A morning mix of news for the vinyl inclined

In rotation: 2/6/24

CA | Vinyl records outsold (and out-grossed) CDs in Canada again last week: It’s fascinating to read through Luminate’s weekly music consumption stats, especially when it comes to the sales of vinyl vs. CD. Vinyl has been on a tear in Canada since the beginning of the year, selling 43.4% more units than in January 2023. For the month, 127,688 pieces of new vinyl were sold across the country. Compare that to CD sales, which sit at 117,136, a 15.3% decline over the same period last year. And because vinyl is more expensive than CDs (crazy, I know), the revenues it generates are substantially higher. What year is this again? Let’s focus on just last week. Canadians bought 26,023 vinyl albums (+10.3% from the previous week), not counting sales of used records through indie stores and record stores (those are pretty much impossible to track). Meanwhile, 26,701 CDs, just 678 units more and 17.2% more than a week earlier. I’m going to give credit to Green Day for that with the release of their Saviors album.

Oslo, NO | “It was more run by idealism rather than good business sense.” The story of notorious Norwegian record store Helvete. Euronymous quickly built a sense of unity, especially from mid-1991, when, with the help of friends including Stian ‘Occultus’ Johansen (of early Norwegian black metal acts Perdition Hearse, Abhorrent/ Thyabhorrent and briefly Mayhem) and Marius Vold (of Mortem and Thorns), he opened a record store in Oslo. Named Helvete, the Norwegian word for hell, its primary role was as a focal point for the scene, providing a place for those in the scene to hang out in the day and party or sleep during the night. “Øystein told me straight after Dead shot himself, ‘We don’t want to have the house anymore, but I’m thinking to start a shop in Oslo’,” explains Marius. “‘Yes, you should do that, a place where we can hang out’. So he called me again when he started it and said, ‘Come down.’

Danville, IL | Danville’s newest dispensary to sell cannabis with a side of music: Seven Point Danville cannabis dispensary CEO Brad Zerman will take advantage of the vinyl-record upswing when he opens his business this spring. “We’re going to have new and re-released vinyl of all genres throughout the store,” Zerman said. The vinyl will be displayed on the walls adjacent to the cannabis displays. In keeping with the music theme, concert videos will be streamed with music playing throughout the store. Vinyl sales have continued to climb in the last decade and a half. In 2023, American consumers bought more than 49 million vinyl albums, a 14 percent increase from the year before. Zerman said he believes consumers want vinyl because “there’s no comparison between the whole experience.” “There’s no art or special lyrics that bands put on the cover” of CDs and other packaging, he said. Seven Point—named because the leaves of many varieties of cannabis have seven points—will open April 20. “That’s the international pot holiday.”

Winchester, KY | Ale-8-One Releases Popular LoFi Vinyl Featuring Popular ASMR Elements: In collaboration with advertisement and production company Powerfulbeats, Kentucky’s iconic soda brand Ale-8-One launches a unique LoFi vinyl experience. The Vinyl offers a captivating blend of LoFi music coupled with ASMR elements, the ultra-popular sensory audio experience that has taken over social media. Powerfulbeats founder John Power, whose work includes Ale-8-One’s recent musical jingle, played an integral role in bringing the Vinyl to fruition. With an extensive portfolio of big brand creative campaigns, Power delivers an immersive sensory audio experience. Key Features of Ale-8’s double-sided vinyl include a selection of LoFi Beats and a compilation of sounds from the Ale-8-One factory in the ASMR format.

Read More »

Posted in A morning mix of news for the vinyl inclined | Leave a comment

TVD Los Angeles

TVD Live Shots: John 5 with Jared James Nichols and The Atomic Punks at the Observatory OC, 1/26

John 5’s recent show at the Observatory OC in Santa Ana was nothing short of a masterclass in guitar wizardry and captivating showmanship. From the very first notes of “Season of the Witch,” it was clear that the NAMM packed audience was in for a night of electrifying music on what turned out to be a beautiful night here in central Orange County. From top to bottom, John 5 put on an amazing show, leaving no doubt why he is considered one of the most talented guitarists on the planet today. His performances are not to be missed, and this one was one of the best I have seen (bar none) in years.

