Monthly Archives: August 2019

UK Artist of the Week: Glossii

Get ready to rock as emerging quartet Glossii take over as UK Artist of The Week, and they’re taking no prisoners in the process.

Their latest single “Watching Me” is a raucous slice of alternative rock that is snarling with attitude from the offset. Hard to pin down to one genre, Glossii combine post-punk, grunge, and feedback-laden indie-rock to create their unashamedly thunderous sound.

Frontwoman Sofia Zanghirella’s powerfully distinctive vocal is instantly reminiscent of Garbage’s Shirley Manson as she emits dark femme fatale verve by the bucket load. Talking about the single, the band elaborate, “‘Watching Me’ is about growing up and going against the rules that parents tell you and want you to abide by.”

Having recently performed as part of NME’s newly appointed Girls To the Front programme, it’s clear that Glossii are going from strength to strength. Also proud members of the LGBTQ+ scene, it seems Glossii are exactly what we need right now in a world of political turmoil.

“Watching Me” is in stores now.

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Graded on a Curve:
Redd Kross,
Beyond the Door

Led by siblings Jeff and Steven McDonald, Redd Kross is a byproduct of the original Los Angeles punk scene. Having been through myriad changes and periods of inactivity across the decades since, that they are releasing quality music in 2019 is a circumstance worth celebrating. That is to say, the McDonald’s latest is a beacon of inspired punk-edged pop-rocking, a record brought to fruition with guitarist Jason Shapiro and Melvins drummer Dale Crover (this duo part of the recording process for the first time). A tidy and consistent slab of muscular catchiness, Beyond the Door is out digitally, on CD in a 4-panel digipak, and on black or opaque purple vinyl August 23 through Merge Records of Durham, NC.

Researching the Blues, which marked a return to activity for Redd Kross, was one of 2012’s most pleasant surprises. ‘twas such because the band didn’t exactly cease operations on a high note in the ’90s (though I do rate ’96’s Show World, their third and final album before the long break, as their best of the decade). And let us face it; by 2012 the brothers were frankly getting up there in years, and while this 48-year old doesn’t want to come off as ageist, older folks dishing out shit-hot rock ‘n’ roll is still very much the exception and not the norm.

Crover and Shapiro (who was in ’80s punk-glamsters Celebrity Skin and before that San Fran hardcore act Verbal Abuse) are no spring chickens either. As the McDonalds’ pop-rock elder status intensifies, their ability to deliver lively hard-pop hasn’t diminished, perhaps because they’ve resisted the formulaic, and not only by opening up the recording process to the current live band; it’s made plain in the promo text that Steven is more involved in the songwriting process than ever before.

Opener “The Party” underscores the collective engagement in the process as the track outlines the band’s “total commitment to having the best fucking time we can have while we’re all still here.” This might radiate vibes similar to Urge Overkill in smoking jackets with cigars and brandy snifters, but the band has resisted any impulse to direct the above mission statement into a retro-sophisto-livin’-the-high-life costume trip, and for that, I’m glad.

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In rotation: 8/20/19

Glasgow, UK | Missing Records to launch new Glasgow city centre store this week: The iconic second-hand vinyl specialists are moving on to bigger and better things. Missing Records will swing open the doors to its brand new shop this week. As reported by Glasgow Live last month, the iconic independent record store is taking on a bigger premises. The new shop will have more stock for customers to check out, including hundreds of second hand CDs, DVDs, Vinyl and collectables, as well as new artwork in the building to continue the legacy of the popular designs seen in the Argyle Street shop. The second-hand vinyl specialists are heading back to where the music started in Oswald Street, which is the site of their original venture back in 1984. And the official opening of the new 51 Oswald Street store (next to Barrhead Travel) will be Wednesday, August 21.

