A morning mix of news for the vinyl inclined

In rotation: 1/28/25

Regina, CA | ‘A luxury’: X-Ray Records set to close its doors after 38 years in Regina: Just minutes after opening, the front door barely closes as customers continuously shuffle into X-Ray Records. Old rock music fills the space while customers browse their favourite vinyls searching for their next find. But that won’t be the reality much longer as the team announced they would be closing on Feb. 28. “There’s not enough foot traffic downtown,” Noah Biegler, the owner of X-Ray Records said. “The costs of keeping the doors open are higher than ever. The cost of records has gone up—some companies by 60 to 75 percent.” X-Ray Records was established in 1987 (initially as a franchise of the Ontario-based Records on Wheels chain) by Manitoba-born music enthusiast and record collector David Kuzenko. In Regina, the store was first located in the Scarth Street Mall, but in 1998 the store went independent and was re-named X-Ray Records.

Springfield, OH | Game Cycle in Springfield turns 10: The arcade and store is popular among collectors. With a vast collection of retro games, films and records alongside a classic arcade, Game Cycle in Springfield is one of the most popular shops for collectors in the Southwest Ohio region. I visited this store recently to see if it lived up to its reputation. After walking past the gaming icons decorating the store’s exterior, I entered the shop and saw the place was filled with interesting items. Personally, I was most excited by a kiosk located near the front desk where guests could play GameCube games. This machine, while worn by decades of usage, bears a striking resemblance to kiosks found in various McDonald’s locations in the late ’90s and early ’00s. While I could not play the Spyro the Dragon game I distinctly remember trying at my local McDonald’s, I could play Super Smash Brothers Melee, which would probably be seen as an improvement to everyone aside from my inner child.

Rhinelander, WI | Crate Diggers brings vinyl nostalgia to the Northwoods: In the era of streaming services, one old musical medium is still attracting the attention of young people. Over the last several years, vinyl records have made a resurgence back into everywhere from big box stores to antique shops. Part of that resurgence can be found at “Crate Diggers Music & More” in Rhinelander. “The whole point of this place was to be a record store kind of like me and my record nerd buddies used to hangout in back in the nineties,” owner Tony Rio said. Rio isn’t just looking to bring the resurgence of vinyl records to the Northwoods. It’s about more, he said, and reflected on his favorite record store as a kid and how he wants Crate Diggers to be the same way. “It was a place where everybody’s always welcome and you can come in and look at stuff and just hangout if you want or buy or, you know…just a nice place to be,” Rio said.

Salisbury, UK | Cross Keys record shop transformed by Boiler Room Records: Boiler Room Records has transformed its Salisbury store, located in the Cross Keys Shopping Centre on the Market Place, introducing an additional 3,500 pre-owned collectible LPs to create a premium destination for vinyl collectors. The store now boasts an unparalleled selection, catering to diverse musical tastes and collectors of all levels. Open seven days a week, the shop welcomes visitors with knowledgeable, helpful, and friendly staff, and both Cross Keys and the shop are fully accessible. …The improvements don’t stop here! Over the next two weeks, additional upgrades to the store layout and branding will further enhance the customer experience. Boiler Room Records remains committed to its core mission: offering an inclusive environment and an incredible array of new LPs alongside our collectible selection.

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TVD Radar: Motörhead, Overkill, Bomber, & Ace Of Spades reissues in stores 2/28

VIA PRESS RELEASE | Motörhead, the multi-generational soundtrack and lifestyle for millions worldwide, will celebrate their 50th year in 2025, and in honor of this historic milestone, a series of releases and events will take place throughout the year.

Having played live to millions of fans, and sold over 25 million albums in their career, the Grammy-Award winning Motörhead are as popular as ever as their golden jubilee commences. In 2024, the band enjoyed a brand new UK top 10 single in October with “Lawman,” racked up over 320 million streams globally, numbered 20 million listeners on Spotify, and garnered over 112 million views on YouTube. And starting with a very special release to be announced in May, the year 2025 will be a celebration that confirms Motörhead is For Life and Lemmy is Forever.

