Once upon a time, I owned the soundtrack to Velvet Goldmine on compact disc, but somebody stole it. Or maybe in an addled state, I let somebody borrow it, and they never gave it back. It’s possible I might’ve left it at a friend’s house or in their car. Somehow, I doubt it. Whatever the reason, it’s long gone, though this fact saddens me no more, because on April 5 MVD Audio is bringing out a fresh edition on double blue and orange vinyl. As it remains one of the few song-based (as opposed to score-driven) soundtracks that didn’t have me giving the CD player skip button a workout, I’m pretty stoked. A few fresh spins had that tone arm gliding steady.
Having enjoyed Todd Haynes’ first two features, I watched Velvet Goldmine, his third from 1998, and liked it, too. I considered digging into it again in service for this review, but ultimately didn’t, which is of no consequence, as the record stands on its own merits. Not only pleasing from start to finish, it’s also unusually multifaceted for a soundtrack, with its handful of genre-appropriate ’70s tracks cohering well with a larger helping of thematically-focused ’90s material.
First, the old stuff. The film Velvet Goldmine is tersely described as loosely based on the lives and artistic trajectories of David Bowie, Iggy Pop, and Lou Reed, but especially Bowie. However, Haynes apparently wasn’t able to license any of Bowie’s stuff, a roadblock that became a benefit, as the soundtrack (and the film, as I remember) dually functions as a lengthy trip down one of the main highways of ’70s Glam.
That would be the glam rock-as-Art-as-lifestyle liberation-auteur route on the map, which means a decided deemphasis on bubblegum or hard rock (Gary Glitter and Slade are heard in the film, though). However, the selections grabbed from the era do an adequate job of portraying glam rock’s creative ambition even without access to Ziggy Stardust-era Bowie.