The TVD Storefront

Graded on a Curve:
Ringo Starr,
Blast from Your Past

Celebrating Ringo Starr on his 85th birthday.Ed.

Beatles fans, stop your incessant bickering about who’s the better artist, Paul McCartney or John Lennon! Because let’s face it, Ringo Starr beats the MBEs off both of ‘em! He’s a hit machine, a genius and a true Starr! And to those who would say otherwise I say, well, to HECK with you!

I don’t base my opinion on the fact that Ringo is the humblest and most lovable Beatle. No, all one has to do is compare his best of, 1975’s Blast from Your Past, with those of the other members of the Fab Four. It’s got a higher winner to loser ratio (90%, and that’s only if I call “Beaucoups of Blues” a loser, which it ain’t!) than John Lennon’s Shaved Fish (64%) Wings’ Wings Greatest (50%), and George Harrison’s The Best of George Harrison, which I refuse to even consider seeing as how its first side is composed solely of Beatles’ era songs.

And not only does Ringo have a better batting average–he’s also a lot more fun. Sure Lennon’s “Cold Turkey” (to pick just one song) is a harrowing depiction of heroin withdrawal blah blah blah, but do I ever listen to it? Of course not! It’s a stone bummer! And yes, Paul the Frivolous has written some lovably lightweight songs over the years, but he’s also the spitwit responsible for “Silly Love Songs,” “Let ‘em In,” and “Ebony and Ivory,” which makes him a horrible person in my book! And don’t even get me started on that nebbish George Harrison. No, Ringo’s the King, and I say that not as a fan but as a completely objective party who Ringo just paid me to say that!

Look, I would call Ringo the Greatest but I don’t have too since he comes right out and says he is in “I’m the Greatest,” just one of the delicious trifles that make Blasts from Your Past as indispensable an album as, well, pick an album, any album! And just in case you think Ringo’s only good for producing trifles, I give you “Photograph” (as touching a song as you’ll ever run across) and “It Don’t Come Easy,” which has George Harrison’s fingerprints all over it but who gives a shit!

Read More »

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

TVD Radar: Oasis, (What’s The Story) Morning Glory? 3LP reissue in stores 10/3

VIA PRESS RELEASE | Oasis has today announced details of deluxe formats of (What’s The Story) Morning Glory? to celebrate the era-defining album’s landmark 30-year anniversary. It will feature new unplugged versions of five classic recordings “Cast No Shadow,” “Morning Glory,” ” Wonderwall,” “Acquiesce,” and “Champagne Supernova.”

Released on the 3rd October on Big Brother Recordings, (What’s The Story) Morning Glory? (30th Anniversary Deluxe Edition) is available for pre-order here on limited edition 2CD and 3LP formats as well as digital formats to pre-save. This special anniversary format follows last summer’s release of the 30th Anniversary Edition of Definitely Maybe which reached number 1 in the Official UK Album Chart for the second time in that album’s history.

The new unplugged versions were produced and mixed by Noel Gallagher and Callum Marinho from the original master recordings at Noel’s studio, Lone Star Sound, in London. The new interpretation of ‘”Acquiesce” is revealed today.

The deluxe album features new artwork shot by original sleeve designer Brian Cannon and new sleeve notes. Exclusive coloured vinyl formats will be available, including indie record store exclusive “Cast No Shadow” inspired Crystal Clear 3LP, HMV “Morning Glory” inspired blue marble 3LP, Amazon Exclusive “Wonderwall” inspired sepia marble 3LP, and official store exclusive “Acquiesce” inspired neon orange 3LP. All formats will include the 2014 remastered version of the album alongside the new bonus versions.

Read More »

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

Graded on a Curve: Sleaford Mods,
“Live from Nottz Arena”

I love Sleaford Mods. I love everything about them. If you were to ask me which I love more, Sleaford Mods or my mom, I would say Sleaford Mods. Sorry Mom. I love you, I really do. But you’re no Sleaford Mods.

I love that singer-talker (they call that Sprechgesang in Deutsch). Kevin Williamson, a rough and angular-looking working-class fellow, is the kind of fucking cunt who likes to say fucking cunt, and in a wonderful East Midlands accent no less. I love that the duo (Andrew Fearn programs their tracks and stands around in their videos looking cool) originally called themselves That’s Shit, Try Harder. I love that Williamson specializes in diatribes, against this, against that, against everything, it seems, British. I love that both men are in their forties. Success hasn’t come easy for them. Williamson, in particular, took the long and winding road to where he is now, obscenitying away.

