A morning mix of news for the vinyl inclined

In rotation: 1/20/21

Pittsburgh, PA | Netflix’s ‘Archive 81’ filming in North Side and Downtown Pittsburgh: In November, a random group of visitors walked into The Government Center, an independent record store on Pittsburgh’s North Side, with no interest in making a purchase. “They came in to search out specific locations,” said owner Josh Cozby, referring to film scouts for Netflix’s production company, looking for spaces to shoot a horror series, “Archive 81.” According to Netflix, when archivist Dan Turner takes a mysterious job restoring a collection of damaged videotapes from 1994, he finds himself reconstructing the work of documentary filmmaker Melody Pendras and her investigation into a dangerous cult. …He said the plan was to have the shop look like a record store in the 1990s on the Lower East Side of Manhattan. They set up some tables outside and used record bins and hung old posters from that era in the windows.

New York, NY | Rough Trade NYC Record Store and Concert Venue to Relocate: In sad news for music lovers, Rough Trade NYC will close its Williamsburg location in the spring and will relocate to another, yet-to-be announced city location in the summer. During the intervening months, Rough Trade’s online record store, www.roughtrade.com, will continue to serve patrons with its emphasis on pre-orders, weekly new releases, exclusive editions and sale back catalogue. The current NYC store – a 10,000 square foot ex-warehouse building located between Kent and Wythe on North 9th Street – was converted by Rough Trade using over a dozen shipping containers, creating a giant record store with intimate venue space, opening late 2013 in response to the growing deficit of record stores in the city. With the store relocation, Rough Trade NYC’s concert venue, operated in partnership with The Bowery Presents, will not re-open in its current location. As a concert venue, Rough Trade NYC opened with two nights of the band Television in 2013 and has since produced hundreds of events annually.

Grand Junction, CO | Triple Play Records helps save Mesa Theater: Independent venues are among the industries hit hardest by the ongoing pandemic. COVID-19 has cancelled concert after concert, ultimately shutting the doors to all performances for months. Locally, Mesa Theater has been facing these financial hardships. Rick Christensen, Mesa Theater manager, says, “we’ve just been spending more than we’ve ever been making.” Previously the venue received a grant from the Grand Junction Chamber of Commerce, as well as money from the Paycheck Protection Program. However, the federal funding fell short as Mesa Theater had to pay employees, the mortgage, and other expenses. Still, the manager is optimistic there is a light at the end of the tunnel. …In the meantime, Mesa Theater’s neighbor, Triple Play Records, is lending a helping hand. The record store donated racks of vinyls to the theater, and all profits go towards “saving the stage.” Matthew Cesarrio, Triple Play Records manager, says, “we had a really good year. The community came out and helped us in 2020, while the Mesa Theater didn’t have that option. We see it as a huge thing to give back to them because without the Mesa Theater we can’t see live music.”

Iowa City, IA | Furniture, vinyl, watches and paintings: Inside Ulysses Modern, Iowa City’s newest vintage shop: Ryan Quinn attended auctions and scoured thrift stores and junkyards for car parts with his family as a kid. In his teen years, he started searching on his own for punk rock albums from artists like The Clash. These days, he travels thousands of miles a month in his minivan, hunting down art, watches, vintage denim, mid-century modern furniture or anything else that catches his eye in a process he calls “picking.” “I started getting interested in mid-century modern 12, 13 years ago, really just by chance,” Quinn said. “I’d been a record and vinyl collector and I was out all the time looking for records.” His interest led him to open a store in Cedar Rapids called First Class Finds, with Dave Owens. That first business venture didn’t work out, but Ryan ended up working with Owens again for two years at Mad Modern.

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The TVD Storefront

TVD Radar: Neil Young, Way Down in the Rust Bucket live 4LP and film in stores 2/26

VIA PRESS RELEASE | Neil Young announces the release of Way Down in the Rust Bucket, a never-before released, incendiary and essential live album and concert film documenting a legendary 1990 show with Crazy Horse in Santa Cruz, California.

