, and YouTube.

The new album is “transfixing,” exclaims NPR’s Tom Moon. “Plant and his collaborators create music that overflows with irrepressible life force … Carry Fire is rivetingly intimate.”

“There are few undisputed rock stars this accomplished still taking musical risks,” exclaims the Associated Press reviewer Mark Kennedy. “Plant’s songwriting remains a class above, even as he nears 70. ‘Out here the fire’s still burning / So long into my night,’ he sings. Long may it burn.”

Plant discussed the roots of the album with the New York Times’ Jonathan Ringen, who calls it “a swirling mix of deep blues, mountain music, North African rhythms, and Zeppelin-heavy weight … The result is a heady, autumnal record, blending Mr. Plant’s early influences … blues-fueled riffs, Berber sounds and Bristol trip-hop sonics.”

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TVD Radar: Finding Joseph I: The HR From Bad Brains Documentary in stores 11/3

VIA PRESS RELEASE | Paul “HR” Hudson is the voice of punk/hardcore pioneers and Rock N’ Roll Hall Of Fame nominees Bad Brains, one of the most influential bands to rise out of the 1980’s. With Bad Brains, HR harnessed the fiery potential of melding punk rock, reggae, dub, jazz-fusion, metal, and funk into a kaleidoscopic art form centered around his faith in Rasta.

HR’s uplifting ethos—P.MA. (Positive Mental Attitude)—has cast a light amidst dark defiance, and inspired everyone. From the start, HR shined with charisma and positivity. His vocals were soulful and tribal, hitting us deep in our spiritual core. In performance he gave it all, from stage diving off monitors to his signature back flip. He is a punk prophet, and his legacy resonates today as it was nearly four decades ago. Finding Joseph I, The HR From Bad Brains Documentary chronicles the life, career, and struggles of this iconic living legend.

This is a complex picture of a complex man. It shares his explosive artistry as well as his uphill battle with ailing mental health. In this revealing documentary, HR’s peers and fellow musicians share their stories and firsthand experiences with the tumultuous singer. HR’s own interviews find him digging deep to discuss his life, philosophies, and career.

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The Soft White Sixties,
The TVD First Date

“The physical nature of vinyl has always had a transportive effect on me. Maybe it’s the extra steps in the listening process—flipping a few switches, unsheathing the record, lifting the needle—that seem to always place vinyl records in a specific time and place in my mind, but the effect is unmatched by any other listening format.”

“I can’t help but picture certain records existing only on vinyl in a particular environment. The torn and frayed edges of my parents’ copy of American Beauty propped up against a bookcase in my childhood living room, the cardboard box of All Things Must Pass that encases three of my all time favorite platters, even the shrink-wrap melted to the outside of my copy of De Stijl that got left in a car too long in the Sacramento heat; this is how these records exist in my mind.

Audio-quality debates aside, the inherent physicality of a vinyl record permanently imprints an image in my mind of the space where I’m hearing it. Years could go by before the same record is listened to again, but once the sounds crackle and hiss their way through the speakers, it teleports me like some kind of lysergic residue. The dark wood grain finish on my parents’ vintage Sansui speakers blasting Electric Warrior is just as relative as the opening slapback groove of “Mambo Sun.” The first chords of “Lost In The Light” off Bahamas’ Barchords come with the smell of saltwater after my fiancé dropped the needle on that daily at a friend’s house in Hawaii for a week straight.

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UK Artist of the Week: Lasse Matthiessen

No newcomer, Danish artist Lasse Matthiessen has been writing songs since he was a child, he’s supported the likes of Suzanne Vega and Anna Calvi, and now hopes to charm listeners with the cinematic grandeur of his upcoming new album.

Inspired by the nocturnal pulse of Paris in the summer, title track and lead single “When We Collided” is the perfect introduction to the heartfelt collection of songs. Filled with Matthiessen’s rich, deep vocals and smooth, twinkling melodies, it oozes a soaring, emotion-strewn splendour.

