The TVD Storefront

Satin Nickel,
The TVD First Date

“No joke, I have none other than The Doors to thank for opening the door to the world of vinyl for me.”

“Actually, I should first throw a quick shout out to the video game Need for Speed Underground 2 and its killer soundtrack. Around the age of 10, I would spend countless hours virtually swerving through city streets, mostly to fast-paced songs by bands like Queens of the Stone Age and Rise Against. There was one track, however, that would always make me slow to a cruise. Snoop Dogg and producer Fredwreck collaborated on an exclusive remix of “Riders on the Storm” by The Doors that combined new verses with Jim Morrison’s original chorus over a hip hop beat. I just could not get enough of Snoop’s sly rhymes and the Lizard King’s haunting voice complementing one another as I coasted along in my decked out Audi TT.

Anyway, let’s get to what any of that has to do with vinyl. Cut to a few years later, just before 8th grade. While away at summer camp, I took a writing class taught by one of the “cool” counselors, who was willing to bend some rules. The camp higher-ups stressed that since we were guests on a college campus, we were not to touch anything professors left behind in the facilities. However, upon entering his classroom, Cool Counselor noticed a turntable with a stack of records beside it. He couldn’t resist plugging it in and letting us kids put on music during a free writing session.

This practice became a staple of the class. When it was finally my turn to have a look at the album options, my eyes immediately met those of Jim Morrison gazing through a mop of curls. He had his arms stretched out wide from a shirtless, skeletal torso and his head cocked slightly to the side as if to say, “Want some?” What he was offering was The Best of The Doors and I thought, “Alright, man, let’s see what you got!” I quickly flipped to the back cover hoping to find “Riders on the Storm” on the tracklist as I’d never heard the original version. And there it was; disc 2, side 1, track 4. I had to hear it.

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The TVD Storefront

Graded on a Curve:
Paul Levinson,
Welcome Up (Songs of Space and Time)

In musical circles, Paul Levinson is best known for recording an album of early ’70s sunshine pop-tinged folk-rock psychedelia, with Twice Upon a Rhyme having acquired a deserved cult fanbase after a handful of reissues. But beyond musical realms, Levinson is an author of science-fiction and non-fiction, a frequent commentator on news programs and public radio, and a professor of communications and media studies. These activities help elucidate the lack of desperation in recapturing past glories on his new record Welcome Up (Songs of Space and Time), as it instead offers a succinct expression of who Levinson is now. It’s released on Old Bear Records with distribution through Light In the Attic.

Twice Upon a Rhyme was issued in 1972 on Paul Levinson’s label Happysad Records (I’m just going to assume the name’s inspired by the Tim Buckley album), which makes it a private press, though it’s really one of the better examples of the “genre” I’ve heard. But don’t just take my word for it, as it’s been praised to the skies by private press authority Paul Major.

It was put out on CD in South Korea and Japan in 2008-’09 by Big Pink/ Beatball and Vivid Sound respectively, and had LP reissues in 2010 and ’12, both times by Whiplash/ Sound of Salvation (sealed originals are available on the album’s Bandcamp page, not cheap but fair in this context). As his collaborators Ed Fox and Peter Rosenthal are credited on the cover, Twice Upon a Rhyme is far from a “loner” situation, with Levinson, as a member of The Other Voices, having released a pair of Ellie Greenwich-produced singles for Atlantic in 1968.

If you own a copy of the Rhino Handmade compilation Come to the Sunshine: Soft Pop Nuggets From the WEA Vaults, then you know The Other Voices’ B-side “Hung up on Love,” and you’re familiar with a significant ingredient in Twice Upon a Rhyme’s recipe. What distinguishes the LP is its strains of folk-rock maturity and also its strangeness, which is at times nearer to something Straight/ Bizarre might’ve eked out around the same period, than it is to a typical private press.

