Monthly Archives: September 2016

In rotation: 9/26/16

Lowenstein Complex helping to turn area into booming real estate market, Owner says the record shop isn’t going anywhere: Twist & Shout isn’t going anywhere and it isn’t expanding, Epstein said. The Lowenstein is the fabled record store’s third home in Denver. Epstein said he only plans to sell the real estate. “I’m tired of being a landlord,” he said, “I just wanted to be a retailer.”

Back into the groove: Resist the temptation to pack that dusty old turntable and send it off to The Salvation Army because it hasn’t been used for decades – this might be the time to hook it up again…Ironically, it is probably easier now to find Adele’s new album on wax than on CD, thanks to a new wave of vinyl record shops that have been opening – and expanding – over the last couple of years. Vinylicious Records kick-started the trend when it opened in Parklane Shopping Mall in early 2013.

Light sleepers need not apply! Music lovers can spend the night surrounded by records in New York’s Rough Trade store: Record lovers are in for a musical treat. Audio company Sonos and famous record store Rough Trade have teamed up to list a one-night stay at the iconic New York shop on Airbnb. The once-in-a-lifetime experience is the prize in a competition for two winners and their guests to retreat to their own private haven at Rough Trade’s new Listening Room.

The greatest record sleeves – as chosen by the designers: What’s the best-designed album sleeve? Richard Hamilton’s sleeve was really radical and ahead of its time and it still looks contemporary. By contrast to Peter Blake’s vivid artwork for the Beatles’ previous album, Sgt Pepper’s, it was a plain white sleeve with the band name just embossed, almost invisible. There was a stamped number, which made each one unique. My parents had it first, but I thought it looked boring until I studied art. Once you understand the context, it gets really interesting.

Plugging musical knowledge gaps with vinyl: …I wanted to buy a turntable and listen to vinyl again. I am slow to the party on this one. For some time, there has been a worldwide resurgence in the popularity of vinyl. And here, in lil ol Northland, the consequence is a shortage of second hand turntables. Searle Electronics in Whangarei specialises in selling good quality second hand audio gear, as well as new equipment. They have a waiting list of people who want to buy a decent second hand turntable.

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TODAY! The DC Record Fair comes to the historic Howard Theatre, 9/25

You know the feeling—every so often you’re rummaging through a record crate and lo and behold—you stumble across a true gem. Well, for the Autumn edition of the DC Record Fair we happen to be hosted by a true gem, the iconic and historic Howard Theatre.

Quoting from their website, “When the nation was deeply divided by segregation, The Howard Theatre provided a place where color barriers blurred and music unified. Dubbed the “Theatre for The People” by The Washington Bee, it was the place where dignitaries like President Franklin D. Roosevelt gathered with everyday folks to see both superstars and rising stars – many of whom debuted at The Howard Theatre. Along with Duke Ellington, greats such as Ella Fitzgerald, Louis Armstrong, Billie Holliday, Cab Calloway and Nat King Cole graced the Howard stage and made way for talents like Marvin Gaye, Aretha Franklin, Dizzy Gilespie, The Supremes, Otis Redding, Lena Horne and James Brown.”

On September 25 we’ll have 38 vinyl vendors from up and down the East Coast, the stellar DJ line up (to be announced soon), the food, the bar, Zeke’s Coffee is back with their bold brew, PBR specials, plus the myriad other surprises (and gems!) that make the DC Record Fair a special DC community event.

THE FALL 2016 DJ LINE UP:
11:00 – 12:00: Teddy Garcia (ES)
12:00 – 1:00: DJ Mad Squirrel (DC)
1:00 – 2:00: DJ Test Patterns (NY)
2:00 – 3:00: DJ Aisha Karimah (DC)
3:00 – 4:00: Sheldon Scott (DC Ministry of Culture)
4:00 – 5:00: Sean Lovelace (RVA)

Mark your calendars! 
THE DC RECORD FAIR

Sunday, September 25, 2016 at The Howard Theatre
620 T Street NW, Washington, DC

11:00–12:00, Early Bird Admission $10.00
12:00–5:00, Regular Admission $5.00
RSVP at the Facebook invite!

The DC Record Fair is brought you by Som Records, DC Soul Recordings, and TVD.

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TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Mist falls and his voice cracks from the morning / Flowers and my body feels like lead / Someone should have stopped the birds from singing today / Hammers from striking nails into clay / Her face penetrates the blue gray morning / Her eyes pregnant pools produce a tear / Someone should have shouted you had gone in her ear / That summer was stolen away / Such a small love / Such a little tear / You would laugh so loud / If you could see us here…

It’s been a while since I’ve heard the wind blow hard outside my canyon office window. The sound made me curious and I stepped outside for a thought. I guess in this life…a “dude” needs a “thought” to balance shit.