Smart to make the LP disc climate friendly: Interest in the vinyl record is steadily increasing, but the material pvc is hardly environmentally friendly. Now the industry is looking for light and lantern for other materials. “We’re trying to pull our straw to the pile to save the world,” says Pedro Ferreira at Spinroad Vinyl Factory. After living a secluded existence in the 1990s and early 2000s, interest in the vinyl record is now increasing. For a period, the format was mainly kept alive by smaller indie companies and dance music producers, but today more and more new albums are released in at least a limited LP edition and even the music industry’s giants have started to take an interest in the vinyl record again. That’s good news for those who kept their vinyl collections – and for newly started vinyl factories like Spinroad in Lindome outside Gothenburg. However, the panels are made of the plastic Polyvinyl chloride (pvc), which is not very environmentally friendly. But no good alternative is currently available, according to Spinroads CEO Pedro Ferreira.

Dallas, TX | People from all over the world visit this Dallas record store: JFK aficionados get a look at a notorious phone: From London to Papua New Guinea, JFK aficionados have been traveling to Top Ten Records to get a look at a notorious phone. Top Ten Records can’t be more than 800 square feet, but somehow Dallas’ longest-running record shop has welcomed some of pop culture’s biggest names over the years. Most have to do with music, but one notable name does not. “The Jackson Five have come through and according to lore, Selena was here too. We also have a photo with the owner and Stevie Ray Vaughan,” said Lily Taylor, Top Ten Records’ operations manager…But there’s another group of people who come to Top Ten Records and many travel from across the world. They aren’t in Oak Cliff to buy a record. Instead, they’re looking for a phone. “We have the phone that Officer J.D. Tippit used before he was shot by Lee Harvey Oswald,” Mike Polk said, the former longtime owner of Top Ten Records.

These Vintage Vinyl Record Carrying Cases Will Take You Back in Time: In this day and age, all of our music is accessed online. For those who still have their vinyl records, I’m sure you remember what you kept your vinyl albums in. Some of you might currently use a storage cabinet, record shelf, display stand, record rack, or a magazine rack, but you should protect your music in a carrying case. Now, think back to the good ole days. If you had a carrying case, you were probably the DJ at all of your high school and college parties. It’s crazy now that someone just needs Bluetooth or an aux cord to be the person providing all the music at a party. If you need a place for your vinyl records, it’s time for a new LP record carrying case.

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TVD Live Shots: Dead Kennedys at the Electric Ballroom, 8/9

Dead Kennedys remain a force to be reckoned with, four decades on, with yet another triumphant return to London.

This time instead of two shows in a smaller venue the band opted for one night only at the legendary Electric Ballroom. The excitement around the recent release of the three-CD set, simply titled DK 40, and the jam-packed venue makes a clear statement about the sign of the times—impending doom for the climate and the political landscape—but also offers up a lesson in longevity. East Bay Ray, Klaus Flouride, D.H. Peligro, and Ron “Skip” Greer were once again in top form tearing through a blistering 75-minute set that celebrated one of punk rock’s most excellent catalogs.

It’s way, way, way past time to stop with the lazy comments, “It’s not DK without Jello,” because it is. Go see this fucking show and tell me you didn’t think it was spectacular. Skip does a brilliant job keeping the original angst of the songs while also adding a jolt of his own explosive style. I think it’s time to see the band record a new album with him as the chemistry is 100% there and the fans are ready. It’s clear that the band is open for a reunion and the ball’s in Jello’s court. While he says he’s just too busy to make it work, but we can all bet that it will happen in time, DK 40 certainly lays the groundwork while provoking the question of a new record.

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TVD Radar: Western Stars, Springsteen’s directorial debut in theaters this Autumn

VIA PRESS RELEASE | Warner Bros. Pictures will release a cinematic film version of Bruce Springsteen’s latest album, ‘Western Stars’, worldwide, on the big screen. Longtime collaborator Thom Zimny directs together with Springsteen in his directorial debut. The announcement was made today by Toby Emmerich, Chairman Warner Bros. Pictures Group. ‘Western Stars’, which will make its world premiere at the 2019 Toronto International Film Festival, is slated for release this Autumn.