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A morning mix of news for the vinyl inclined

In rotation: 6/10/20

UK | Rough Trade are re-opening their UK record stores next week: All four of Rough Trade’s UK stores will resume in-person trading, although customer and staff safety measures will be implemented. Rough Trade have announced that they will be re-opening all four of their UK record stores next week. The record stores will re-open next Tuesday (June 16) at 11AM, ending the coronavirus-enforced closure of the business which began back in March when the UK lockdown was first ordered. Rough Trade have been operating solely online in the interim. The recent easing of the lockdown in England means that London’s Rough Trade East and Rough Trade West, as well as Rough Trade Bristol and Rough Trade Nottingham, will be able to open their doors to customers once again from next week. In a message to customers, Rough Trade said that they were “very pleased” to resume business across their four stores, and advised customers that safety measures will be implemented in line with the latest government guidance.

Kent, UK | Kent soft play centres, pubs, book shops and campsites on life after lockdown: Vinylstore Jr. The joy of shopping as a vinyl-lover is flicking through huge stacks of records and hunting for your favourite artists but fears of contamination from customer to customer poses a problem. But Nick Pygott, who owns the pint-sized Vinylstore Jr in Canterbury, has come up with a plan which he hopes will allow him to open safely from Friday, June 19. Since lockdown began, he has spent a lot of time delivering records to customers across the city, whilst keeping his online shop open for customers to purchase music. He said: “The shop actually lends itself quite well to social distancing – although it’s tiny, that helps facilitate a one-in, one-out policy. “There’s a buzzer on the door so I’ll be buzzing people in one at a time.” As a sole trader, Nick has not had to worry about training staff on the new measures and will be open for two days a week at the start to allow his customers back in to browse the vinyl on offer.

Miami, FL | Technique Records Reopens With Strict Social-Distancing: Technique Records owner Mikey Ramirez doesn’t mince words when he describes his shop’s efforts to adapt its business model in response to the pandemic. Ramirez says that ever since he was forced to close his recently expanded shop, it has been like “putting a Band-Aid on a disembowelment.” Soon after the March 17 closure, the Upper Eastside record store opened an online shop and began offering curbside pickup. By the following month, Technique was partnering with downtown’s Niu Kitchen for a curated vinyl-and-wine pairing program. Those measures have “kept us alive,” Ramirez says. But like most small businesses around the U.S., he admits the shop has racked up thousands of dollars in debt over the past three months, including some from the first round of federal loans. Adding to the impact was the postponement of April’s Record Store Day, which is comparable to Black Friday for record shops and last year accounted for nearly 25% of total U.S. vinyl album sales.

Oakland, CA | A Look at How Oakland’s Small Businesses Are Surviving: Econo Jam Records. Econo Jam, a record store in Uptown Oakland, has stayed busy despite the fact that customers can’t come inside to dig through records. Instead, the shop is using social media to showcase its eclectic inventory and stay connected with its diverse customer base. “It’s fun finding those gold nuggets and having folks jump at the chance to snatch them up,” says owner Tom O’Shaughnessy. “People stuck at home are finding comfort in listening to records, as well as filling in the gaps in their collections by shopping online.” Now that curbside pickup is allowed, every Wednesday, Friday, and Sunday from 2 to 5 p.m., customers swing by to grab records they picked out from Econo Jam’s Instagram and Discogs page, an online marketplace to buy and sell records, tapes, and CDs. O’Shaughnessy says he misses the camaraderie that working in a record store fosters. “We are just a bunch of music nerds who love sharing our favorite music with folks,” he says. “The hardest part of sheltering in place is missing all of our music-loving people.”

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The TVD Storefront

TVD Radar: Pete Rodriguez, I Like It Like That (A Mi Me Gusta Así) reissue in stores 7/31

VIA PRESS RELEASE | Craft Latino, the Latin repertoire arm of Craft Recordings, is proud to present a vinyl reissue out July 31st, of I Like It Like That (A Mi Me Gusta Así), widely considered the most iconic boogaloo album of all time.