Opening for John 5 on Friday night was none other than The Atomic Punks, a Southern California based tribute to early Van Halen. Considered to be one of the most authentic tributes to David Lee Roth era VH of all-time, these cats put on a headline type show that brought out the inner rocker in everyone attending. Classics like “Panama,” “So This is Love,” and “Ain’t Talkin’ ‘bout Love” were all sonic perfection coupled with spot-on stage antics that had the crowd wondering if this was actually Van Halen in its prime. My favorite moment of the night was watching Punks guitarist Frankie Lindia crush EVH’s legendary guitar solo “Eruption” in a way that few have ever been able to capture. His recreation of this classic was truly magical and literally brought tears to my eyes.

Next up was another up and coming guitar heavyweight, Jared James Nichols. Good lord, this guy can play. Known for his “pick-less” guitar playing technique, Jared crushed a 12-song opening set that left little to the imagination for the ever growing crowd here at the Observatory. I’ve seen JJN’s live performances before and can honestly say he took this one to a whole new level. Blues infused hits like “Easy Come, Easy Go” and “Skin ‘n Bone” were cooked to perfection and had the crowd screaming for more all night long. But it was Nichols impeccable cover of Alice in Chains’ “Man in the Box” that stood out for me. He took an already classic song and placed his own indelible stamp on it in a way I might have felt impossible. Respect.

Read More »

Posted in TVD Los Angeles | Leave a comment

The TVD Storefront

TVD Radar: Nico,
The Marble Index & Desertshore reissues
in stores 3/29

VIA PRESS RELEASE | Domino announces physical reissues of Nico’s second and third solo albums, 1968’s The Marble Index and 1970’s Desertshore.

Both albums have long been out of print; the reissues will be available on vinyl and CD, featuring audio mastered from the original tapes, on March 29. The Marble Index and Desertshore, both co-produced by Nico’s Velvet Underground bandmate John Cale, heavily influenced the goth rock movement; the iconic music journalist Lester Bangs wrote, “The Marble Index is the greatest piece of ‘avant-garde classical’, ‘serious’ music of the last half of the 20th century so far,” and the New Yorker recently hailed both records as “austere miracles of will and invention.”

Both albums are available again on CD and vinyl after being out of print. The audio has been mastered from the original tapes. The Marble Index Domino Mart Edition features a limited edition 7″ of two tracks, “Roses in the Snow” and “Nibelungen,” that have never been previously released on vinyl. The CD and LP for both albums include previously unreleased photos of Nico by Guy Webster.

1967 was a transformative year for the German artist Nico. After the release of March’s The Velvet Underground & Nico, she departed the group and recorded her first solo effort, Chelsea Girl. She was disappointed by the album, disturbed by the addition of flute in the arrangements, but also perhaps by the feeling that she had not yet expressed her true self in song.

Read More »

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

Graded on a Curve:
The Sensational
Alex Harvey Band,
Next

Remembering Alex Harvey, born on this day in 1935.Ed.

What the fuck is this? Glam hangers-on The Sensational Alex Harvey Band were a uniquely Scottish phenomenon, trainspotting and pronouncing the word “garage” the way Elton John does in his song “Levon.” Which is just another way of saying that hardly anybody in the U.S. of A. outside of Cleveland ever laid ears on ‘em, much less considered ‘em sensational.

And small wonder, because the Sensational Alex Harvey Band were simply too esoteric gonzo in the grand tradition of unapologetic English eccentrics for mass consumption. Pub rock heroes with progressive rock tendencies who weren’t afraid to shamelessly camp it up for the Glitter kids, SAHB liked to keep the punters guessing, as 1973’s Next demonstrates.

On the band’s sophomore LP you get some Mott rock, a faux-snakeskin swamp blues, an esoteric hoodoo jive number called “Vambo Marble Eye,” some straight-up Glam Rock, and a couple of numbers so completely over the top flamboyant they make David Bowie and Gary Glitter look like wallflowers. Fact is I’ve never heard anything like ‘em outside the canons of Jobriath, Meatloaf, and Morrissey.

All of which to say is that Alex Harvey and Company were some twisted people, as their madcap live shows proved. Superhero costumes, props, you name it–these anything goes eclectitions (a word I just made up!) put every bit as much outré energy into their stage act as Alice Cooper or Jethro Tull, and their fanatical UK cult following adored them for it.

