A morning mix of news for the vinyl inclined

In rotation: 2/6/20

Montreal, CA | Montreal record shops blame ‘archaic’ rule dating back to 1970s for lost sales: Phonopolis co-owner is glad city plans to allow longer opening hours, but he’s still stuck with hefty fines. On an average Saturday in Mile End, customers start trickling into Phonopolis record stores late in the morning or in the early afternoon. Co-owner Nick Kirschner said the shop’s peak hours are usually late afternoon, and people will happily shop into the evening. That’s why he was surprised to learn about an old rule on the books that forbids him from staying open past 5 p.m. on Saturdays and Sundays. It was on record store day — of all days — in April 2019 that an inspector walked into Phonopolis and informed staff of the rules governing opening hours. Kirschner later received $2,950 worth of fines in the mail. He​​​​​​​ said running a small business in Montreal is difficult enough, especially in a neighbourhood where high rents are driving out many commercial tenants. “These fines that we received for being open too late … are just an example of an endless list of issues that we deal with every day…”

Los Angeles, CA | Amoeba Hollywood is Moving: We are excited to announce the next home of Amoeba Hollywood will be at 6200 Hollywood Blvd! We are humbled by the massive outpouring of support throughout this search from our customers and the LA community. We aim to do you proud and continue on as your supreme source for music, movies, and so much more. We will bring that familiar Amoeba energy into this new space and you can be sure it will provide the “true Amoeba experience” as we will carry the same breadth and depth of selection. We look forward to seeing you at our new home on the corner of Hollywood & Argyle this Fall, and have provided more details for you below. Thank you for being a part of this journey with us. We’re moving to 6200 Hollywood Blvd! We’re going to take up a huge ground level space on the corner of Hollywood and Argyle in the new “El Centro” complex in downtown Hollywood. This is just 2 blocks east and 2 blocks north of our current location, and right next door to the Fonda Theatre so we’ll be easy to find!

Washington, DC | Grandmaster Flash poised to school fans on hip-hop history at U Street Music Hall: “…Back in the ’70s, we had no technology, no computers, no studios, no beat machines, no apps, no nothing,” Flash said. “So how would the music track be generated? We had to get duplicate copies of the record and pick the desired section where the drum solo was, which a lot of time was like 10 seconds, then cut and paste it and extend it for three or four minutes so the rapper would have a beat to speak on.” That meant voracious shopping in record stores to find the perfect drum break. “When I went shopping for records to find that drum break, we went shopping in the pop section of the record store, or the rock section, or the jazz section, or the blues section, or the funk section, or the R&B section, or the alternative section, or the Caribbean section, or the Latin section, just to find that drum break,” Flash said. …“When we go record shopping, it’s a crapshoot, but once you break the plastic, you buy it, like it or not,” Flash said. “So we would buy records on guessing. I’d bring the record home and play every cut trying to find that drum solo and it would all be crap, so that would go in the crap crate.”

Waco, TX | Vinyl records live on in Waco shop: Across the world, hipsters and collectors alike continue to support the decades-old industry of vinyl records. Despite being one of the oldest forms of recorded music, vinyls continue to make a way for themselves in the age of streaming. In recent years, vinyl sales have been on a continuous rise in the United States, according to Statista’s data recording LP album sales between 1993 and 2019 in the United States. During a time when you can stream any song imaginable within seconds, this continual growth is somewhat of a phenomenon. Vinyl album sales in the United States have shown consistent growth since 2006. By 2019, the industry was up by 14.5% from the previous year, having sold 18.84 million vinyl records, Statista reported. However, the United States isn’t the only country experiencing the resurgence of vinyl popularity. In 2017, the Japanese arm of Sony Music announced in a press release it would open its own vinyl record manufacturing factory in order to keep up with the demand of the Japanese vinyl market.