Springsteen’s first studio album in five years, ‘Western Stars’ marks a departure for the legendary singer/songwriter while still drawing on his roots. Touching on themes of love and loss, loneliness and family and the inexorable passage of time, the documentary film evokes the American West—both the mythic and the hardscrabble—weaving archival footage and Springsteen’s personal narration with song to tell the story of Western Stars. ‘Western Stars’ offers fans the world over their only opportunity to see Springsteen perform all 13 songs on the album, backed up by a band and a full orchestra, under the cathedral ceiling of his historic nearly 100-year-old barn.

Emmerich stated, “Bruce lives in the super rarified air of artists who have blazed new and important trails deep into their careers. With ‘Western Stars,’ Bruce is pivoting yet again, taking us with him on an emotional and introspective cinematic journey, looking back and looking ahead. As one of his many fans for over 40 years, I couldn’t be happier to be a rider on this train with Bruce and Thom.”

‘Western Stars’, Springsteen’s 19th studio album, has achieved global success. It has been #1 on the iTunes charts on every continent, including such countries as the U.S., the UK, Belgium, Germany, Spain, Italy, the Netherlands, Australia, India, South Africa, and all of Scandinavia, among other countries. It has also received rave reviews, with critics using words like “hauntingly brilliant,” “beguiling,” “gorgeous” and a “masterpiece.”

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Graded on a Curve:
Easy Rider, OST

Today we remember actor Peter Fonda who passed away on Friday, August 16 with a look back at the soundtrack from one of his most iconic roles, Easy Rider.

After seeing Easy Rider for the first time, I wanted nothing more than to take off across America on a chopper with a tear drop gas tank emblazoned with the red, white, and blue, smoke tons of grass and gobble lots of acid, and meet a lunatic ACLU lawyer in a gold football helmet looking to turn on, tune in, and drop out. Alas, it wasn’t meant to be, as my first motorcycle ride also turned out to be my last, after losing control of the thing and crashing head-on into our next door neighbor’s barn. And nothing’s changed over the years; the last time I tried to ride a bicycle I decided to smoke a cigarette at the same time, and ended up toppling into some rat-infested shrubbery.

So Captain America I’m not. But I love the movie, which was all about freedom, man, freedom to wear your hair long and get stoned and do whatever the hell you wanted to do without kowtowing to the Man, man. Billy (Dennis Hopper) and Captain America (Peter Fonda) represented the outlaw biker life, which came without the shackles of job, home, and hearth, but carried its own risks; as the ACLU lawyer Hanson (Jack Nicholson) tells Billy and Captain America, their freedom makes the squares “dangerous. Buh, neh! Neh! Neh! Neh! Swamp!”

But the thing I love most about the world’s greatest hippie exploitation film is its soundtrack, the rights to which cost more than the film itself. It includes two great Steppenwolf tunes and one and a half Dylan tunes, both of which were performed by Roger McGuinn, and intersperses dope anthems with dismal songs of doom, in keeping with the movie’s groovier moments and lingering sense—what with homicidal rednecks and pigs everywhere—that things won’t end well for Billy, Captain America, and Hanson. (Spoiler alert! Shit, too late.) And when I talk about the soundtrack I’m not talking about the 2004 Deluxe Edition, but the one you could listen to in your groovy pad with its beaded doorways, day glo ceilings, and black light poster of Three Dog Night (okay, so you were one very unhip hippie; don’t beat yourself up about it).

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The Lilacs,
The TVD First Date

“It’s remarkable how the music that resonates with you through the years depends at least as much on who you were when you first heard it as it does on some”objective” criteria of its quality.”