“It’s incredible to know that our music, and all it stands for, continues to resonate with so many people,” says guitarist Phil Campbell, “of course we’re enormously grateful to still be appreciated like we are, and truthfully, the music remains as vital and important as ever because there’s a unique energy and honesty to it that we will all always need.”

“It’s a remarkable story, the connection we have with our fans can only be described as family and it’s so exciting to see the family still growing,” says Mikkey Dee, “But it also makes sense, because people know who we are and what the music is about. Motörhead has always stood for doing it OUR way, it’s timeless, and continues to inspire people to take that path.”

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TVD Radar: Dispatches From The Literary Underground: Evergreen Review Magazine Covers & Essays 1957–1973 by Pat Thomas in stores 5/6

VIA PRESS RELEASE | Evergreen Review was a touchstone of alternative publishing during the sixties and seventies, a veritable bible of progressive politics, culture, art, cartoons and photography. It was a launchpad for opinion, commentary, journalism and literature and the old and new left. Pat Thomas has assembled an invaluable oral history and collection of the best of Evergreen from that critical era when revolutionary writers and artists challenged the status quo.”Steven Heller/art director of Evergreen Review (circa 1972)

For the first time ever since their original print date, this book presents full color reproductions of all front covers of all 100 issues of the Evergreen Review from 1957 to 1973, plus hundreds of pages from many of the issues reprinted exactly as they originally appeared—all illustrations, photography, even the ads for other books, albums, letters to the editor, subscription offers, etc.—left intact!

Historian Pat Thomas interviewed 1960s era Evergreen staffers to get the inside scoop on the day-to-day operation of the magazine, plus gathered new essays looking back on this golden era by John Oakes, Loren Glass, Kasia Boddy, Dale Peck, Ethan Persoff, Ken Jordan, and Stanley Gontarski. A book tour will be confirmed shortly in Los Angeles, San Francisco, Seattle, New York, Boston and London with additional dates added & announced shortly. Advance PDF review copies available by request.

Pat Thomas—the PEN award-winning author of Material Wealth: The Personal Archives of Allen Ginsberg, Listen, Whitey! The sights & sounds of Black Power 1965–1975, and Did It! Jerry Rubin: An American Revolutionary, now focuses on the Evergreen Review—the most influential literary/political/avant-garde magazine of the 20th Century.

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Graded on a Curve:
Thin Lizzy,
Jailbreak

Celebrating Brian Downey on his 74th birthday.Ed.

You wanna hear a miracle? I lived for almost five-and-a-half decades without ever hearing Jailbreak, or any other Thin Lizzy album for that matter. Here vocalist/bassist and chief songwriter Phil Lynott and his Irish compatriots put out a truly tremendous LP in America’s Bicentennial Year, not to mention a parcel of other great LPs, and what was I doing? Listening to Elton John and John Denver and England Dan and John Ford Coley, any band basically with a guy named John in it. If Debbie Gibson’s middle name been John, I would have listened to her too.

I would love to be able to say I simply wasn’t into hard rock back then, but I owned albums by Bad Company, UFO (UFO? Me? Inexplicable!), Robin Trower, and Foghat, so that’s sheer bunk. But there’s no point in crying over guilty milk, and it’s never too late to make up for past mistakes, that is unless you’re Lee Harvey Oswald or that chimpanzee (name: Travis) who ripped a woman’s face off in 2009, and I’m neither of those personages.

So here I am making up for atoning for my inexplicable oversight, and listening to Jailbreak which mixes tremendous twin-guitar hard rockers with sweeter fair, all of which I love with the possible exception of “Cowboy Song”—in which Lynott, a black Irishman, plays rodeo cowpoke.

