Monthly Archives: February 2022

Graded on a Curve:
Your Academy,
Your Academy

The self-titled first album by Your Academy has been described by its label as “the resurrection of Memphis power pop.” Now, anybody who knows the basics of Memphian music history will recognize that as a statement of boldness bordering on pure chutzpah. However, the label is Black & Wyatt, whose motto is “Always Memphis Rock & Roll,” so it’s a declaration made from a foundation of solid historical knowledge. Listening to the ten songs (plus one bonus track) that comprise the record, it’s clear the label hasn’t oversold the contents. It’s available on 180 gram fluorescent green vinyl and digital now.

Your Academy is Chris Gafford on guitar, bass guitar, and percussion, Adam Hill on guitar, vocals, and percussion, Brandon McGovern on vocals, guitar and piano, Johnny Norris on bass guitar, and Dan Shumake on drums and vocals, with their union initially spurred by Norris’ desire for his band crash into june, who released a pair of CDs in the late 1990s-early 2000s, to play a reunion gig on his birthday in August 2019.

The story is fleshed out in much greater detail on Black & Wyatt’s website (and expanded upon even further on Your Academy’s Bandcamp webpage for the album), but suffice it to say that the lineup above, save for Hill, played that gig, with the show going so swimmingly that recording fresh material commenced. Thusly, Your Academy was born.

They don’t tap into the essence of Memphis power pop by accident, as Gafford and Shumake played on crash into june’s ’99 debut from blind to blue, and are additionally both recent members of Stephen Burns’ enduring power pop outfit The Scruffs (formed in the mid-’70s), while Memphis scene fixture McGovern (Madison Treehouse, solo) has recorded with power pop legend Dwight Twilley.

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In rotation: 2/16/22

Sarasota, FL | Ready to Start—or Expand—Your Record Collection? Here’s Where to Go: Drop the needle and boogie on down to a new record from one of the local stores on our handy list. Ah, vinyl. Despite the incredible technological advances in the way we listen to music, for many a fondness for records remains. We get it: we love the ritual of picking an album, placing it on the record player and dropping the needle. Luckily, for local collectors, record stores abound in our area. Here’s a list to help keep your collection stacked—or, if you’re new to vinyl, introduce you to it for the first time. Rocketstar Records: Rocketstar Records, which opened in 2017, is where record lovers can buy and sell vinyl and CDs from a wide range of genres. From rock ‘n’ roll spanning the ’40s, ‘50s and ’60s, to metal, punk, country, blues and gospel, this store stocsk it all. Just getting started with your collection? Shop owner Peter Anthony stocks new and used turntables. Record prices range depending on rarity, age and condition…

Madison, WI | Sugar Shack Records to close in April: The Atwood Avenue shop is the latest Madison record store to face displacement. After 41 years and six Madison locations, Sugar Shack Records on Atwood Avenue will close its doors for the last time at the end of April. That is if there’s no buyer for the business. We’ll get to that in a minute. Owner Gary John Feest’s decision to close, he says, “wasn’t really mine.” The store’s landlord called Feest last September to say the building, at 2301 Atwood Ave., was for sale. Soon thereafter, realtors appeared in the store, showing prospective buyers around the space to the sounds of Miles Davis and Dave Brubeck. In January, the building owner accepted an offer and told Feest to pack up and move out by April 30. There’s talk of the storefront becoming a wine shop. “I kind of figured it would be coming sooner rather than later,” the soon-to-be-70-year-old Feest says. “I’m kind of resolved, but it’s also bittersweet.”