Record Executive Vicky Hamilton Talks Guns N’ Roses, Mötley Crüe, Her New Label, and More: The renowned music industry figure told her story in the book Appetite for Dysfunction. Vicky Hamilton came to Los Angeles from the Midwest in 1980 and cut her teeth working at a record store on the Sunset Strip and helping to promote Mötley Crüe’s early career. She then went on to propel Poison, Stryper, Guns N’ Roses, and Faster Pussycat into the spotlight, literally shedding blood (she once stapled her thumb to a picture of Vince Neil for a display she was creating in a record store) sweat, and tears to help support emerging artists that she felt had star power. Hamilton has been hailed by Forbes magazine as “one of the most successful music executives in the business.” She has worked on gut instinct that proved to be right time and again. To give it some perspective, as a Geffen executive, two projects she took interest in that the label passed on were the Goo Goo Dolls and Toad the Wet Sprocket. They undoubtedly regretted those decisions.

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TVD Washington, DC

TVD Live Shots: Vinyl Record Preservation Society presents Billy Gibbons, Carmine & Vinny Appice, and Ron Holloway at Pearl  Street Warehouse, 1/30

Did you know that the Library of Congress has an extensive vinyl record collection, and that when that collection gets periodically culled, the records get tossed in the bin? Enter the Vinyl Record Preservation Society, a DC based non-profit that places these otherwise doomed discs in the possession of schools and senior care facilities for folks to enjoy. A humble but noble effort, and one that needs funds to keep moving.

Enter the fine folks at DC’s Pearl Street Warehouse, a smaller room in the city’s Wharf which hosted a benefit for the organization on the last Thursday in what felt like a never-ending January. In addition to local rock and ska bands, the night’s lineup included saxophonist Ron Holloway, vocalist Franky Perez, Carmine and Vinny Appice and, much to my delight, the one and only Billy Gibbons.

After DC locals The Deplorables kicked the night off with a bite sized, three song set, ska band Free Lobster Buffet took the stage. I’m not a ska fan normally, but this was a fun one. Bassist Chris Boesen is also the head of the Vinyl Record Preservation Society, so the band was a natural fit for the night.

Cramming eight musicians onto the Warehouse’s tight stage, they got the crowd’s excitement up with a fun, high energy set. My own favorite was their jam “Nude Beach.” In addition, they brought out Holloway for a few tunes as well as Perez, who sang alongside FLB’s own Joan Bishop. This is a talented lot—great to catch them on one of their mid-Atlantic/East Coast dates. The tuba player gets sweaty and undressed during the set if that tells you anything about the fun levels. Boesen acted as emcee for the remainder of the night.

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The TVD Storefront

TVD Radar: Jon Hassell, Vernal Equinox vinyl reissue in stores 3/20

VIA PRESS RELEASE | Ambient music pioneer Jon Hassell’s debut album Vernal Equinox is being reissued on March 20. It’s been fully remastered from the original tapes and is being made available on vinyl for the first time in 42 years, and CD for the first time in 30 years. The re-issue features sleeve notes by Hassell and Brian Eno. Back in record shops on the day of the 2020 vernal equinox, it’s the second release on Hassell’s own Ndeya label.

Hailed as one of the 50 best ambient albums of all time by Pitchfork, Vernal Equinox was the first commercially released work by Jon Hassell, originally put out by Lovely Music in 1977. It is also the debut of a pioneering new form of music that would become known as “fourth world,” a subtle blend of field recordings, electric jazz, ambience and global music influences. Hassell’s trademark FX-soaked trumpet is carefully embellished by a studio ensemble including the master Brazilian percussionist Naná Vasconcelos and David Rosenboom on synth. The result is a quiet, meditative and highly original work of outstanding beauty.

A trumpet player, composer and musical conceptualist, Jon Hassell’s career bisects a multitude of strands in the history of the avant-garde and the development of genuinely new forms of music. Having studied under Karl-Heinz Stockhausen in Cologne (alongside future members of the band Can), he played on the original recording of Terry Riley’s In C (1968), was part of La Monte Young’s Theatre Of Eternal Music and studied Kiranic singing with Pandit Pran Nath, all of which informed his own instrumental technique and treatment of the trumpet with various electronic effects.