I also love that “Mods.” It’s a tribute to Williamson’s early love for bands like The Jam. But what I love more is that Williamson has nothing good to say about The Jams’ Paul Weller, and he’s more than happy to say it in public. He basically thinks the old geezer should hang it up, that he’s just going through the motions and beating a dead Mod horse for the filthy lucre.

But what I love most are their songs. Utterly addictive and stripped to the basics songs like “Bang Someone Out,” “Mork n Mindy,” “Jolly Fucker,” “TCR,” “B.H.S.,” “UK Grim,” “Force 10 from Navarone,” and “Tweet Tweet Tweet.” They’re all poetic prole blasts of pure stream-of-consciousness invective, reminiscent of a less arcane Mark E. Smith.

Read More »

Posted in The TVD Storefront | Leave a comment

A morning mix of news for the vinyl inclined

In rotation: 7/7/25

Dayton, OH | Belmont record shop moves to the Oregon District: ‘I underestimated how emotional I would be.’ After nearly five years and two locations in Dayton’s Belmont neighborhood, Blind Rage Records — “Dayton’s Third Best Record Store” — is moving to the Oregon District. Its last day in Belmont was Friday, June 27. The store’s first day at the new location, 508 E. 5th St., is Saturday, July 5. The opening coincides with the “Independents” Day Block Party in the Oregon District, an annual celebration that supports independent businesses and local street vendors. Blind Rage Records was originally located at 734 Watervliet Ave. in Dayton. After eight months, it moved a few storefronts down to 740 Watervliet Ave., a bigger location with a stage for local and touring bands. …Although Blind Rage is as much a venue as it is a record store, the new location doesn’t have an obvious stage. While that doesn’t necessarily mean there won’t be shows in the store’s future, the focus is on the records.

Shepherdstown, WV | Admiral Analog’s Audio Assortment finds new home, plans expansion to inventory. Admiral Analog’s Audio Assortment closed the doors to its storefront at 141 East German Street on June 15, after seven years in the location. Over the following four days, the business underwent a move to a location down the street, at 119 West German Street. On Friday, the business opened its new doors to the public. “It was a whole lot of work,” said owner Andrew Barton. “We’re not completely done yet, but everything essential to us selling and being in business is here.” According to Barton, this is the second move his 11-year-old business has had to make. The reason for this move, to the former home of Dickinson & Wait Craft Gallery, is to enable the business to expand its inventory. The new location is over twice the size of his previous one.

Bethlehem, PA | ‘Super excited!’: New Bethlehem record store looks to open in time for Musikfest. A retail shop coming soon to Northampton County is music to the ears of vinyl record collectors. Railroad Records, offering vinyl records, CDs, books, memorabilia, antiques, vintage clothing and more, is expected to open in early August at 335 Vine St. in south Bethlehem, owner Asa Blynn said. Blynn, 26, has been collecting vinyl records since he was 13 and previously worked at a couple of local record businesses, including a former Carbon County farmers market stand. “I had a lot of fun and learned a lot over the couple of summers I spent there,” Blynn said of the farmers market stand. “The owner gave me store credit, and I was just a young teenager. So, it was an awesome experience. About three days a week, I’d also go to an awesome shop in Allentown, called Double Decker Records. The shop closed a few years ago, but the owner became a friend of mine, and I got kind of a degree in running a record store…”

Minneapolis, MN | After 37 years, Hymie’s in Minneapolis spins its last record: After nearly four decades of serving the Twin Cities’ vibrant music scene, Hymie’s Records has decided to close its doors. Originally opened in the 1980s, the Longfellow neighborhood shop once praised by the Beastie Boys and Rolling Stone, announced that it has no plans to reopen. Adam Taylor, the store’s fourth owner, bought Hymie’s in 2019. Taylor says that throughout the pandemic, record shops around the Twin Cities were hit hard, experiencing financial hurdles that put some out of business. While Hymie’s managed to stay afloat, Taylor says that added financial pressures chipped away at the business’s future. “Rent is astronomical. I can’t afford 4,000 bucks a month,” Taylor said, “I’m out of spirits. My tank is empty.”

Read More »

Posted in A morning mix of news for the vinyl inclined | Leave a comment

The TVD Storefront

We’re closed.

We’ve closed TVD’s HQ this week for the Fourth of July holiday. While we’re away, why not fire up our Record Store Locator app and visit one of your local indie record stores?

