Monthly Archives: December 2017

Graded on a Curve: The Best of 2017’s Box Sets

To listen to every box set released in 2017 would require the ability to stop time, so this list is in no way definitive. However, regarding what was heard, these are the best.

Find them all for purchase from our friends at Discogs at the links below, or at your local mom and pop, indie record shops via The Vinyl District Record Store Locator app—free for your iPhone here, free for your Android here.

10. Bert Jansch, Living in the Shadows + Living in the Shadows Part Two: On the Edge of a Dream (Earth) Over the last few years, most of the recordings from this defining Brit folk guitarist’s first decade have been easy to obtain in reissue form. This circumstance is fully deserved and not a bit surprising, as Jansch’s early albums for Transatlantic, especially his ’65 self-titled debut, are considered the essential stuff, and the subsequent discs for Reprise and Charisma do nothing to besmirch his standing. Additionally, there’s his membership in Pentangle to consider.

That’s all a swell situation, but Earth Recordings’ recent activity is even cooler. Beginning with 2015’s Live at the 12 Bar, the label began making some of Jansch’s harder to find and less celebrated later material widely available. These 4LP/4CD sets, the first covering the ’90s (The Ornament Tree, When the Circus Comes to Town, and Toy Balloon) and the second the ’00s (Crimson Moon, Edge of a Dream, and The Black Swan), and each with a full platter of unreleased cuts, stand as Earth’s strongest Jansch-related achievement thus far. Considering their reissue of Avocet, that’s saying something.

9. Genius/GZA, Liquid Swords Singles Collection (UMG – Urban Legends) Concerning the physical qualities of vinyl, I’ve noticed quite a few enthusiastic testimonials over the years, and a rise of them recently, that flirt with or occasionally plunge head-first into the realms of the mystical. And hey, I can dig it. But really, at its core, the physical appeal of vinyl (and other tangible containers of art, of course, books foremost amongst them) is relatively straightforward; you can hold it in your hands and interact with it.

Box sets can provide years of appreciation, often by offering multiple CDs that are stuffed to the maximum, but Liquid Swords Singles Collection takes the opposite approach, grabbing just a handful of tracks (plus a pair of instrumental versions and a RZA remix featuring D’Angelo), grooving them into 7-inch vinyl, tucking them into attractive picture sleeves, adding art prints by Andrew Hem, and placing it all in an oversized, easel-backed art box. As Liquid Swords is one of the ’90s defining hip-hop albums, the music here is built to last, but the enduring appeal will surely derive from the physicality of it all.

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In rotation: 12/11/17

Box sets for diehard music fans: The holidays bring exclusive gifts for diehard music fans. And if you’re the giver of such gifts, please know they’re not usually budget-friendly. Record companies mine back catalogs of legendary artists to release extravagantly packaged box sets focusing either on a certain period or the entirety of their career. With consistent sales in the niche vinyl market, some box sets previously released on CD have been reissued on vinyl. Here are a few new box sets by classic acts out in time for Christmas shopping.

The 5 Best Places to Buy Vinyl in Seattle: Small but exquisitely curated, Wall of Sound has been to Seattle what the defunct Other Music was to New York City: the place with the highest ratio of amazing, obscure, eclectic vinyl from around the world. Owners Jeffery Taylor and Michael Ohlenroth are the underdogs of the city’s music-retail ecosphere, because they cater to a tiny niche clientele who don’t care about what’s popular. If you’re looking for elite selections in avant-garde jazz, minimal synth, psych-rock, prog, funk, soul, ambient, experimental, and many manifestations of “world” music, or Bobby Beausoleil’s Lucifer Rising box set, Wall of Sound will hook you up.