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The TVD Storefront

TVD Radar: France
Gall, Baby Pop, 1968 and Poupée de Cire, Poupée
de Son
vinyl reissues in stores 2/21

VIA PRESS RELEASE | Baby Pop, 1968, and Poupée de Cire, Poupée de Son to receive first ever North American vinyl pressings.

Third Man Records is excited to announce three reissues of albums by prolific French vocalist France Gall, marking the first North American vinyl pressings of all three albums. Baby Pop, 1968 and Poupée de Cire, Poupée de Son will be available in stores on February 21. Third Man will host a series of release day dance parties in select cities, where DJs will spin yé-yé (the style of music for which Gall is known) and French psych. Limited-edition colored pressings of the reissues will be available at the events. See below for the list of parties, and pre-order Baby Pop, 1968 and Poupée de Cire, Poupée de Son.

France Gall was a prolific French vocalist and performer, remembered as one of the central figures of the 1960s yé-yé pop movement. Aligning catchy, spirited rhythms with lighthearted lyrics and drawing from the beat music a la early Beatles and Hollies, the yé-yé artists promoted a sort of new freedom of expression and breaking down of social barriers in post-WWII France.

Third Man Records is beyond honored to bring this music to a larger audience by issuing the first authorized North American vinyl pressings of these titles, some of the most brilliant highlights from Gall’s catalog, including Baby Pop, 1968, and Poupée de Cire, Poupée de Son.

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The TVD Storefront

Graded on a Curve:
Xetas,
The Cypher

Xetas are an Austin band who have just released their third LP. Their sound is informed by ’80s indie rock but with enough muscle and urgency that one could call them punk without ruffling (m)any feathers. Along with the ensemble cohesion characteristic of hardworking trios, their latest is shrewdly resistant to being pinned down, and after numerous spins is steadily growing. When it’ll stop, who knows? A verifiable fact is that Xetas feature David Petro on guitar, Kana Harrs on bass, and Jay Dilick on drums. Everybody sings. The Cypher is out now on green or black vinyl, compact disc and digital through the 12XU label.

A familiar occurrence for obsessive music listeners is when the discernible influences on a record spread out so wide that it instills ambiguity over its makers’ personality, either individually or collectively. When the complaints arise about a lack of originality, it is a likely indicator that the person opining is a jaded fuck. Well-adjusted human beings know that there is nothing new under the sun, especially as pertains to rock music, but it is far preferable for a band to zero in on a few key inspirations, work up a set of songs, and then execute them with flair, or at least energetically.

Still, there are no unbendable rules in the musical stratosphere. The Cypher is a strong case in point. The opening track from the album, “The Doctor,” begins with a heavily distorted keening guitar pattern that set off a brain buzzer labelled Big Black’s “Kerosene.” However, in short order Xetas redirect into territory reminiscent of Sonic Youth’s distinctive tunings, and then throw down a bruising rant attack that brings us back to the heavier underground Midwestern bands of the ’80s and early ’90s a la the Touch and Go label.

“The Bystander” wields guitar abrasion that promulgated thoughts of Hüsker Dü, though the unison vocals, often shouted, highlight a punk streak that reaches back to all ages shows (and to Xetas’ debut 45 from 2014). There’s also a more contemplative instrumental section that’s followed by the inevitable but nicely non-hackneyed (through brevity) ramp-up back to full intensity.

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A morning mix of news for the vinyl inclined

In rotation: 2/5/20

Stoke Newington, UK | Thurston Moore Opens Pop-Up Record Shop: Ecstatic Peace Library will open for six weeks in Stoke Newington starting this week. Thurston Moore is teaming up with two friends to launch a new pop-up record shop in North London. Ecstatic Peace Library is the brainchild of Moore, underground comic artist Edwin Pouncey (AKA Savage Pencil) and record store and label owner Pete Flanagan of Soho Music and Zippo Records. It will function as a record store, bookshop, art gallery and underground newspaper outpost, stocking vinyl, posters, art, vintage t-shirts and music memorabilia. The shop will be based at 96 Church Street in Stoke Newington and will open every day from 11am – 6pm, starting tomorrow (February 4) and ending on March 14. Tomorrow’s grand opening will see the shop open until 9pm. In September of last year, Moore collaborated with East London record shop World Of Echo to sell more than 300 records from his private collection.