“The first record I ever owned was Barry Manilow’s Greatest Hits which I got when I was 10 in 1978. His big hit at the time was “Ready to Take a Chance Again,” which was used to great effect in the Goldie Hawn, Chevy Chase thriller Foul Play (which I also loved, by the way). So everything from “Daybreak” to “Can’t Smile Without You” to his “rocking” numbers like “Copacabana”—I loved all of it. I loved the singing. I loved the instrumentation. I loved the over-the-top sentimentality.

All of those qualities found themselves into my own work. Not that I would ever put myself in the same category either talent-wise or obviously success-wise as Barry Manilow. But man I loved that record and I wore it out, and I remember even being assigned to be the lead male dancer at my camp and the tune was the theme to American Bandstand that our choreographer had chosen and discovering that song also had been written by Barry Manilow just felt quite perfect to me.

Predictably, as I got to high school and wanted to seem cooler and probably also not get pummeled, I wasn’t as willing to publicly acknowledge how much I loved that particular genre of sappy love ballads. But secretly I still did. And then something funny happened as I entered the punk and indie-rock phases of my musical career.

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In rotation: 8/19/19

Hong Kong, CH | HMV liquidation sale: massive discounts see hundreds queuing up to buy vinyl records, CDs, toys and more: Hundreds of people showed up much before the start of HMV’s liquidation sale on Thursday morning, eager to get their hands on heavily discounted items. HMV’s two-week long liquidation sale, the largest for a collapsed retailer in Hong Kong for a decade, started at 11am at W Square in Wan Chai. More than 100,000 CDs, DVDs, vinyl records, toys, iPhones and headphones are available at discounts ranging from 50 to 90 per cent. Alex Fasso, a music lover, was among the first customers who patiently waited for nearly an hour in the queue to enter the venue. “It is the last chance to look for a good bargain for vinyl and CDs at HMV,” Fasso said as he browsed some 9,000 vinyl records featuring Michael Jackson, The Beatles, Led Zeppelin, Rolling Stones and David Bowie and local stars like Denny Chan Pak-keung, Leslie Cheung Kwok-wing and Anita Mui.

London, GB | East London Is Transforming Itself Into A New Vinyl Mile: London’s Vinyl Mile is the stuff of legend. Berwick Street in Soho has long been the city’s main hub for music fans, boasting a huge number of record shops. The downturn in vinyl sales around the Millennium sadly trimmed this number, but some key outlets – Sister Ray, Sounds Of The Universe, Phonica – are still going strong across the Soho area. Over in East London, though, a new generation of retailers are fast transforming the area into a new vinyl mile. From Vinyl Pimp in Hackney Wick through to Love Vinyl on the cusp of Haggerston, Hackney can boast some of the finest vinyl outlets in the city. Thankfully, the team at Vinyl Pimp have crafted a handy map, a kind of ‘vinyl walk’ for those who want to spend a solid afternoon digging through those crates. It’s a great list, which moves from left field electronics to metal, soul, house, funk, and more.

A “priceless” 7,000-strong record collection is up for sale: The private collection is valued at close to $1 million. A self-described “1-of-a-kind” record collection has been put up for sale by an anonymous private seller. According to the press release which accompanies the sale, the owner is a music industry insider based in California. Dubbed the ‘VIP RPM’ collection, the 7,000 records include a combination of LPs, 45s and 78s, many of which remain factory sealed. The collection is also said to contain mint condition test pressings (such as The Ramones’ ‘Leaving Home’), 12” DJ-only releases, limited and unreleased material, autographed LPs, coloured vinyl and a range of music merch and memorabilia. While it is said to focus on rock from the ’60s and ’70s, it also includes are jazz, country, classical and comedy records. One particular highlight is the complete 191-record Motown Yesteryear series, the 25th anniversary catalogue of every 45 the soul label ever released.