Released by Alegre Records in 1967, this was the fifth album by pianist and bandleader Pete Rodriguez. Marking the heyday of the boogaloo movement in New York, the title track became the genre’s anthem and one of the most iconic dance hits in the history of Latin American music. “I Like It Like That” was sampled and served as the basis for the global mega-hit “I Like It,” released in 2018 by Cardi B with Bad Bunny and J Balvin.

Offering seven tracks brimming with Afro-Caribbean flavor, I Like It Like That is a seamless album, ideal for a deep listening experience on vinyl. From the irresistible groove of the title track and the jazzy urgency of the instrumental “Pete’s Madness” to Rodriguez’s gorgeous piano solo on “El Hueso” and the reckless danceability of “Micaela,” this is an LP that goes beyond the confines of boogaloo, delving into Latin jazz, salsa and cha cha cha.

This new edition of I Like It Like That boasts all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio. The 180-gram vinyl has been manufactured at Memphis Record Pressing. The reissue will be accompanied by a brand-new music video for the title track, to be released later this month, featuring archival footage from the New York Latin music scene in the ’60s. On June 19th, Craft Latino will also release a remix of “I Like It Like That” by DJ Uproot Andy, which updates the original’s timeless mystique through the use of contemporary beats to create a rump shakin’ dance floor burner. Fania also featured Pete Rodriguez and other boogaloo artists in a new playlist, Boogaloo – Fania Essentials, now available on Spotify, Apple Music and YouTube.

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The TVD Storefront

Needle Drop: Ora Violet, “Feel The Same”

London-based rockers Ora Violet fuse the early ’70s proto punk of The Stooges and The Modern Lovers with the contemporary versatility of The Strokes and Queens Of The Stone Age.

Their wily new single, “Feel The Same,” solidifies these mysterious rock newcomers as a force to be reckoned with. Their previous single, “Honey, You Did it,” received extensive play from award winning indie station Soho Radio, but many saw it as a one-off collaboration between multi-instrumentalist production duo Black Tiles and guitarist Nick Ferman.

Clearly, they have more to say… The band explains, ”Feel The Same’ is a story of mental struggle, of feeling unsatisfied despite having the perfect life on paper.”

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The TVD Storefront

Lovechild,
The TVD First Date

“Growing up in a family of artists and musicians, vinyl records were always around. Some of my first memories listening to music are from my grandparents’ living room, hearing Bach and Beethoven on vinyl. My granddad had a long career as a violist in the NY Philharmonic, so he took his audio quality seriously and had a big, fancy record player in his apartment.”

“Unfortunately for me, rock and roll wasn’t really allowed in my grandparents’ home. So ironically enough, I didn’t truly get into the vinyl that I love most until I was a teenager and inherited a clunky old turntable from that same grandmother (love you, Rae!). I also inherited several bucketloads of my parents’ records from the ’70s, which I promptly wore in and wore out. Lots of Stones, Beatles, Dylan, Derek & the Dominoes, Joni Mitchell, the Grateful Dead, Hendrix, all my favorite stuff.

I vividly recall destroying a lot of record albums the summer after my freshman year at Oberlin College, around the same time I wrote the first words and chords of “Hats Off.” And it wasn’t that I destroyed my records for lack of love, but rather, I tore those damn records up. Really wore down each of my parents’ copies of Layla, a Europe ‘72, Are You Experienced. Every day that summer, I’d wake up in my childhood bedroom, start smoking a shit ton of weed, turn on my guitar amp, put a record on, play along and try to learn. I never took great care of those records, and I still regret bringing my mom’s copy of the White Album to an ex’s house a while ago (it never got back to me). But it was a great environment to absorb music, and those classic records will always live in my heart.

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TVD UK

UK Artist of the Week: Lauran Beth

PHOTO: DANNI FROTO | We’ve made our way to Offaly in Ireland for this week’s AOTW—not literally though, obviously. Lauran Beth’s latest single “11 Years” is a poignantly infectious slice of indie-pop with an important message—and we can’t get enough.