Scarborough, UK | Meet Paul Toole owner of Record Revivals – Scarborough’s longest-established record shop: His Scarborough shop may be called Record Revivals, but when chatting to Paul Toole it quickly becomes apparent that vinyl records have never really been away. There’s no doubt about it – record sales are on the up. Last year, around 4.5 million chart-eligible LPs were sold in the UK – a huge jump from 3.2 million in 2016. And it’s not just nostalgia for the glossy black disc which is driving sales – a YouGov survey showed that one in four 18 to 24-year- olds bought a vinyl record in the last month. Paul believes there are various factors that drive the love of vinyl. “In recent years a strange thing has happened. Young people who have grown up with downloads and streaming – not even CDs – have really embraced vinyl. They understand it’s something you have to look after,” he says. He also thinks that people love the fact that a record is a tangible object, adding: “There’s something about the imperfection in the sound that people really relate to on an emotional level.”

Vinyl Editions Of Spice Girls’ ‘Spiceworld’ & ‘The Greatest Hits’ Set For Release: …It’s been 23 years since Spiceworld has been available on vinyl. Now, finally re-issued on 180g black vinyl, Spiceworld retains all original artwork from 1997. It contains the No.1 smash hits ‘Spice Up Your Life’, ‘Viva Forever’ and ‘Too Much’ – their second Christmas chart topper. Spiceworld amassed more than 13 million sales worldwide cementing the Spice Girls as a cultural phenomenon. And if one wasn’t enough … released earlier this year as a picture disc to commemorate their unforgettable sold-out UK tour last summer, Spice Girls – Greatest Hits is back again! This time on 180g black vinyl with no less than nine No. 1 smash hit singles, including ‘Wannabe’, ‘2 Become 1’,‘Spice Up Your Life’, ‘Viva Forever’, ‘Goodbye’ and many more. It also includes the original artwork, this time as a single sleeve LP, with a printed inner sleeve to house the record. Both reissues come complete with digital download code.

Embrace to reissue early albums on vinyl for the first time: Indie heroes Embrace have announced their first three albums will be reissued on vinyl for the first time since their original release. The titles—The Good Will Out, Drawn From Memory and If You’ve Never Been—are available through UMC on March 6th for the UK, with the latter two being released through Craft Recordings on March 20th for North America. The vinyl format of these have been long out-of-print since their original release, making them in-demand for collectors and fans alike. This reissue also marks the first-ever digital release of Drawn From Memory and If You’ve Never Been in North America; beginning today (January 30) both titles are available to stream or download in the U.S., Canada and Mexico

TV Review: High Fidelity: …Like the original, this Hi-Fi focuses on the owner of a record store called Rob (short for Robin), played by Zoe Kravitz. The series begins with a breakup and Rob reflects on his Top 5 Hearbreaks, setting the tone for the series to do exactly what the movie and the original novel did. Using frequent breaks on the fourth wall, Rob uses music as a coping strategy while trying to determine what happens with it, which constantly leads to romantic failure and depressive consequences. Where John Cusack’s Rob had a Top 5 populated by girls of his life, Rob de Kravitz has a list that includes both sexes, as well as his most recent boyfriend, Mac (Kingsley Ben-Adir). The scenario is also changed from Chicago to New York and the entire series feels transported to 2020 despite the fact that the soundtrack still covers the entire range, from the old days to contemporary bands.

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TVD Los Angeles

TVD Live Shots: Howard Jones with Rachael Sage at the El Rey Theater, 2/1

Howard Jones seems to be getting better with age. He’s anything but a one-hit wonder and continues to churn out amazing, new music along with reimagining his classics of yesteryear. If you get a chance to Howard Jones live in support of his 2020 “Transform Tour,” do so—you will not be disappointed.