Perhaps there’s an interview, review, or feature you might have missed? Catch up and we’ll see you back here on 7/7.

Posted in The TVD Storefront | Leave a comment

TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Time for livin’, time for givin’ / No time for makin’ up a monster to share / Time for livin’, time for givin’ / No time for breakin’ our own fairytale

Ain’t, ain’t, ain’t nobody’s got to spell it for me / Ooh, ain’t nobody got to yell, I can see / Ain’t nobody got to think, I can hear / But if I have to, I will yell in your ear / Aah, ooh

Where did June go? Did summer jump the gun?

Most of you know I became hooked on rock ‘n’ roll at a young age. Along the way, I’ve experienced several “magical moments.”

To be “astonished” has kept me on my journey. Like this moment, I reposted on Facebook.

I remember as a kid in NYC when twenty thousand people and I simultaneously realized we were in a room with The Rolling Stones on stage playing “Honky Tonk Woman.” Reflecting on that moment, that feeling of shared group adulation, brought tears to my eyes.

Read More »

Posted in TVD Los Angeles | Leave a comment

The TVD Storefront

TVD Radar: Jack White Collected Lyrics & Selected Writing Volume 1 by Jack White in stores 10/21

VIA PRESS RELEASE | “I wish I read more people who talked about Jack White as a writer of lyrics, or as a narrator of a very specific kind of interior…Evil and optimism wrestle with each other, longing and a hunger for loneliness tussle in the same bed. Cynicism and desire, rage and tenderness. All of these things seamlessly stitch together and come alive on the page.”Hanif Abdurraqib, author of A Little Devil In America

Third Man Books is proud to announce the publication of Jack White Collected Lyrics and Selected Writing Volume 1 by Jack White and edited by Ben Blackwell. The upcoming collection compiles lyrics from White’s solo recordings thus far, alongside his acclaimed work with The Raconteurs, The Dead Weather, and other collaborations.

The anthology further includes selected poems and writing by White, rare and exclusive photos, and new essays written especially for this book by award-winning, Pulitzer Prize and National Book Award-nominated poet Adrian Matejka, award-winning, Detroit-based filmmaker and writer dream hampton, and Third Man Records co-founder Ben Blackwell. Jack White Collected Lyrics and Selected Writing Volume 1 arrives at Third Man Records digital and physical storefronts and booksellers in the United States on Tuesday, October 21. Pre-orders are available now at thirdmanbooks.com.

Jack White Collected Lyrics and Selected Writing Volume 1 follows 2023’s The White Stripes Complete Lyrics (Third Man Books), definitively collecting White’s extensive and acclaimed lyrical work. In addition, the collection also gathers rarely seen poetry written by White throughout his life, along with assorted writings on such diverse subjects as music, art, politics, and more.

Read More »

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

TVD Radar: Swell Maps, The John Peel Sessions in stores 9/12

VIA PRESS RELEASE | Officially available for the first time in 40 years, Swell Maps’ The John Peel Sessions will be released on CD and digitally on September 12, 2025 via Mute. Listen to “Midget Submarines” from the band’s second Peel Session, recorded just before the release of their 1979 debut, A Trip To Marineville below.

Noisy, chaotic, and defiantly experimental, Swell Maps may not have found commercial success in their time, but their impact on music is undeniable, they went on to be an inspiration to bands such as R.E.M., Sonic Youth, Dinosaur Jr., Pavement, The Pastels, Stereolab, and Nirvana (Kurt Cobain was often seen sporting a Swell Maps t-shirt). A democracy within the confines of punk’s “anything is possible” maxim, members Biggles Books, Jowe Head, and brothers Nikki Sudden and Epic Soundtracks, helped shape the landscape of post-punk and DIY music.

Formed in the early ’70s and fully realized by 1976, Swell Maps embodied the DIY ethos, launching their own label and self-releasing the jagged, frenetic debut single “Read About Seymour” in 1978. Peel was an early supporter, playing their record as soon as it landed on his desk, a moment the band described as one of disbelief and elation. His regular airplay of their music helped solidify their cult status, and these sessions capture the raw energy, off-kilter melodies, and boundary-pushing creativity that defined them.

The John Peel Sessions brings together all three of their recordings for John Peel’s sessions—from October ’78, May ’79, and March ’80—that were originally broadcast on his show on BBC Radio 1, a vital document of Swell Maps at their most unfiltered—three sessions of unpredictable, exhilarating noise.