Available for pre-order today and out on February 26, 2021, Way Down in the Rust Bucket features the debut public performances and much of the songwriter’s grungy, cranked-up 1990 album, Ragged Glory. Vinyl, CD and Deluxe box sets will be available via The Greedy Hand Store at Neil Young Archives and music retailers everywhere and digitally via NYA and all DSP’s. Purchasers of Way Down In The Rust Bucket from the Greedy Hand Store will also receive free hi-res digital audio downloads from the Xstream Store © at NYA.

After recording Ragged Glory at Broken Arrow Ranch in the spring of 1990 and releasing it that September, Young and Crazy Horse took the stage at The Catalyst in Santa Cruz on November 13 to unleash the songs upon a live audience. In true Crazy Horse fashion, the incendiary show ran across three sets and over three hours, with songs like “Love and Only Love” and “Like a Hurricane” hypnotically stretching past ten minutes.

The Catalyst gig also marked the first time “Danger Bird”—a cut from Young’s 1975 album Zuma—was played for a live audience, thundering on into psychedelic six-string fireworks. Other live debuts on Way Down in the Rust Bucket include “Surfer Joe and Moe the Sleaze,” “Love to Burn,” “Farmer John,” “Over and Over,” “Fuckin’ Up,” “Mansion on the Hill,” and “Love and Only Love.”

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The TVD Storefront

Lisa Remar,
The TVD First Date

“I was talking to someone the other day and it dawned on me that I would not have started making music if I only had access to Spotify.”

“The three LPs that I started my own vinyl collection with are Mariah Carey (Charm Bracelet), Jennifer Lopez (On the Six), Songs in A Minor (Alicia Keys)—I listened to their CDs religiously on my pink Walkman, so it was a no-brainer to get them in another format.

These artists in particular taught me how to sing. Vinyl really gives you the chance to immerse yourself in the music. I honestly don’t think I would have chosen music as a life without the intimacy of experiencing music the way the artist intended.

Personally, vinyl gave me the opportunity to actually think about the music and sit with it, paying attention to the details. Non-digital audio is still so important. Listeners are active in making the sound come out of the stereo and you actually get to touch it! Vinyl definitely makes me feel closer to the artist.

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TVD UK

UK Artist of the Week: Elisa Imperilee

The UK R&B scene is having a real moment right now and we can’t get enough. Our latest discovery is South London’s Elisa Imperilee and her slick new single “Water” which is out now.

Produced by Srigala, the single oozes sass and style as jazz-hop beats hum underneath Elisa’s ethereal vocal effortlessly. Honestly, it’s like honey. Talking about the single, Elisa explains, “people always told me that time was a healer. But sometimes time isn’t enough and the difficult truth is that you have to put in work to heal yourself.”

“When I wrote this song I was in a dark place yet somehow this felt more comfortable than the prospect of facing the feelings I had been avoiding for a long time. I was becoming aware of the trap I was in and this song chronicles my coming to terms with the fact I had to dive into those difficult emotions to get out of it.”

So, what are you waiting for? Lose yourself with Elisa Imperilee and her smokey, R&B-infused single “Water,” in stores now.

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The TVD Storefront

Graded on a Curve:
Kiwi Jr.,
Cooler Returns

Cooler Returns is the sophomore full-length from Kiwi Jr. and is additionally the Toronto four-piece’s first record for Sub Pop. The titular suffix and the releasing label are representative of an unreservedly indie state of mind, with the use of the affectionate nickname for New Zealanders insinuating that the album’s 13 songs will dig a little deeper than the expected norm. Theirs is a bright, catchy, energetic sound with an undeniable likeness to Pavement, and if Kiwi Jr. don’t reach the heights of that ’90s indie behemoth, the resemblance is one of shading rather than mimicry. Cooler Returns is out on vinyl, CD, cassette and digital January 22.