The early eighties were a magical time for music. The New Wave revolution was just beginning to take off and bands like Depeche Mode and the Pet Shop Boys were just beginning to make a name for themselves here in the States. Fast forward a few years, and a little-known English musician by the name of Howard Jones burst onto scene. His humble beginnings in 1983 quickly morphed into a very distinct style of music that blended his amazing talent as a pianist with true genius storytelling. On a crisp Saturday night in downtown Los Angeles, Howard Jones took the stage at the historic El Rey Theater for an intimate night of music and conversation that captivated a capacity crowd.

Opening the show for Howard Jones was New York singer and songwriter, Rachael Sage. Her brief 30-minute set was jam-packed with beautiful songs like “Spark,” “Trouble,” and my favorite “Haunted by Objects.” Rachael’s ability to connect with the crowd was noticeable, as many in the audience were smiling ear to ear while singing along to songs that were fresh, catchy, and relevant. In addition, Rachael’s voice was simply breathtaking and echoed joyfully throughout the El Rey. It seemed the perfect place to showcase this amazing talent. I’d be remiss not to mention Rachael’s violinist, Kelly Halloran. She is an out-of-this-world talent and I thoroughly enjoyed her playing throughout the set.

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The TVD Storefront

TVD Radar: Vinyl Alliance Founding Members Elect First Executive Board

VIA PRESS RELEASE | The Vinyl Alliance a new industry organization dedicated to promoting awareness of vinyl records and composed of manufacturers, dealers, record companies and other interested parties announce that during their Founders Meeting in New York City on 22 January 2020 the new Executive Board members were elected:

President: Günter Loibl, Rebeat Innovation GmbH / Vice President: Michael Hosp, kdg mediatech GmbH / Treasurer: Thomas Neuroth, Rebeat Innovation GmbH / Secretary: Mickie Steier, Masterdisk USA / Board Member: Nike Koch, Sony Music Entertainment / Board Member: Kurt Van Scoy, Audio-Technica / Board Member: Leif Johannsen, Ortofon A/S. In addition to the election, the founding members began outlining a roadmap for future initiatives and potential collaboration opportunities.

The Vinyl Alliance members represent all aspects of the value chain and include companies like the Analogue Foundation, Audio-Technica, CAF srl, GZ Media, Rebeat Innovation, kdg mediatech, Making Vinyl, Masterdisk, MPO Group, Ortofon, Pro-Ject Audio Systems, Sony Music Entertainment, and Universal Music Group.

“I am deeply honored to be elected as the new president of the executive board and look forward to working with my board colleagues to move the Vinyl Alliance mission forward,” said Günter Loibl. “I want to thank the Vinyl Alliance Founding members for their confidence in me to serve as president. Together with our board of directors, staff, and stakeholders, we will work towards the vision to be the premier international organization promoting and advocating vinyl records as the most important physical medium in a digital world.”

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The TVD Storefront

Kevin Griffin:
In-store with TVD at
DC’s Som Records

PHOTOS: RICHIE DOWNS | So, here’s something we’ve observed over time as we’ve taken bands and musicians to Som Records in DC for our record buying excursions—toss most preconceptions right out the window. Like that guy who’s the purposeful party proponent? He’s actually kinda low key, introspective and cerebral. The seemingly shy songstress behind sweeping, evocative compositions? Why, she’s bit of a Chatty Cathy frankly. (And actually we weren’t too sure if Oderus from Gwar would actually fit inside Som, so that was a thing too.)

All of this preambling brings us to our most recent visit to Som Records with Kevin Griffin, he from Better Than Ezra and on tour at the time in support of his debut solo release, Anywhere You Go. Now, if you’ve seen Better Than Ezra live—which we have more times than one can recall—Kevin’s kinda funny. No wait—he’s really funny, and with a setlist of 100% genuine earworms which linger for days, it’s one fine night out.

