A morning mix of news for the vinyl inclined

In rotation: 5/17/23

Coventry, UK | Date confirmed when new independent record shop opens in Nuneaton town centre: It will be the first in town for many years. A date has been confirmed when a new independent record shop will open in Nuneaton town centre. Music is the Answer will be based in a unit within Barley House on Queens Road, opposite McDonalds. It is the brainchild of John Fitzgerald and is the third in his independent chain. He announced on social media that Music is the Answer, which will be in one of the units based down the side alleyway, an area that also plays home to Board Game Bunker, will open its doors on Saturday, May 20. …He has documented his move to Nuneaton on his YouTube channel, Brum Reseller, and on it the former cabbie explained that the new shop will have almost 60 records on the wall alone. That is on top of the units filled with records, which will be everything from dance to rock. “There will be hundreds if not thousands of records…”

Oshawa, CA | Kops Records – Oshawa’s home for vinyl records – moves to new digs downtown: Oshawa IS the Music City in Durham Region and King Street East is the epicentre, with two major venues in the Biltmore and Regent theatres across the street from each other, another major space likely opening this summer immediately to the north on Bond Street in the Music Hall, and plenty of bars and restaurants around to complete the picture. The Atria, a home for emerging talent for decades, is on the block and the 6,000-seat Tribute Communities Centre for the major acts is just a block away as well. Now you can add Kops Records to that mix after the record store, a fixture at Simcoe and John streets south of downtown since 2015, moved into new digs at 34 King St. E on May 6. The reason Kops Records moved is simple enough (and relatable to a million other businesses): the lease was up and so too would be the rent.

Hexham, UK | Vinyl Attic owner brings out his own vinyl release: The owner of a Hexham vinyl record shop has released his own LP on vinyl – something which he said has always been a “dream” of his. Jamie Harwood runs the Vinyl Attic, which is housed on the top floor of the Vintage Emporium in Market Place, alongside his wife Moira. The singer-songwriter has now just brought out a self-released LP named ‘FAST TRAIN, SLOW THOUGHTS’ under the musical alias Early Maze. …”As a vinyl collector myself, it’s always been a dream of mine to have my own music out on vinyl, and I’ve finally been able to achieve it.” The LP, which is limited to just 100 copies, can be purchased in the Vinyl Attic. Jamie told the Courant he is also keen to promote independent, self-released music from other bands and musicians by stocking physical copies of either CDs or LPs in a section of the shop. He said all sales from these releases would go directly to the artists.

Kokomo, IN | Driven by vinyl, Indiana record stores make comeback: Record Store Day is like Christmas for music collectors. It’s a day when artists release special editions of their best albums, concert recordings or rare recordings. Most of the releases are on vinyl, some in different colors — greens and blues, swirled oranges and reds. Music fans begin lining up outside their record store of choice sometime in the early hours of the morning. When Goshen’s Ignition Music Garage, 120 E. Washington St., opened at 8 a.m. on April 22, over 100 people were in line. At one point, owner Julie Hershberger pushed out a television cart so those in line could watch old music videos she had recorded on video tapes. She said it was fun for the 40 people near the television. It was a smaller affair in Logansport, where 18 people waited outside The Record Farm…

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The TVD Storefront

TVD Radar: Pete Townshend, Rough Mix
& Empty Glass half speed mastered reissues in stores 6/23

VIA PRESS RELEASE | June 23, 2023, sees the release of the first in a series of half speed mastered studio albums from Pete Townshend, Rough Mix and Empty Glass.

These limited-edition black vinyl versions have been mastered by long-time Who engineer Jon Astley and cut for vinyl by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut and are packaged in original sleeves with obi strips and certificates of authenticity. Rough Mix is presented in a gatefold sleeve, and Empty Glass features a full-color inner bag with full lyrics and a 12” x 24” poster.

Rough Mix was initially released in September 1977 while The Who were on hiatus and was a collaboration with Small Faces bassist the late Ronnie Lane and features contributions from Who bassist John Entwistle, Eric Clapton, and Rolling Stones drummer Charlie Watts among others.

The orchestral arrangements for the track “Street in the City” were provided by Townshend’s then father-in-law, noted British film and television theme composer Edwin Astley. Edwin’s son, Jon Astley has overseen this new remaster.