But I take that back. “Cowboy Song” may start slowly, but its guitar solos are tremendous and Lynott’s vocals are impassioned (especially when he sings, “It’s okay amigo/Just let me go/Riding in the rodeo”) and the jam at song’s end is a bono fido guitar marvel. Turns out I love the damn thing! Just as I love everything about the LP, except for its cover. Too sci-fi for my decidedly earthbound tastes.

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Graded on a Curve:
James Booker,
Resurrection of the Bayou Maharajah

Can you adjudge the greatness of an artist by their sheer accretion of natty nicknames? If so, New Orleans rhythm and blues pianist and singer James Booker was a God. He garnered a slew of colorful sobriquets over the course of his short life—the Bayou Maharajah, the Piano Pope, the Ivory Emperor, the Piano Prince of New Orleans. But the most telling is the one he bestowed upon himself—the Bronze (or sometimes Black) Liberace.

The Bayou Maharajah may be my favorite—it lets you know you’re in the realm of the swamp exotic. But the Bronze Liberace is the most accurate—it lets you know you’ve moved into the realm of the fabulous. And not simply because Booker was gay, had a flamboyant streak and knew his way around the classical music canon. New Orleans has spawned a legion of legendary rhythm and blues pianists, but only one of them was a classically trained child prodigy who was performing all of J.S. Bach’s Inventions and Sinfonias professionally by age 12.

His classical skills would inform his music thereafter—his music was a one-of-a-kind stew of R&B, jazz, and classical. And he authentically loved Liberace and all the gaudy trappings; asked to record an album once, he would say sure, but I want a candelabrum on the piano. And that’s non-negotiable.

Classical music couldn’t contain Booker. He walked away from Chopin in favor of Jelly Roll Morton and by age 14 he’d released his first R&B single “Doin’ the Hambone.” Come 1960–by which time he’d toured and/or recorded with just about everybody who was anybody—he scored his only hit with the organ instrumental “Gonzo,” a fave of Hunter S. Thompson.

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A morning mix of news for the vinyl inclined

In rotation: 1/27/25

Little Rock, AR | End of an era for Ugly Mike’s Records in Little Rock: After decades of being in the business, a beloved business in Little Rock is set to close its doors this summer. Here’s what the owner says he has planned next. A well-known and beloved Little Rock staple is set to close its doors this summer. Ugly Mike’s Record shop was known for selling the latest hits and classics but also offered a place of peace for many in the community. Now, the owner has planned to retire in the coming months. “I’m at the end of my life cycle, it’s time for me to stop and enjoy some of the life out there,” Ugly Mike said. …”I don’t know who would want to buy into the record business right now, the over-the-counter music business is gone. You know, everything now is on your phone and Spotify and those places. The over-the-counter music business is tough now,” Ugly Mike said. Mike said that his most precious memories are meeting people. He has always loved his customers.

New York, NY | Rough Trade to expand New York store as music fans seek ‘experiences’, owner says: British record store chain to triple size of Rockefeller Center location with 300-capacity room featuring built-in stage. A mosh pit may seem out of place in Rockefeller Center, better known for its Christmas tree, rinks and hoards of tourists. But a British record store chain wants to change that. Rough Trade is tripling the size of its site at the major shopping center this spring, expanding its downstairs to create space for more vinyl, merchandise and events with artists. Like its stores in the UK, Rough Trade typically teams up with artists around the release of a new album, hosting small concerts for those who purchase an LP from the store. The expanded New York store will take over a space that was once a chain stationery store. The site will include a built-in stage, and enough room to accommodate 300 people – more than three times the number who can fit in the current store.

CA | Music News Digest: Big Wreck Named 2025 Record Store Day Canada Ambassadors: Big Wreck have been named 2025 Record Store Day Canada ambassadors. The Canadian rock band will also be releasing their 2012 album Albatross on vinyl for the first time in deluxe 2xLP limited-edition featuring live and unreleased music as a Record Store Day exclusive. The album was certified Gold and was their biggest hit since In Loving Memory Of… in 1997 and its big shiny rock radio staple “That Song.” The title track of Albatross has also gone Platinum. “It’s a great honour for Big Wreck to be Record Store Day Ambassadors,” says Big Wreck leader Ian Thornley. “We grew up going to record stores and building our vinyl collections and it means a lot to us to continue the tradition. It’s especially exciting to be putting Albatross out into the world for the first time on vinyl. That record holds a special place.”