As the luscious vocal harmonies of Sara Hartman flow alongside Matthiessen’s sweeping majesty, the recording exudes a delicate, sophisticated musicality, making for a truly spellbinding slice of indie-folk. With each track on the upcoming album offering its own unique impassioned grace, reflective lyrical storytelling and subtle, haunting power, it’s bound to captivate on first listen.

With shades of the poignant emotive beauty of José González, When We Collided is in stores on 10th November via Zpektakel Records / The Orchard.

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Graded on a Curve:
Colleen,
A flame my love,
a frequency

Multi-instrumentalist Cécile Schott records under the name Colleen. Active since the early ’00s, she’s accumulated an impressive discography through the electronic processing of acoustic instrumentation, notably on the viola da gamba. But for her latest record, she’s put down that axe for a pocket piano and Septavox synth designed by the Critter & Guitari company, playing them through Moog delay pedals to often captivating effect; A flame my love, a frequency is out now on clear vinyl, compact disc, and digital via Thrill Jockey.

From 2003-’05, Cécile Schott released four records, all on Tony Morley’s Leaf label, and then took a seven-year break in recording, coming back with The Weighing of the Heart in 2013 on Second Language. Since then, she’s released a record every other year, with her latest cementing a relationship with Thrill Jockey that began with the terrific Captain of None.

For those unfamiliar with Schott’s work as Colleen, reading of her switcheroo in instruments may seem an extreme maneuver. The change is a striking one for sure, but the results aren’t jarring or born of desperation, as her initial intent was to integrate rhythms created with the newly acquired pocket piano with the viola da gamba.

The combination wasn’t what she wanted however, and so the search was on for soundscapes that did fit, this situation falling directly in line with her overall mode of operation. For instance, when Schott feels vocals are appropriate, she sings. If voice doesn’t work, the pieces remain instrumental, with the music vivid and sturdy enough in its inventiveness to overcome any perceived lack.

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In rotation: 10/24/17

DJ Shadow to sell more of his personal record collection in Los Angeles: DJ Shadow will sell his own records, CDs and other collectible music ephemera at Rappcats in Los Angeles on November 4th and 5th. The two-day pop-up event is the second Annual DJ Shadow Storage Sale, where he opens up his personal music stash to fans and collectors. That includes not just records but CDs, cassettes, posters and “other oddities,” plus limited DJ Shadow items and rarities. “This is a chance for producers, dealers and DJs to access seldom-seen and eclectic vinyl at affordable prices…”

Bernie Grundman wants to change the way you hear music — for the better: One of the music industry’s most respected mastering engineers, Grundman specializes in an arcane yet crucial part of the recording process — the last step, essentially, before a piece of music is readied for mass consumption on CD or vinyl or, as is most often the case these days, as a stream of digital information beamed down from the cloud via Spotify or Apple Music. Mastering involves striking the final balance of the various elements in a mix, getting the dynamics just right, controlling the amount of silence between tracks — each of which can significantly affect an intricate production like some of those Grundman has mastered, including Michael Jackson’s “Thriller” and Steely Dan’s “Aja.”

A new record pressing plant is opening in California: California’s Bay Area is getting a new vinyl manufacturing hub this year, reports KQED Arts. Second Line Vinyl will open this winter in Oakland operating on one machine initially before expanding to a further five by 2018. The plant will be city’s first since first since iconic early 20th century label Victor Records shut its doors in 1935. Founder Zane Howard wants to turn the 40,000 square foot factory into “a one-stop-shop for independent labels wanting to press records,” says KQED.

New Harry Potter soundtrack picture-disc boxset unveiled: The Harry Potter film series is one of the most successful cinematic franchises of all time and it continues to inspire a passionate and growing following around the world. One key that helped bring author J.K. Rowling’s books to life on the big screen was the evocative music created for the films by great composers like John Williams, Patrick Doyle and Nicholas Hooper. This autumn, Rhino will transport you to J.K. Rowling’s Wizarding World with a limited edition boxed set that features the soundtracks to the series’ first five films pressed on vinyl picture discs (10 LPs). Harry Potter: Original Motion Picture Soundtracks I-V will be available on 17 November.