The LP opens on a cheesy blues note with piano stomper “Swampsnake”–on which Harvey plays some very ornery harmonica and does some serious over-emoting–before taking a very “whatever were they thinking?” wrong turn with “Gang Bang,” which sounds like your standard Mott the Hoople pub rocker but flunks every known morality test with its chorus “Ain’t nothing like a gang bang/To blow away the blues.”

Read More »

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

Graded on a Curve:
The Legendary
Stardust Cowboy, Paralyzed

Where to begin the saga of The Legendary Stardust Cowboy? Well, outer space—which is where some are convinced he had his beginnings, although let the record reflect that he was born Norman Carl Odam in Lubbock Texas, where he grew up and which he so hated he never went back—is as good as place as any.

Seems back in 1973 some braniac at NASA got the bright idea to rouse the astronauts in space by playing “the Ledge’s” brilliantly awful (and awfully brilliant) “Paralyzed.” Trouble is it left them so discombobulated there was fear they’d lose their minds and set the controls for the sun, which led NASA to promptly put the kibosh on the practice. Any half-assed song can get itself banned in Boston. “Paralyzed” is the only song to ever be banned in space.

And speaking of the Great Out There, everybody’s favorite Space Oddity David Bowie was a fan, and even went so far as to slap a cover of LSD’s “I Took a Trip on a Gemini Spaceship” on 2002’s Heathens. And where do you think Ziggy got that “Stardust”? That’s right. From the bugle-playing maniac with no apparent sense of rhythm and melody and a singing style that can only be described as enthusiastically deranged.

The Legendary Stardust Cowboy has been called a pioneer of the “psychobilly” movement, but let the evidence show that despite his apparent derangement, the artist formerly known as Norman Carl Odam went on to become a productive member of society working as a private contractor for, you guessed it, NASA. Although he still occasionally takes his show on the road, generally with a rotating band of admiring indie notables backing him up under the name the Altamont Boys. The Lonesome Stardust Cowboy is not devoid of a twisted sense of humor.

Read More »

Posted in The TVD Storefront | Leave a comment

A morning mix of news for the vinyl inclined

In rotation: 2/5/24

Toronto, CA | Entertainment brand HMV making comeback through Toys “R” Us locations: A blast from the past is coming to Toys “R” Us Canada. HMV, the entertainment brand that departed the country seven years ago, said this week that it has begun selling merchandise in five of the toy retailer’s Ontario locations. A blast from the past is coming to Toys “R” Us Canada. HMV, the entertainment brand that departed the country seven years ago, said this week that it has begun selling merchandise in five of the toy retailer’s Ontario locations. The rollout will continue across other Toys “R” Us Canada stores this spring, it said. Products for sale in the HMV-branded sections include CDs, DVDs, vinyl, record players and other collector items like T-shirts and books. …David Soberman, a marketing professor at the University of Toronto, said that reviving HMV’s brand this way is “an interesting idea” that takes advantage of current retail trends.

Milwaukee, WI | Bullseye Records will close, reopen under new ownership as Irving Place Records: After nearly 20 years, change is coming to a certain record store at 1627 E. Irving Pl. on the East Side. But don’t worry—the change won’t be too drastic. The venerable Bullseye Records will close its doors on March 31. According to a press release, longtime owner Luke Lavin will “pivot” from the record store game and “go on to a different path which will find him doing some soul-searching and considering new employment.” Enter longtime (and sole) Bullseye employee Terry Hackbarth. With the blessing of Lavin, Hackbarth—along with friend and fellow musician Don Kurth—has bought out Bullseye’s current inventory. Hackbarth and Kurth will reopen the store as Irving Place Records. The pair is aiming for a grand opening on April 20, 2024—Record Store Day. “I mostly look at it as carrying on a Milwaukee tradition,” Hackbarth tells Milwaukee Record.”

Dundas, CA | Popular Dundas record store is closing its doors after 45 years: A gem of a record store in Dundas is closing its doors later this year after almost a half-century in business. Records on Wheels has been a Downtown Dundas favourite for 45 years, located at 34 King Street East since 1979 and serving as a treasure trove for new and used vinyl in a variety of genres. However, shop owner Mike Clasen recently shared news through social media that Records on Wheels will be permanently closing its storefront, with the final date in business set for May 31st. “Thanks to everyone for your continued support over the years,” wrote Clasen in a brief Instagram post. However, it’s not completely the end for Clasen’s career in vinyl sales; he also plans to move to selling records on Facebook and other online platforms beginning this fall, where he’ll surely continue offering new gems and older finds. Ahead of the official closure in May, Records on Wheels plans to have a large inventory sale and discount club. News on that will be shared in the weeks to come.