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The TVD Storefront

TVD Radar: Otis Redding, Otis Forever: The Albums & Singles (1968–1970) 6LP box set in stores 6/9

VIA PRESS RELEASE | Otis Redding’s reign as the King of Soul was cut short more than 55 years ago when the Georgia-born singer-songwriter perished in a plane crash en route to play a show. The Big O was gone too soon, but generations of fans still cherish the musical legacy he left behind.

Rhino brings all four of Redding’s posthumous records together for a new vinyl boxed set that includes mono versions of 24 singles from the albums. Limited to 1,000 copies, Otis Forever: The Albums & Singles (1968–1970) will be available on June 9 as a 6-LP set on multi-color vinyl for $149.98. The albums are each pressed on different colors: The Dock of the Bay (yellow), The Immortal Otis Redding (silver), Love Man (green), Tell the Truth (blue), and The Singles 1968-1970 (yellow). The set will also be available as a 6-LP black vinyl retail exclusive for $124.98.

The Singles 1968-1970 is a double album exclusive to the set in a gatefold sleeve illustrated with the 7” labels from all 24 singles. Mono mixes are used for every track, including gems like “The Happy Song (Dum-Dum)” and “Hard To Handle.”

Between 1962 and 1967, Redding was a creative dynamo, recording frequently at Stax Records with Booker T. & The MG’s—keyboardist Booker T. Jones, guitarist Steve Cropper, bassist Donald “Duck” Dunn, and drummer Al Jackson Jr. During his lifetime, Redding released six studio albums and a succession of R&B and Top 40 hits (“These Arms Of Mine,” “Respect,” “Try A Little Tenderness”) that helped transform Stax from a small Memphis record label into a global musical institution.

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TVD UK

UK Artist of the Week: Nikhita

Get ready to sooth your soul with Nikhita and her slick new single “Golden Child,” out now.

Combining soft, honeyed vocals with subtle electronic beats and R&B infused soundscapes, “Golden Child” is an instant ear worm. Fans of the likes of Priya Ragu and SZA will feel at home here. Talking about the single, Nikhita explains, “This song is about the failure to live up to traditional expectations despite feeling connected to my heritage, something I feel a lot of people will resonate with today.”

Nikhita is currently living in Edinburgh and is of Scottish-South Asian heritage. She identifies as queer and writes about her personal and familial struggles within her clashing cultures in her music. 100% a one to watch.

“Golden Child” in stores now.

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The TVD Storefront

Graded on a Curve: Wynton Kelly Trio and Wes Montgomery, Smokin’ at the Half Note

Wes Montgomery remains one of the undisputed greats of Modern Jazz guitar. To hear the man at his best is to luxuriate in the elevated energies of Smokin’ at the Half Note, an LP co-billing him with the impeccable trio of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. That set has been freshly reissued in Verve/UMe’s Acoustic Sound Series, and for consumers of vinyl with a passion for post-bop jazz, its acquisition is absolutely essential.

As “No Blues” opens Smokin’ at the Half Note it becomes rapidly clear the album’s title is wholly accurate, though in fact it only communicates part of the release’s reality, as the three tracks on side two, the Sam Jones composition “Unit 7,” the Montgomery original “Four on Six” and the standard “What’s New?,” were cut in studio in September of 1965. The visit to Van Gelder’s Hackensack, NJ studio, reportedly at the behest of producer Creed Taylor, occurred roughly three months after the band’s engagement at the New York City club; the LP hit stores in November of that year.

The studio side, if a tad more composed in execution than the two live cuts, does not falter. But really, it’s “No Blues” that has firmly established this record’s reputation as a must-own, with the track’s gripping nature reflected in the release’s shared billing. Having formed through an association with trumpeter Miles Davis in 1958 and heard together on one track, “Freddie Freeloader,” on Davis’ Kind of Blue, plus the entirety of its follow-up Someday My Prince Will Come (where “No Blues” was first recorded under the tile “Pfrancing”), the triumvirate cut numerous albums as a working band.

The trio’s familiarity with Montgomery was long-established. They are heard together, with the addition of tenor saxophonist Johnny Griffin, on Full House, cut for Riverside in 1962. In short, Kelly, Cobb, and Chambers knew each other well, they knew “No Blues” well, and they knew Montgomery well. This explains the cut’s casual energy in showcasing the guitarist’s technical skill and in how he seamlessly integrates those heightened abilities into a swinging post-bop scenario par excellence.