Washington, DC | See A Play in A Record Store: This Valentine’s Day, why not set a new sort of record? See an intimate performance at your local record shop, when romantic comedy Love and Vinyl opens at Byrdland Records (1264 Fifth St. NE). The author of Love and Vinyl is Maryland-based playwright and long-time professor of theatre at Bowie State University, Bob Bartlett. He is no stranger to staging his work in unusual locations. A few years ago, Bartlett premiered his time-bending comedy, The Accident Bear, which sold out its five-week run to critical acclaim, at a working coin-operated laundromat in historic downtown Annapolis, Maryland. He staged Lýkos Ánthrōpo at Historic Congressional Cemetery last year. Bartlett wrote Love and Vinyl on a dare from colleagues who challenged him to write a comedy about vinyl lovers who had sword off romance. Like himself. In the play, best friends Bogie and Zane visit their local record store, but “leave with more than a stack of vinyl…”

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TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Your toy balloon has sailed in the sky, love / But now it must fall to the ground / Now your sad eyes reveal just how badly you feel / ‘Cause there is no easy way down

The view from the cliffs must have been exciting / And up to the peaks you were bound / Now you’re stranded alone and the past is unknown / And there is no easy way down

The wind is down and there’s clear sunny skies in our canyon. I’ve been told our prayers for rain might be answered this weekend.

My second installment of the Idelic Hour for ’25 starts with a fair amount of dreamy favorites from a playlist I often listen to while riding my beloved bicycle.

I’m still thanking my lucky stars and beaming from Laurel Canon. Bless you and this groovy city of angles.

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TVD Radar: Talk Talk, The Very Best Of Talk Talk 2LP in stores 3/14

VIA PRESS RELEASE | Talk Talk’s Very Best Of is to be reissued as a newly re-ordered and now career-spanning compilation. Changes to the original 1997 release puts Talk Talk’s greatest hits in chronological order and with a new inclusion from the band’s final album, Laughing Stock. The reissue will be available on black gatefold 2LP and CD on 14th March.

Talk Talk formed in 1981 by Mark Hollis, Lee Harris, and Paul Webb. Starting as a synth-pop group, their first two albums The Party’s Over and It’s My Life reached the top 40 in the UK charts and produced global hits “Talk Talk,” “Today,” “It’s My Life,” and “Such a Shame.” In 1986, they released The Colour of Spring which was followed by Spirit of Eden, the album that shifted their sound towards experimental post-rock. In 1991, Talk Talk released their last album Laughing Stock.

The band’s long-lasting legacy has manifested in many ways. Credited with inventing post-rock, cited as influences to an array of artists such as Kate Bush, Tears for Fears, and Radiohead with others covering a host of Talk Talk repertoire. Namely No Doubt’s hit cover of “It’s My Life.”

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TVD Radar: Morrison Hotel Gallery presents exclusive retrospective, ‘Look Back: The Best of Bob Dylan’

VIA PRESS RELEASE | Morrison Hotel Gallery will present an exclusive fine art photography exhibit of the life, and many lives of Bob Dylan as shot by 17 culture-defining photographers. This will be a bi-coastal exhibit, opening Thursday, January 16th at both gallery locations. Prints will be available for purchase at both galleries, and online here.

Look Back: The Best of Bob Dylan offers forth a rare exploration of Morrison Hotel Gallery’s exclusive and extensive fine art photography collection. It is a comprehensive retrospective that chronicles Dylan’s seismic career to date, capturing moments onstage, backstage, and off-stage in portraiture and live/ reportage-style works.