What the Tech: Gifts for music lovers: Audio-Technica turntables are my choice this year. The Audio-Technica LP60 is easy on the budget at $89 and plays music the way it was made to be played. The fully automatic belt-drive turntable connects to stereo systems and has a pre-amp built in, which is important because most home audio systems are not equipped with a pre-amp and have no connections to a turntable. With the built-in pre-amp, you can connect the record player to the system through the cd input. Other Audio-Technica models can connect to a computer with a USB and some models have Bluetooth capability. Purists though will prefer listening to vinyl through a direct wired connection.

19 Iconic Record Covers Reimagined by Top Young Artists: At year-end of 2017, the creative team behind Depositphotos (one of the world’s leading visual content marketplace) came up with the idea of bringing visuals and music together within one creative project. Over a dozen visual artists were invited to reimagine some of the all-time legendary record covers. 19 top young creatives presented their personal, unique vision for the covers of 19 true masterpieces of music — from The Beatles to Sigur Ros, from Aladdin Sane to Kid A. In their experiments, the designers tried to put forward their artistic perceptions, while not departing too far away from the original images or music on the record. See all the concepts here.

Al Muskovitz – Vinyl Memories: In what I hope will become a new holiday tradition, we pulled out a record player and spun my old albums that we found boxed up in the most inaccessible to reach, darkest, spider-webbish corner of our storage room. It was a treat to see the look on the “youngins’” faces as they listened in amazement to the sounds emanating from the wax disks, especially when scratches repeated lyrics off my Sergeant Pepper’s Lonely, Sergeant Pepper’s Lonely, Sergeant Pepper’s Lonely (lift needle, gently place back down) Hearts Club Band album. To say my collection is eclectic would be a vast understatement. Besides the Beatles, we flipped through the Supremes, Moody Blues, Crosby, Stills and Nash, Streisand and Sinatra albums that co-mingled with Alvin and the Chipmunks, Captain Kangaroo’s Songs and Dances, and Detroit Tiger Denny McLain playing his Hammond Organ.

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TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

2017’s best of “Idelic Hits” #’s 1-20 | Kevin Morby, Kurt Vile and Courtney Barnett, The Clientele, Childish Gambino, Aldous Harding, Randy Newman, Protomartyr, Father John Misty, The Jesus & The Mary Chain, Queens of The Stone Age/Ty Segall, Culture Abuse, Together Pangea/Orwells, War On Drugs, Fleet Foxes, Wolf Alice, King Krule, Phoebe Bridgers, Psychic Temple, St. Vincent, Everything Is Recorded

The other day a respected colleague told me that he felt I was a bit “lost.” Indeed in 2017 I can take that point to heart. After all I’ve been the music business for over twenty-five years, the last seven of which I’ve ended my week by posting a carefully curated playlist of songs in the form of an FM style radio hour. Each week I enthusiastically followed that post by singling out one newly released song. Every Friday for the last seven years I’ve proclaimed those records as “finds,” or as I like to call them “Idelic Hits.”

Why? I’ve clearly lost my mind. My wife gave up years ago trying to convince me that I was spending too much listening to and posting music. Why be so passionate about new music? After all, don’t we live in a world with an attention span of fifteen seconds? I have to say I often do feel a bit lost. Music has always lead the way for me. Buying records used to be an obsession. Now I’d rather share a song than buy one. I’m clearly not treading the road on “bloody red shoes.”

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Kirk Joseph’s Backyard Groove returns to the Maple Leaf Bar, 12/8

Sousaphonist Kirk Joseph is one of the busiest musicians in town. Yet, even he was surprised by his answer when asked to recall the last time his solo act played at a club in New Orleans. It was over twelve years ago (not counting last night’s performance at the Three Keys) and the gig was at the Maple Leaf Bar where the band returns Friday night.

The membership in the Backyard Groove has changed a bit over the years. Longtime collaborators, saxophonist Tom Fitzpatrick and trombonist Mark McGrain are on board. Joining them on the front line is trumpeter Kevin Lewis. Guitarist Takeshi Shimmura, a regular on the Backyard Groove’s festival gigs, will be laying down his sterling licks. Keyboardist/vocalist Lilli Lewis and Joseph’s cousin, drummer Jaz Butler round out the latest version of the band.