10 Most Expensive Vinyl Records Ever Sold: The music industry might rely on streaming apps to sell, but until some decades ago, vinyl record sales were essential to defining the success of a single or a musician. Not quite obsolete, many people are still passionate about vinyl records, leading to some seriously expensive records. It is hard to believe, but some records are more expensive than a house. But what makes a vinyl copy expensive? It is not only about the quality of the music, but how rare it is. Usually, records that have a limited number can be worth some thousands and the value can increase depending on how unique it is. Details like a rare cover, a handwritten note, or even a serial number, have a strong influence on the final price. Here is a list of the most expensive vinyl records ever sold.

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TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Said I know what it means to get left for dead, / when the saints rise up at the sound. / When the spirits don’t move in / their chains and the shoes / and the crack of the guns all around. / I know how it is to get all dressed up, / where nobody would know where to go. / With a fifth in your vest, / and some pills on your tongue / and a gun looking out across / the Valley of the Shadow below, oh…

“Another pleasant valley Sunday…” I guess so? Not every day in the San Fernando Valley is pleasant, but I like to think they are. After all, the climate is changing these days.

Back when I first moved to LA, no cool soul went to—let alone lived in— the Valley. Hey, no one cool from New York lived or went to Brooklyn either. Now I’m not the only one avoiding “going into town” for the convenience of those wide valley boulevards. When we recently had the option of enrolling Jonah into middle school in either the Valley or Silverlake we choose…

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TVD Live Shots: Aerosmith at MGM National Harbor, 8/10

TOP TWO IMAGES: ZACK WHITFORDAerosmith, the bad boys from Boston, brought their “Deuces are Wild” Las Vegas residency show to the MGM National Harbor in Oxon Hill, Maryland for three dates which concluded this past Tuesday.

Named after the track originally recorded for their 1989 album Pump, and not released until 1994 for The Beavis and Butt-Head Experience, the “Deuces” run includes 35 shows spread out among the MGM National Harbor in Maryland, the Borgata in Atlantic City, the MGM Springfield in Massachusetts, and finally the Park Theater in Las Vegas beginning in late September.

It’s hard to pigeonhole a band like Aerosmith. Not only has the band been a major player in the rock music scene from their inception in 1970, they practically define the genre for those of us who grew up in the ’80s and ’90s. The band up and ran with the baton passed from mega-rock predecessors like Led Zeppelin, the New York Dolls, and the Rolling Stones, and they’ve done a hell of a job reaching new audiences and a new crop of fans. Their music has definitely inspired generations, and icon status fits the band quite well.

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TVD Premiere: R.W. Roldan, “Big Skies”

Singer-songwriter R.W. Roldan has lived in California most of his life, cultivating his own brand of West Coast Americana, and his sweeping lyrics paint an authentically haunting panorama of a Los Angeles that is all but gone.

There’s certainly a Once Upon A Time…in Hollywood vibe to his latest single “Big Skies,” which affectionately name checks LA institutions like the Ventura Freeway and the Wax Museum. But his holistic reverence for the West extends beyond the 21st century. It’s clear that he was feeling the nostalgic pangs of the wild cowboy days slipping away when he arrived in the city as a child, born to an outlaw biker father and 16-year-old mother. “There ain’t no prairies for me to roam upon,” he solemnly concludes as he chugs on his six string. “There ain’t no big skies to show us where God lives…”

In a clever twist, Roldan concedes that the closest he’ll get to the celestial stars is by looking down at the handprints on Hollywood Boulevard. These days he’s content to get a job at the Wax Museum so he can hang out with the soap impressions of his childhood heroes, Roy Rogers and Trigger.

“Big Skies” is a bittersweet, poignant ballad that reveals R.W.’s whimsical soul and is a perfect introduction to his LP, Can You Feel This, due in stores tomorrow August 17.

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Graded on a Curve:
Bob Welch,
French Kiss

Climb aboard my pleasure craft, ye mateys, and I’ll tell you a tale of a true Yacht Rock captain. In 1977 former Fleetwood Mac guitarist Bob Welch cast off on his debut LP French Kiss, and sailed bravely into the upper reaches of the American Top 40. It was a voyage worthy of Ferdinand Magellan, or that guy who discovered America.