Starkville, MS | Scott Thomas is keeping music alive: Scooter’s, owned by Scott Thomas, is not just a record store. It’s a dream brought to life. Thomas, known fondly as Scooter, opened the store in 2017. The nickname was an unlikely choice for what would come to be the name of the iconic store, but Thomas has cultivated a space that goes beyond just selling a record. From classic rock to the soundtrack of Wicked, Scooter’s boasts an extensive collection that reflects the diverse tastes of its clientele. Each record tells a story, and Thomas is always eager to share his wealth of knowledge with anyone who walks through the door. For Thomas, it’s all about the music. He always knew that he wanted to own a record store or at the very least be involved in one, but with the popularity of them dwindling and more people turning to CDs or streaming platforms, Thomas just didn’t think that it was feasible. Little did he know that in a decade or two, records would once again be all the rage and he would finally be able to open his dream store.

Read More »

Posted in A morning mix of news for the vinyl inclined | Leave a comment

TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

We hear them sayin’

How you get a rude and a reckless? / Don’t you be so crude and feckless / You been drinking brew for breakfast / Rudie can’t fail (no, no)

We reply

I know that my life make you nervous / But I tell you I can’t live in service / Like the doctor who was born for a purpose / Rudie can’t fail (ok)

I went to the market to realize my soul / What I need I just don’t have (oh no) / First they curse, then they press me ’til I hurt / They say, Rudie can’t fail

First you must cure your temper / Then find a job in a paper / You need someone for a savior / Rudie can’t fail

I’d say thank god it’s Friday, but I missed my TVD deadline. It’s a slightly chilly but clear Saturday morning in the canyon. It’s “Grammy Week,” filled with a number of events and parties. A week of industry schmoozing that really kicks the people who work in the music bizz into gear.

Of course technology (aka streaming) has changed many things, but happily some things remain the same. As I’ve said many times over many years, my journey is about great songs and the cool people I’ve met. If this week has any indication, 2024 will be filled with both of them.

Read More »

Posted in TVD Los Angeles | Leave a comment

TVD Cleveland

TVD Live Shots: Wednesday at the
Grog Shop, 1/28

Despite the January temperatures in Cleveland, it was a steamy night at the Grog Shop, as a sold-out crowd sandwiched together to see alt-country noise band, Wednesday.

The Asheville, NC band—consisting of members Karly Hartzman, Jake Lenderman (a.k.a. MJ Lenderman), Xandy Chelmis, Ethan Baechtold, and Alan Miller—have gained a whole new audience following the release of their awesome, critically-acclaimed, 2023 album, Rat Saw God. They gave the crowd a heavy dose of it, along with an excellent, show-opening cover of Edie Brickell & New Bohemians cover, “Ghost of a Dog,” as well as some previews of tracks from their next album.

The visceral “Bull Believer,” my personal favorite from Rat Saw God, inspired some guttural screams and crowd surfing. They conclude their winter US tour with Brooklyn’s Hotline TNT (who I unfortunately missed) mid-month and immediately head to New Zealand, Australia & Japan through March. Catch them in a smaller venue while you can.

Read More »

Posted in TVD Cleveland | Leave a comment

The TVD Storefront

TVD Radar: Looper, Up
A Tree
25th anniversary reissue in stores 3/22

VIA PRESS RELEASE | Looper (Stuart and Karn David) have shared details of the 25th Anniversary release of their debut album, Up A Tree. Originally released by Sub Pop in 1999, this anniversary edition will include remixes, reworks, new sleeve notes, and alternative artwork. It will be released digitally on March 8th, 2024 and on transparent green vinyl (accompanied by a Flexi Disc) and double CD on March 22, 2024 in US/CA. Pre-order it HERE.

Up A Tree was completed while Stuart was still working with Belle & Sebastian which he co-founded in 1995. “I wanted to expand on the spoken word style I’d discovered on ‘A Century of Elvis’ and ‘Spaceboy Dream’,” he says, “and technology had just reached a point where I thought it might be possible to make an album entirely on the PC.”