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A morning mix of news for the vinyl inclined

In rotation: 5/16/23

As vinyl record sales eclipse CDs, LP pressing plants are thriving: Last year, consumers bought more new vinyl records than CDs. It’s the first time that’s happened since 1987, according to the Recording Industry Association of America. The LP industry is booming, but for the businesses that manufacture those records, the last few years have been a bumpy ride. The Burlington Record Plant sits in a narrow industrial building behind a bagel shop in Burlington, Vermont. Inside, a machine that dates back to the 1960s presses vinyl discs, etched with the music of a local soul-folk trio. The press makes one record every minute or so. “Truthfully, I’m… a boutique pressing plant,” said owner Justin Crowther, who’s operated this small shop since 2014. Since the vinyl boom started, Crowther said he’s turned down investment offers and orders from major record labels. That makes him something of an outlier as sales of LPs, and the number of plants making them, have exploded. “It’s great for the business,” Crowther said. “I just hope that it’s not too much too fast.”

London, UK | Phonica Records: London’s spiritual home for electronic and dance: Nestled away in the heart of the ever-bustling Soho, London is a spiritual home for fans of electronic and dance music. Phonica Records, founded by Simon Rigg, Heidi Van Den Amstel and Tom Relleen in 2003, has spent the last 20 years weathering the winds of the vinyl market, providing a space for vinyl nerds, DJs and intrepid genre explorers. Whilst the vinyl market is famously experiencing an uptake right now, 2003 posed a much more barren landscape. “It was the worst time to start a record shop. They were all closing, just as we were opening,” explains Nick Williams, assistant manager at Phonica Records. Despite the harrowing climate, Phonica set out with a dream. “The goal of Phonica is to be the number one dance specialist in the UK,” Nick states plainly. To affirm Phonica’s place in London’s musical landscape, the team immediately set about diversifying its output.

Chepstow, UK | Chepstow tortoise shop and record shop to close owner confirms: The owner of two town centre businesses says negative social media feedback is part of the reason he is closing the shops down. Ian Crosby opened Chepstow Records and the adjacent Tortoise Shop around 16 months ago. “Most people wouldn’t have dreamt of taking on the shops in that climate,” he said. Mr Crosby has “been in the pet trade for years”. While he was setting up the tortoise shop he noticed the vacant store next door. “Why not stick some records in there?” he said. He explained that he had opened his first record shop in Penarth when he was 17. Neither shop, he said, was liable for commercial rates. However, despite this, business had been hard. “Recently it’s been a struggle,” he said. “It’s a tremendous responsibility, particularly regarding live animals such as tortoises. “I don’t live in Chepstow myself and when you’re making very little turnover you question whether it’s sensible to continue. “I’m working seven days a week. Why? That’s what I’m asking myself.

Devizes, UK | Antiques and record stores open in Devizes after leaving The Shambles: A husband and wife duo have opened two new stores in a shared town centre space after relocating from The Shambles. Taylor’s Clearances, an antiques and collectibles shop run by Markus Taylor, and All About The Music, a record store owned by his wife Debz, recently opened in a single premises at Old Swan Yard, Devizes. The pair split the building down the middle and will run their respective businesses from the shared space. Both Mr and Mrs Taylor operated stalls in The Shambles market but decided to relocate into their own premises. The couple said they were excited at the prospect of welcoming both new and old customers into the shops. Mrs Taylor said: “I was quite chuffed to have the unit in The Shambles anyway and I made it my own quirky little space, but the shop just feels a little bit more professional and business-like. “It was a swiftly executed decision, we thought ‘we need to do this’ and the shop came up, so it all moved really quickly.”

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TVD Washington, DC

TVD Live Shots:
Ministry with Gary Numan and Front Line Assembly at the Fillmore Silver Spring, 5/3

Industrial giants Ministry stopped off at the Fillmore in Silver Spring on May 3, supported by New Wave god Gary Numan and Front Line Assembly. This celebrated lineup wowed the DC-area crowd.