The art of not blowing things out of proportion is clutch. This week held a lesson as to not making mountains out of molehills while being strong enough to “call a spade a spade.” Big things in life can kill ya’, but it’s the “lil things” (and the drama that can go with them) that I’ve learned to be careful with.

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TVD Live Shots: Riot Fest Chicago, 9/18

2:42pm: As I’m running to catch the Juliette Lewis and the Licks, I hear Dee Snider covering Nine Inch Nails’ “Head Like a Hole” in the distance. I arrive Riot Fest’s Rock Stage and turn my attention to Juliette Lewis, who is absolutely commanding the stage. She twirls, jumps, dives, screeches.

3:00pm: The party has officially started. Andrew W.K. has arrived, muscles bulging out of his signature white t-shirt and white jeans. He stuffs his microphone into his pants and slams down on his keyboard, jazz notes ringing out. His fans are screaming so hard the noise is almost deafening. Party on.

3:08pm: Juliette Lewis can sing. I wander back over to the Rock Stage to catch her covering—and nailing—Led Zeppelin’s “Whole Lotta Love.” Before her final song she pauses, “I feel like music is a spiritual thing and I want to thank you for being here.” She ends her set with Creedence Clearwater Revival’s “Proud Mary”—her version sounding like Tina turner on steroids.

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Belinda Esquer,
The TVD First Date

“Vinyl Vinyl Vinyl. The allure of vinyl for me and the reason why my collection of vintage vinyl is growing is trichotomous.”

“The first alluring element is the distinctive warmth and depth in the sound. It’s welcoming and special in today’s world of digital music, which in my opinion has a bit of shallowness when compared with analog. The second alluring aspect of vinyl for me comes from the albums in my collection. The one that started it all is Dionne Warwick’s collaboration with Barry Manilow which includes “Who, What, Where, When, Why” and “Deja Vu.”

This $0.50 find at Zia Records in Tucson, was a starting point for me. I must have looked through hundreds of bins looking for something to relate to and here stood out a cherished childhood memory of my mother playing Dionne on family trips to Mexico. I rushed to the counter and eagerly paid the unbelievable price of $0.50. I took the album home and played it a few times all the while singing every lyric.

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Graded on a Curve:
Black Widow,
Return to the Sabbat

Way back in 1970, when witches still roamed England’s green and pleasant land, the band Black Widow hit on a new approach to the newly conjured genre of Satanic Rock. To wit, they downplayed the rock, and replaced it (for the most part) with folk, jazz, and prog rock elements, thus providing a less pummeling alternative for Satan lovers who found Black Sabbath a bit too ‘eavy, and who were looking for what sounds to the ears of the present like an unholy marriage between Jethro Tull and Spinal Tap.

And yet: I have come not to mock Black Widow (well, I may mock them a little) but to praise them, because somehow they manage to pull off the genre-bending on their 1970 debut Sacrifice, or as it later came to be called, Return to the Sabbat. (Long story made short. Vocalist Kay Garrett played on the original recordings but left before the release of Sacrifice, which the band released without her contributions. Decades later, the band released the original 1969 tapes with Garrett on them, and entitled the LP containing these earlier recordings Return to the Sabbat.)

I say they pulled it off, but there are a couple of unhappy exceptions. Some ungodly bad lounge jazz (why, they’ve even got a vibraphone in there) renders the tune “Seduction” risible, while the band’s chanting of “Come, come, come to the Sabbat/Come to the Sabbat/Satan’s there” over a Native American tattoo and Ian Anderson-school flute makes me think “Come to the Sabbat” is one witchy tune that should be burned at the stake. Wait, I take that back. Its Spinal Tap proclivities provide for far too good a laugh to be set alight on the village green.

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In rotation: 9/23/16

Brooklyn Flea Record Fair Returns to Williamsburg Saturday, The Brooklyn Flea Record Fair brings together dozens of labels, collectors and DJs Saturday, Sept. 24, at the East River State Park: One of the year’s largest vinyl record fairs returns this weekend to Williamsburg next to Smorgasburg, in case you work up an appetite from all of the crate digging. The Brooklyn Flea Record Fair Is happening Saturday Sept. 24 from 11 a.m to 6 p.m. at the East River Sate Park. The fall 2016 edition of the record fair has over 50 vendors, labels and DJs, and vinyl collectors and sellers.

Joe’s Record Paradise Grand Reopening: We are having our Grand Reopening on Saturday the 24th and everyone is welcome. There will be Food from Anabel’s food truck at an almost free cost(subsidized by Joe’s) and 7 Locks Brewery from Rockville will have a table with some tasty treats and also some coffee from the local spot Bump n’ Grind. Along with that there will be several free raffles with prizes from the 9:30 Club, the Fillmore Silver Spring and from Joe’s itself (swag including pint glasses which are back, stickers, chip clips, CD books, gift certificates, etc).