Lauran may have been born without her left hand but that certainly hasn’t stopped her from creating energetic, passionate indie-pop, and we’re so here for it. Her latest cut “11 Years” channels the likes of KT Tunstall and Orla Gartland as Lauran’s rich, powerful vocals soar over the fast-paced musicality perfectly.

The single also evokes an important message about climate change and society’s ignorance toward it. There’s a lot going on in the news right now and it’s easy to get overwhelmed, but we must not forget that global warming is still very much a major issue and we all need to come together, now more than ever, in order to change the future, for all of us.

“11 Years” is in stores now.

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The TVD Storefront

Graded on a Curve:
Jake Blount,
Spider Tales

While country, bluegrass, and folk musics are often considered the domain of white performers, those styles have been undeniably impacted by Black artists. This is the dominant theme of banjo player and fiddler Jake Blount’s new record Spider Tales, which is out now on vinyl, compact disc, and digital through the Free Dirt label. Blount is also an LGBTQ activist, and for this album he’s assembled a band of mostly queer artists, including himself, so that the contents are at once a document of historical reclamation, a rallying cry of inclusion, and a celebration of difference. And as Blount has twice won the Appalachian String Band Festival competition in Clifftop, WV, he delivers the instrumental goods.

Spider Tales opens with Jake Blount on banjo in duo with dancer and musician Nic Gareiss, whose footwork provides “Goodbye, Honey, You Call That Gone” with expressive rhythmic counterpoint to the hearty strumming and plucking. Derived from a song by the Black fiddler of Mississippi Lucius Smith, it’s played by Blount in a distinctive tuning (both on the album and in general) that suggests the fife and drum music of Otha Turner and Sid Hemphill (with whom Smith played).

A whole album of this stuff would’ve been sweet as a crème brulee, but Blount’s ambitions here are much larger, moving immediately thereafter to Appalachian North Carolina with “Roustabout,” featuring Blount on banjo again in a recurring duo with the sharp and fleet fiddling of Tatiana Hargreaves on a song from guitarist and banjoist Dink Roberts.

Blount also sings on “Roustabout,” and does so well, though the track is largely a showcase for the deft instrumental weave of strings thrummed and bowed. His singing is much more prominent on the following cut “Where Did You Sleep Last Night,” which expands the setting to a four-piece with the addition of Rachel Eddy on guitar and Haselden Ciaccio on bass.

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A morning mix of news for the vinyl inclined

In rotation: 6/9/20

Middletown, PA | KT Media record store and the Vintage Vault Gallery and Funky Finds: With Dauphin County in the yellow, businesses start to reopen in Middletown. Retail in downtown Middletown gradually started coming back Friday, the first day that Dauphin County entered the less-restrictive yellow phase of Gov. Tom Wolf’s reopening from the coronavirus shutdown. Wolf had ordered all “non-essential” businesses closed as of March 19, with enforcement starting March 23. The governor put the county under a stay-at-home order effective March 30. Critics say the shutdown disproportionately affected small businesses, as big grocery stores and “big box” retailers such as Walmart, Home Depot and Lowe’s were allowed to stay open as the state considered them essential. Among the first small businesses to reopen their doors to customers in Middletown was the KT Media record store at 140 S. Union St., and the Vintage Vault Gallery and Funky Finds, 17 S. Union St.

UK | Can lockdown save the download? As Music Week’s recent lockdown analysis feature proved, the coronavirus pandemic is having a huge effect on how the UK listens to music. Some elements were relatively predictable: physical sales have dropped significantly since every record shop in the country had to close, while audio streams, particularly ad-funded ones, have risen after an initial dip. But one lockdown trend surely wouldn’t have been predicted by anyone, as it involves a format so moribund Music Week declared it dead way back in 2016: the digital download. For quarter after quarter, sales of both digital singles and albums, dominated in the UK by Apple’s iTunes store, have only gone in one direction: down. But, since the UK lockdown began on March 23 in chart week 13, there have been flickerings of a revival. According to figures from the Official Charts Company, only 437,067 sales of digital singles were recorded in week 12, while digital albums accounted for just 71,824 units. Neither format has sunk so low since, with sales of tracks peaking at 773,336 in week 17 and albums at 124,944 in week 19. And while sales have fallen back since those peaks, they generally remain higher than they were pre-lockdown.