The exclusive exhibit features rare and never-before-seen, including artist-printed and remastered pieces by Daniel Kramer with additional work by Jerry Schatzberg, Ken Regan, Don Hunstein, Danny Clinch, Barry Feinstein, Rowland Scherman, Elliott Landy, Lynn Goldsmith, Lisa Law, DA Pennebaker, Jay Blakesberg, Henry Diltz, Michael Zagaris, Joel Bernstein, David Gahr, and Peter Simon.

Kramer, who passed away April 29th, 2024, considered himself a “historian with a camera.” His images here capture Dylan’s transformation from the darling of the folk scene to a full-blown rock star, wielding an electric guitar and fronting a full band. This controversial evolution granted Dylan a career reset that kept him vital for many decades to come.

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Graded on a Curve:
Klaus Nomi,
Klaus Nomi

Remembering Klaus Nomi, born on this day in 1944.Ed.

Released in 1982 and featuring New Wave-era rock infused with legit elements of opera and an undisguised gay sensibility, the debut LP from German-born NYC-based singer Klaus Nomi was readymade for cult status. The record very much belonged to the fringe of its time but without being ahead of it; the man who made it endures today not as an oft-pilfered stylistic touchstone but rather as a beacon for individualistic expression. That’s cool, as is his penchant for adapting ’60s pop tunes. 

I was all of eight years old when Klaus Nomi, along with his friend Joey Arias, vocally backed-up and added performance zeal to David Bowie’s appearance on the December 15, 1979 episode of Saturday Night Live. Unsurprisingly, I missed it when aired, but have caught up with “TVC 15” and “The Man Who Sold the World” archived on the internet. Those songs blend nicely with the footage that did serve as my introduction to Nomi’s work, his entry in the 1982 various artist concert film Urgh! A Music War.

It was sometime in ’87 that I and a few friends popped the home video edition into the VCR and had a fine evening at the crossroads of punk, new wave, post-punk, and reggae. And while there’s no denying an immediate reaction of incredulousness to Nomi’s NYC club performance of “Total Eclipse,” by song’s end we’d all adjusted pretty well.

I bring up this anecdote to counteract the still occasionally extant viewpoint of Nomi as a sheer curiosity. Sure, after viewing a performance by the guy it’s unlikely he’ll be forgotten. For example, during that version of “TVC 15” on SNL he walks around the stage with an imitation pink poodle (with a TV monitor in its mouth), and yet he somehow doesn’t steal the show from Bowie. But his work, if eccentric by pop marketplace standards, holds substantial value, which means that Klaus Nomi is an album to own for reasons far beyond “Hey, get a load of this” territory.

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TVD Radar: The Podcast with Dylan Hundley, Episode 168: Julia Gorton

PHOTO: STEPHEN ZEIGLER | Julia Gorton started her career as the photographer, creative director, and publisher of the No Wave fanzine Beat It!, which offered an insider’s view of the downtown New York music scene, 1976–1980.

She recently published a compilation of issues and her book, Nowhere New York offers a visceral view of the scene through her photographs, writing, and guest essays.

She was an integral member of this era and photographed the gritty and electric energy of James Chance, The Dead Boys, Devo, and Lydia Lunch plus many more all within the context of the scene as a whole.

Julia and I sat down recently and discussed when she first picked up a camera, her evolution as an artist and member of alt culture, along with her time on the downtown music scene of New York in the prime punk and No Wave era. We also discuss current perspectives on her continuing work.

Dylan Hundley is an artist and performer. She is the co-creator and lead singer of Lulu Lewis and creator of all things at Darling Black. She co-curates and hosts Salon Lulu which is a New York based multidisciplinary performance series. She is also a cast member of the iconic New York film Metropolitan.

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Graded on a Curve:
Tony Bennett,
Tony Sings the Great
Hits of Today!

And pukes! Literally! Here’s the story—in 1970 Columbia Records head honcho Clive Davis, eager to resuscitate Tony Bennett’s faltering career by updating his sound, browbeat Bennett into singing the songs of The Beatles, Stevie Wonder, Peggy Lee, Dusty Springfield, Richard Harris and the like—you know, freaky countercultural stuff, one small step away from Wild Man Fischer.