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

Graded on a Curve:
The Gun Club,
The Las Vegas Story

Remembering Jeffrey Lee Pierce, born on this day in 1958.Ed.

I had a gun once. And if you have a gun, you might as well hold up a liquor store. So I went to the liquor store, panty hose over my head, and pointed the gun at the clerk. Turned out he was an old high school friend who recognized me immediately, panty hose notwithstanding. I lowered the gun and said, “Well, shit,” and pulled the panty hose off my head. “Way to go, fucktooth,” he said, “you just performed a cameo for the security cameras. Just go. I’ll fuck them up somehow.”

Then he said, “I can give you a bottle and a pack of cigarettes. Like tequila?” I said, “Man, this is ridiculous.” He said, “You’re disappearing ink. I never saw you. Take the tequila. It’s some expensive shit. And I recommend heartily that you find another way of getting paid, because you’re too nice a guy for this business.” By this time there was a customer standing behind me. I didn’t even know he was there. I turned to him and said, “I’m sorry for the hold-up, no pun intended,” and bolted. And heard him say behind me, “It takes all kinds of idiots to make a world.”

None of that is true, but it reminds me of The Gun Club, whose 1981 debut LP blew my mind. “Sex Beat,” “She’s Like Heroin to Me, and “For the Love of Ivy” opened up new possibilities in post-punk; for one The Gun Club was heavy on the blues, and the songs were dark, dark as Robert Johnson dark. No 57-second tantrums directed at that bitch Ronald Reagan for The Gun Club; they played a deviant hybrid of punk, rockabilly, country, and blues, and lyrically were mining an ancient vein of a haunted America, where spirits and ghosts wandered the highways and lightless trains rode the trestles at night, along with one Jack on fire. I listened to that album for six months straight, then I discovered the Minutemen and the Meat Puppets, and The Gun Club just sorta slipped off my radar.

It was my loss, because front man Jeffrey Lee Pierce came on like a man possessed by some cursed spirit from South of the Border, like he had voodoo in his blood and sex in his guitar, and it surprised virtually no one when he died at age 37 as a result of alcohol and drug abuse. He founded The Gun Club in the happening Hollywood scene in 1979, with a line-up that included Brian Tristan (aka Kid Congo Powers) on lead guitar, Don Snowden on bass, and Brad Dunning on guitar.

Read More »

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

TVD Radar: The
Podcast with Dylan Hundley, Episode 186: Suzi Ronson

Suzi Ronson is a stylist, writer, musician, and the woman who helped shape one of the most iconic eras in music, first by co-creating David Bowie’s groundbreaking look for Ziggy Stardust.

Her memoir Me and Mr. Jones describes this along with the wild and interesting journey she shared as a part of the core group of people who propelled Bowie and themselves into history without expecting it. Suzi and I spoke about these times, her career, life with her husband Mick Ronson, and the aftermath of the Spiders from Mars ending.

This episode is unvarnished and human, as we like to keep Radar. Bowie was no saint, but we all love him, including Suzi, who tells her tales of these times from a deeply clear-eyed place.

Radar features discussions with artists and industry leaders who are creators and devotees of music and is produced by Dylan Hundley and The Vinyl District. Dylan Hundley is an artist and performer, and the co-creator and lead singer of Lulu Lewis and all things at Darling Black. She co-curates and hosts Salon Lulu which is a New York based multidisciplinary performance series. She is also a cast member of the iconic New York film Metropolitan.

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

Graded on a Curve: Church of the Cosmic Skull, Science Fiction

Bill Fisher, founder of Nottingham, England’s Church of the Cosmic Skull, has called the band a “twofold entity: a new religious movement … and a 7-piece supergroup.” What do you make of that? I’ll tell you what I make of it, having listened to said twofold entity–Church of the Cosmic Skull are by turns majestic and hilarious, bring back the glory days of seventies’ American progressive pop, and in general are the most transcendentally joyous thing to come along since “Dust in the Wind.”

Church of the Cosmic Skull are campy, write great pop songs with great pop hooks, dress in white robes like angels, and sing like angels too. They sound like a cross of Styx, Kansas, Queen, Electric Light Orchestra, and Abba. They make uproarious videos and pose on spaceships and live in the past and the future at the same time, which is what great progressive pop has always been about.

They also know how to rock out with blazing guitar solos, cool Hammond organ riffs, stacked and glorious mock-baroque tongue-in-cheek neo-gospel vocal harmonies, and lots of driving instrumental passages that occasionally cross the line into arena rock and heavy metal. And have I mentioned they write great songs? Just like the songs that kept me alive in the seventies.