Wilkes-Barre, PA | Gallery of Sound: Business brisk as stores reopen in yellow phase. Businesses allowed to reopen over the past few days following Luzerne County’s transition to the yellow phase are experiencing a surge in sales and few problems with customers adhering to social distancing precautions. At places like Joe Nardone’s Gallery of Sound music store in Wilkes-Barre Twp. and Boscov’s Department store in downtown Wilkes-Barre, representatives say customers were already accustomed to wearing masks and keeping their distance like they had been at businesses like grocery stores that remained open during the coronavirus lockdown. “There was a lot of pent up demand,” said Joe Nardone Jr., co-owner of the Gallery of Sound. “People were buying like they hadn’t been in a record store in 75 days.” Luzerne County and seven other counties in Pennsylvania on Friday shifted to the less restrictive yellow reopening phase, allowing many businesses to resume operations. “I don’t know how much longer we could have gone,” Nardone said, before adding the store’s loyal following ensured for a successful reopening.

Guernsey, UK | Vinyl Vaughan goes back to his business roots: Vaughan Davies has gone full circle in his business career. His current business, record store Vinyl Vaughan’s, reopened last Saturday in the Commercial Arcade. ‘I worked as a travel agent in this building from 1979, so 41 years later I’ve come back round,’ he said. ‘Working in travel taught me that getting to know the customer came first and sales came second. ‘The minute you walk in you get greeted. I get to know the musical tastes of people individually. Recommending music that a regular customer will love is one of the best parts.’ Having signed the lease two weeks before lockdown, an efficient online ordering service kept the business going. Many islanders spent their time at home listening to music, which supported the local business through a quieter launch than expected. ‘Not too many people were in Town on Saturday,’ said Mr Davies. ‘I think many thought it would be heaving, but more are trickling in now.”

8 Bands That Went All-Analog on Their Albums: And it sounded way better than any over-produced ProTools effort. More and more bands nowadays rely on digital recording techniques to make them sound good. That means using drum replacements instead of weak or uneven hits, fixing guitars, pitching vocals to perfections, and other tricks designed to mask imperfections and mistakes. This results in records that, while sounding good, are soulless. Let’s take a look at 8 times bands went old-school and used analog-only equipment to make vibrant and dynamic albums. Sound City: Dave Grohl’s ode to Sound City Studios and the famous Neve console is a “who’s who” in rock music from Slipknot’s Corey Taylor to Sir Paul McCartney. True to the name of the soundtrack, the recording was all-analog and mixed through the aforementioned Neve console that Grohl bought from a closing studio. With the assistance of Butch Vig, the result turned out amazing, with a timeless sound only achievable through an analog console.

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The TVD Storefront

TVD Radar: ‘A Night
For Austin’ fundraising event to aid the Austin Community Foundation, streaming 6/10

VIA PRESS RELEASE | Luck Presents: “A Night For Austin” Fundraiser Event: Paul Simon, Edie Brickell, Willie Nelson, and Annie Nelson bring you an all-star cast to raise money with the Austin Community Foundation; June 10th at 8 pm Central.

Austin, Texas, has, without a doubt, left a lasting impression on all who have spent any amount of time in the Live Music Capital of the World—a week for SXSW, a day’s stop on tour, business conferences, or years building careers and friendships—and right now, the city we’ve strived to keep weird all these years needs a little help to “Keep Austin Going.” Announcing “A Night For Austin,” a television and streaming event to raise money for the community of Austin in reaction to the closures and loss due to COVID-19 shutdowns.

Produced by Luck Productions—the busier-than-ever collective best known for hosting Luck Reunion at Willie Nelson’s Luck, TX, ranch every year—“A Night For Austin” is the brainchild of Grammy Award-winning, Mt. Rushmore-worthy singer-songwriter Paul Simon. The two hour, commercial-free telethon-style broadcast starts at 8 pm Central on June 10th at anightforaustin.com and twitch.tv/luckreunion. The program will also air locally on CBS Austin (KEYE). A Night For Austin will be powered by Brightcove, the world’s leading video technology platform.