Kiwi Jr. consists of vocalist-guitarist Jeremy Gaudet, bassist Mike Walker, drummer Brohan Moore, and guitarist Brian Murphy (he of Alvvays). To get right down to it, the similarity to Pavement is directly related to Gaudet’s singing, as the man frequently just sounds like Stephen Malkmus. In fact, at a few points, Gaudet really sounds like Malkmus, though more often there is a liveliness (that can border on exuberance) that brings tangible distinctiveness to the table.

Some whose ears were active during Pavement’s original tenure may wonder if there is a difference between Kiwi Jr. and ’90s acts of a decidedly Pavement-like bent such as Silkworm and The Grifters. Well, there is, and it’s absorbed through Cooler Returns’ straightforward pop sensibility, a consistent facet that is inextricably tied the Gaudet’s spirited approach at the mic.

And instrumentally, Kiwi Jr. are tidy rather than disheveled (as was Pavement’s wont). But this pop inclination maybe isn’t such a surprise for a band whose 2019 debut Football Money came out on noted Canadian indie label Mint (distinguished for releasing or co-releasing the first few records by the New Pornographers). The connection is plainly discernible in the strummy, then punchy, then anthemic opener “Tyler,” but it’s really driven home in the infectious but muscular “Undecided Voters.”

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A morning mix of news for the vinyl inclined

In rotation: 1/19/21

Santa Maria, CA | Why is vinyl so popular among indie artists? …You might think, given that vinyl records are quite expensive, that only big artists like Fleetwood Mac (who have the most number of records sold today), Beyonce, and Harry Styles are releasing music on vinyl records. Wrong! Even the new indie acts are releasing vinyl records too. One example is Ty Segall, an American multi-instrumentalist, singer-songwriter and record producer. They keep pressing vinyl records for their releases. In an interview with Fast Company, they said they sell more from vinyl than from CDs. “We sell significantly less CDs than records at shows,” says Emily Epstein, who drums in the band. “Sometimes we’ll only sell one or two CDs a night. Records are still always king in terms of what people want at our merch table.” When asked why they think this is so, they agreed that it’s because of the user experience.

Winchester, VA | It’s yesterday once more as vinyl album sales surge: Celina Loving drove more than an hour from her home in Harrisonburg to check out the music being sold at the Ear Food record store on Weems Lane in Winchester. “I do love The Bee Gees,” Loving said with a smile as she happened upon a copy of the 1980 album “After Dark” by the music-making family’s youngest member, Andy Gibb. The 23-year-old Loving said she inherited a passion for music from her parents, who compiled a major collection of vinyl records before she had even been born. “I grew up going to Rush, REO Speedwagon, Def Leppard concerts with my dad,” Loving said. “My mom brought a love of ’60s music into my life.” Most young adults today buy music on CD or download it from online services like Apple’s iTunes and Google’s Play — assuming, that is, if they buy it at all. Free and subscription-based online music services allow listeners to stream any song they want, any hour of the day or night. …”I’m an old soul,” Loving said about her love of vinyl. “I’m off today and this is what I love to do, so I’m treating myself.”

Waukesha, WI | Lawyer opens Nostalgia Music & More in Waukesha: A lawyer is bringing his favorite nostalgic pastimes to downtown Waukesha, with a buy, sell and trade business featuring video games, records and his favorite niche — vinyl video game soundtracks. Stephen Howitz officially opened the doors to his shop Nostalgia Music and More, 321 W. Main St., on Jan. 5. “I’m actually a lawyer by day,” he said. “When you tell people that you’re a lawyer and you’re going to open a record store, they usually think you’re drunk … I do law in the morning and in the afternoons I’m here. I do it on nights and weekends too.” The business also has two arcade games which are available for the public to play for free, as Howitz said he’s trying to attract people to hang out at the business as well. “It’s a mix of new or used vinyl depending on what you’re looking for,” he said. “(It’s) quality, not quantity … and we specialize in video game vinyl, which is weirder and nerdier.”