Fisher has lots of things to say about music. “The song must come first. I am not interested in meaningless displays of technical ability.” Which is the essence of progressive pop. He also has lots of things to say, and I think he’s being serious, about his group’s spiritual mission. “We are a rock band and a spiritual organisation,” he told an interviewer, “who welcome all living beings with open arms.”

Read More »

Posted in The TVD Storefront | Leave a comment

A morning mix of news for the vinyl inclined

In rotation: 6/27/25

Watch Out Vinyl, Tariffs Are Coming For You: As we all know, one of the many bright spots in the music industry recently has been vinyl sales. Even though the sales figures can be deceptive as to the actual number, it’s still a large revenue source for the just about everyone in that particular food chain. That said, the growth of vinyl is threatened today thanks the the new tariffs the government has recently put in place, thanks to increased production costs. It turns out that the raw materials required to press a record in the U.S., which include nickel, PVC, paperboard, and steel, are directly affected by these extra fees. Not only that, lacquer disc production (the master disc that make the stampers) are only made outside the United States these days since the Apollo Masters fire, and there are no Direct Metal Mastering machines operating in the U.S.

Golden Valley, MN | Down in the Valley: Four Minnesota businesses, four different tariff tales. All four of these businesses are weighing uncertainty. …Back up to Golden Valley, at Down in the Valley record store, tariffs are striking a blue note. “The problem is as a small retailer, we can’t just absorb these small added costs,” said Scott Farrell, general manager of Down in the Valley. “We are already running on thin margins the way it is. So, we have to pass that onto the consumer.” Sixty percent of the products he sells are imported. Suppliers of action figures, toys, incense and turntables are already charging higher prices. “The entry-level turntable retailed at 129. Now it’s at 179,” said Farrell.

Victoria, AU | Record Store Profile: Dutch Vinyl VIC. The Music’s search for Australia’s best record store is on. If this is your favourite, or you’d like to discover more great shops to visit, head to vote.themusic.com.au and go into the draw to win a $200 voucher to spend at the store. …We have about 12 staff members at Dutch Vinyl, forming a dynamic and diverse team. Our crew is a mix of shop staff, secondhand record pricers, a new record buyer, and the online order team, among other roles. Everyone brings their own unique skills and passion for music to the table, making Dutch Vinyl a vibrant and welcoming place for both customers and staff alike. …The store opened in 2016. After arriving in Australia with just a bundle of CD’s in my backpack I soon moved on to MP3. Within a few years I had such a large iTunes library that it became difficult to choose what to play. This led me back to vinyl records and I fell in love with them all over again.

Tokyo, JP | A music lover’s guide to Tokyo: Shop for your favorites at a record store. Ask anyone who has visited Tokyo about record shopping and they will all mention Disk Union. The behemoth music retailer has been around since 1967 and has multiple stores across the city. In Shinjuku alone, we’re talking four separate buildings within a three-block radius, containing various levels that cover 18 different genres. Music lovers will need a map—and fortunately, you can find one online or at the front of any of their stores. Tokyo is also home to several independent record stores. Shimokitazawa is a neighborhood revered by crate-diggers, and you’ll find plenty to peruse at Pianola Records, Jet Set, Flash Disc Ranch (featured in the Wim Wenders’ film Perfect Days), and City Country City—a bar, café, record store, and small venue owned by Keiichi Sokabe, the frontman of revered Japanese band Sunny Day Service.

Read More »

Posted in A morning mix of news for the vinyl inclined | Leave a comment

The TVD Storefront

TVD Radar: Joan Baez, Diamonds & Rust 45 RPM 2LP reissue in stores 7/11

VIA PRESS RELEASE | Diamonds & Rust, Joan Baez’s introspective, poetic, and musically lush 1975 album, returns in a definitive 180-gram 45 RPM edition to be released July 11 via Analogue Productions, the esteemed imprint of Acoustic Sounds.

Strictly limited to 2,000 individually numbered copies, this collectible reissue is cut from a ½” flat tape copy of the original analog master tape by Matthew Lutthans at The Mastering Lab and pressed at Quality Record Pressings. It delivers the most vivid, tonally rich listening experience of Baez’s timeless classic to date.