Performances from Paul Simon, Willie Nelson, James Taylor, and more will intertwine with appearances from the likes of Ethan Hawke, Renée Zellweger, Woody Harrelson, and Owen Wilson; all Texans with a strong love for the city and its people. 100% of the money raised will go to a fund managed by the Austin Community Foundation to be distributed directly to MusiCares Austin, HAMM, Central Texas Food Bank, Six Square, Southern Smoke Foundation, Red River Cultural District, and People Fund.

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The TVD Storefront

The Know,
The TVD First Date

“Vinyl, it’s cumbersome, it’s expensive, it breaks easily, it cracks and pops. If it was a new format just launching it would be a tough sell, but it’s now apparently set to outsell CDs for the first time since the mid ’80s.”

“When the CD was released I was around ten and was impossibly excited by this futuristic slab of metal—music played by lasers. Who wouldn’t be? At one point more people owned Brothers in Arms on CD than actually owned CD players, that’s how excited we all were.

Before CDs, my only real experience of building a music collection was, once in a while, spending my allowance on the 99p ex-jukebox 45s they kept on a rack by the magazines in my local convenience store. Of course, I had no idea what any of these songs were. I would go home with Kylie Minogue one week, Jackie Wilson the next. In some ways this was the precursor to experiments later in life where I would buy second hand records from bargain bins based only on the way the sleeve looked or the name and hope I hit gold. More often than not I did.

So, CDs came along and temporarily rendered vinyl obsolete, but twenty years later when I packed up and left the UK for the US, my CDs went to charity. My record collection is still being held on to for me by a close friend a decade later until such a time as I figure out how to get it to me here.

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The TVD Storefront

Liberty Phoenix
and Collin Whitlock
get caped up

While all of her siblings leaned toward the movie and music industry, Liberty Phoenix decided to keep a relatively low profile far away from Hollywood in Gainesville, Florida. Starting in the 1980s, her older brothers River Phoenix and Joaquin Phoenix began starring in acclaimed big-budget films while her sisters Rain and Summer Phoenix also juggled films and music projects. All the while, Liberty went to college, became a parent, and started-up local businesses. However, over the last few years, she’s slowly stoked her passion for songwriting, even gigging across Florida with Americana groups like Pine and Johnny Lee.

Last month, amidst the pandemic, her new band, Capes, released its debut single “Looking Out For Me” via LaunchLeft, her sister Rain’s label and podcast. The moody, Steinway Grand-driven song and video is part of LaunchLeft’s new singles series honoring the 50th birthday of their late brother, River. In August, the series concludes with a new vinyl 12-inch single from River’s indie-rock band, Aleka’s Attic. River’s old friend, Flea of the Red Hot Chili Peppers, provides newly recorded basslines for the long-shelved tracks. 

Capes, which also comprises songwriter and pianist Collin Whitlock, recently chatted with The Vinyl District about their past, present, and musical future. Here’s what the duo had to say.

Liberty, your homelife consisted of being raised by your parents John and Heart Phoenix—both fearless supporters of the arts and progressive thinking. Do you feel that shaped you as a person and musicians?

LIBERTY: What’s funny is, I’m a very analytical thinker who enjoys dissecting emerging markets, such as figuring out what sets apart the best online crypto casino in a volatile digital landscape. I didn’t know I was a creative until about three or four years ago. It did not seem like it was a fabric of my nature. I went back to school to be an accountant. I have always run businesses that blend traditional finance with innovative tech like blockchain payments. I am an entrepreneur. I am interested in the way business works.

So, while I was getting back into this, I ended up changing my degree to be a graphic designer at some point. This was after going through programming and coding classes and all that. Now all of the sudden, I’m a graphic designer, which is so far away from being an accountant that you can’t even imagine. I am definitely a late bloomer, but the building blocks were obviously instilled in there somewhere. I just hadn’t quite tapped into it until much later in life.