Not So Fast. Vinyl Records May Not Be Going Down: In this writer’s opinion, I would only cautiously warn that we take a closer look at the full results of 2016. Vinyl sales do appear to have slowed down, but not enough to dismiss the format yet. I would actually be more inclined to believe that the CD may be wiped out before vinyl based not only on these numbers, but also financial reports from other countries. But I’ll leave you with DMN posters’ thoughts.

Does Anyone in the World Still Buy CDs? Granted, music shops are rarer than they used to be (RIP Virgin Megastore, Tower Records, Zavvi, and all the forgotten soldiers), but many of them still exist. The fact they are now even harder to find means there must be people who are leaving their houses and getting the bus to Fopp to drop actual tenners on CDs. What’s going on? What are these people buying? To find the answers to such questions, I spent the afternoon at select stores meeting CD buyers, so I could interrogate them about their frankly freaky life choices.

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TVD Live Shots: Riot Fest Chicago, 9/17

2:31pm Walking in my wife accidentally says “Yay girl!” to a guy and he asks for her number. She’s off to a great start here at Riot Fest.

2:50pm: Young talent alert! Denzel Curry impresses the hell out of everyone by freestyling two songs a capella due to technical issues. He continues to impress once the issues have been fixed, and takes any opportunity to jump off the stage to connect with the crowd.

3:35pm: The Hold Steady is playing Boys and Girls in America in full at the Rock Stage and everyone is losing their minds. Even us photographers are singing along and smiling while trying to capture the moment.

4:09pm: I catch end of Motion City Soundtrack’s set, one of their last ever as they’ve announced their breakup, and it’s a pretty amazing scene. The crowd surfing is some of the best I’ve seen so far and once the set ends, the band tosses their picks, drumsticks, set lists, and more out to their fans, many of whom are in tears.

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TVD Live Shots: Built To Spill, Hop Along, Alex G at the 9:30 Club, 9/18

Sunday night the 9:30 Club played host to the Boise based, indie-rock outfit, Built to Spill whose pioneering sounds and style attracted DC fans who packed venue. 

For the performance, Built to Spill took a minimalist approach to their stage setup making colossal use of just two small guitar stations for both singer/guitarist Doug Martsch and bassist Jason Albertini while drummer Steve Gere was set up far stage left. Simply spare lighting and no frills—just the music.

As pared down as their production was for Sunday night’s performance, the band has a large presence. Known for their catchy guitar rhythms and clever songwriting, it was incredibly satisfying to see an act just deliver their material to an eager audience. Touring to promote their eighth studio album, Untethered Moon (Warner Brothers) which was released on Record Store Day in 2015, Built to Spill will be touring the US extensively through November.

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Luísa Maita’s Fio da Memória in stores tomorrow, 9/23

We’ve clearly been on a Brazilian kick here at TVD NOLA. On Friday, an interesting album that merges electronic and organic beats with the breathy vocals of the Brazilian chanteuse Luisa Maita will be on shelves nationwide. Fio da Memória means “Thread of Memory” in Portuguese.

The album is mostly down and mid tempo songs sung in her compelling voice. The tunes, largely written by Maita, swirl amid sensuous arrangements of beats, blips, and other hallmark sounds of modern electronica. But the music is thoroughly grounded in the strong bass parts which drive many of the songs.

The music is rooted in traditional Brazilian rhythms but like so many of her contemporaries it is brought to life with electronics and other synthetic sounds. It is the sound of modern urbanity the world over with a unique perspective based on her life in Sao Paulo, the frenetic city in Brazil.

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Needle Drop: John Alcabean, “Real Time Fiction” EP

Post-punk rockers John Alcabean have released their excellent debut EP, “Real Time Fiction,” which is laced with stunning melodies and electrifying guitars that carry a certain melancholic twist creating depth within the wall of noise.

John Alcabean are still a relatively new band (in the vein of Drenge, Wolf Alice, and Royal Blood) with brand new songs, an unfinished line up, and have yet to break out of Europe to play shows. This being said, their potential is through the roof. While the band is still relatively unknown, they’ve recently had their second single “Fire” premiered by Clash, who stated that track is a “taut, energised piece of noise rock bluster…”

The song that introduces the “Real Time Fiction” EP is also the band’s first single “Need Comfort,” its initial riff swelling in anticipation of the drums and bass taking complete control. “I’ll close my eyes when you’re fine,” is the line that resonates, producing much-needed depth within the wall of guitars. “Fire” is introduced with “Slow” and is an stellar choice for a single that showcases a mix of ’90s guitar drenched effects with melodies that linger.

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Cadence Kid,
The TVD First Date

“Growing up with parents who played vinyl records throughout the day had a profound effect on me.”