Fans the world over know Joseph as a founding member of the Dirty Dozen Brass Band. The uber-sousaphonist, as I dubbed him some years back, helped develop the sound of the first brass band to begin integrating modern sounds into traditional New Orleans jazz. Check the vid below of them playing back in the day at the storied Central City music hot spot, the Glass House.

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Lost Bayou Ramblers,
The TVD First Date

“Tommy Michot, my and Andre’s father and accordion player for Les Freres Michot, grew up in the ’60s. When Andre came to the age of appreciation and started pulling out all the amazing records from dad’s fairly large collection, it seems our life changed forever. We had obviously heard of Jimi Hendrix, Led Zeppelin, and Yes, but when Andre started spinning them on LP in the 1980s, it was like a whole new portal to music was opened.”

“I was 12 years old when I got my hands on my first guitar (a pawn-shop Les Paul copy from our uncle David) but the year before, I started sneaking into Andre’s room while he was practicing with his bands, and the first song I picked out on guitar was Jimi Hendrix’s “Star Spangled Banner.”

Some people talk about how their minds opened the first time they heard The Balfa Brothers’ Play Traditional Cajun Music on vinyl, but I don’t think I heard that record until 10 years later. The number one vinyl I can remember seeing and hearing as a child was Les Freres Michot’s 1987 release on cassette tape and vinyl, Elevés a Pilette.

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Needle Drop: Fuzzystar, “Superhero”

Having only released his debut album Telegraphing a mere six months ago, Fuzzystar has returned with another catchy slice of fizzy pop. His single “Superhero” brings back the nostalgic feels of the ’90s whilst incorporating a modern twist into his upbeat indie sound.

The track commences with an vibrant guitar line that exhales exuberance and delivers the buoyancy that makes the track so cheerful. However, when Andy’s vocals enter the song, a wave of contrasting emotions are revealed. His soft, effortless, yet articulate voice chimes in and brings the proceedings back down to earth. The track doesn’t expand much more from there, but it lifts you up and eventually floats the listener back down—a most chilled roller coaster ride.

“Superhero” was written during a tough time for Andy, not knowing what the future held. The songwriter explains, “It’s about trying to make the best of bad times and just getting through it, whilst being aware of your own flaws and failings. Making this into a superhero story added a bit of distance to be able to write about it, rather than trying to tell it directly. ”

“Superhero” and debut album Telegraphing are both in stores now via Satellite Sounds.

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Graded on a Curve:
Long John Baldry,
It Ain’t Easy

John William “Long John” Baldry was one of rock’s more intriguing footnotes, famous less for his own contributions to English blues than for the soon-to-be-famous sidemen he would introduce to public notice. A young Rod Stewart shared vocal duties with Baldry in the latter’s band Steampacket, and a young Reg Dwight—soon to find fame as Elton John—played piano and sang in Baldry’s band Bluesology.

The very long Baldry (he was 6’ 7”) was one of England’s first blues singers, but it wasn’t until 1971 that he released what most consider his finest album, It Ain’t Easy. Part of its success is due to the fact that he recorded it in convivial surroundings with two old friends—Rod Stewart, who produced the A Side, and Elton John, who produced the B Side and played piano on it as well. And it didn’t hurt that Stewart brought along Ronnie Wood and many of the players featured on his own Every Picture Tells a Story.

The Stewart sessions were riotous—Rod the Mod plied the musicians with cases of Remy Martin cognac and good champagne—to the extent that Baldry would later recount he recorded album standout “Don’t Try to Lay No Boogie-Woogie on the King of Rock and Roll” sprawled out on the floor. The sound is loose and jumping, and folksier than the John-produced cuts thanks to the presence of mandolin, dobro, 12-string, and slide. Ian Armitt’s raucous boogie-woogie piano warms up Side A as well.