Up A Tree brought Looper instant acclaim (including an 8.1 review in Pitchfork, who credited the album with originating a new genre they dubbed Folk-Hop). It reached #21 on the UK Independent Album chart, #79 on the Scottish Albums Chart and brought in fans such as Ben Folds who recently called Up A Tree “… a gift of a record,” going on to say, “Looper was in my Walkman headphones on a few memorable tours. I just left the CD, Up A Tree, in the player and watched the scenery go by as we traveled. Both burned into my head.”

The 25th Anniversary release launches with a new remix of “Columbo’s Car,” the Peugeot 403 Mix (and yes, that’s the model of Columbo’s infamous car).

The vinyl edition of Up A Tree comes with a Flexi Disc of “Brilliant Paper,” an unreleased track by Looper in collaboration with the visual artist and Life Without Buildings singer, Sue Tompkins, recorded in Glasgow at the turn of the millennium. The double CD includes a remix by Pulp (credited as The Chocolate layers), as well as reimagined instrumentals and acoustic versions by the band themselves.

Read More »

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

Graded on a Curve:
War,
Greatest Hits

Thanks to Long Beach, California’s War we can all—no matter our race, color, creed, or sexual orientation—be instant Chicanos: just add “Low Rider.” I was a pasty-faced kid growing up in the sticks, but when “Low Rider” came on the dashboard FM my dad’s decommissioned gas company truck was instantly transformed into a flamingo pink 1964 Chevrolet Impala with wire-spoke wheels, whitewall tires, and a bitchin’ hydraulic system perfect for slow-bucking my way down the nighttime streets of the imaginary barrio that was my whiter than Wonder Bread-with-the-edges-cut-off hometown.

With their hardcore funk grooves, which they spiced up with liberal dollops of rock, jazz, Latin, rhythm and blues, and reggae, the multi-ethnic lineup of War created a sound that has been labeled “progressive soul.” Here’s keyboardist/vocalist Leroy “Lonnie” Jordan on the band’s sound: “It was all one big salad bowl. That’s one of the reasons why Jerry (Goldstein, the band’s producer) didn’t know what to do with us. We didn’t even understand what we were doing…” Well, maybe they didn’t, but confusion has rarely sounded so good—War offered a giddy-making and exotic addition to the, er, very pale soundtrack of my teen years. I may have dug Elton John’s “Grow Some Funk of Your Own,” but thanks to War I didn’t have to—they may have been sending out missives from a world I couldn’t even begin to understand, but the envelopes they were in were funkadelic.

War got their start with mad dog and Englishman Eric Burdon, the former lead singer of The Animals, with whom they released two 1970 albums and scored a hit with “Spill the Wine.” But Burdon was gone that same year and you won’t find any Burdon-era music on 1976’s Greatest Hits. Rather, it collects songs from their pair of 1971 releases, War and the far more successful All Day Music, 1972’s wildly successful The World Is a Ghetto (Billboard magazine’s Album of the Year as the best-selling album of 1973!), 1973’s Deliver the Word, and 1975’s Why Can’t We be Friends?

Read More »

Posted in The TVD Storefront | Leave a comment

A morning mix of news for the vinyl inclined

In rotation: 2/2/24

Boise, ID | Historical music shop records Idaho’s music history: A shop with quite a lot of music history in the Treasure Valley is turning the tables and helping to document the region’s musical history. The Record Exchange, which opened 43 years ago in Boise, is partnering with Boise State University to create an archive of not only the shop’s history but the Idaho music scene. Musicians who have or had ties to the state are being sought in the effort to archive local history. According to a release from BSU, the project was initiated by Special Collections and Archives at Albertson Library and Cora Lee Oxley, a former employee of The Record Exchange and BSU humanities and cultural studies student. The partnership “aims to highlight and preserve a local music history through the lens of The Record Exchange, which was founded in 1977 and has worked to champion and support Boise and Idaho musicians.”

Los Angeles, CA | In West Adams, High-Fidelity Record Store Serves The Historic Jazz Community: High-Fidelity Records is nestled next to shops and business in a changing area of West Adams, an unexpected sight as you walk or drive by. But when you step in, take in the music in the record shop and meet the owners, you understand why it belongs in this neighborhood. “A lot of the artists and musicians found homes in these areas, West Adams, a little further south, Baldwin Hills. And they’ve become historic neighborhoods for music and musicians,” Ray Limon, co-owner of High-Fidelity, says. Just down the street there’s the headquarters of indie label Delicious Vinyl (and Delicious Pizza) that’s been around for over three decades. West Adams had a popping club scene, attracting musicians from all over the country as the jazz movement swelled from 1920s to the 1950s. Hollywood stars like Hattie McDaniel lived in this area, as racist housing covenants denied people of color from buying and renting in certain neighborhoods.