Chicago, IL | Black-Owned Record Shop On South Side Riding Vinyl’s Resurgence To Worldwide Sales: Perhaps you’ve heard vinyl albums are making a big comeback, even as we stream music on our phones. A couple of African American entrepreneurs are riding vinyl’s renewed popularity to worldwide sales from their small store on Chicago’s South Side. When Cliff Muhammad earned his MBA from the University of Chicago, he did not envision owning a small record store. “My career after business school had been mostly about helping businesses to make money, to get their return on investment,” he said. Cliff, working with multi-national companies, inherited The Record Track, at 87th and Burnham in the South Chicago neighborhood, from his Uncle Wister Adriane, who had died. Uncle Wister had a treasure trove of old vinyl LPs and CDs, and Muhammad planned to get rid of them all. “First thing I tried to do was sell the whole business, and then after trying to sell the whole business, we said we’re selling inventory. Put a big liquidation on the front, and tried to get as much money out as fast as possible…”

Wakefield, UK | Vinyl countdown… Wakefield record shop’s move to make it ‘one of the best in the UK:’ Wakefield’s independent record shop is moving to bigger premises, and owner Alan Nutton is confident it will become one of the best in the UK. Wah Wah Records is bucking the trend when it comes to high street trading, and will move from its small Brook Street premises to Cross Square in the coming months. Taking over the former Wool N Stuff shop, it is a stone’s throw from the current shop. Owner Alan Nutton says there it will double the space he has at the current shop, and will fill it solely with vinyl records. He told the Express: “It’s really exciting, we’ve got a blank canvas to start again. It’s going to be pretty epic for a record shop. “It will be a treasure trove to pull people in from all around. “I’ve never known a record shop that will be this extensive. “Record stores are different now (selling games and phones) but this will be all music. It will be one of the most fantastic in the UK, and I’ve been to many.

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TVD Live Shots: Cali Vibes Festival, 2/5

The Marina Green was the place to be for 3 days of great food, fun, and friendship. Cali Vibes picked up where One Love left off back in 2020, bringing their expertly curated lineup that included reggae, rappers, and rockers alike. The best part? You don’t have just one option when it comes down entertainment or accommodations; there are plenty available like “The VIP Lounge” (for those who want some exclusive access) along with Beach Club, which offers fantastic views while still being close enough so you can enjoy all aspects of the festival without having too far walk from the action.

The festival was a huge hit with fans from all over the world. With more than 75,000 people attending this year’s event and enjoying what turned out to be picture perfect weather here in LBC (Let me show you), it looks like Cali Vibes is on track for becoming the premier Reggae Festival in the US very soon. And based upon how incredibly received its reception has been thus far—especially by those who have traveled long distances, that honor may come sooner than later.

Today’s mission was to try out some of the great food and beverages Cali Vibes had to offer. I headed over to the VIP area to try out what many in the crowd recommended, a killer spicy pizza. Wow! Washing it down with an ice-cold beer was just the ticket to keep me primed and ready for the long day ahead. In addition, there were so many other tasty treats including organics, vegan options, and yes, deep fried everything. I kept my composure and made the pizza the day’s only vice. A boy can dream though, right?

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New Release Section: Nazareth, “Strange Days”

VIA PRESS RELEASE | Frontiers Music Srl is pleased to announce the forthcoming release of legendary Scottish rock band Nazareth’s new studio album, Surviving The Law on April 15, 2022. Today, fans can get their first taste of new music from the band with the release of the single and video “Strange Days.”

It is difficult to sum up in few words the history and influence in the history of rock music that an act like Nazareth has had. Having celebrated their 50th Anniversary in 2018 with the release of their 24th studio album, Tattooed On My Brain, the long-running UK hard rockers will enter their 54th year of existence in 2022 with the release of their 25th studio album, Surviving The Law. The line-up for Surviving The Law is the same as the previous release, consisting of Jimmy Murrison (longest serving guitarist in the band’s history), Lee Agnew (drummer since Darrel Sweet’s death in 1999), Pete Agnew (founding member, on bass) and vocalist Carl Sentance.

Surviving The Law continues the new chapter that started for the band in 2018 with the arrival of vocalist Carl Sentance. In 2014, original singer Dan McCafferty had to leave the band for health reasons and with his blessing, Sentance began fronting Nazareth. Tattooed On My Brain saw Nazareth a rejuvenated band with a hard rocking album that had all the ingredients that make this band so great in the first place. As with Tattooed On My Brain, Surviving The Law was produced by Yann Rouiller at Sub Station in Scotland. The album features songwriting by all band members and continues the trend established with the previous album, showing that 25 albums into their career, the fire of rock ‘n roll still burns as bright as ever at the core of Nazareth.