Bandcamp Vinyl Pressing Service is Here, and It Works: Vinyl sales on Bandcamp are booming: last year, fans bought 2 million LPs through the site, double the year prior. And for the artists and labels who sell vinyl, it now makes up 50% of their overall revenue. Yet only 12% of the albums with sales on Bandcamp in 2020 offered a vinyl version, leaving a large source of potential artist revenue on the table. The primary reasons for this are that producing vinyl is expensive, and therefore risky, and dealing with fulfillment and returns can be incredibly time consuming. So a few years ago, we started work on a service to make it easy for a whole lot more people to start pressing records. In 2019, we began rolling out the Bandcamp Vinyl Pressing Service to a small group of pilot artists. The service eliminates risk, since your fans’ orders—not you—finance the pressing.

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The TVD Storefront

We’re closed.

We’ve closed the HQ today for the Martin Luther King Jr. Day holiday. While we’re away, why not fire up our free Record Store Locator app and visit one of your local indie record stores, either online, curbside, or with some sound social distancing?

Perhaps there’s an interview, review, or feature you might have missed? Catch up and we’ll see you back here tomorrow, 1/19.

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TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Another night back at a gaff plot / With some wrongens I’d just met / We’re getting on it in the kitchen / As we chain smoke cigarettes / And we chew each other’s ears off / As we put the world to rights / And we chat shit about conspiracies / And climate change all night / But soon the birds have started singing / In the trees out in the streets / And my jaw is sore from swinging / I’ve been chewing on me cheeks / And as the session depression / Seeps into my head / The anxiety inside of me / Says, “It’s time to go to bed” / But some geezers left a livener / On the side and fell a kip / And I get greedy and decide to / Sniff it, then I try to slip / But it hits me double lively / And the night comes to an end / As another line of tranquilliser / Paralyses me again

I hope this finds all my Idelic pals safe and well. A warm desert wind is blowing through our canyon today. Let’s hope it takes sickness and hostilities with it.

An old friend once described a new year as a blank canvas. The artist and his paints have the opportunity to create a masterpiece. Easier said than done in 2021, but the poet and musician can still hold a planet’s dreams in their voices.

While surrounding myself with my family, friends, music, and the people who create the cool sounds, I for one am gonna “carry on” my dream of hope by sharing songs.

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The TVD Storefront

Graded on a Curve:
Gary Numan,
Replicas, The Pleasure Principle, Telekon

Out of the UK’s punk scrap yard came Gary Numan, first as part of the ever more synth-imbued Tubeway Army and then as a solo artist for a long string of albums. His chart dominance in the waning moments of the ‘70s was fleeting but huge, and his most commercially successful run of LPs detail a pop-savvy artist of much deeper value than his hit singles.

Gary Webb started out in the bands Mean Street and The Lasers; recording with neither (Mean Street waxed one song after his exit for the Live at the Vortex comp LP), after departing the latter with bassist Paul Gardiner they formed Tubeway Army with Webb’s uncle Jess Lidyard in the drum chair. Promptly signed by Beggars Banquet, with Webb on guitar they initially dished out beefy Bowie-influenced punk, the singles “That’s Too Bad” and “Bombers” later compiled with a mess of demos from the same era as The Plan.

It’s a cool acquisition for serious punk collectors, but ’78’s Tubeway Army was even better. By the point of its release Webb had adopted the name Gary Numan (he’d briefly wielded the handle Valerian) but his signature sound was still in development, the debut augmenting the punk excursions (which occasionally leaned into a hard rock/glam merger) and sci-fi themes (impacted by Phil K. Dick and William Burroughs) with interjections from a Minimoog discovered in the studio by Numan after recording began.

Tubeway Army is very good record with a few excellent spots and conversely a handful of lags; ‘79’s Replicas is more fully-formed, and while the group’s name remains on the cover it’s flanked by Numan’s on later editions; the LP is clearly his show and any doubts over such will be quickly dispelled by the icy/edgy opener “Me! I Disconnect from You.”