Tame Impala Announce Currents Collectors Edition Box Set: Tame Impala have announced an extended edition of their 2015 record Currents. The box set—called Currents Collectors Edition— is out November 17 via Interscope. Along with the original album on red marbled vinyl, the Collectors Edition includes two new remixes on a 12″ vinyl, as well as a 7″ and flexidisc with three B-sides. There’s also new artwork, a poster, and a zine with “images and scribbles” from the recording process, according to a press release.

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TVD Live Shots:
The Jesus and Mary Chain and Cold Cave at The Fillmore, 10/19

An unseasonably dreary evening in San Francisco set the perfect tone for The Jesus and Mary Chain’s return to San Francisco where they stopped in support of their March 2017 release, Damage and Joy, the band’s first full length release in 19 years.

The dark and smoky set by opener Cold Cave set an appropriately somber tone with the gathering crowd that seemed modest considering the promise of new material from the headliners. But what the Fillmore crowd may have lacked in numbers, they more than made up for in fervor. And when the band nonchalantly took the stage at 9:15 and launched into “Amputation,” all were content to rock along.

With the band lining the back edge of the stage shrouded in lingering fog and shadows, frontman Jim Reid commanded the open stage, a long mic cable wound up and clenched in his hand as he flawlessly belted out classic after classic. “Amputation” gave way to “Happy When It Rains” which flowed into “Head On” before Reid finally paused to state, “We might play a few songs off of our new album.” Otherwise, the between-song moments were primarily used by the band to create a lot of ruckus while tuning and steered away from the casual banter.

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TVD Radar: Saturday Night Fever 40th Anniversary Edition in stores 11/17

VIA PRESS RELEASE | In 1977 Saturday Night Fever defined an era with its Bee Gees-led soundtrack driving the film’s dancefloor action.

A worldwide smash upon release and an essential modern classic, Saturday Night Fever (The Original Movie Soundtrack) produced four No. 1 singles and won the GRAMMY Award® for Album of the Year. On November 17, Capitol/VirginEMI will release the illustrious soundtrack’s 40th Anniversary Edition in expanded formats including a super deluxe box set that pairs the remastered album and remixes with the film’s 4K-restored 40th Anniversary Director’s Cut. “Forty years ago, Saturday Night Fever was released and the impact that came from it, even today, is inexplicable. It was inexplicable even then,” writes the Bee Gees’ Barry Gibb in his new essay for Saturday Night Fever (The Original Movie Soundtrack) 40th Anniversary Edition.

Composed and performed primarily by the Bee Gees, the legendary album’s mega-hits include “Stayin’ Alive,” “Night Fever,” “How Deep Is Your Love,” “More Than A Woman,” and “If I Can’t Have You.” Certified 15-times multi-platinum by the RIAA for U.S. album sales totaling more than 15 million, Saturday Night Fever (The Original Movie Soundtrack) has sold more than 40 million copies around the world. The album topped the U.S. album charts at No. 1 for 24 consecutive weeks and remained on Billboard’s albums chart for 120 weeks, also holding the No. 1 spot on the U.K. album charts for 18 consecutive weeks. In 2004, Saturday Night Fever (The Original Movie Soundtrack) was inducted into the GRAMMY Hall Of Fame® and it was added to the U.S. Library of Congress’ National Recording Registry as a culturally significant work in 2013.

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Dhani Harrison,
The TVD Interview

From seeing it happen way too often, the publicist for Dhani Harrison asked not to start right out with questions about his Beatle dad (and that we might shy away from the overused headline “Here Comes the Son”).

Harrison the Younger may be able to hold his own on guitar—most vividly amid Tom Petty and Prince on an oft-seen Rock and Roll Hall of Fame video of “While My Guitar Gently Weeps.” And he might be a spitting image of his dad, who died almost 16 years ago at 58.