This deluxe reissue is housed in a tip-on old-style gatefold jacket with textured stock, crafted with care by Stoughton Printing, offering both a stunning visual and tactile presentation to match the sonic excellence within. The 45 RPM format allows for deeper grooves and greater fidelity, capturing Baez’s pristine voice and evocative arrangements in their most natural and immersive form.

Originally released at a pivotal point in her career, Diamonds & Rust bridges Baez’s folk roots with the sophisticated production of the mid-’70s, bringing a new sonic dimension to her songwriting and interpretations. Anchored by the iconic title track—a bittersweet reflection on her past relationship with Bob Dylan—the album finds Baez at her most personal and expressive, balancing intimate storytelling with bold sonic ambition.

The record also showcases Baez’s interpretive power on tracks like Jackson Browne’s “Fountain of Sorrow” and Stevie Wonder’s “Never Dreamed You’d Leave in Summer,” both rendered with striking emotional clarity and nuance. “Winds of the Old Days” and “Dida” reveal Baez’s evolution as an artist and her willingness to explore new textures and lyrical perspectives.

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

TVD Radar: Joni Mitchell, Joni’s Jazz 8LP, 4CD sets in stores 9/5

VIA PRESS RELEASE | Joni Mitchell introduces Joni’s Jazz, a passion project years in the making. This career-spanning collection features recordings chosen by Mitchell that reflect jazz’s profound influence on her music.

The release arrives September 5 as an 8LP vinyl box set and will also be available as a 4CD edition and across all digital and streaming platforms. Both the vinyl and CD versions include liner notes with rare and previously unseen photos and original artwork by Mitchell. Pre-order HERE. An exclusive Joni Mitchell Archives fine-art print is available as a gift-with-purchase exclusive from jonimitchell.com.

Spanning 61 tracks, Joni’s Jazz includes studio recordings, live performances, rare alternate takes, and material drawn from multiple decades and record labels. Among them are two previously unreleased 1980 demos, including one for “Be Cool” that is available today digitally.

The set features contributions from some of Mitchell’s most important collaborators in jazz, among them Wayne Shorter, Jaco Pastorius, Herbie Hancock, and Charles Mingus. Mitchell, who calls Shorter her favorite collaborator, dedicates the collection to him following his passing in 2023. “It was a joy to play with him,” she writes. “He will be missed, but he will remain alive for me in this music.”

Read More »

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

Graded on a Curve:
Big Bill Broonzy,
Live in Amsterdam 1953

Remembering Big Bill Broonzy, born on this date in 1893.Ed.

Born on June 26, 1903, William Lee Conley Broonzy, aka Big Bill Broonzy, was a giant of the blues. Cutting his first sides for Paramount in 1927, an extensive stretch of recordings followed across the next two decades. After a break in the late 1940s, he experienced a career resurrection that lasted until his untimely death in 1958, a sustained second wind that carried him to Europe, where he cut records for the Vogue label in France and was captured in performances of astonishingly high fidelity in the Netherlands. Grooving into vinyl a substantial portion of Broonzy’s shows in the titular city, Liberation Hall’s Live in Amsterdam 1953 arrived for Record Store Day Black Friday in 2022.

To appropriately comprehend the level of Big Bill Broonzy’s popularity, please consider his prolific output across the decade of the Great Depression. The brutal 1930s economic downturn decimated the young record industry, which had been thriving before the crash, and snuffed out recording opportunities for dozens of bluesmen, with a handful of those musicians later “rediscovered” in connection with the folk music boom of the 1950s-’60s. Broonzy was an early catalyst-beneficiary of that boom, and would’ve surely experienced further success had he not died in ’58.

Broonzy’s late ’40s sabbatical from touring (reportedly through doctor’s orders) found him working as a janitor at Iowa State University. It didn’t take him long to return to activity, and when he did there was a comfortable shift into folk blues mode as he kept company with Sonny Terry and Brownie McGhee and Pete Seeger.

That Big Bill choose to hang around with ol’ Pete and Studs Terkel as he pivoted into a somewhat easygoing style no doubt ruffled the feathers of many a subsequent blues purist, particularly as the two Yazoo volumes of his early stuff, The Young Big Bill Broonzy 1928-1936 and Do That Guitar Rag: 1928-1935 are loaded with hokum smokers, wicked rags, and uncut bluesy oomph. Columbia’s Roots N’ Blues comp Good Time Tonight is also an excellent survey of his more urban 1930s motions that benefit from the cleaned up sound that was the Roots N’ Blues series specialty.

Read More »

Posted in The TVD Storefront | Leave a comment
  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


  • Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text
  • Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text