Here’s what we didn’t expect off that bat from Kevin—that he’d be such a rock raconteur. Certainly songwriters of a particular stripe know their stuff when plunked down in a record shop, and beyond just this, Kevin’s got anecdotes for days. (Well, certainly for an hour plus this day.)

So, come for the true tales of life on the road and elsewhere—and stay for the hilarious story of teen Kevin and Canadian superstars Rush in Monroe, Louisiana. Oh, and the Green Barchetta too. (Not a typo.)

Let’s go shall we? We’re record shopping with Kevin Griffin at Washington, DC’s Som Records!

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TVD UK

UK Artist of the Week: CHERITON

Counting down the minutes until summer? Well fear not because with CHERITON’s “Parallel” you’ll feel instantly transported into a shimmeringly sunny universe that is guaranteed to warm you up.

The emerging artist—known to his friends as Nick and hailing from the not-so sunny Kent—has made his official debut with the hugely infectious single “Parallel” and its bloomin’ marvelous. Swarming with jangly guitars, twinkling synths, and Nick’s gorgeously uplifting lead vocal, “Parallel” is an instantly infectious ear worm that is bound to get you in the mood for summertime.

Unsurprisingly this indie-pop gem sparks resemblances to a number of fellow feel-good musicians including Fickle Friends and Bastille, who the song’s producer Andy Hall Hall has also coincidentally worked with in the past. Bravo. Keep your ears peeled for more new music from CHERITON as he plans to release his debut EP later this year.

“Parallel” is in stores now via So Good So Good.

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The TVD Storefront

Graded on a Curve:
Neneh Cherry,
Raw Like Sushi

It’s long well-known that singer-songwriter, rapper and DJ Neneh Cherry excels at defying categorization, but roughly three decades ago she burst onto the global scene with confidence by exploding the boundaries between the ascendant genres of rap, ’80s R&B and house music. The single was “Buffalo Stance,” a worldwide chart smash; it widened the era’s pop possibilities and helped lay the groundwork for ’90s trip-hop. In 1989, the song opened her full-length debut Raw Like Sushi, and that the subsequent tracks avoided letdown secured the LP as a landmark of stylistic hybridization. For its 30th anniversary, Virgin/UMe has given it 3LP and 3CD editions, both with a 48pg album-sized booklet. There is also a slimmer reissue of the original record sans extras on gold wax. All are available now.

Raw Like Sushi is Neneh Cherry’s debut, but to call her a newcomer to the scene in 1989 is erroneous, as early in the decade she’d sang in The Slits, with membership in Rip Rig + Panic following shortly thereafter. A little later she was a third of the fleeting trio Raw Sex, Pure Energy (responsible for the Falkland Islands War protest 12-inch “Stop the War” b/w “Give Sheep a Chance”) and Float Up CP (basically Rip Rig + Panic reformed under a new name).

Inching nearer to her pop breakout, she collaborated with Matt Johnson on “Slow Train to Dawn” from The The’s 1986 LP Infected and contributed to “Looking Good Diving with the Wild Bunch,” the B-side to the Stock Aitken Waterman-produced ’87 single “Looking Good Diving” by Morgan-McVey (featuring Jamie Morgan and Cameron McVey, the latter Cherry’s future husband).

“Looking Good Diving with the Wild Bunch” can be described as “Buffalo Stance” in embryo, but the cut has deeper connections to Raw Like Sushi’s whole, as track remixers the Wild Bunch featured Robert Del Naja, soon to be a member of Massive Attack and also the cowriter of Sushi track “Manchild.” The association reinforces the record’s stature as a crucial foundational stone in the architecture of trip-hop, though the deepest credit goes to Cherry of course as she’s long abjured the rigidity of musical format.