Baldry wasn’t the world’s best blues singer by any means. He enunciated when he should have gone for the slur, and applied a Shakespearean actor’s touch to most everything he laid his tonsils on. But on the roof-shaking rave-up “Don’t Try to Lay No Boogie-Woogie on the King of Rock and Roll” he just jumps in swinging, and lets the flood—composed of equal parts guitar menace, piano onslaught, and sax squeal—carry him along. This one’s a lost classic for sure, and definitive.

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In rotation: 12/8/17

America’s Groove Honored with City Business Appreciation Award: The City of Effingham has named America’s Groove Record Store as a recipient of the City of Effingham’s Business Appreciation Award. Mayor Jeff Bloemker stated, “We applaud the Wilsons’ entrepreneurial spirit! They have applied their passion and creativity to their hobby and have turned it all into a great business. They have a cult following and I love that they are located in the Village Square Mall.” Aaron and Brianne Wilson are the owners of America’s Groove Record Store. They opened the store located in the Village Square Mall in 2016 as they wanted to bring something “cool” back to the mall, and it has been better than they could have imagined. In fact, coming up this February, they will be celebrating their two-year anniversary.

City recognizes America’s Groove Record Store: Nominator, Darin Blickem, describes the store as “a place for music lovers to find new and used vinyl, CDs and even cassettes. They also carry new and used stereo equipment, toys, video games and consoles, and a few other funky items.” Aaron Wilson holds family friendly bands to play at least once a month in the back room. The store also participates in the Record Store Day program twice a year in which special vinyl releases are made available to independent record store owners. The sales attract record collector enthusiasts who “record-store hop” on these days to find these special additions to their collections. America’s Groove hosts a biannual Toy Show that includes several vendors and brings in many attendees.

Hamilton record store’s expansion solves signage issue: Main Street Vinyl, a record store that opened in Hamilton in May, won approval Tuesday for a sign on its facade. The sign issue, which has been pending since July, was made possible partly because of other good news for the record store: It has been able to expand into an adjoining space, making it possible to center its sign above both of the storefronts it now occupies. Main Street storefronts have increasingly been filling, and officials hope that with the proposed Spooky Nook Sports at Champion Mill development nearby along North B Street, that trend will accelerate, with both Main Street and High Street becoming an entertainment district to serve all the athletes and their families, who are expected to visit from as far as a 3.5-hour drive from Hamilton.

Canadian Record Store Chain Grows 925% — In One Year: Ten years ago, the fate of traditional record stores looked really, really bleak. By 2007, file-swapping had eviscerated CD sales, and vinyl was an antiquated format for niche audiophiles. People still loved music, they just weren’t going to record stores. Instead, they were stuffing their iPods with thousands of songs while spending their savings on festivals. Accordingly, established record stores were going bankrupt, unable to make ends meet. Up in Canada, that included HMV, which recently shuttered more than 70 stores during a gruesome bankruptcy process. Enter Sunrise Records, which made a daring move earlier this year.

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TVD Live Shots: Queens of the Stone Age and Run the Jewels at the Aragon Ballroom, 12/2

The final evening of WKQX’s “The Night We Stole Christmas” concert series at the Aragon was definitely one to remember thanks to the stellar lineup.

Hip Hop duo Run the Jewels (Killer Mike and El-P) heated things up before alternative metal band Queens of the Stone Age headlined. It was fun to see a lineup that paired hip hop with hard rock and fans of both acts were gifted an early holiday present.

As usual, both live shows were excellent—but that’s the golden standard that’s come to be expected when you go to see QOTSA or RTJ.

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TVD Radar: Conway Twitty’s Timeless, first release on vinyl in 26 years in stores now

VIA PRESS RELEASE | Conway Twitty, one of America’s most-loved performers of all-time with 55 No. 1 one hits to his credit (second only to George Strait) created a musical legacy that continues to endure and thrive almost a quarter-century after his passing in 1993. Country Rewind Records has released Timeless, a collection of never before heard recordings from Twitty himself. The new record is now available on vinyl and it’s the first vinyl release of Conway music since the 1991 record Even Now. The vinyl is available on ConwayTwitty.com.

