A morning mix of news for the vinyl inclined

In rotation: 1/9/23

Kalispell, MT | Spinning vinyl and building community: For Bernard Jones, Slow Burn Records is more than just a place to buy music: it’s a hub for Northwest Montana’s vibrant music scene. “As much as it’s about the vinyl records, it’s more about having a safe haven for artists,” Jones said. “People are excited about it.” Jones is the general manager of the record store in Whitefish, which replaced local favorite Spanky’s and Gus after the shop closed its doors in 2021. When Slow Burn’s owners Mike and Dyan Colby heard Spanky’s planned on closing, the couple purchased the storefront and set out on revamping the space. Records of all genres line the bright storefront, which is decorated with bespoke furniture, instruments and neon signs. Customers can pop in a record at one of the store’s six listening stations, which allows music lovers to explore the wide-ranging collection. Jones said he has seen a renewed interest from young people in the old-fashioned way of listening.

Bristol, UK | Get to know: Collector Cave. Its true that vinyl is still an alive and kicking musical medium. Whether you’re a casual listener or a DJ, chances are that you or someone you know simply can’t get enough of those black waxy 12 inch discs. Yet, somehow, record stores themselves aren’t having the best luck of late. When Collector Cave was forced to close its doors in the Vintage Market at the bottom of Stokes Croft last year, it was a massive blow for the vinyl community. Easily one of Bristol’s top digging spots, you could guarantee with almost 100% certainty that you could go in there with a tenner and, with a keen ear, come out with two or three scorchers. However, all was not lost. The start of a new year brings with it new beginnings for the cave, as they open their new store, just a touch further up from the previous stomping ground, on Cheltenham Road, next to the Cloak and Dagger. I managed to grab them for a chat as they enter their first full month of business in the new gaff. We reminisced on the old store, looked into the future, and talked ice cream flavours.

AU | ‘So sad:” Aussies react to closure of iconic music retailer Sanity: The closure of iconic Aussie retailer Sanity has prompted a debate about whether physical stores are still needed in the streaming era. Iconic Australian music and entertainment retailer Sanity was there for vinyl records and cassette tapes, and for CDs and DVDs, but despite hanging on for so long, its stores have been unable to survive the streaming era. Earlier this week the company announced it was closing its physical doors and moving to become an online-only store. In response, Australians saddened by the news are sharing their fond memories of the chain, which opened its first Sanity-branded store in 1992 in Doncaster, Melbourne, but has a history that dates back to 1980. “This was the place I’d buy my CDs and CD singles from when I was a teenager,” one man from Canberra said. “I loved going in and seeing the top 20 albums of the week and the option of putting on the headphones to listen to an album before buying it. Thank you Sanity.”

Middlesbrough, UK | Turning tables: the UK’s new vinyl manufacturer riding the music revival: For the past year a Middlesbrough pressing plant has been helping artists make records, and there is no sign of demand slowing down. It only received its first pressing machines on Christmas Eve last year, but Press On Vinyl is well on its way to becoming the biggest manufacturer of vinyl records in the UK, already churning out about 3,000 a day and hoping to double that next year. The popularity of vinyl has soared in recent years – 2022 is expected to be yet another year with the highest sales since the early 1990s – and manufacturers have been unable to cope with demand. Taylor Swift’s Midnights has sold 80,000 copies on vinyl, more than any other album this century, helping to increase vinyl sales above those of CDs for the first time since the 1980s. “The demand for vinyls has increased dramatically in the last eight years, and existing plants haven’t managed to grow in tandem with it and new plants haven’t been able to set up in time,” said David Todd, who co-founded Press On Vinyl, in Middlesbrough, with Danny Lowe.

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TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

We’ve come a long, long way together / Through the hard times and the good / I have to celebrate you, baby / I have to praise you like I should

We’ve come a long, long way together / Through the hard times and the good / I have to celebrate you, baby / I have to praise you like I should

I’m having deja vu writing about the first days of the new year being like a blank canvas. Call this week’s “Idelic column” a rerun, but I have say that when it comes to my music consumption, I find myself a total creature of habit. I’ve spent the weeks from Thanksgiving to the new year listening to my favorite songs.