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A morning mix of news for the vinyl inclined

In rotation: 2/4/20

London, UK | FOPP – If Aladdin’s Cave was a record store: Fact: This record shop in the buzzing Seven Dials area is dangerous for the wallet. I have never left here empty-handed. What’s not to love about a store selling brand new oldies for as cheap as £5? If you are also coming to the end of your current read, have a browse through their excellent range of books as most are as cheap as £3 each or two for £5, again all brand new. And if you choose to pay the extra pence for a plastic bag it comes as a see-through carrier so you can show off your latest musical finds when wandering around town. The basement has an equally impressive choice of DVDs but that’s less my cup of Rosy (Lee = tea). Show some support for record shops and swing by here. FOPP is owned by the guys behind the precarious HMV high-street name and I always say a little prayer when these owners appear in the news for their latest closures and just hope that this outpost does not fall victim.

Glasgow, UK | Herald Diary at Large: Why vinyl will never die. The year is 1993. The venue is Sony Music Studios in New York City. The band is Nirvana. Fans will later remember this MTV Unplugged performance as one of those rare TV moments that provide a jolt of dissonance, disturbance and drama to the established music scene. Like the Beatles’ first appearance on The Ed Sullivan Show. Or Live Aid, when rock became the new religion; a globalised evangelical church sermon, saving us all from our sins. Although this particular evening in 1993 is low key. Stripped of hubris and hyperbole, yet quietly momentous all the same. Facing his young audience of rock disciples, Kurt Cobain hunches in a chair. A surly toad lumped on a lily pad. The cardigan he wears is the colour of dreich; knitted from wool that could easily have been sheared from a Scottish sky. His lank hair drizzles down his neck; its liquid limpness also redolent of Caledonia at its rain-raddled best. What won’t have any echoes of Scotland, however, are the songs Cobain is about to sing. They promise to be freshly-minted American classics, written by Kurt himself, a native of Washington state. Songs like Heart-Shaped Box and Smells Like Teen Spirit.

Augusta, GA | Out There…Somewhere: Big game of music, not going to Kansas City: San Francisco and Kansas City getting ready to rock, it’s almost time for the big game. “Not much of a football fan,” said Evan Grantski, of Grantski Records The game is being played in Miami at Hard Rock Stadium, and at Grantski Records they know about rocking hard. So when comes to classic vinyl, who wins…Kansas City or San Francisco? “I think musically it would have to go to San Francisco,” said Evan. It’s a hard journey to get to the Superbowl, and Journey has from that city by the bay. So does Jefferson Airplane, and Creedence Clearwater Revival left its heart in San Francisco. And Oy Como Va…it’s Santana. Somebody call a time out. Running up the score, another San Francisco band: Metallica. Sly & the Family Stone called San Francisco home, and Huey Lewis & the News, The Grateful Dead, The Bay Area Band is still huge at the record store “Oh yeah, can’t keep them in stock,” said Evan.

Lake Lanier, GA | Take a trip down memory lane at Moe’s: Moe Lyons was 16 when he purchased his first vinyl record in 1974. “It was ‘Rufusized’ by Rufus featuring Chaka Khan,” says Lyons, who owns Moe’s Record Shop on the east end of Flowery Branch’s Main Street, near the shores of Lake Lanier. “I still have the original at my house, but we have a couple of them here in the store.” As far back as the late ’70s and early ’80s, Lyons had dreams of opening a record store. By 1985, he was hired as Christmas help at a Record Bar store in his home state of Kentucky. Most recently, he retired at age 60 from Hall County Water Treatment after 18 years. He opened the store in April 2019. “I guess you could say I have a music addiction, but I really like to share music, especially on vinyl,” he said. Lyons has been collecting albums for years and now has more than 6,000 albums at home in addition to the 4,000 to 4,500 in bins at the store. Located in the former location of Lakeside Market, the store is filled with bin after bin of vinyl, sorted by genre and alphabetized by artist. Ask him about almost any artist who has recorded an album and he can walk right to the proper bin and quickly pull out an assortment.