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UK Artist of the Week: Steven Young

It’s been a little while since we’ve ventured to Scotland for an Artist of The Week, but fear not because the Scots have done it again. The Imagineers’ Steven Young goes it alone with his eclectic new single “Delirious World,” out now.

Channeling the likes of Alex Turner in the Last Shadow Puppets, Steven’s distinctively colloquial vocal is at the forefront throughout. Musically, the song blends elements if indie, blues, and psychedelia creating a sound that is full of sonically alluring twists and turns.

Already known for his creation of cinematic soundscape from his previous outfits, Steven is no stranger to the Scottish circuit and it looks like international support could easily be on the cards if “Delirious World” is anything to go by.

“Delirious World” is in stores now.

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Graded on a Curve:
The Winstons,
Color Him Father

The Washington, DC-based soul/ R&B group The Winstons are frequently remembered today for contributing a vital component to the tool kit of electronic music, specifically a bit of sampled drumming from their song “Amen, Brother” that’s been used so often it’s long been called the “Amen Break.” The original performance is the main impetus for Soul Jazz Records’ new reissue of The Winstons’ 1969 debut album Color Him Father, but a fresh listen to its full contents reveals an interesting and engaging, if stylistically mixed, bag. It’s out on vinyl February 18 with four bonus cuts and a limited bonus one-sided 12-inch holding an extended version of, what else, “Amen, Brother.”

Turning up over 5,000 times on recordings electronic (The Prodigy, Shut Up and Dance, Squarepusher, Aphex Twin), hip-hop (Eric B and Rakim, Dizzee Rascal, N.W.A., Jay-Z, Stetsasonic), turntablist (Roni Size, DJ Shadow), alternative (Primal Scream, Oasis) and pop (David Bowie, Lady Gaga) apparently qualifies “Amen, Brother” as the most sampled release of all time.

Along with closing out the original Color Him Father on Metromedia Records (but not Soul Jazz’s edition, where it’s followed by two of the aforementioned bonuses), it’s the flip-side of the single release of the LP’s title track, which climbed to #7 on the Billboard pop chart in 1969 and was a Grammy winner for Best R&B Song that year, effectively making this reissue more than just “Amen, Brother”-centric.

The original lineup of The Winstons featured Richard Spencer (lead vocals, tenor sax), Gregory C. Coleman (drums), Phil Tolotta (organ, lead vocals), Quincy Mattison (guitar), Ray Maritano (alto sax), and Sonny Peckrol (bass). Along with their respective instruments, Coleman, Mattison, Maritano, and Peckrol all contribute backing vocals, which situates The Winstons as leaning toward the vocal group side of the soul/ R&B spectrum, with their sound being largely built upon finesse and sophistication rather than grit and sweat.

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In rotation: 2/15/22

Long Beach, CA | There’s ‘Vinyl Gold’ On Retro Row: Gary Farley is a man that has a desire to keep vinyl and physical music alive. Farley founded and owns one out of a handful of record stores in Long Beach, California. Farley founded Third Eye Records in 2002 with the intent to “open people’s minds” as their slogan says. Farley started his vinyl journey at a young age as a collector. “I’ve always kind of liked history, where things come from, and the tacked-down nature of books and records has always been a huge part of my life and I get a lot of enjoyment from them,” he says. His idea to open a record came from the epiphany that there are other people like him that have “a collector’s mindset that understands and connect through this form of music.” For Farley, he wants people to be able to come into his store and have that connection that stays with them for years. For some, it may not last that long or not connect at all, but he believes just having the ability to explore the experience is important.

Norwich, UK | ‘Rare albums are at the highest price ever’ – CD revival hits Norwich: First it was vinyl but now a CD revival is alive and kicking in Norwich’s record stores. But forget getting big bucks for Britney Spears – only rare and alternative albums in vogue. It comes after online music marketplace, Discogs, reported a 37pc rise in CD sales during 2020, with the NME confirming earlier this week that the revival was on. But many of Norwich’s record retailers say the revival has been going on for some time perhaps even as long as vinyl. John Naylor of Beatniks in Magdalen Street said the store had seen a steady stream of CD sales since music lovers made the move back to the physical format in the early 2010s. He said: “When downloads and streaming became popular sales for CDs dropped right down.