Starting promptly at 7pm, Canadian band Front Line Assembly, or FLA, kicked off Wednesday night’s gig with heavy dose of electro-industrial music. Specifically, Front Line Assembly is known for combining electro-industrial elements with electronic body music, or EBM. For the uninitiated, EBM has its roots in the European punk and industrial music worlds; it combines industrial music and synth-punk with some elements of dance music.

Led by Bill Leeb, Front Line Assembly started with 2010’s “I.E.D.” from the album Improvised.Electronic.Device. While FLA has 17 albums in its discography, from 1987 to 2021, the set list drew from albums released from the 1990s to 2013. I was surprised to hear my 1985 jam “Rock Me Amadeus” in the set, which made for a bit of fun nostalgia. The crowd-pleasing, 30-minute set was dark and atmospheric; as a photographer it was great fun to shoot.

It had been over a year since I’d last seen and covered electronic music pioneer Gary Numan; I reviewed his gig at Washington DC’s Lincoln Theatre in March 2022. At that time, I was super stoked to photograph one of my bucket list artists—at the Fillmore on May 3, I was so happy and excited to be able to do it again. Before the show started, I spent a lot of time telling the security staff and other photographers around me how good his set was going be. I was right.

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TVD Cleveland

TVD Live Shots:
Father John Misty
at the Agora, 4/29

Folk rock divinity, Father John Misty, graced the stage of the Agora this past week, utterly dazzling the sold-out crowd with his showmanship and witty storytelling.

The full band and horns section made for sweeping and orchestral song arrangements—much like FJM’s most recent release, 2022’s Chloë and the Next 20th Century. The whole performance felt (and looked, with the blue and red lighting) incredibly cinematic.

His tour continues through the fall and attendance is encouraged.

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The TVD Storefront

TVD Radar: Charlie Watts, Anthology 2LP
in stores 6/30

VIA PRESS RELEASE | The first extensive anthology drawn from the bespoke jazz catalogue of one of the world’s most loved and admired drummers, the legendary Charlie Watts, will be released by BMG on June 30.

Available both in double vinyl and double CD editions, Anthology is a monument to the “other” musical identity of the giant who underpinned the Rolling Stones for more than 55 years. It draws on a near 20-year period in his substantial catalogue of jazz recordings in various configurations, including quartet, quintet, tentet and orchestra. The collection is both the perfect memento of a unique artist for longtime devotees and the perfect introduction for new admirers.

Anthology is a celebration of the faultlessly tasteful and inventive playing of a true inspiration to millions, who generously diverted the spotlight onto his brilliant, hand-picked collaborators. Across Anthology, these include such greats as his lifelong friend and double bass stalwart Dave Green, saxophonists such as Peter King, Evan Parker, and Courtney Pine, trumpeter Gerard Presencer, fellow drum titan Jim Keltner, and vocalist and Rolling Stones live band member Bernard Fowler.

This highly desirable retrospective begins in 1986, when Watts had his own name on an album for the first time—with typical modesty, some 25 years after his drumming first became the talk of his peers—on Live At Fulham Town Hall. It then features selections from the Charlie Watts Quintet’s 1991 mini-album From One Charlie, their albums A Tribute to Charlie Parker with Strings (1992), Warm and Tender (1993), and Long Ago and Far Away (1996), the 2000 collaboration Charlie Watts – Jim Keltner Project and another live set, 2004’s Watts at Scott’s, as the Charlie Watts Tentet.

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The TVD Storefront

Graded on a Curve:
It’s A Beautiful Day,
It’s A Beautiful Day

Hilariously earnest hippie folk rockers of the mushy stripe have a lot to answer for, as Village Voice scribe Robert Christgau noted in his cut-to-the-chase review of It’s a Beautiful Day’s eponymous 1969 debut: “This is on the charts. Get it off.” On the cover of It’s a Beautiful Day a woman in a flowing rustic dress stands atop a mountain peak. My guess is the album inside the cover inspired her to jump off.

San Francisco’s It’s a Beautiful Day are the band that gave us, for worse or for worser, “White Bird,” which you don’t hear very often because even your more sensitive poetic types know it crosses that fine line between the dawning of the Age of Aquarius and a bottomless lake of treacle. It’s the sort of song nuns in Catholic schools of the era played to their students in English class to prove they were “with it,” the same way they’d spin Sister Janet Mead’s groovy rock adaptation of “The Lord’s Prayer” some four years later. Lord only knows how many male parochial school students were inspired to drop out, join the Army, and risk both life and genitalia in Vietnam—anything to put as much distance as possible between themselves and “White Bird.”

