Why Vinyl’s Boom Is Over, As purists complain about low quality and high prices, vinyl sales taper off; Gillian Welch and David Rawlings cut their own records: Old LPs were cut from analog tapes—that’s why they sound so high quality. But the majority of today’s new and re-issued vinyl albums—around 80% or more, several experts estimate—start from digital files, even lower-quality CDs. These digital files are often loud and harsh-sounding, optimized for ear-buds, not living rooms. So the new vinyl LP is sometimes inferior to what a consumer hears on a CD. “They’re re-issuing [old albums] and not using the original tapes” to save time and money, says Michael Fremer, editor of AnalogPlanet.com and one of America’s leading audio authorities. “They have the tapes. They could take them out and have it done right—by a good engineer. They don’t.”
Pasadena, Whittier bookstores, record sellers are enjoying a Millennial-led resurgence in sales: Young people are leading to the retro trend, experts say. David Sax, who wrote “The Revenge of Analog: Real Things and Why They Matter,” said millennials, who grew up on digital technology, crave products offering a tactile experience. They also might just be bored with looking at screens, Sax said. “For many of them, especially as they get younger, digital technology is not anything new and magical — it is kind of the norm,” Sax said. “Analog is a choice.”
Vinyl makes comeback in suburban Melbourne: Australia will again make vinyl music with the nation’s first modern record press on track to open after a production hiatus of more than 30 years. The new plant is due to start operations in the Melbourne’s northern suburbs early next year and will double as an event space, hosting launches and other musical acts. “We want to make great records, support the Australian music scene and have fun along the way,” Program Records spokesman Steve Lynch said.
Putting The Record Straight: Of all comebacks, none is as sonorous as this. Veteran ‘vinylhead’ Jaydeep Joy aka Jazzy Joe, hums a happy tune as his fingers flip through the scores of records lining the racks at Radio and Gramophone House, New Delhi. And one can imagine long-haired youths from long back dancing to the tune of Aao Twist Kare, as he lays the newly pressed record of Bhoot Bangla on the turntable, placing the needle gently into the groove. Jaydeep is not alone in being enthralled by the scratchy perfection of Long Playing or LP records.