I’m a listener—looking, searching, seeking inspiration. Someone mentioned Mercury is in retrograde so I’m taking cues from this week’s playlist. I’m “taking my time,” but ready to move on to new pastures.

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The TVD Storefront

TVD Radar: Bardo Pond, Volume 3 2LP reissue in stores 3/10

VIA PRESS RELEASE | Somewhere between the Dilate album in 2001 ( “a combination of Kyuss and Spacemen 3” NME, with a “looser, more spontaneous feel” Pitchfork) and On the Ellipse in 2003 (“Nowhere is feedback more melancholic, more emotive, than that fashioned by Bardo Pond. And their misty depths have never been more tempting than here and now.” Brainwashed), Bardo Pond transcended into a mantra-like, multi-layered, cross-dimensional, wah wah powered nirvana.

In some circles, they say, spaceships wafted them away and they only returned some-time later, mind-altered and bedraggled, ears ringing. But that is the stuff of supposition.

As we already know, there is no “off” switch on Bardo Pond, they are never knowingly unplugged. Indeed, the modal evolution of their sound continues unabated and, in 2002 in the chasm between albums, they beget the third in the band’s series of limited-edition releases showcasing jam sessions and other miscellany, a trippier trip, postcards from where are super rare.

This sonorous sojourn now appears for the first time on vinyl. It’s part three of their succinctly named Volume series, an unbridled miasma that led to comments in the Village Voice: “Sublimely dissonant psych-smear.”

Double LP Volume 3 is set for release on 10th March on Fire Records.

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TVD'S LINER NOTES

Liner Notes: Folk Music: A Bob Dylan Biography in Seven Songs by Greil Marcus

How does one write a biography of one of the most definitive, elusive, and ever-changing artists in the history of popular music? Perhaps, by abandoning any intention to include any straightforward, linear qualities that a so-called traditional biography might promise.

There have been countless books penned on the life, times, and music of Bob Dylan since he first burst onto the folk music scene of the early 1960s. There was Dylan’s own Chronicles, Volume One (2004), a seductively fascinating selected set of tales from his own life, and an arguably successful film by Todd Haynes called I’m Not There (2007), that depicted the wildly different phases of Bob Dylan’s life by casting wildly different actors for each version of Dylan—or each character inspired by him and his songs.

If any music writer and cultural critic should be well-suited to take on the task of composing a Bob Dylan biography, it would be Greil Marcus, who has in part made his name as an American critic by analyzing the work of Dylan. Marcus devoted an entire book to Bob Dylan and the Band’s Basement Tapes with Invisible Republic (1997), and this time seeks to create a Dylan biography of a kind with Folk Music: A Bob Dylan Biography in Seven Songs.

But of course, Marcus’s book is so much more than just seven songs from Dylan’s illustrious canon spanning decades and several incarnations. Much like Marcus’s The History of Rock ‘n’ Roll in Ten Songs (2014), the selected tracks are used as jumping off points to articulate a much larger cultural story about one million songs, those that came before Dylan’s existence, those that inspired his own work, and those that were inspired by his own.

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The TVD Storefront

Graded on a Curve: Spiritualized,
Amazing Grace

Jason Pierce (aka J. Spaceman) is the kind of person so enamored of his illicit extracurricular pursuits (think primarily heroin) that he entitled a 1990 album with his then neo-psychedelic band Spacemen 3 Taking Drugs to Make Music to Take Drugs To. And he took his openness to narcotic predilections with him when Spacemen 3 disbanded and he formed Spiritualized.

Spaceman took his loves for exploring inner (and outer) space (see 1997’s Ladies and Gentlemen We Are Floating in Space) and feedback-drenched rock along as well. And on 2003’s Amazing Grace he added a gospel influence, the better to express his very real spiritual yearning. Because unlike his fellow neo-psychedelic genius Anton Newcombe, Pierce has a knack for intensely moving personal lyrics that express his pain, hope, defiance, and yes, love.