And Tony—a 100-percent Great American Songbook kind of guy—did what any great singer in his shoes would do. Threw up on them. Because he was backed into a corner and Captain Beefheart covers couldn’t be far away. He later recalled: “I started planning the record by listening to as many current hits as I could stand. I mean some of the songs made me physically nauseous.” The poor dear man. George Harrison’s “Something” has that effect on people.

Nausea, as we all know, is one small step away from actually blowing chunks, and that’s exactly what Bennett did come time to record such rancid hippie fare as “Eleanor Rigby” and the druggy “Little Green Apples.” Davis himself reported that Bennett vomited at the start of the sessions. Tony, a class act in all respects, used a more polite term: “I actually regurgitated when I made that awful album.”

Bennett was hardly alone in his aversion and disgust for the sounds of the younger generation. Way back in 1957 Frank Sinatra called rock and roll “the most brutal, ugly, degenerate, vicious form of expression it has been my displeasure to hear.” Ol’ Blue Eyes went on to say “It is sung, played and written for the most part by cretinous goons,” before dismissing it as a “rancid smelling aphrodisiac” and “the martial music of every sideburned delinquent on the face of the earth.”

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A morning mix of news for the vinyl inclined

In rotation: 1/24/25

Escondido, CA | Escondido welcomes new record store to historic downtown: A passion for vintage vinyl and a community’s enthusiasm for physical media has sparked the opening of Escondido’s first record store in roughly 15 years, smack dab in historic downtown. Track City Records, which debuted in early December, aims to reignite a local appreciation for records and other physical music formats while creating a gathering space for music lovers. The shop, located at 105 W. Grand Avenue, occupies a space that once housed a photography studio and, before that, a wig shop. Owners Bel Dacumos and Aubrey Espiritu, both Escondido residents, transformed the site into a haven for vinyl enthusiasts. The journey to opening the store began as an effort to purge their individual record collections through pop-up sales. “We wanted to declutter and let go of some of our records,” Dacumos said.

Kingston, UK | Kingston’s Banquet Records among 18 UK record stores crowned ‘the greatest in the world.’ The Financial Times has curated a list of 38 record stores worldwide crowned as the “greatest in the world”, 18 of which are in the UK. Among the 18 in the FT’s list is our very own Banquet Records. But why did Banquet Records make the list? The FT says: “Come for the comprehensive edit of contemporary indie, rock and dance records – stay for the 200 gigs a year the shop puts on, whether in its intimate onsite space, the Pryzm nightclub around the corner or St John’s Church on the outskirts of town. Tickets are not expensive and sometimes free when you buy an album. “While many record stores rightly cherish the past, Banquet feels like it’s got its eye on the future.” Speaking about the store’s recognition in the Financial Times, Banquet Records’ Jon Tolley told KIngston Nub: “It’s great to get such recognition.”

Los Angeles, CA | LA’s dublab and In Sheep’s Clothing announce record sale to benefit wildfire relief: Los Angeles radio station dub lab and hi-fi hub In Sheep’s Clothing have announced a benefit record sale to support wildfire relief efforts. Set to take place at Sound & Vision at The Row DTLA on February 2nd, the community fundraiser and market will feature donated vinyl, audio gear, music books, tapes, CDs, collectibles and more. Select dublab residents will DJ, local café Senses will provide coffee, and Remember This Feeling will offer massage therapy. The event runs from 11 AM through 4 PM—all proceeds will go directly to musicians impacted by the wildfires. Ahead of the sale, dublab is still seeking donations for their inventory. Those interested in donating should fill out this form—they may also drop off or ship donations to dublab’s studio at 1035 W 24th St. through January 29th.