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The TVD Storefront

TVD Radar: The Podcast with Evan Toth, Episode 19: Sam Phillips

Yes, Sam Phillips, right? The independent recording mogul responsible for Elvis Presley and the explosion of rock and roll? No, no, no this is the other Sam Phillips. The Sam Phillips who was once known as Christian Contemporary music star Leslie Phillips who turned her back on the Christian corporate music machine in favor of a new identity: that of a beautifully clever and eclectically creative singer-songwriter, Sam Phillips.

After a Grammy nom for 1994’s Martinis and Bikinis album—and a high-profile acting gig portraying the evil villainess Katya in Die Hard 3 (1995)—Phillips decided it was time to strip the production and arrangements down to basics and record Fan Dance in 2001. In doing so, she ended up creating an early 21st century pièce de résistance.

Phillips joins me this week to celebrate the 20th anniversary of Fan Dance and to discuss the album’s first vinyl release which came out last year on Run Out Groove Records. We talk about the genesis of the album’s reissue, her life during the fabled recording process, the top-notch musicians who worked on the project (T Bone Burnett, Marc Ribot, Jim Keltner, Van Dyke Parks, and Gillian Welch), and we get into the filmic quality of her lyrics and their creation.

I do a little gushing, of course, as she certainly is one of the most creative and unique songwriters of my generation. So, please join me in welcoming Ms. Phillips to Radar as she grants us the pleasure of discussing one of her many artistic highlights.

Evan Toth is a songwriter, professional musician, educator, radio host, avid record collector and hi-fi aficionado. Toth hosts and produces The Sharp Notes each Saturday evening at 6pm and TVD Radar on Sundays at 5AM on WFDU, 89.1 FM. Follow him at the usual social media places and visit his website.

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The TVD Storefront

Graded on a Curve:
Focus,
Moving Waves

In a 2017 poll, Focus’ 1971 “Hocus Pocus” was voted the best song of all time. By exactly three people. Two are natives of Liechtenstein and probably fibbing, seeing as how they hail from a country whose very name begins with a lie. The third is an ardent alpine yodeler, who followed Focus everywhere until the Dutch progressive band filed a restraining order. This did not stop the ledenhoser from yodeling at them from a great distance.

But if “Hocus Pocus” isn’t the greatest song ever, I never hear it without an admixture of mirth, awe and admiration. Within the framework of a kick-ass rock song you’ll find a killer hook, a pair of whizz-bang guitars solos, “yodeling gnomes” (thanks for the phraseology go out to my Dutch pal, Martijn de Vries), non-lexicable vocals, whistling, tasty jazz flute, and to quote Martijn again, “a drummer who makes me want to head butt the Eiffel Tower.” No one in English and America, and I’m including Frank Zappa, could have created a song so utterly off the wall. From my description you may get the impression that the song is all over the place. In reality it’s as tightly wound as a Swiss clock, and far more cuckoo.

Unfortunately, the remaining four remaining songs on side one are letdowns. The too winsome by far instrumental “Le Clochard (Bread)” is moldy guitar strum; on follow-up instrumental “Janis” the flute does the heavy lifting. “Moving Waves” is a Keith Emerson doppelganger right down to its pseudo-classical piano and portentous vocals by resident genius Thijs van Leer. The side’s closing track is “Focus II,” an exact replica in miniature of “Hocus Pocus,” Focus’ theory being (I can only assume) that there’s no sin in flogging a dead horse so long as the horse in question won the Kentucky Derby while alive. That or “Focus II” is a radio edit and no one got around to telling me.