Winnipeg, CA | A new generation has come to call: When Ray Giguere opened Argy’s Records and Entertainment Shop in 1982, he never expected to see a resurgence in interest for vinyl albums. The vinyl record resurgence has been a boon for Argy’s Records and Entertainment shop at 1604 St. Mary’s Rd. The vinyl record resurgence has been a boon for Argy’s Records and Entertainment shop at 1604 St. Mary’s Rd. However, in 2021, a pandemic year, Giguere had a record year for sales, largely due to the support of the music community. “COVID gave us a reason to slowdown and entertain ourselves with music and TV,” he said. “Why the switch to a new generation?” I asked. “Despite cell phones (and streaming), music lovers’ first choice is vinyl. It’s tangible. You own it. You feel it, from taking the record wrap off the jacket to putting the needle down,” Ray explained. I recall that feeling. There was something grand about the new smell of opening a new LP, sort of like a new car, then hearing the first crackle as the needle carefully landed on the record. It had a sound that that was crisp, clear and flawless.

Wheeling, WV | Molly: Co-Owner, Nail City Records: Molly is a force, we’ll just say that first; she came to the US from Tunisia, speaks three languages, has an IT background, plus co-owns and manages Nail City Record in Wheeling, WV. Nail City is a record store with new and used vinyl, turntables, CD’s, cassettes, vinyl care, and music memorabilia. It’s a place where people of all ages can go to discover music from across every genre, decade, and media style. When Molly isn’t at work, she’s, doing “more work, lol!“. She is also a part time manager at another small business in town, a wine & import shop with a French bakery. She is passionate about wines, enjoys tastings, and is a foodie who loves to cook. “…I just knew how to build and run a business and I followed my passion.”

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TVD Live Shots: Cali Vibes Festival, 2/4

The Marina Green was the place to be for 3 days of great food, fun, and friendship. Cali Vibes picked up where One Love left off back in 2020, bringing their expertly curated lineup that included reggae, rappers, and rockers alike. The best part? You don’t have just one option when it comes down entertainment or accommodations; there are plenty available like “The VIP Lounge” (for those who want some exclusive access) along with Beach Club, which offers fantastic views while still being close enough so you can enjoy all aspects of the festival without having too far walk from the action.

The festival was a huge hit with fans from all over the world. With more than 75,000 people attending this year’s event and enjoying what turned out to be picture perfect weather here in LBC (Let me show you), it looks like Cali Vibes is on track for becoming the premier Reggae Festival in the US very soon. And based upon how incredibly received its reception has been thus far—especially by those who have traveled long distances, that honor may come sooner than later.

This year, the Cali Vibes Festival relocated to beautiful Marina Green instead of its previous home at Shoreline Aquatic Park (adjacent to the Queen Mary). During One Love’s last event in 2020, I told myself that if this festival was ever to grow, it would have to move to a much larger location. Fast forward 2 years and it did just that. The new space was perfect and allowed for everything today’s festival goer would want (and more).

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TVD Radar: Rush, Moving Pictures–40th Anniversary 5LP in stores 4/15

VIA PRESS RELEASE | On April 15th, UMe/Mercury and Anthem Records label groups continue the extensive Rush 40th anniversary album series with new, expanded editions of the band’s groundbreaking 1981 release, Moving Pictures, embodying its well-deserved classic album status. Moving Pictures-40th Anniversary will be available to fans in six distinct configurations, including the (1) Super Deluxe Edition, (2) three-CD Deluxe Edition, (3) five-LP Deluxe Edition, (4) one-LP Edition, (5), Digital Deluxe Edition, and (6) Dolby Atmos Digital Edition and can be pre-ordered and pre-saved, HERE.