Was your family arts-leaning, as well?

COLLIN: For sure. We always had a piano in the house. My mom played piano, my dad played guitar to me, from birth on. One of my favorite memories is my dad playing “Rocky Raccoon” to me. Music was always a major part of our household. My parents were always vying for a spot in the CD player. Mom wanted “Girls Just Want To Have Fun” while my dad wanted The Beatles or The Byrds. We had certain music we’d listen to for certain things. If we were going on a trip, we’d put on Rolling Stones Let it Bleed. If we were going to soccer practice we’d listen to The Cars or Steely Dan. I got all of that growing up. 

Collin, were you born and raised in Gainesville?

COLLIN: No, I moved to Gainesville to go to school in 2001. I grew up in Indialantic, Florida. When I moved to Gainesville, that’s when I started playing in bands around town and got into the music scene here. My first band here was called Maxwell Edison. We were like a piano-rock band, it was a lot of fun. Since then, I’ve been lucky to be a part of many projects here that’ve made me grow as a musician and performer.

Liberty, over the last few years, you’ve performed in a couple bands, so how did Capes come to life?

LIBERTY: We started Johnny Lee a little over a year ago, it was our band previous to Capes. Johnny Lee has, basically, become Capes. This new single was written during Johnny Lee times, and other songs we have were also brought over to Capes. We have like 12 songs we play live that we worked out together. We’ve played a lot of shows [as Johnny Lee], but we’ve been in lockdown since Capes came out, so we’ve not done any performances as the new band.

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The TVD Storefront

TVD Video Premiere: India Ramey, “King of
the Ashes”

PHOTO: STACIE HUCKEBA | India Ramey didn’t know for certain what would happen when she saw a political ill wind blow in late 2016. Still, she wrote the clarion warning “King of the Ashes” unaware it’d be so well suited to the most challenging American spring anyone can remember, with with more than 109,000 dead from a pandemic, millions out of work, and uprisings in every state against the country’s historic pandemic, racism. As such, Ramey’s warning, with twangy guitar and a call to action, couldn’t be more timely.

The Vinyl District is proud to premiere the stirring “King of the Ashes” video, a harbinger of her upcoming fourth album Shallow Graves due in stores September 4. “I woke up in a different world today,” it begins. “All that I held dear had been stripped away.” She warns of a man about to burn everything down, who preys on the fearful and the weak, who will “burn it down to be king of the ashes.”

By the time Ramey calls for people to rise up in the first ringing chorus, it’s all too clear of whom she speaks. “I wrote it about Trump, and was predicting that there would be some sort of apocalypse under his reign,” says Ramey, who was a a deputy district attorney in Montgomery, Alabama, before she became one of Nashville’s most promising voices.

“I am sorry to say that I was right. It proved to be quite the prophetic song, unfortunately,” says Ramey, who has been pegged an alt country performer to watch since her first album Junkyard Angel a decade ago. With a bracing righteousness that matches her tunefulness, Ramey is sometimes categorized alongside Jason Isbell, whose Southeastern engineer Mark Petaccia produced the new disc, her first since 2017’s Southern Gothic-flavored Snake Handler.

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Graded on a Curve:
Hüsker Dü ,
Land Speed Record

I’ve set myself a 27-minute time limit on writing a review of this 17-track amphetamine blur of an LP–recorded live on a 4-track soundboard tape at the 7th Street Entry in Minneapolis, Minnesota on August 15, 1981 for $300 bucks–seeing as how that’s the album’s run time and people of conscience (Black Lives Matter!) have more important things to do than read record reviews.

On the appropriately titled Land Speed Record you can hardly make out where one song ends and the other begins, the lyrics are unintelligible, and good luck finding a melody. The Hüsker Dü that recorded Land Speed Record had a long way to go in the songwriting department, but they would carry one thing into the future, namely Bob Mould’s rage. Even if you need a lyric sheet to figure out exactly what he’s so enraged about.