But the only son of Harrison, now 39, has also made his name in soundtrack composition for films like Beautiful Creatures and Learning to Drive and for TV series that include Good Girls Revolt, The Divide, Outsiders and the new White Famous. An honorary member of the Traveling Wilburys (where his pseudonym was Ayrton), he’s released three albums as part of thenewno2 and joined Ben Harper and Joseph Arthur in the supergroup Fistful of Mercy.

But only this month comes his first solo album, In///Parallel, on BMG. With rock, electronica, Middle Eastern, and symphonic Western orchestral influences, and a smokily familiar voice, it has lyrics that seem especially prescient to these dark political times.

Our interview with Harrison was delayed a week in part by further sadness: the death of Tom Petty October 2, of which he has said, “I definitely haven’t felt any loss like this since my dad.” But connected on the beach in California, he spoke about the right time for a solo release, how people might have been waiting for him to fail at 20, the secret to happiness, and Petty.

Where do you make your home now?

Los Angeles, on the West Side. I have my studio there. My mother is from LA, so I still have my grandma here; most of my living family is here. So I get back to England as much as I can. It’s beautiful out there. I really want to move back there. But, for now, working in the film industry in Hollywood and everything, you’ve got to be on call.

What made you decide to put out your first solo album now after doing work with your bands and doing soundtrack work?

I kind of feel like no one was expecting it. It was a good, confusing tactic. I think people had given up on me making a solo record, and I wanted to make something that was really true to who I was. And it took a long time to develop that. Obviously, with a composing career, it gave me so much more —I don’t know whether to say it’s confidence or skill, but I wasn’t able to make the record I wanted to make before.

And after years of doing different, more classically-trained stuff, just being more in the sphere of soundtracks all of the wonderful instruments that are used on them, I felt like now I’ve developed myself as an artist; I’ve got everything I needed to do under my belt, so there’s no question.

I think, a lot of people, if I had done this when I was 20 in England, they would have been really dying to see me fail. That’s all gone now. I’ve had my musical career and now I’m doing a solo record, because I really did just engineer and record and mix this whole thing myself, so by the end of it, my friends were like, there’s no point of this being a newno2 record, you should just go to the next level—do it as a Dhani Harrison record.

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TVD’s Press Play

Press Play is our Monday recap of the new and FREE tracks received last week to inform the next trip to your local indie record store.

ATTEMPT – Against The Light
Jared Saltiel – Wayward Queen
Robin Jackson – Drifting At Sea
Little Shrine – Stone
Goon – Monday Monday Monday (Tegan & Sara Cover)
Tree Machines – Like A Drum
ash.ØK – The Unraveled

TVD SINGLE OF THE WEEK:
Tears For Fears – I Love You But I’m Lost

YØUTH – Someone New
The Dream System – Losing All of You
Cotton Mather – Eleanor Plunge
Rews – Your Tears
Mo Troper – Wicked
Caustic Casanova – Lord Pinto
Stereotype – Hold Up

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Graded on a Curve:
J. Geils Band,
“Live” Full House

A few words on the evolution of this review: I originally intended to write about 1977’s Foghat Live because I consider it the best live album this side of Jerry Lee Lewis’ 1964 Live at the Star Club, Hamburg, which I love even more than Roxy Music’s 1976 Viva! Roxy Music, which is guaranteed to make your ears clasp their tiny little hands and say, “Glam bam thank you ma’am!”

But then my friend Hank Dittmar who has forgotten more about music than I’ll ever know recommended this 1972 live album by the J. Geils Band, whom I saw at Shippensburg College in the late seventies but can’t really remember seeing at Shippensburg College in the late seventies because I was totally blotto on a combination of Wild Turkey and Placidyl, the latter of which I can only describe as an industrial strength memory dissolvent.