The songs on Timeless haven’t been heard since their original airing in 1972, included in a series of musical recordings from top artists at the time as part of a United States recruitment program. Singers such as Dolly Parton, George Jones, and Waylon Jennings would record fifteen-minute performances that would be distributed to over 2,000 radio stations throughout the world intended for commercial release. Tom Gramuglia of Country Rewind Records, says that he can’t wait for fans to hear these recordings – which put the recorded genius of Conway Twitty on full display for all to hear.

“These recordings were long forgotten and few people who knew of their existence. They’ve never before been made commercially available to the public and I truly felt like this music needed to be shared with long-time traditional fans, and heard by our younger generation of Millennials who have a flavor and inkling for country music recording artists that made American country music great.”

“Timeless is a truly special piece of Country Music history that reminds listeners of the exquisite musical legacy of an artist who was rightfully called “The Best Friend A Song Ever Had.” The title of the album says it all. Conway Twitty was – is – and always will be ‘Timeless.'” —Chuck Dauphin, Billboard magazine

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TVD Radar: Link Wray’s never before heard track “Son Of Rumble” 7″ in stores 4/13

VIA PRESS RELEASE | In 2018, it will have been 60 years since legendary guitarist Link Wray released his influential instrumental song “Rumble,” and changed the face and sound of rock and roll forever.

Dan Auerbach’s label, Easy Eye Sound is proud to announce that it will release “Son of Rumble,” Link’s intended, but never released follow-up to the song that introduced the world to power chords and intentional distortion. Said Auerbach about Wray’s importance: “I saw him play in Cleveland at the Grog shop and he blew my mind. To get the chance to put out unreleased songs on Easy Eye is amazing and a dream I never thought was possible. It’s time we give Link Wray a statue on the top of the rock and roll of fame.” “Son of Rumble” is a never released track from the Link Wray archives, and you can listen to it below. The song, along with b-side “Whole Lotta Talking,” another never heard track, will be released as a 7” vinyl on April 13th, and can be pre-ordered here.

Link Wray’s “Rumble” became a flash point for countless musicians including Rock and Roll Hall of Fame inductees Neil Young, Bob Dylan, Pete Townshend, Iggy Pop, Steven Van Zandt, Jeff Beck, and Elvis Costello. The song was banned in New York, Boston, and Detroit, for fear it would incite juvenile violence, making Wray the only artist in history to have a banned instrumental. 33 years after becoming eligible, this unsung hero of rock and roll is currently a Rock Hall nominee for the Class of 2018.

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Mt. Joy,
The TVD First Date

“Some of my first memories of music are just me sitting in the living room while my Dad would file through his vinyl collection.”

“The first record that really sticks out is Let it Bleed. I grew up with the Stones, Allman Brothers, Grateful Dead, and Neil Young pouring through the house fairly regularly. But to this day, Let It Bleed still stands out. Dropping the needle on that record and hearing “Gimme Shelter” is as good as it gets as far as album openers. So many amazing songs on that record, and of course it closes with “You Can’t Always Get What You Want.” When we were making this album we talked a lot about order and needing certain types of songs for different spots, and as far as openers and closers go, that may well be the best of all time.

By the time I was in middle school/early high school everything had switched to digital. Though in our house it really created a divide between contemporary music and the classics. My dad had his incredible record collection, whereas my first CD purchase was Kid Rock… I remember my dad opened my Walkman to see the spinning disc reveal the middle finger that was printed on the disc. I don’t think he took it from me, but he was rightfully fairly disappointed.

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Graded on a Curve: New in Stores, December 2017

Part two of the TVD Record Store Club’s look at the new and reissued wax presently in stores for December, 2017.