“Some argue that vinyl sounds better and while I’m not sure what’s true or not, I tend to enjoy the sound of vinyl a little more. Maybe it’s a nostalgic quality that reminds me of childhood or maybe it’s just overall ‘warmth’ in tone. I have really no idea.

I will say that one day, I’d really love to record a live country album straight to vinyl. I think it would be a magical feeling being in the studio and watching the whole process of a record being carved.

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Graded on a Curve: Camberwell Now,
The EP Collection,
The Ghost Trade

Rising up from the dissolution of This Heat, Camberwell Now featured the vocals and drums of Charles Hayward, the field recordings and tape manipulations of Steve Rickard, and the bass, vocals, and ukulele of Trefor Goronwy. Extant from ’83 to ’87, the group delivered a consistently stimulating blend of avant-garde tendencies, progressive rock practices, and astute social awareness on two EPs and an LP; in a splendid turn Light in the Attic subsidiary Modern Classics is offering “Meridian” and “Greenfingers” as The EP Collection alongside The Ghost Trade on September 23. For those blown away by Modern Classics’ This Heat reissues from earlier in 2016, here is the next step.

As detailed by Charles Hayward’s notes for The EP Collection, the music that sets Camberwell Now’s chronology into motion was initially intended for a revived This Heat; this is why Charles Bullen plays bass on “Cutty Sark,” the piece taking shape as part of an intended song cycle on “imperialism, trade, and global exploitation.”

The desire to rekindle This Heat foundered, but Hayward’s aim for cultural commentary was much more successful; “Meridian,” issued in 1983 on the Duplicate label in what seems to be its sole release, stands as one of the stronger instances of socially engaged music to have flown under its decade’s radar. It also sets into motion one of its era’s most distinct entities; by extension, Camberwell Now remain amongst the freshest.

This is in part due to a non-didactic approach avoiding simple sloganeering as it shines a light on the past from the vantage point of the present; Hayward’s opening lines: “I dream of empire, I dream of sailing in ships/ A fortune beneath their decks/ Heavy with cargo, copper and ivory.” Leaning closer to literature than to the protest rally, “Meridian”’s aforementioned tryptic encourages contemplation as middle section “Trade Winds” lacks a lyrical component entirely.

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In rotation: 9/22/16

Record Companies’ U.S. Revenue Up 8.1% in First Half of 2016, A huge jump in music streaming fuels strongest growth in the industry since the CD boom of the late 1990s: The streaming boom easily offset steep, continuing declines in sales of CDs and digital downloads. Revenue from CD sales fell more than 16%, while revenue from digital singles dropped nearly 22%. Vinyl sales fell 6.3% to $207 million on 8.4 million records, though in dollar terms that represented a sizable chunk—about one-third—of the total $632 million in physical music sales.

All Things Must Pass: New Vinyl Sales Sinking: The rebirth or rejuvenation of the vinyl disc has been a blessing for main street music stores, so if the latest figures hold true the push behind Record Store Day is in trouble, and the pay-day for owner-operated music shops is even more so. Which isn’t to say that the format is dead. US-based Discogs reports a whopping 23% increase in vinyl album sales in the first six months of 2016; however, the online retailer doesn’t break down how many of the records purchased are used–which is a big ticket for the Internet store that facilitates transactions between collectors and sellers.

Tunbridge Wells set for only exclusive vinyl shop in west Kent: A Tunbridge Wells music shop is looking to hit the right note and revolutionise the way we buy music. Vinyl Revolution is the brainchild of Simon Parker and Rachel Lowe who will imminently launch their new business pop up record store on Camden Road. The innovative duo spotted a gap in the market for an independent music store which is accessible for all music-lovers. Co-owner, musician and vinyl collector Simon Parker originally had the idea for the online shop and store while working in Oxford and wanted an unpretentious way of selling vinyl to the masses.

Keep on spinning: Caring for your vinyl collection: With the resurgence of vinyl in recent years, record sales are on the rise as music lovers across the world eagerly build their collections. As record lovers embrace vinyl, they also know that it takes more than keeping your record in its sleeve to ensure your growing collection stays in mint condition. Read on as we explore how you can keep your vinyl spinning for years to come.

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TVD Live Shots: Riot Fest Chicago, 9/16

12:52pm: Diarrhea Planet is the perfect Riot Fest welcome. They’re rock, they’re punk, and they’re fun as hell.

1:11pm: I spot my first mohawk of the weekend. It’s tall, purple, and glorious.

1:14pm: There’s a small but diehard crowd for Fu Manchu to start, but by the end of their set the crowd has grown, perhaps as mesmerized by the impressive head-banging as I am.

1:30pm: A little rain, but nothing compared to past years.

1:41pm: A dude selling cheap-ass ponchos for $5 is making bank right now. Mine is less for the rain and more for GWAR’s upcoming set.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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