So I decided to review “Live Full House and let me tell you I’m glad I did. It ain’t Jerry Lee Lewis and it ain’t Roxy Music but man do the J. Geils Band cook. They mainly stick to the rock and R&B basics but they infuse what are of course a couple of formulas as old as the hills with so much passion you’ll find yourself jumping up and down and screaming along with Peter Wolf who can really shout ‘em out for a white boy. And when he’s not busy emoting, Magic Dick who is my second favorite Dick in rock’n’roll behind Handsome Dick Manitoba, is busy honkadonkin’ up a storm on the old harpoon. Just check out his set piece “Whammer Jammer” if you don’t believe me.

One of the things that make this such a great live LP is the fact that the J. Geils Band keep the songs short instead of dragging ‘em out forever like so many other bands were doing at the turn of the decade. Even the one on which Wolf talks to the audience clocks in at well under 5 minutes, and that’s got to be some kind of record for the time. Steve Marriott, God bless him, wouldn’t have shut up for a good long quarter of professional football. I would love to say the band never lets up or lets things go slack but more or less keeps things jumping at a fever pitch except they kinda do on their otherwise mean as a snake cover of John Lee Hooker’s “Serves You Right to Suffer.” And they do it again on the only original on the LP, “Hard Drivin’ Man.”

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In rotation: 10/23/17

Chase And Status Are Opening A Record Shop In Brixton: Chase And Status are set to open a pop up record shop in Brixton. The production duo have always been open about their influences, absorbing everything from classic roots through to dubstep and breaks. A uniquely London sound, Chase And Status are set to play a sold out Brixton Academy show on November 1st. To keep the celebrations flowing, though, the duo want to set up a pop up record shop in the South London borough. Sharing premises with historic reggae dugout Lion Vibes, Chase And Status will be selling exclusive merch, limited pressings, and a whole lot more.

Vinyl lives: A guide to all 27 of Brooklyn’s record stores: Fall is officially upon us, which means less time spent outdoors and more time at home. And just like the squirrel who saved up nuts for the winter, you might as well stock up on some new records now for those long, dark nights come December. Before moving to Brooklyn a few months ago, I worked at a record shop in DC for three years, so I was excited to see what my new home has in store. I spent the summer rifling through the stacks in all the record stores in Brooklyn to make you this handy guide.

‘Villain of Vinyl’ to open old school LP store in Lexington: DJ Kingpin Kingsley A. Waring–otherwise known as the Villain of Vinyl–will give vinyl fans another spot to get their hands on some vinyl (otherwise known as records or LPs for old schoolers) starting Oct. 28. That’s when Waring will open Turntable City at 202 W. Main St. in Lexington right next to Libby’s and M. Gallery. The shop will include rock, hip-hop, jazz and more album genres. “We aim to add to the great legacies of local record stores like Papa Jazz Record Shoppe, Sounds Familiar, Manifest and will work to the be the best,” said Waring, also known for his work with the Non Stop Hip Hop Live & The Love, Peace, & Hip Hop Music Festival.

Guildford Record Fairs Continue To Grow In Popularity: Guildford Record Fairs are a regular event in Guildford High Street’s historic Guildhall. The fairs, hosted by Ben Darnton of Ben’s Collectors Records in Tunsgate, have been running for seven years and continue to grow in popularity. The next fair will be on Saturday, October 28 from 9am to 6pm. Entry is free. Two further fairs follow this year, on Sunday, November 26 and Sunday, December 17…The Guildford Record Fairs encourage record sellers from around the county to bring along their vinyl records, browse the stalls and meet up with like-minded collectors. The events can attract more than 500 visitors, so stall holders are always busy.

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TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

At my house I’ve got no shackles / You can come and look if you want to / In the halls you’ll see the mantles / Where the light shines dim all around you / And the streets are paved with gold and if / Someone asks you, you can call my name

Staying positive and keeping one foot in front of the other has been my mantra this week.

I have to also stay watching The Yankees hasn’t hurt my old New York “bones” either. I know, I know—The Dodgers are “the Canyon” team of choice, but as a child I grew up rooting for the “pin-stripes” in October. In fact, I’m one of the few folks you’ll meet who stormed Yankee Stadium’s field after the Bronx Bombers won the 1977 World Series.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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