NEW RELEASE PICKS: Cindy Wilson, Change (Kill Rock Stars) That Wilson’s solo debut doesn’t sound like the B-52’s isn’t exactly jaw-dropping. No, what’s impressive is the level of success achieved in migrating away from new wavy party pop-rocking, especially as she’s chosen to engage so heavily with an electronic template that could’ve easily spelled disaster. Some of this, like the title track, dives deep into techno ambience (there are a few pepperings of Gary Numan throughout the alb), but there’s plenty of strong songwriting to be found, and the guitars in late track “Brother” are a nice surprise. A-

The Telescopes, Stone Tape (Yard Press) In terms of the whole shoegaze/ neo-psych thing, to my mind Stephen Lawrie’s The Telescopes don’t get enough credit. Debuting on a split flexi with Loop, they ended up on Creation Records before taking a decade off. Returning in ’02, they’ve been steadily at it since (issuing As Light Return earlier this year), and this concept LP (concerning the Stone Tape Theory of Thomas Charles Lethbridge), the first release on Italian graphic designer Giandomenico Carpentieri’s new label, has moments recalling Spacemen 3, Tony Conrad, Suicide, Velvets, and even early Doors. A-

REISSUE PICKS: Basil Kirchin, Worlds Within Worlds (Superior Viaduct) Not to be confused with Kirchin’s ’71 album of the same name on EMI, this came out in ’74 through Island, and it’s a splendid hunk of elevated musique concrète, integrating horns, cello, organ etc. with sounds of animals, engines, the docks in Hull, and autistic children in Schurmatt, Switzerland. Kirchin had a varied career; in addition to a long Brit big band period with his dad, he also contributed to the score for The Abominable Dr. Phibes. Along with the EMI set and Quantum, this is a must for avant-garde shelves. (out 12/15) A

Zazou/Bikaye/CY1, Noir et Blanc (Crammed Discs) This collaboration between Congolese musician Bony Bikaye, French composer Hector Zazou and his countrymen Guillaume Loizillon and Claude Micheli, who worked as the analog synth duo CY1, was initially released in ’83, but in defying expectations it sounds as fresh as last week, in part due to the exploratory curiosity of everyone involved. The results (reissued here with welcome demos and bonuses) offer a legit African/European fusion, and I find it more engaging than Eno/ Byrne’s My Life in the Bush of Ghosts, to which it’s sometimes compared. A

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In rotation: 12/7/17

The downtown shop you didn’t know you needed, Mantiques has a little bit of everything: There really is something for everyone as toys for kids line the shelves and opposite them are the vinyl records for those who miss the sound of record playing. A mixture of older furniture and new DVD’s are also within the store and there are two levels to shop from as Trimble assures that both are popular as far as the response from the community tells him. “People have been telling us they love it,” said Trimble. “So far we’ve had folks really grabbing up the vinyl records as well as men’s and women’s jewellery. We also have popular Coca-Cola items which are sought after by collectors and military stuff that is hard to keep in stock. There is even a rare item in here of poison bottles that has a Barrie drugstore name on the label and are half full. You never know what you’re going to see.”

South London’s YAM Records Is Moving House: Peckham’s YAM Records is on the move – but they’re staying south of the river. The record shop is a vital hub for music fans in South East London, with the attendant record label releasing some superb music in 2017. Named as one of our favourite off-the-beaten-track record shops in the capital, YAM Records is now set to move to another location. In a statement the owners said: “Going into next year we will be joining some of our favourite South London music heads in Bermondsey.” Closing the shutters on Holdrons Arcade on December 23rd, YAM Records will re-open in their new South London home in 2018. The new shop will be bigger, holding more stock and affording the team the chance to expand their involvement with YAM Recordings.