On Amazing Grace Pierce breaks things down the middle. Supercharged feedback storms like “This Little Life of Mine” and “She Kissed Me (It Felt Like a Hit)” alternate with spirituals like “Lord Let It Rain on Me” and “Lay It Down Slow,” just as hope is intermixed with “fuck it all” despair. What you’re left with is a man who personifies the lines from Grandaddy’s “He’s Simple, He’s Dumb, He’s the Pilot” that go “Did you love this world (and this world not love you?)”

On the chaotic “This Little Life of Mine” Pierce goes feedback feral and defiantly announces his intention to let go and self-combust—”This little life of mine/I’m gonna let it slide/I’m gonna let it burn/’Cause I’m getting sick of trying.” This is junkie autobiography that is every bit as Fahrenheit 451 as the Velvet Underground’s “Heroin” is New York cool. Forget Lou’s great big clipper ship—Pierce isn’t spouting poetry, he’s dousing himself in gasoline and striking a match.

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A morning mix of news for the vinyl inclined

In rotation: 1/6/23

AU | Iconic music retailer Sanity to shut its bricks and mortar stores for good: For decades it’s been the port of call for kids grabbing their first CD, but now Aussie music and entertainment retailer Sanity is closing up its physical doors. Sanity was founded by business heavyweight Brett Blundy with just a single store in 1980 called Jetts, in Pakenham, Victoria. It sold vinyl records and cassette tapes. By 1992, the brand relaunched as Sanity with the first outlet under that name in Doncaster, in Melbourne’s north-east. The company was purchased by Ray Itaoui 13 years ago. Now, as online shopping – particularly for music – takes an ever-larger share of the market, Sanity has announced it will close its 50 physical stores by the end of April this year, in line with their respective lease expiries.

AU | So Long, Sanity: A Tribute To Iconic Music Chains: As another icon shuts its doors for good, we revisit HMV, Brashs, CC Music, Fish Records, Trax and more. …Record stores – retailers that sell recorded music in all its forms – have been around for as long as recorded music itself. In Australia some of the first were sheet music retailers like Allans Music, which also sold LPs, EPs and singles; most also selling musical instruments, parts and novelties – picks, strings, metronomes and that piano necktie or pencil set your music teacher pretended they liked every year. Music retailers were not just important for punters, but also for musicians. Of course, these were the libraries where eager students could take lessons home, but also where ‘hit parade’ music charts were distributed and literally made; so they were fundamental to the way Australian music history and its success has been understood.

UK | UK music consumption up again, as British artists fill top ten of 2022: Music consumption in the UK was up again in 2022 – or so says record industry trade group BPI in its customary end-of-year stats pack focused on how much music was streamed by and sold to British consumers in the last twelve months. Based on its crunching of Official Charts Company data, the BPI reckons that 159.3 billion audio streams occurred on digital music platforms in the UK last year, up 8.2% on 2021. This means that, in the average week, more than three billion audio streams are being played by British consumers across the various music services. Good times. If you do the magical (and only slightly mysterious) maths that equates streams to album sales, streaming accounted for 86.1% of recorded music sales last year, in terms of units rather than cash through the till. As for the other 13.9%, that comes from the sale of downloads, CDs, vinyl and cassettes, of course.

Sleaford, UK | Meet the married couple running a ‘half and half’ shared shop: It’s divided right down the middle. A married couple has fulfilled their dreams by taking over each half of a high street, selling records on one side and unique vintage fashion on the other. Paul and Andrea Clarke have set up their venture in a former tattoo parlour on West Gate in Sleaford, hoping to bring something new to the town. Paul, 61, runs Vinyl Resting Place, a creatively-named record shop that is crammed full of more than 4,000 vinyl records, ranging from essentials like The Beatles and The Clash to top-sellers Harry Styles and Taylor Swift, and seemingly everything in between. Andrea is on the other side of the wall, with a dark, Alice in Wonderland-themed clothes shop called Crimson Rabbit, that specialises in vintage and retro-style clothing. The clothes, which span from authentic Victorian handbags to 90s/Y2K fashion and celestial jewellery, aren’t separated by gender and she took inspiration for what to stock from her life spent in the trendy city of Manchester.