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TVD Los Angeles

TVD Live Shots: Queensrÿche, John 5,
and Eve to Adam at the House of Blues, 1/30

I’ve seen Queensrÿche upwards of 40 times and can’t seem to get enough of this ever-evolving band. Their seventeen-song set was chock full of new material, classic tracks, as well as a few from the vault that I haven’t seen performed live in years. Add guitar virtuoso John 5 to the bill and fans were treated to an unbelievable night of rock and roll music that left the capacity crowd screaming for more. It’s the perfect blueprint for what a live music show should be and delivered on all levels Thursday night.

I make no apologies for being a Queensrÿche fan and have been all my life. Watching a virtually unknown band from Seattle on WTBS’s Night Tracks was where it all started, and I have been a die-hard fan ever since. Their brand of no-frills rock and roll (and lineup) has obviously changed over the years, but they continue to crank out amazingly relevant music that’s fresh, entertaining, and most importantly real. Where most bands from their generation have fallen by the wayside, Queensrÿche has reinvented themselves and are still doing what they love on their terms. Their story is rare and their evolution even more extraordinary.

Opening Thursday’s show at the Anaheim House of Blues was Eve to Adam, and band hailing from the East coast and one I honestly have never heard of. However, it was evident from the moment they took the stage that these guys were serious rockers and ones we shouldn’t take lightly. Eve to Adam’s set was short but highlighted the ability of these talented rockers and why Queensrÿche would have added them to this bill. I gave their recent release Ithaca a spin and its solid and think you’ll feel the same way.

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The TVD Storefront

TVD Radar: Gretel & Hansel OST vinyl in stores 3/20

VIA PRESS RELEASE | Waxwork Records is proud to present Gretel & Hansel Original Motion Picture Soundtrack by ROB.

Written and directed by Oz Perkins (The Blackcoat’s Daughter) and starring Sophia Lillis (It Chapters 1 and 2), Gretel & Hansel is a 2020 American Dark Fantasy Horror Film based on the German folklore tale Hansel and Gretel by The Brothers Grimm. The story is set a long time ago in a distant fairy tale countryside and focuses on a young girl who leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil. Gretel & Hansel offers a terrifying untold story to the classic fairytale.

The soundtrack by Paris-based composer ROB (2012’s Maniac, Revenge) is a haunting and hypnotic electronic soundscape that features Moog synthesizers and a mellotron. There was no orchestra involved in the creating process, as ROB played all instruments himself, except from additional cellos by his recording partner Moritz Reich.

From the composer: “The idea was to avoid the traditional musical schemes used in tales—such as the use of symphonic orchestras—and therefore find a more original and specific color, using both warm and synthetic sounds with the predominance of the mellotron and the Moog synths.

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The TVD Storefront

TVD Radar: Vinyl Countdown by Graham Sharpe in stores 6/1

VIA PRESS RELEASE | A revival of interest in vinyl music has taken place in recent years—but for many of those from the “baby boomer” generation who made their acquaintance with the music of their youth in this way, it never went away.

Graham Sharpe’s vinyl love affair began in the 1960s and since then he has amassed over 3,000 LPs and spent countless hours visiting record shops worldwide along with record fairs, yard sales, and online and real-life auctions. Vinyl Countdown (Trafalgar Square Publishing, June 1, 2020) follows his journey to more than 100 shops across the globe—from New York to New Zealand, Walsall to Warsaw, (old) Jersey to New Jersey—and describes the many characters he encountered and the adventures he accrued along the way.

Vinyl Countdown seeks to reawaken the often dormant desire which first promoted the gathering of records, and to confirm the belief of those who still indulge in it, that they happily belong to, and should celebrate the undervalued, misunderstood significant group of music obsessed vinylholics, who always want—need—to buy…just one more record.

A mesmerizing blend of memoir, travel, music and social history, Vinyl Countdown will appeal to anyone who vividly recalls the first LP they bought and any music fan who derives pleasure from the capacity that records have for transporting you back in time.

Graham Sharpe has been involved in the betting industry for more than 30 years and has written more than 20 books with a gambling theme. He’s collected vinyl for more than 50 years.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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