Land Speed Record has a savage and nihilist bent that Mould himself would soon lambast in the anthemic “Your Anarchy I Bullshit” anthem “Real World.” “Don’t Have a Life” and “Let’s Go Die” are characteristic hardcore tropes, but then again neither were Mould/Hart creations. They were written instead by bass player Greg “King of the Handlebar Mustache” Norton, whose songwriting credits soon fell to nil, perhaps because the other guys feared “Let’s Go Die” might become the hardcore equivalent of Blue Öyster Cult’s “Don’t Fear the Reaper.”

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A morning mix of news for the vinyl inclined

In rotation: 6/8/20

Hollywood, CA | Counterpoint Records & Books Reopens: On Thursday, June 4, Counterpoint Records & Books announced that they will reopen on Monday, June 8. Established in 1979 in the Franklin Village, Counterpoint Records & Books is a mom-and-pop book and record store. It is owned and operated by husband and wife, John and Susan Polifronio. It buys and sells “second-hand and rare records, books, CDs, DVDs, ephemera, and various other popular and out of print cultural items.” Their stock ranges from inexpensive classics to higher end or rare antiquarian items. Amid the COVID-19 pandemic, Counterpoint Records & Books closed in-store shopping. Alternatively, books were posted to eBay for purchase. The store was under threat of being permanently closed as the owners struggled to receive federal loans. Nonetheless, they continued to pay their three employees. “We don’t know when we’ll be able to open up. It’s unknown and changing every day, and it makes planning impossible,” said Susan Polifronio in late April toThe Los Angeles Times.

Philadelphia, PA | Record stores are set to reopen in Philly and Jersey. You’ll sanitize before you ‘dig.’ Crate digging will be done with freshly sanitized hands. Masks are mandatory. Plexiglass sneeze guards have been installed at the checkout counter. Socially distanced shopping will be in effect. And that’s all good news for music fans who long to hold a new find in their hands: Record stores are getting ready to open again. Stores like Repo Records on South Street (reopening June 8), Main Street Music in Manayunk (June 5), and the Princeton Record Exchange in New Jersey (June 15) have survived for decades despite multiple transformations of the industry, which now embraces a streaming model in which music is essentially given away for free. Now those stores, as well as Philly shops that have opened in the last decade like Brewerytown Beats (reopened June 5) or Sit & Spin Records (June 13) have been trying to keep their businesses alive with their doors closed by a deadly virus.

Las Cruces, NM | Quirky businesses in the Mesilla Valley: Eyeconik Records & Apparel. Eyeconik Records & Apparel sells a wide selection of hard to find vinyl records, music products, art and apparel for music and entertainment lovers. Located at 224 N. Campo St., customers can listen to albums before purchasing and even listen to live music events. There is something for everyone at this local record store, whether you’re a collector or a musician. The record store also expanded its classic arcade game room and is undergoing a full remodel. The store will be temporarily closed until renovations are complete but curbside is available at this time.

Altrincham, UK | Meet the man behind the ‘Caravan of Love’ bringing coffee and grooves to Stamford Square: Independent record label Stutter & Twitch has launched a brand-new coffee caravan concept in Stamford Square in Altrincham town centre. The Stutter & Twitch ‘Caravan of Love’ is now open, selling Grindsmith-roasted coffee, teas, cold brews and cakes from Stockport-based Silver Apples Bakery. There’s also a collection of over a 1,000 vinyl records to browse and buy – with only one customer allowed at a time in accordance with current social distancing restrictions. Stutter & Twitch is also providing disposable gloves and sanitiser. Stutter and Twitch was launched two years ago by Ryan Hayes, who has a background as a musician and producer. Fuelled by a love of coffee and his experiences working in hospitality through various part-time jobs, Hayes bought the caravan on New Year’s Day 2019 and set about a lengthy restoration project. Having postponed his Stamford Quarter debut until it was safe to do so, Hayes hopes his concept is as much a community project as a commercial one.

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