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The TVD Storefront

TVD Radar: Wolf Eyes, Difficult Messages in stores 1/27

VIA PRESS RELEASE | Wolf Eyes’ history with collaboration goes back almost 26 years. From the first Wolf Eyes w/Spykes concert that led to John Olson joining the band, to Smegma, Richard Pinhas, Merzbow, and many more. Wolf Eyes has continued expanding musical ideas through collaboration and Difficult Messages is the first compilation of this practice.

The Wolf Eyes duo of John Olson and Nate Young recorded with friends Alex Moskos, Gretchen Gonzales, Aaron Dilloway, and Raven Chacon over the last few years. The results were originally self-released as a series of super-limited 7” hand painted box sets. Difficult Messages collects the core “hits,” lovingly compiled by Disciples for wider consumption.

Many of the bands on Difficult Messages exist inside an assemblage of a mail art tradition. Most of the music was made remotely and this allowed for deeper exploration into styles that might have been too uncomfortable to attempt face to face. “Short Hands” finds Nate Young, and Alex Moskos exchanging bass and guitar fragments with Olson’s reeds and tones overtop sculpted into odd rock songs. “Wolf Raven” touches on harsh electronics and pushes forward into postmodern ideas of composition.

“Time Designers” is a duo of Alex Moskos and Nate Young using hacked drum machines and a “design” approach to organizing sound. “U Eye” finds Olson and Young alongside longtime collaborators Gretchen Gonzales and Aaron Dilloway for a scrape and tape session recorded by Warren Defever. “Stare Case” is Olson and Young in a non-Wolf duo. Perhaps the only “rules following” project these two have EVER had. The collection of audio tracks could be looked at as an exquisite corpse: a method by which a collection of words or images is collectively assembled. With this method over thirty tracks and four hundred paintings were created.

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New Release Section

New Release Section: Death and Vanilla, “Looking Glass”

VIA PRESS RELEASE | Presenting their unique pop music that defies categorization, Death And Vanilla today release new single “Looking Glass” from their new album Flicker set for release on 17th March on Fire Records.

New track “Looking Glass” unzips with a slow paced intro, it’s organic, a grower that goes modal and multi-layered behind Marleen Nilsson’s evocative vocals; like a fevered Fleetwood Mac dream, lingering in the sub conscious with luscious melodies from the post-future.

Housed in a beautifully austere post-ironic de-constructed sleeve, “Flicker” is a modern reflection on these difficult times. World crises and lockdowns notwithstanding, Death And Vanilla return reborn, re-arranged and revitalised after assimilating dub reggae, the motorik spirals of Can, the modal meander of Philip Glass and The Cure’s dreamier pop sounds; plus the twice removed symphonic ambience of Spiritualized and Talking Heads under heavy manners from Brian Eno.

By osmosis their period of transition since 2019’s much darker Are You A Dreamer? has hatched new eclectic electronica anthems riddled with melody lines, and layered for lush love.

It’s been ten years since Death And Vanilla formed in Malmö, Sweden, Marleen Nilsson and Anders Hansson and Magnus Bodin—fashioned by the city’s austere industrial past and flat pack present, all in the shadow of the Oresund Bridge that links their dreamworld to mainland Europe and a darker reality. Death And Vanilla at once sound like everything is possible; but nothing else at all. There is a flicker of hope for everyone.

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The TVD Storefront

Needle Drop: Rogue Oliphant, Highlights of the Lowlife

Muldoon’s Picnic is the recurring music-and-poetry event at the Irish Arts Center in New York. Occurring just about once a month throughout the past year, the Picnic is hosted by legendary Pulitzer Prize-winning Irish poet Paul Muldoon. His own rock band, Rogue Oliphant, serves as the house band who perform several of their own original tracks during the evening.