You don’t hear much of Welch outside of SiriusXM’s Yacht Rock Radio these days, and I have a hard time imagining an actual human being walking into a record store with the express purpose of buying French Kiss. But he was a very big deal in the late seventies, when such songs as “Sentimental Lady” and “Ebony Eyes” (featuring the immortal Juice Newton!) won Welch his admiral stripes, alongside other Yacht Rock giants as Michael McDonald, Kenny Loggins, and Pablo Cruise, who are actually four guys but who’s counting?

Where to start with Welch? Well, he’s not as much of a Yacht rocker as you might think. “Sentimental Lady” certainly falls into the category, but on the rest of French Kiss he melds hard rock riffs to disco beats and drops a lot of strings on you, and the formula works better than you think it would.

For the most part these songs are good pop fun, and as catchy as they are utterly disposable; The Village Voice’s Robert Christgau dismissed them as “aural chic” as good a soundtrack for doing your ironing as the Doobie Brothers, but I think he’s just being a meanie. I’m sure you’d have to look hard to find a Brooklyn hipster who will give French Kiss his imprimatur, but that says more about Brooklyn hipsters than it does about the album.

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In rotation: 8/16/19

Barcelona, ES | 5 Barcelona Gems Music Lovers Need To Close Out Summer 2019: Hit up a record store. The innovative Sir Hotels recently opened their newest Barcelona addition and the chain has brought a special energy to the city. You’ll feel extra chic just walking into the trendy building. With the sleek Mr. Porter steakhouse coming all the way to the Catalonian region from Amsterdam located in the lobby and a dazzling rooftop restaurant, what’s not to love? However, the dining options aren’t even the best part. The hotel also gives guests the chance to visit Barcelona’s oldest and trendiest record stores with a local vinyl expert. Their carefully selected guide will help those on the three-hour tour hunt down vinyl at the popular WahWahRecords and Discos Paradiso. The tour will end with a drink at Curtis Audiophile Café, a cocktail bar with an unbeatable musical selection. It’s priced at 80 euros per person, but is capped at six people making the experience as engaging as possible.

Cardiff, GB | The Trip – Cardiff’s Best Record Shops: D’Vinyl Records. This is one of those shops that I wish I hadn’t come to first on my visit. I could spend a day here, especially as I have turned up during one of the veteran store’s regular sale periods, with everything half-price. This is certainly the Cardiff venue with the widest range of 7″ singles, and there are plenty of collectables up on the walls that catch my eye, including the five-disc 7″ picturedisc set of Spandau Ballet’s I’ll Fly For You. It’s interesting that their big rivals Duran Duran were employing the same chart-friendly tactic at the same time with a multi-member set for The Wild Boys, which I have already picked up over the years. This set had passed me by. There are also some really nice early Cliff Richard EPs in pristine sleeves that are a real bargain, and I spend some time wading through the crates of singles, picking up quite a selection.

Dublin, IE | Record lovers rejoice as Dun Laoghaire Vinyl Festival has returned! Dublin is set to transform into a record lover’s haven as the Dun Laoghaire Vinyl Festival is set to take place. Now back for its second spin, the festival will take place over three days from November 1 to November 3 in a selection of venues around Dun Laoghaire including the dlr LexIcon Library Studio, the National Maritime Museum, the Pavilion Theatre, and the Lighthouse. There will be two live gigs featuring Johnny, Barry, and Jim of Horslips on the 1st and 2nd in Pavilion Theatre and Line of Duty star Vicky McClure’s DJ set in the Lighthouse on the night of the 2nd. …The festival will also see a variety of talks and the line-up includes Leslie Dowdall, Damian O’Neill & Michael Bradley (The Undertones), The Cranberries’ Noel Hogan (discussing the band’s latest and final album, In the End), authors Stuart Cosgrove, Geraldine Quigley and Jennifer Otter Bickerdike, as well as directors Richie Smyth and Kevin Godley examining the relationship between video and vinyl sales.