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A morning mix of news for the vinyl inclined

In rotation: 1/15/21

Harry Styles’ ‘Fine Line’ Leads 2020’s Record-Breaking Year for Vinyl Album Sales in U.S. Harry Styles’ Fine Line helped U.S. vinyl album sales achieve yet another banner year — their highest total in 30 years of tracking — as the set closed 2020 as the top-selling vinyl album, according to MRC Data. The set sold 232,000 copies on vinyl during the tracking year (Jan. 3 through Dec. 31, 2020). …Vinyl album sales totaled 27.54 million in 2020, up 46.2% compared to 2019. 2020 marked the 15th consecutive year vinyl album sales grew, and the largest year for vinyl album sales since MRC Data began tracking sales in 1991. Vinyl LP sales also saw their best sales week ever in the MRC Data era, when 1.84 million vinyl albums were sold in the week ending Dec. 24, 2020. Vinyl LP sales were the third-biggest-selling album format in 2020, trailing two formats that both declined: CDs (40.12 million; down 26%) and digital albums (34.39 million; down 12.5%).

Rare David Bowie vinyl demo featuring the track Run Piper Run heads to auction: The previously unreleased demo which is backed by Ace Kefford’s Lay Your Head Upon My Shoulder will go under the hammer later this week. A rare slice of David Bowie memorabilia will go under the hammer later this week in the shape of a 7-inch vinyl demo of the previously unreleased track Run Piper Run. The song was recorded in 1967 and is backed by Lay Your Head Upon My Shoulder by The Move co-founder Ace Kefford – a track that would resurface on the 2003 album Ace (The Lost 1968 Tapes). The disc will head to auction on Friday (January 15) at the Wessex Auction Rooms in Chippenham, England, with the online bidding set to get under way at 10.30am BST. The disc is estimated to fetch between £6000 and £8000 and a snippet of Run Piper Run can be listened to below. In July 2020, an unreleased Bowie demo of I Do Believe I Love You sold at the Wessex Auction Rooms for £18,000. The Bowie/Kefford disc will be just one of the vinyl offerings on the day, with a focus particularly on punk rarities and demos.

Black Sabbath announce reissues of classic Dio-fronted albums: Black Sabbath have announced the reissue of their first two albums to feature Ronnie James Dio as frontman, 1980’s Heaven and Hell and 1981’s Mob Rules. Dio officially joined the group in 1979, replacing then-ousted singer Ozzy Osbourne. Teaming with guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward, Dio added a new dynamic layer to the band’s classic sound, resulting in some of the strongest material in the Sabbath catalog. Heaven and Hell marked his triumphant debut with the group, delivering such classic tunes as “Neon Knights,” “Die Young” and the title track. Positive reviews and strong sales welcomed the album, and Sabbath soon returned to the studio with Dio to record a follow-up, Mob Rules. The 1981 LP – which also featured the arrival of drummer Vinnie Appice – boasted further classics, including “The Sign of the Southern Cross” and “Turn Up the Night.” In addition to offering both original albums in remastered form, the new editions of Heaven and Hell and Mob Rules feature extensive bonus material.

Saana vinyl record cabinet by Tenho Design: Scandinavian brand Tenho Design has developed its Saana storage unit specifically to house vinyl collections, with doors that allow users to exhibit their favourite record sleeves. Clear displays are integrated into Saana’s wooden frame and can be regularly updated to allow users to showcase their best-loved records and personalise their space. In this way, the design hopes to celebrate the “mind-blowing cover art of vinyl records” that is normally hidden in storage. “Vinyl records have certainly made a comeback. But where to store these precious black things? That was the question that needed a reasonable answer,” explained Tenho Design. “We want to emphasize the often mind-blowing cover art of vinyl records. Having a look at the sleeves and covers is a big part of the vinyl hobby,” the brand continued. “By changing sleeves in our cabinet every now and then, you can put on a pop art exhibition of your own.”

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The TVD Storefront

TVD Radar: John Coltrane, Lush Life ‘Small Batch’ limited edition reissue in stores 2/19

VIA PRESS RELEASE | Craft Recordings is thrilled to announce their Small Batch series—a carefully curated audiophile collection devoted to creating the highest quality vinyl reissues of legendary recordings from their vast catalog.