Moving Pictures, Rush’s eighth studio album, was originally released on February 12, 1981, and its adventurous yet accessible music catapulted the forward-thinking Canadian band to even newer heights as it began navigating the demands of a new decade. The album’s seven songs expertly blended Rush’s intrinsic prowess for channeling its progressive roots into radio-friendly arrangements, a template the band had mastered to a T all throughout its previous album, 1980’s deservedly lauded Permanent Waves. Moving Pictures was also the second of many Rush recording sessions at Le Studio in Morin-Heights, Quebec, which was ultimately nicknamed the trio’s own personal Abbey Road recording studio.

The album’s lead-off track, “Tom Sawyer,” became one of Rush’s most cherished FM favorites in addition to taking its rightful place as a perpetual concert staple for decades to come. Next, the band shifts into the multi-generational dreamscape of “Red Barchetta,” which chronicles the thrills and chills of a high-stakes backroads car race.

The instrumental barnburner “YYZ,” lovingly named after the airport identification code for Toronto’s Pearson International Airport, runs the gamut of the band’s forever impressive progressive chops in under four minutes flat. Side A closes out with the observational luminescence of “Limelight,” a timeless, if not prescient look at how introverted artists grapple with public demands while trying to maintain a personal level of earned privacy.

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Graded on a Curve: Sammy Johns,
“Chevy Van”

Under our Constitutional form of rock government, every person or persons has the inalienable right to cast a vote for the greatest soft rock song of all time. Seals and Crofts’ “Summer Breeze” is the usual winner. Perpetual also-rans include Christopher Cross’ “Sailing,” England Dan and John Ford Coley’s “I’d Really Love to See You Tonight,” the Eagles’ “Peaceful Easy Feeling,” Bread’s “Baby I’m-a Want You,” and every single song performed by The Carpenters.

Me, my vote goes to Sammy Johns’ 1973 hit “Chevy Van.” Why? Because the song is the epic tale of a heroic seventies archetype, namely the hip dude in the 1971 Chevy Van with an airbrushed pink and blue sunset on its side and plush baby blue carpeting in the back.

Everybody knows Sammy’s type. You can count on him to have the best pot, the coolest 8-track player and best chick magnet facial hair. You love to chill out with him but he’s generally in the wind, a one-man peaceful easy feeling generator. You’ll never catch him on an interstate or in a major metropolitan area. They harsh his buzz. At heart he’s a small town guy.

When it comes to automotive-oriented soft rock songs “Chevy Van” has no equal. Jackson Browne’s “Running on Empty” is too “hard rock” and a bummer to boot. Lobo’s “Me and You and a Dog Named Boo” is a no-brainer because Sammy would never do forced labor for a guy named Old McDonald.

And you can forget about the Eagles’ “Take It Easy,” because despite its archetypal soft rock title, Glenn Frey’s basic message is that the sound of car wheels can be injurious to your mental health. As for America’s “Ventura Highway,” there are no cars in it. Not one. It’s like the “alligator lizards in the air” picked them up and flew off with them, screaming passengers inside.

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In rotation: 2/14/22

Missoula, MT | Local record company holds ‘fire sale’ after fire damages records: A record company in Missoula said they’re turning lemons into gold after the building their storage unit was in caught fire in January, causing water damage to dozens of boxes of records. Ear Candy Music salvaged most of their new vinyl and now they’re holding what they call a ‘fire sale.’ Saving the records was a long process. They had to take the shrink wrap off of each record, separate the jacket from the record and inner sleeve, and air dry them with fans for about a day. They said the records haven’t been played and are essentially brand new, despite varying degrees of water damage to the covers. Some of the records would have been around $300 but now cost less than $100 because of the damage. Owner of Ear Candy Music, John Fleming, said he had the records in storage to save space in the store, but that wasn’t the only reason.

Palmerston North, NZ | Mobile record store comes to Palmerston North: Palmerston North has a dedicated record store again – albeit briefly. A mobile music store, a van jammed with vinyl and CDs, has pulled up in the city for a weekend for a spot of trading and no doubt a few conversations about favourite bands. The city has been without a dedicated record shop for almost a decade. Marbecks devolved into a cafe in 2013, while Mango Music closed in 2010. Herb’s Mobile Record Store is the creation of Benjamin James, the former owner of Evil Genius and Deathray Records in Christchurch. He bought a truck, loaded it with records, and has set off across the North Island. Herb’s is parked up at the corner of Taonui and Cuba streets. It looks like an old green Mitsubishi box truck from the outside. But inside, it’s a record store worthy of Auckland’s K Road or Cuba St in Wellington, with a vibe and atmosphere that is fiercely independent. And the range of music reflects this.