Amherst, NS | ‘He would have been really proud’: N.S. record store closing soon: Every Saturday morning for the past three years, Brendan Cooney has opened up his downtown Amherst, N.S., record store, but those Saturdays are numbered. The owner of East Coast Records is closing his store in March. A career opportunity has come up that Cooney just can’t pass up and juggling two careers is too much to handle. “The store was always supposed to be a hobby. It was supposed to be just a cool place to hang out and build a community. It’s hard to do that when you’re working full time as well,” said Cooney. …Owning a record store was always a dream for him, so in the fall of 2021 he opened the brick and mortar shop on Havelock Street. “Since I was a kid, my dad got me into vinyl. He was a huge audiophile,” said Cooney. “The first thing I ever listened to was Rush, “2112.” It kind of spiraled from there.”

Shepherds Bush, UK | Shepherds Bush DJ moves soundsystem night to Goldhawk Road pub: A Shepherds Bush DJ is moving his popular soundsystem night to Goldhawk Road. Dan Green – who DJs under the name Daddy Long Legs – is moving his vinyl-only ‘Top Banana’ soundsystem night to O’Donoghues Pub at 174 Goldhawk Road, Shepherds Bush, on Friday (2 February). It follows five years of spinning tunes at the nearby Pocketwatch Pub in Uxbridge Road before the pub recently shut. Dan said: “After five years at the Pocketwatch watching the nights really take off, it’s exciting to move to a bigger venue.” As always, Friday’s party is free and is the start of a twice-monthly night specialising in vintage reggae, soul and funk records played on his custom-made soundsystem. The next night will be Friday 9 February. Doors open at 8pm. When not playing out, Dan also hosts a weekly Saturday radio show on Shepherds Bush-based station HOT 96 from noon to 2pm.

Read More »

Posted in A morning mix of news for the vinyl inclined | Leave a comment

TVD Los Angeles

TVD Live Shots:
Metal Allegiance with Dieth, Held Hostage,
and Quor at the House
of Blues, 1/25

Metal Allegiance, the star-studded supergroup featuring metal heavyweights such as David Ellefson, Alex Skolnick, Mike Portnoy, and Mark Menghi, delivered a seismic performance at the Anaheim House of Blues on January 25. The band, known for its exceptional fusion of thrash, groove, and traditional heavy metal, crushed a 19-song set that torched a packed house deep in the heart of Orange County. This was by far the best show during the 2024 NAMM week and far exceeded expectations from both new and established fans alike.

The Metal Allegiance project (celebrating its landmark 10th Anniversary) stands as a testament to the enduring impact and influence of an amazing group of legendary musicians. With members hailing from iconic bands such as Megadeth, Testament, Dream Theater, Exodus and more, Metal Allegiance represents a convergence of immense talent, experience, and passion for metal music. This amalgamation of virtuosic musicianship and diverse influences infuses their live shows with an unparalleled dynamism and raw energy.

Thursday’s show kicked off with an electrifying performance by the San Diego-based band Quor. Despite being unfamiliar with their music, I was blown away by their captivating opening set, setting the stage for what was to come. Held Hostage then took the spotlight, delivering a scorching set that ignited the House of Blues. Prior to Metal Allegiance taking the stage for their 10th anniversary show, the supergroup Dieth, featuring vocalist Guilherme Miranda, drummer Michał Łysejko, bassist David Ellefson, and guest guitarist Jadran Gonzalez, delivered an awe-inspiring performance, seamlessly leading into the main event.

As the concert unfolded at the Anaheim House of Blues, Metal Allegiance wasted no time in igniting the stage with their explosive presence. The crowd was immediately engulfed in a sonic maelstrom as the band launched into their setlist with unrelenting force with “The Accuser.” Alex Skolnick and Andreas Kisser’s scorching guitar solos, coupled with Mark Menghi’s thunderous bass lines and Mike Portnoy’s drumming mastery, formed a formidable sonic foundation that reverberated throughout the venue.