Each album selected for the series will undergo all-analog mastering, and then be pressed on 180-gram vinyl in a one-step lacquer process—as opposed to the standard three-step process—allowing for the highest level of musical detail, clarity, and dynamics while reducing the amount of surface noise on the record. The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording. Authentic sound, distilled to its purest form.

Each pressing, available exclusively on CraftRecordings.com, will be individually numbered and housed in a foil-stamped, linen-wrapped slipcase featuring an acrylic inset of the original artwork. The vinyl disc—extractable through a unique frictionless ribbon pull tab—will be housed in a reproduction of the original album jacket, complete with tip-on jacket, and protected by an archival-quality, anti-static, non-scratching inner sleeve. New liner notes from some of music’s best educators, historians, and journalists will accompany each title.

Launching the Small Batch series will be John Coltrane’s iconic 1961 album, Lush Life—celebrating its 60th anniversary this year—available on February 19th and limited to 1,000 copies worldwide. For this reissue, the original analog tapes—recorded at Rudy Van Gelder’s Hackensack, NJ studios—were sent to GRAMMY®-Award winning mastering engineer Bernie Grundman, who utilized a custom tube pre-amp and analog mixing console with discrete electronics—both made in-house—as well as a Scully solid-state lathe with custom electronics.

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The TVD Storefront

TVD Radar: 34th Annual Tibet House US Benefit Concert streaming 2/17

VIA PRESS RELEASE | One of the longest-running and most renowned live cultural events in New York City, The 34th Annual Tibet House US Benefit Concert will return this year for a special virtual edition combining live and pre-recorded segments streaming via Mandolin, the premiere concert livestream platform for artists, venues, and fans.

For the first time ever, this year’s concert offers viewers around the world the unique opportunity to experience the warmth, sense of community and amazing music the evening has provided for so many years at Carnegie Hall. Joining esteemed composer and artistic director Philip Glass, who once again curated this year’s line-up, will be Eddie Vedder, Phoebe Bridgers, Brittany Howard, Valerie June, Angélique Kidjo, Laurie Anderson, Tenzin Choegyal, Rubin Kodheli and many, many more to be announced soon. We are also deeply honored to announce that the concert will begin with a personal video message from His Holiness the 14th Dalai Lama.

There are few events that stand the test of time, and for more than three decades this annual event has been a standout. For over 33 years, this consistently sold-out concert has assembled some of the most legendary and exciting names in music and art, dazzling concertgoers with its unique mix of surprises and mesmerizing performances. Tickets for this year’s special virtual concert are on sale now ($25-$250). Also available now are unique sponsor level cyber-tables starting at $5,000. To purchase and for more information on packages, please PRESS HERE.

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The TVD Storefront

Glenn Morrow’s
Cry For Help,
The TVD First Date

“I’m thinking it was the fall of 1968 that the high school cafeteria in my hometown hosted a record sale. It was all new records that I now realize were some kind of remainders, albums by groups that hadn’t fired up the charts that had been pressed up with a little too much enthusiasm. I think they were selling for a dollar or two.”

“There were a lot of albums by groups I didn’t know. Ultimate Spinach and the Peanut Butter Conspiracy, the Beacon Street Union album The Clown Died In Marvin Gardens. The one group I knew was the Lovin’ Spoonful. But it was an album I hadn’t seen before.

Everything Playing had a crude cartoon drawing on the cover done by leader John Sebastian of the band playing instruments along with some cartoon monsters . It looked like it had been done with crayons like a naive DIY attempt at the Sgt. Pepper cover. The music feels like it was their attempt to create some serious pop art. I would play that album to death.

There were majestic pop songs like “She’s Still A Mystery” and the proto-hippie folk tune “Younger Generation” that I remember thinking “wow, what will those kids be like the when they grow up with parents like John Sebastian?” It all seemed like a long way off with the girl who “got her own videophone.” Everything Playing was released in December of 1967 and made it to #118 on Billboard despite having three charting singles.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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