Kernersville, NC | Once nearly obsolete, records see huge increase in sales: As the sound of un-boxing, price punching, sorting and taping rings throughout a small room in downtown Kernersville, Jon Witteveen’s smile reaches to the end of his face. That small symphony might not sound like much to you, but to Witteveen, it’s like music to his ears. No pun intended. “It changed my life,” he said. ‘It’ being music. One specific song to be exact. “In the late 80s, I was introduced to alternative rock and my cousin actually brought a cassette down from Michigan, from a college radio station,” Witteveen said. “She played me a song by the Dead Milkmen.” The music industry hooked him. You can even see it in the way he accessorizes as he sports a pair of sleek glasses.

Golden Valley, MN | Boom in vinyl records goes bust for Minnesota acts facing delays in manufacturing: A rise in demand has stymied acts like the Cactus Blossoms, who hit the road next week without LPs in tow. Minnesota’s favorite recording artists are starting to pay for the resurgence of vinyl. That includes the Cactus Blossoms, who have a new album out Friday and are anxiously returning to the road to promote it after two years of tour postponements from COVID. One more problem, though: Vinyl copies of the record won’t be available from the pressing plant until May. “We hope a lot of our fans still have a CD player in their car,” said Page Burkum, co-leader of the retro-country harmonizers. Delays in vinyl manufacturing are stymieing the music industry worldwide. Pressing plants — many of them antiquated or shut down altogether during the heyday of CDs — have been maxed out due to the renewed popularity of 12-inch LPs.

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TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

The formless matters of the brain / Inequality of the drifting chain / A moment I could learn to love / The salutations to the levels above / We’ll split the difference, call it quits / This is no new romantic blitz-krieg / Pull off the foil and watch it break / A whisper’s crushing all the sympathy gates / A Love to tear you off

For years now, I’ve been writing a paragraph to intro The Idelic Hour. By Fridays I often don’t have much to say. I’ve been reading a bit about “online burnout.” I gather it’s fatigue and stress due to a prolonged use of technology. I Googled the condition and here are some of the symptoms:

1. Can’t get excited about work 2. Stopped putting in the effort 3. Performance is suffering 4. Exhausted 5. Dealing with physical ailments.

Hmmm? By Friday I’m tired, but I think I’m just getting old?

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TVD Radar: Ronnie’s, documentary on iconic London jazz club in theatres, VOD now

VIA PRESS RELEASE | Today, Ronnie’s (Greenwich Entertainment), an acclaimed documentary that chronicles the life and times of saxophonist Ronnie Scott and his world-famous London jazz club, opens in select theaters and on-demand.

Directed by Oliver Murray, the film “offers a multidimensional view of Scott and the nightclub through the perspective of journalists, friends and musicians who knew him” (NY Times). However the “jewels of the documentary” (Houston Press) are the unseen and unheard performances by some of the most iconic figures in musical history—Ella Fitzgerald, Jimi Hendrix, Miles Davis, Nina Simone, Dizzy Gillespie, Thelonious Monk, Chet Baker, Van Morrison, and so many more. Read a new New York Times feature on Ronnie’s that features interviews with director Oliver Murray, longtime club booker Paul Pace, and Sonny Rollins here.

Founded alongside business partner Pete King in 1959, Ronnie Scott’s Jazz Club quickly became the most famous music venue in all of London on the back of its stellar and adventurous bookings and Ronnie Scott’s warm demeanor and generous spirit. From the great and famous who frequented his club, to the many down-at-heel musicians who turned to him for a break, Ronnie Scott became a vital figure in the global music scene. However, Ronnie was as complex and colourful as the music played on his stage. In private he battled depression and a gambling addiction, and when he died in 1996 at age 69, it left the jazz community bereft of a singular figure.