It’s a Beautiful Day—who also tossed classical, jazz and “world music” elements into their musical mix—featured vocalist Pattie Santos and the husband-wife team of violinist David LaFlamme and keyboardist Linda LaFlamme, along with guitarist Hal Wagenet (the only member in the square ensemble with an ounce of freak in him), and some other folks I’m too lazy to mention. Although It’s a Beautiful Day were part of the San Francisco Summer of Love scene that produced the Grateful Dead and Jefferson Airplane, they had the bad luck of hiring as manager Matthew Katz, whose other clients, Jefferson Airplane and Moby Grape, were busy trying to scrape off the boot bottoms of their careers.

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A morning mix of news for the vinyl inclined

In rotation: 5/15/23

UK | Rubber Ducky Records launches fundraiser after canal boat sinks: A fundraiser has been launched after the destruction of the boat and the loss of nearly 1000 records and equipment. Rubber Ducky Records, the independent record store that was situated in a canal boat, has sunk. According to founder Myles Greenwood, the unique shop’s propeller got caught on a rug or mattress which broke the stern gland ultimately sinking the boat. Greenwood was on a mission to relocate to Manchester ahead of Record Store Day 2023. “Managed to save 3/4 boxes of records but the rest of stock & equipment was submerged. I decided not to go down with the ship but the damage is pretty bad so I don’t know when I’ll be up and running again. But don’t worry I haven’t given up,” shared Greenwood in an Instagram post. A fundraiser was created as a way to help the record shop get back on the water. Rubber Ducky Records suffered a lot of damage and lost around 1000 records and equipment including turntables and amplifiers in the process. Their current goal is £15,000 to get the shop running again.

Pueblo, CO | High Vibes Music & Zen Boutique seeks to ‘keep record stores alive in Pueblo.’ New store offers an eclectic mix of music, yoga and gifts. The former Independent Records store at 420 W. Fourth St. is being given new life thanks to a woman who developed an affinity for vinyl while working there for 13 years. Pueblo native Monica Arrieta and her wife, Kami, are saving the store for vinyl lovers and adding some new twists as they prepare to launch High Vibes Music & Zen Boutique in the coming days. Arrieta worked at Independent Records from 1990 to 2003 and said it was “a good time.” “It was before music streaming and it was bumping,” she said. “There would be lines outside of people waiting to get new releases.” …”When I heard Independent was going out of business, I hauled my cookies up to Colorado Springs to meet with the owner and see what we could do to try to keep record stores alive in Pueblo,” Arrieta explained, pointing out that Pueblo Records and Tapes also recently closed.

Oldham, UK | Oldham’s only record shop relocates into shiny new venue: A vinyl store in Saddleworth which is believed to be the borough’s only record shop has moved. Inner Space Records, which sits in the heart of Uppermill village on High Street, only opened in August 2020 – not long after the first lockdown. But ever since, it has stood as the only vinyl shop in Oldham and Tameside with pride as it offers more than new and secondhand records to browse but musical advice and suggestions from its expert shopkeepers. Owner, Brett Savage, said he felt compelled to open the vinyl store as he felt he got “a kind of musical education” from hanging around the many record shops in Ashton-under-Lyne in his youth – and didn’t want others to be starved of the experience. Brett added: “It was sad that record shops had all but disappeared, as there are none locally in Oldham nor Tameside. “One huge problem with buying online is that you don’t get to browse and you don’t get expert advice from shopkeepers. “Plus, I’ve always thought that was a distinctive ‘vibe’ in record shops.”

London, UK | HMV’s flagship Oxford Street store to reopen: The original central London HMV store is to reopen later this year after a four-year absence. The century-old music shop chain shut its flagship store in 2019 after going into administration. It was then taken over by Sunrise Records. It said the return to 363 Oxford Street was due to a “dramatic turnaround”, with HMV returning to profit in 2022. The store will have different branding and a new layout. The store, which first opened in 1921, became a world-famous presence on London’s busiest shopping street, hosting some of the biggest acts in the music business, such as the Spice Girls. In recent years, the retailer has broadened its focus to include merchandise, music technology, more live music and in-store signings, amid falling demand for DVDs and CDs. HMV said it would bring the new format, called HMV Shop, to 24 new sites and 14 existing stores by the end of 2023.