Hexham, UK | Snap Records store, Hexham supports Blue Spirit charity: The proceeds of a vinyl collection were donated to charity. Blue Spirit is a charity established in Hexham that helps young people experiencing mental health challenges, or facing social or economic disadvantage, to experience the freedom of sailing. It was established in memory of Laury Gratiet, who died of a mental illness at 21 years of age. Andy Lees, Laury’s uncle, sold approximately 60 records and a turntable to Snap Records in the town centre and donated the proceeds of £550 to Blue Spirit. Solen said: “This amount is a significant contribution to Blue Spirit and it will allow one young person to go on a five-day group sailing voyage from North Shields or Hartlepool, or will allow 16 young people a half-day dinghy sailing session on the Derwent Reservoir. “These experiences are potentially life-changing, and at the very least give young people the chance to do something that would normally be out of their reach and that will enhance their mental well-being.”

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TVD Radar: Michael Jackson, Off the Wall 45RPM SuperVinyl 2LP box set in stores now

VIA PRESS RELEASE | Mobile Fidelity Sound Lab (MoFi), a leader in high-fidelity audio reissues, is proud to announce that Michael Jackson’s RIAA-Certified nine-times-Platinum Off the Wall is available now in two audiophile formats: a numbered-edition UltraDisc One-Step 180g 45RPM SuperVinyl 2LP Box Set (limited to 6,000 numbered copies, order HERE) and a numbered-edition Hybrid SACD (order HERE).

Jackson’s emergence as the “King of Pop” started with Off the Wall, which features the timeless hits “Don’t Stop ‘Til You Get Enough” and “Rock With You” and blends funk, disco, soul, and R&B in visionary ways. Sourced from the original master tapes, MoFi’s editions of Off the Wall play with superb clarity, detail, and Dynamics.

Mobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP box set and the numbered-edition hybrid SACD of Off the Wall are sourced from the original master tapes (1/4″ / 30 IPS analog master to DSD 256 to analog console to lathe). The UD1S is housed in a deluxe slipcase, pressed on MoFi SuperVinyl at Fidelity Record Pressing, and strictly limited to 6,000 numbered copies.

The keepsake packaging of this Off the Wall UD1S set further befits the album’s preeminent status. Housed in a deluxe slipcase, it features a special foil-stamped jacket and faithful graphics. The SACD is housed in mini-LP-style packaging. These reissues are made for everyone who desires to immerse themselves in everything involved with the nine-times-platinum landmark—including the iconic album cover with Jackson dressed in a tuxedo.

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TVD Radar: Disturbed, The Sickness 25th Anniversary Editions
in stores 3/7

VIA PRESS RELEASE | “Disturbed are undoubtedly one of the most popular metal bands of the 21st century.”Revolver

Today, multi-platinum rock band, Disturbed, announce the 25th anniversary edition release of The Sickness on March 7th, their seminal debut album which launched the band into public consciousness and is one of the most important and influential heavy metal albums of all time. To commemorate the anniversary, the band will reissue their five-times Platinum certified debut album on March 7th, exactly 25 years to the date of their original release, in editions including:

A Limited Edition 1-LP (silver vinyl) and 3-CD Box Set. It includes the original album, B-sides, unreleased demos, and an unreleased 14-track concert from The Palladium in LA from April 2001 as well as songs recorded at Chicago’s Metro in March 2000 and the London Astoria in February 2001. The box includes a poster, cloth patch, backstage pass, and a set of guitar picks. It also includes a book featuring rare photos and memorabilia, and an extensive essay with new interviews with the members of Disturbed, and producer Johnny K. An exclusive lithograph signed by the band is included with the limited-edition D2C format.

A 2-CD Deluxe Edition that includes the original album, plus a disc of B-sides, unreleased demos, and rarities. The booklet features an essay with new interviews with the members of Disturbed and producer Johnny K. Vinyl editions including variants in limited edition green vinyl, limited edition orange vinyl (Germany/Central Europe exclusive), and limited edition milky clear vinyl (Spotify Fans First). Digitally, which includes all 40 tracks included in the limited-edition box set.

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