Rogue Oliphant, who released their third studio album Highlights of the Low Life digitally just last year, features an intriguing lineup of talented musicians with varied histories: Chris Harford (guitar and vocals), Ray Kubian (drums and vocals), David Mansfield (guitar), Cáit O’Riordan (bass and vocals), and Warren Zanes (guitar and vocals) are all members. Some of these names may be especially familiar to you; O’Riordan was a member of the Pogues, Mansfield was a part of Bob Dylan’s Rolling Thunder Revue in the ’70s, and Zanes is an author of music books including the successful Tom Petty biography released in 2015.

The group’s new album offers up a generous musical offering, an astounding twenty-six tracks. Given the plethora of unique talents among Rogue Oliphant’s band members and their overall leaning toward the literary, the listening experience of Highlights of the Low Life is multifaceted. The title track is a standout, with a jaunty rock sound, whose lyrics list quite comically a rigmarole of antics and past deeds, that justly qualify the character-narrator as welcome in the lowlife.

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The TVD Storefront

Graded on a Curve: Pleasure, Joyous

Blending R&B, soul, funk, and jazz, Portland, OR’s Pleasure landed a Top 10 R&B chart hit in 1979 with “Glide,” but were otherwise something of a cult band, produced on four of their albums for the Fantasy label by Crusaders trombonist Wayne Henderson, including their third, Joyous, which hit stores in 1977. As smart and diverse as it is consistently grooving, on January 6 it returns to vinyl for the first time since its initial release courtesy of Craft Recordings’ subsidiary Jazz Dispensary’s Top Shelf series.

The scoop is that when members of two Portland acts, namely The Franchise and The Soul Masters, choose to join forces, Pleasure was born. Cohering in 1972, it took roughly three years for their debut Dust Yourself Off to emerge, but once completed they issued five more LPs for Fantasy (Accept No Substitutes, Joyous, Get to the Feeling, Future Now, Special Things) and one for RCA (Give It Up) before ceasing operations in 1982; a self-released reunion CD Now Is the Time, came out in 2018.

Next to Pleasure’s first two records, Joyous offers a bit of refinement without muting the core appeal; that is, heat arising from a sturdy instrumental attack, vocals smoothly rendered but substantial, and seamlessly applied stylistic range. With that said, the opening title track begins with a sax solo, burning and searching atop a lively rhythmic thrust; along with the wailing guitar of Marlon “The Magician” McClain, the whole should bring a smile to the face of any fan of George Clinton’s prime maneuvers.

There are horn charts, but they avoid overwhelming the forward motion with unimaginative vamping, both in “Joyous” and more prominently in the next track, the string section infused (shades of Isaac Hayes) funky groove of “Let Me Be the One.” Next is the vibrant and buoyant “Only You,” which exudes shades of the Five Stairsteps as it kicks into gear, spotlighting the lead vocals of Sherman Davis and lyrics that urge positivity (“only you can start love a burning/only you can stop the hate from spreading”). It’s followed by a funky rebound with the conga-loaded cooker “Can’t Turn You Loose.”

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A morning mix of news for the vinyl inclined

In rotation: 1/5/23

Newcastle, UK | Newcastle’s Beyond Vinyl To Close: Newcastle record shop Beyond Vinyl will close in March 2023. The shop opened five years ago, and has made its home on 88 Westgate Road in the North East city. Building a loyal customer base, Beyond Vinyl has endured time, tide, and the odd pandemic or two, but it seems that the shop will be forced to close this year. In a note to customers, Beyond Vinyl confirmed that it will close in March, due to “the current climate.” Urging local councils to support high street retailers and independent businesses, Beyond Vinyl say: “They are the heart of the local community and make Newcastle the best city in the UK.” Beyond Vinyl intend to continue trading online, with their website receiving a full overhaul and redesign—get involved.