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The TVD Storefront

We’re closed.

We’ve closed TVD’s HQ for our annual spring break. While we’re away, why not fire up our Record Store Locator app and visit one of your local indie record stores?

Perhaps there’s an interview, review, or feature you might have missed? Catch up and we’ll see you back here on 5/15.

Posted in The TVD Storefront | Leave a comment

TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

This is stranger than love for us, / Turning backwards to face the demon, / No excuse for a wasted life, / Lightly falling through a whisper of sky. / It’s the weight of the world, I know, as I’m struggling to be. / It’s the weight of the world, I know, as you were mine, and we will find

Spring is here. Yep, pretty much. Birds are chirping and I have to think kids in this canyon and the valleys below are falling in love. Well whatever a kid would call “the look of love” today.

Before I rocket to the 4th dimension for the weekend, here are a handful of new records mixed with a cherished stack of vinyl from what seems like yesterday, but in truth is now decades ago.

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TVD Chicago

TVD Live Shots: 100 Gecs with Machine Girl at the Aragon Ballroom, 4/20

Riding high off their latest album release, 100 Gecs brought their hyper pop dance tracks to a sold out crowd at the Aragon Ballroom in Chicago on April 20th. With a setlist featuring new songs from 10,000 Gecs, as well as crowd favorites from the previous releases, 100 Gecs lit up the crowd for an hour and a half of pure bliss. New York electronic duo Machine Girl started the night off with heavy bass and trippy lighting, getting the crowd moving and dripping with sweat.

Keeping in theme with trippy lighting, 100 Gecs stormed the stage while all of their lights had a strobing effect that fit perfectly in time with their music. Donning their signature cloaks and wizard hats, they were met with an enthusiastic crowd screaming back every word to “Dumbest Girl Alive,” the opening track to their latest album and the song they opened their set with.

Laura Les often had a huge grin while performing, having the same amount of fun onstage as the crowd was on the dance floor. It’s endearing seeing an artist match the energy of the crowd, performing at the absolute highest capacity possible. Dylan Brady held it down, backing up Laura and hyping up the crowd.

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The TVD Storefront

TVD Radar: Texas, The Very Best Of 1989–2023 2LP in stores 6/16

VIA PRESS RELEASE | 34 years since they recorded “I Don’t Want A Lover,” then watched, gobsmacked, as it reached number eight in the charts, Texas, one of the UK’s most loved bands, have gone on to produce ten studio albums, selling over 40 million records worldwide. So let the fireworks begin as they today announce a special 2LP and 2CD compilation The Very Best Of 1989–2023—out June 16th on [PIAS] Recordings, ahead of an appearance on the Pyramid Stage at this year’s Glastonbury Festival.

There’s the one with The Wu-Tang Clan. The five that were top 10 singles from one album. The one with Alan Rickman in the video. The one that was an inspired Al Green cover. The two written with diverse titans of American music, Dallas Austin and Gregg Alexander. The one that was remixed by Giorgio Moroder. The one that helped give them their first French number one album. The segued pair that, according to the woman at the front, makes their live audiences go “absolutely fuckin’ apeshit”. The one with the video directed by Peter Kay. The other one with Wu-Tang Clan. The one that gave them, straight out of the gate, a Top 10 single with their first ever release. The club banger with a killer Donna Summer sample. And the one that ended up the theme song to a top-rating American sitcom…

Texas, The Very Best Of 1989–2023 has all of the above, and more. 24 diamonds from a glittering career, including two brand new tracks “Keep On Talking” and new single “After All.” A nailed-on singalong, “After All” is a song so stomping that the video, directed by Lewis Knaggs, features Sharleen deliver a stellar performance, unleashing her inner Dave Grohl as she takes up drumming duties. Then there’s “Keep On Talking”, a foot-shuffling cover of the 1965 Northern Soul deep-cut “Keep On Talking,” written by Dan Penn and Spooner Oldham—and produced by Oldham in Muscle Shoals.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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