Kutztown, PA | With Bring Your Own Bag campaign, Kutztown record shop helps teen athletes Niki Nolte and Anthony Myers battle cancer: Like a lot of retailers, Young Ones Record Store in Kutztown encourages customers to reuse bags or go without as a way to reduce their carbon footprints. But the record store, which set up in the borough 29 years ago, took the effort one step further recently by starting the BYOB (Bring Your Own Bag) for Charity campaign. By declining a plastic bag, a customer can choose to donate the 6-cent cost to one of two selected charities. Porter Holt, son of owner Chris Holt and the store’s assistant manager, said many customers dig into their own pockets, giving $1, $10, even $20 to the causes. “Our customers are really good with donating very selflessly,” Holt said. The store changes the charities quarterly and this summer has been raising money for two teenagers close to the hearts of borough residents who are battling cancer. The BYOB campaign money is being distributed to the #NikiStrong Foundation and the Team 17 Strong Foundation.

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TVD Live Shots: Bush, Live, Our Lady Peace at Concord Pavilion, 8/7

Rockers Bush and Live are out on their ALTimate tour to celebrate the 25th anniversaries of their respective breakout albums Sixteen Stone and Throwing Copper along with openers Our Lady Peace. The 33-date run hit Concord, California’s Concord Pavilion on a warm but breezy evening for what would prove to be an epic celebration of two of the biggest albums of the ’90s.

The evening kicked off about 30 minutes late as the venue and crew wrestled with some technical issues, but the silver lining was that it gave the fans some additional time to fight their way through the Thursday night rush hour traffic in time for Our Lady Peace’s opening set.

Live wasted no time pulling out material from Throwing Copper, launching right into “All Over You” which got the Concord crowd on their feet. In an unexpected twist, Live chose to use part of their 60+ minute set to plow through covers of R.E.M.’s “Losing My Religion” and The Rolling Stones’ “Paint It Black” to complement the band’s classic material.

Bush took a similar approach to Live, launching right into the one-two punch of “Machinehead” and “The Chemicals Between Us.” In spite of the co-headlining status, the tour seemed to have saved the electricity for Bush … the lighting over-the-top as frontman Gavin Rossdale bounded around the stage. In a bit of a bizarre move, Rossdale pulled out a pair of chefs knives before introducing “This is War,” but otherwise the set was flawless and those in the back greatly appreciated Gavin’s adventure into the crowd during “Little Things.”

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TVD Live: Lollapalooza at Grant Park, 8/4

4:00PM: I’ve been stuck in the north entrance Lollapalooza line with 4,000 new companions. We’re inching along so I’m guessing I won’t have the chance to photograph Francis and the Lights. Bummer.

4:28PM: A little excitement here in the security line. A girl next to me simply couldn’t wait any longer to use the restroom. Pleading cries didn’t help her, but the crowd did. Those close formed a human circle to protect her from cops seeing her while she natured it. Teamwork.

4:39PM: I’m inside the gates! Finally! It’s the busiest day of the weekend (and best daily lineup). I weave my way through the crowds to Perry’s Stage.

5:22PM: Why the hell am I at Perry’s Stage? Would you believe me if I said Shaq? The NBA Hall of Famer has taken up a DJ career and goes by the stage name of Diesel. His skills are…shall we say less developed than his basketball game, but no one seems to care. The crowd rages and the scorch of the pyrotechnics leaves me sweaty.

5:25PM: Just got word that 300 to 400 kids broke down the gates at Michigan Ave. and Harrison St. about 20 minutes ago. Oh boy.

5:26PM: The Revivalists played their entire set with an “End Gun Violence” backdrop. We fell asleep to the news from El Paso and woke up to the news from Dayton. It’s not far from anyone’s thoughts today.

5:55PM: A mysterious skywriter appears above Grant Park during Sharon Van Etten’s set. “Smile” it spells out.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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