Colorado Springs, CO | Music lovers find joy in new Colorado Springs record shop: Shawn Mayo had a hand-sketched drawing hanging on his refrigerator of the dream record shop he someday hoped to own. Twenty years later, he brought his drawing to life. Mayo and business partner Drew Morton opened Tiger Records last month, marking the inception of Colorado Springs’ newest record store among nearly a half dozen others, such as Earth Pig and What’s Left Records. The shop, tucked into a strip mall at 1625 W. Unitah St. on Colorado Springs’ west side, features an array of vintage vinyl, new releases, sound systems and rock memorabilia, such as posters and stickers. “I have been in the record business since 1985,” Mayo said. “I have worked for many record stores, most notably Independent Records here in town, for 23 years I worked for them.” But in March, Mayo said he was laid off from his job at Independent Records. Mayo saw it as an opportunity for him and Morton, a friend and record hunter, to start their store after they had acquired a treasure trove of records from a longtime collector.

Cleveland, OH | Cleveland’s Blue Arrow Records Releases Debut from L.A.-Based Experimental Group 1X4X9: Band features former Clevelander Gregory Wooten. Several years ago, renowned designer, collector and musician Gregory Wooten stopped in at Blue Arrow Records to peruse the Collinwood record store’s terrific vinyl collection. A former Clevelander, Wooten was visiting his parents and decided to take a day to dig for albums. At the time, he had built up what he calls a “crazy collection” of defaced album covers and was about to publish the book Marred for Life!: Defaced Record Covers from the Collection of Gregory Wooten. He was looking to add to it and asked Blue Arrow owner Pete Gulyas if he had anything “squirreled away.” “He had a box in the back, and it completely blew my mind,” says Wooten via phone. “At that point, I had about 1,000 defaced albums. I was bugging out because Pete had so many great ones. They weren’t for sale, but I couldn’t resist asking him if I could get just one.

Knighton, UK | Sound of music set to be heard even more in town: Juke boxes, records and vintage items—the owners of a new Knighton shop are determined to bring the sound of music to the area. Mark Owen and Claire Williams opened Diesel Records shop on High Street recently. The couple have traded in records for about 12 years, both online and in retail, and they have had a few shops in South Wales. But when they moved to Knighton in the summer, their new home also came with a shop downstairs. As well as picking up some vinyl, shoppers can also browse through antiques, vintage items and collectibles in the adjoined Rebel Vintage part of the store. The couple run both shops side by side. Mark runs Diesel Records and it not only sells vinyl LPs but also 78s, singles, cds, cassette tapes and memorabilia, including T shirts, American number plates, one-arm bandits, pinball machines and juke boxes.

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New Release Section

New Release Section:
The Veils, “Time”

VIA PRESS RELEASE | It’s been seven strange years since The Veils’ last studio album Total Depravity, and Finn Andrews has a new double LP to show for it. …And Out Of The Void Came Love is the result of this tumultuous period of injury, isolation and new life… “Time is a tempest tearing you apart / Time has a well-known distrust of the heart.”

Following the release of Total Depravity, Andrews released a solo album and began a worldwide tour. One night, while lashing out at a particularly intense moment on piano, he broke his wrist on stage. “It sounds wild and Jerry Lee Lewis-esque, but it was an absolute fucking nightmare,” Andrews says. He played on and finished the rest of the tour, but it wasn’t until he got it examined much later that he realized what a bad move that was. “The scaphoid bone in my wrist had died, which I didn’t know was possible. My sister said that at least it was a really ‘on brand’ injury for me.”

Finn’s convalescence meant a lengthy hiatus from touring, so he did what he does best and stayed at home and wrote songs. “I was in a cast and couldn’t use my right hand. I sang the melody lines, then recorded the right hand piano part, then the left hand part. It might have been an interesting, avant-garde process if it wasn’t also just profoundly annoying.”

Just when his hand had healed sufficiently for him to play again, The Veils found themselves in need of a new record label but Finn set about starting to make a new record regardless. Producer Tom Healy invited Finn to his small studio underneath the old Crystal Palace ballroom in Mount Eden, and they listened through the legions of songs he had amassed throughout the previous year.

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The TVD Storefront

TVD Radar: The Soul Searchers, Salt of the Earth coke clear vinyl reissue in stores 2/3

VIA PRESS RELEASE | One of the most collectible albums in ‘70s funk/soul led by the godfather of go-go Chuck Brown, with album tracks sampled by Run-D.M.C., Eric B. & Rakim, LL Cool J, and Public Enemy.