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TVD Radar: Hank Williams, I’m Gonna Sing: The Mother’s Best Gospel Radio Recordings 2CD and 3LP in stores 3/11

VIA PRESS RELEASE | In 1951, Hank Williams was reigning as the king of country music. A popular star of the Grand Ole Opry, he was in the midst of an amazing, if short-lived, stretch of hit songs. That year he had his own 15-minute radio show that was sponsored by Mother’s Best Flour. Broadcast from 7:15–7:30 a.m. on the powerhouse Nashville radio station WSM, this program captured Hank at the apex of his career. Because early-morning programs typically concluded with a hymn, it gave the country music star the chance to share his long-life love for religious songs. I’m Gonna Sing: The Mother’s Best Gospel Radio Recordings contains rare performances of 40 gospel songs culled from these radio shows; many of which he never officially recorded.

On March 11, 2022, BMG is releasing this specially assembled collection as a two-CD digipak and a three-LP triple-gatefold album pressed on 140g vinyl, marking the first time these recordings have been issued on vinyl. Produced by Cheryl Pawelski, the compilation features new liner notes penned by Hank Williams biographer Colin Escott while the recordings were restored and mastered by Michael Graves. This esteemed trio all won Grammys for their earlier work on the Hank Williams archival project, The Garden Spot Programs, 1950.

Gospel music was always part of Hank Williams’ life. He grew up listening to hymns in church, which had a profound impact on him. As Escott elaborates in his liner notes, the spirituals he heard delivered lessons on songwriting to young Hank, and his love of this music stayed with him after he became a musician. In fact, in 1950, he assumed the alter ego Luke the Drifter as an outlet for his religious-themed material.

I’m Gonna Sing reveals the impressive depth of Williams’ gospel music knowledge. The 40 songs, as the liner notes detail, span several centuries. Tracks like “At the Cross” and “I Am Bound for the Promised Land” trace back to the 1700s, while “From Jerusalem to Jericho,” “Lonely Tombs” (later covered by Dylan), and “Softly and Tenderly” (covered by Elvis, Johnny Cash, and Alan Jackson) come from the 19th century. Many selections, however, are more contemporary numbers, from the well-known (“When the Saints Go Marching In” and “I’ll Fly Away”) to the rather obscure (“Something Got Hold of Me”).

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TVD Radar: The Podcast with Evan Toth, Episode 62: Marshall Crenshaw

Marshall Crenshaw bridged an important gap during the end of the twentieth century. His early hits glimpsed into the recent past; recognizing the work of the ’50s and ’60s masters but soldering it onto 1980s pop, thereby creating a sort of vintage-modern hybrid. Crenshaw also portrayed Buddy Holly in the 1987 film, La Bamba which added yet another layer to his aura back then: as if he were saying, “Hey, I’m going to nail this Buddy Holly cover right now, but stick around to hear my original music, too.”

And there was always plenty of fantastic original Crenshaw music to hear: “Someday, Someway,” “There She Goes Again,” and “Cynical Girl” and his co-written super-hit, “Til I Hear it From You” with the Gin Blossoms, a tune that was inescapable on rock radio during the 1990s (and beyond). He was also always writing and working. During the ’90s, Crenshaw forged a partnership with Razor & Tie Records, releasing several albums with the label.

Today, Crenshaw is revisiting those ’90s albums and reissuing them with fresh masterings and bonus tracks—many released on vinyl for the first time. In this episode, Crenshaw and I discuss his 1999 release, #447. Of course, we also talk about his major label days, the process of recording before digital became de rigueur, getting his act back on the road, and we also reminisce about the last time he and I spoke 10 years ago.

So, join us and remind yourself of how lucky we are to have Marshall Crenshaw in our midst. He might take an occasional glance in the rearview mirror, but his eyes are firmly planted on the road ahead.

Evan Toth is a songwriter, professional musician, educator, radio host, avid record collector, and hi-fi aficionado. Toth hosts and produces The Evan Toth Show and TVD Radar on WFDU, 89.1 FM. Follow him at the usual social media places and visit his website.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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