Vinyl sales “highest since the 1980s” in Ireland according to Golden Discs: Golden Discs has been at the heart of Irish music for 55 years and continues to thrive despite the dominance of streaming platforms and digital downloads. And so it’s fitting that the long-running retail chain – who house a dedicated vinyl lounge in Cork – bring the news that vinyl has enjoyed a serious surge in sales this year, posting up numbers not seen in decades. “We haven’t seen this volume of sales since the ’80s,” says Golden Discs CEO Stephen Fitzgerald, noting that it’s not just new releases but back catalogue, reissues, limited editions and box sets that are catching the attention of music lovers across the country. As for the year’s biggest movers; Ed Sheeran’s Divide, Pink Floyd’s iconic Dark Side of the Moon and George Michael’s back cataogue lead the way, while Liam and Noel Gallagher are duking it out for the title of December’s best seller.

Vinyl Records Add to the Cool Vibe at Two California Hotels: Can vinyl record players in hotel lobbies—and even in guest rooms—enhance the visitor experience? Absolutely, according to a recent New York Times article that explored this nascent trend. In fact, two Kimpton hotels in California, the Goodland in Goleta and the Shorebreak in Huntington Beach, have tapped into the low-tech, retro music movement. The Shorebreak has a custom-built player in its library as well as a 50-album collection of music for guests to peruse and play. At the Goodland, every room is equipped with a record player and there is a vinyl record shop in the lobby. “Almost everyone who stays here comments on how much they love the players,” according to Drew Parker, director of sales and marketing at the Goodland. “For our younger clients, they’re a new discovery and for our older ones, they’re a throwback to the past.”

Rue the day you gave away that boombox — the cassette revival is here to stay: When Disney released its Guardians Of The Galaxy soundtracks on tape in 2014 — making a real-life feature of the film’s cassette-based plot point — the format was given a huge boost. Latest statistics suggest this was more than just a flash in the pan: according to the Official Charts Company, cassette sales have more than doubled in 2017. Artists such as Kasabian, Arcade Fire, Jay-Z and Lana Del Rey have released Walkman-ready records in recent times. Nevertheless, their retro appeal is still a factor in 2017. ‘I remember sneaking my Walkman under my pillow so I could listen to The Beatles,’ says Rou Reynolds of Enter Shikari, whose album The Spark is so far the third-highest selling cassette of this year. ‘There’s a lot of nostalgia there for me.’

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TVD Live Shots: Descendents at Rams Head Live, 12/1

For a band whose mantra contains the phrase “couldn’t sell out a telephone booth,” Descendents, the long running California-based foursome, have been dishing out clever, slacker satire for years, clearly underestimating just how deep their influence runs and how un-nerdy they really may be. Last Friday night, the enthusiastic crowd at Rams Head Live in Baltimore got a chance to witness this for themselves—and to pay their respects to a band who deserves more than their share.

When it comes to melodic punk, the Descendents are practically the forefathers of the genre, particularly for emo-core. In fact, I’d argue that the band inspired that label altogether. Mixing classic hardcore sounds with singer Milo Aukerman’s metallic vocal sensibilities and often fast paced lyrics, the band rose to prominence in the California punk scene after their formation in the late 1970s. Stylistically, the Descendents have been tagged with many labels from pop-punk, skate-punk, power-pop, and emotional-hardcore. The band’s upbeat tempos are regularly infused with melodic bass lines and harmonic guitar breaks. Toss in a scoop of well sung melodies—usually with lyrics about coffee, flatulence, defecation, and sometimes just about a girl—what you get is a mix of relatable, fun, and heartbreaking songs.

Since the glory days of post-hardcore, the Descendents’ style has become wildly pervasive. Along with Dag Nasty, Buzzcocks, and The Queers, the Descendents’ sound has directly influenced Nirvana and Green Day, and their influence lingers on The Offspring, Pennywise, NOFX, Good Charlotte, Taking Back Sunday, and the abominable Blink 182. The 2013 documentary, Filmage is a worthwhile look at the band’s history and features interviews with members of Black Flag, Fugazi, and Minutemen. There’s also a Descendents brand IPA, “Feel This Coffee,” from Mikkeller Brewery. The beverage is named after a track from their latest album and another Descendents mantra—their love of coffee.

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