Even if you’ve never heard this 1974 album, you’ve heard it. What do we mean? Well, the drum break from the song “Ashley’s Roachclip” is probably the single most sampled track in all of hip hop. Everybody, and we mean everybody, has used it—Run- D.M.C., Eric B. & Rakim, and LL Cool J to name a few (and Public Enemy sampled “Blow Your Whistle” for good measure).

And when you throw in the fact that the DC-based Soul Searchers were led by the soon-to-be “Godfather of Go-Go” himself, Chuck Brown, you can understand why Salt of the Earth—which originally came out on the lightly distributed Sussex label—ranks among the most collectible R&B albums of all time.

For its first-ever American LP reissue, we’ve pressed this puppy up on coke clear vinyl.

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The TVD Storefront

Graded on a Curve:
Paul McCartney,
The 7″ Singles Box

The continued intense interest, unprecedented influence, and mythology of The Beatles can sometimes obscure and undervalue the musical contribution of the solo works of the four Beatles. More significantly, the works from the four that came after what is perceived as their solo heyday in the 1970s are given even less fair treatment.

Ringo Starr’s studio work has probably received the least praise, but his live All-Starr bands and his film and television work add more to his creative resume. John Lennon didn’t have a chance to move forward with his music, due to his senseless murder in 1980. One of the joys of the lives of fans of Lennon would have been to see what he would have done musically over the decades. George Harrison had some post-’70s glory with his Cloud Nine album and especially his two albums with the Traveling Wilburys, not to mention his place in cinema with Handmade Films.

Paul McCartney, however, has had a fruitful, if uneven, post-’70s musical life. While he has released some truly classic albums throughout his entire Wings and solo career, some of his albums have been inconsistent. Much of his work during the ’70s was as part of the group Wings with his wife Linda, Denny Laine, and a rotating cast of studio and live members, most notably Denny Seiwell, Henry McCullough, Jimmy McCulloch, Geoff Britton, Joe English, Laurence Juber, and Steve Holley.

His output as a singles artist is more consistent, as is evidenced by the uber 7″ Singles Box. Released in a limited, numbered quantity of 3,000 and including 81 singles (plus a 148-page booklet), the set is housed in a Redwood pine and Birch Ply wooden art crate that was made in the UK, while the actual entire physical package was made in France. This is a wide-ranging collection that covers 50 years. It is a remarkably consistent and listenable experience and McCartney’s uncanny knack for writing catchy, yet quirky and adventurous songs, with charm and wit, is in full display.

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New Release Section

New Release Section:
The Lemon Twigs, “Corner Of My Eye”

VIA PRESS RELEASE | The Lemon Twigs release “Corner Of My Eye,” a poignant, ’60s-tinged rock song and their first single for the esteemed Brooklyn based independent label Captured Tracks. The release marks their first new music in two years, following the 2020 album Songs For The General Public. “Corner Of My Eye” is a warm, guitar-led ode to a new love interest, written and produced entirely by The Lemon Twigs.

On the release, The Lemon Twigs say, “We recorded this track winter of 2021 in our old rehearsal studio in Midtown, NYC. Apart from the vibraphone, the instrumental track was recorded live with Andres Valbuena on drums and Daryl Johns on upright bass. We laid down the vocals late that night once the traffic outside had died down. We’ve had the song for a while now, so we’re excited to share it with fans who may have heard it live over the years!” “Corner Of My Eye” is accompanied by a wistful video set in a cemetery, directed by Hilla Eden and Brian D’Addario.

The prodigiously-talented duo first emerged as The Lemon Twigs in 2016 with their debut LP Do Hollywood, whose showstopping melodies are mined from every era of rock quickly earned fans in Elton John, Questlove, and Jack Antonoff. Go To School, the ambitious 15-track coming-of-age opus, followed in 2018 and solidified the band’s reputation for building grand walls of sound around an audacious concept. 2020’s Songs For The General Public earned critical praise from NPR, Vice, Teen Vogue, Stereogum, and more.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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