Read More »

Posted in TVD Los Angeles | Leave a comment

The TVD Storefront

TVD Radar: Dave Grusin, Murder by Death OST first-ever vinyl release in stores 3/22

VIA PRESS RELEASE | Varèse Sarabande and Craft Recordings are excited to announce the first-ever vinyl release for Dave Grusin’s score to Neil Simon’s whodunit comedy Murder by Death.

The original 22-track program will be released on a Translucent Clear pressing, its jacket featuring artwork by iconic cartoonist Charles Addams, sourced from the artist’s original illustration. Set for release on March 22nd, and available for pre-order now, the album will also be available in a Varèse Sarabande Vinyl Club variant (pressed on Diamond Yellow marble vinyl and limited to 500 copies) exclusively at VareseSarabande.com.

Murder by Death (1976) was legendary playwright Neil Simon’s send-up of the murder mystery genre, with take-offs of famous detectives invited to undertake an archetypal country-mansion whodunit. The all-star cast of the film includes Alec Guinness, David Niven, Peter Sellers, Maggie Smith, Peter Falk, and Truman Capote, playing parodies of well-known fictional sleuths, including Hercule Poirot, Miss Marple, Charlie Chan, Nick and Nora Charles, and Sam Spade.

The film revolves around a group of five renowned detectives, each accompanied by a relative or associate, being invited to “dinner and a murder” by the mysterious Lionel Twain. Having lured his guests to his mansion, he presses a button which seals off the house and announces that he is the greatest criminologist in the world. To prove his claim, he challenges the guests to solve a murder that will occur at midnight; and promises a reward of one million dollars to the winner.

Read More »

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

Graded on a Curve:
X,
Los Angeles

Celebrating Exene Cervenka, born on this day in 1956.Ed.

When it comes to LA punk, nobody played it with such urgency and fuck-you desperation as X. Everybody on the LA punk scene may have been a nihilist, but only X could open a vein and let you see how it felt to bleed, and show you how Hollywood was, in one famous guy’s immortal words, “a tour through a sewer in a glass-bottomed boat.”

Exene Cervenka’s great punk poetry and wild cat yowl, which meshed in a wonderfully off-kilter way with John Doe’s deep pipes, Billy Zoom’s hyperactive rockabilly guitar, and D.J. Bonebrake’s pounding rhythms all contributed to make X the first LA punk band to make a reputation for itself on both coasts. They were smarter, and seemingly more personal, than their LA compatriots. Black Flag dealt in satire, as did Fear, but X gave you the impression that they weren’t joking around, and were really on the down and outs: “We’re desperate,” they sang, “Get used to it.” Only Darby Crash, who burned himself down like a mad farmer might his own cornfield, could even come close.

They were pissed and not just at society; “The Phone’s Off the Hook, but You’re Not” is strictly personal, as is “The World’s a Mess, It’s in My Kiss.” And thanks to the production and contributions on organ of ex-Doors keyboardist Ray Manzarek, they even had a wider palate than their cohorts on the scene, at least on their debut 1980 LP, the great Los Angeles—a title that let everybody else know X was putting dibs on the city of motels, money, murder, and madness, to quote the Lizard King who once ruled the Hollywood scene.

Los Angeles is frequently an ugly album, coupling as it does unremittingly catchy melodies with lyrics that unflinchingly explore the dark underbelly of the City of Damned Angels. With the exception of their wonderfully speeded-up take on The Doors’ “Soul Kitchen,” on which Cervenka and Doe sing in demented synch, and “The Unheard Music,” a screed about the radio punk blacklist (“Some smooth chords on the car radio/No hard chords on the radio”), Los Angeles is a non-stop sleazefest.

Read More »

Posted in The TVD Storefront | Leave a comment

The TVD Storefront

TVD Radar: A Day to Remember, Homesick 15th anniversary 2LP reissues in stores 7/19

VIA PRESS RELEASE | Craft Recordings celebrates the 15th anniversary of A Day to Remember’s best-selling third album, Homesick, with a bonus-filled vinyl reissue.

The 2-LP set pairs the original album (which includes such hits as “The Downfall of Us All,” “Have Faith in Me,” and “If It Means a Lot to You”) with nine live tracks from the era—all captured in Switzerland in 2009—plus acoustic recordings of “Homesick” and “Another Song About the Weekend.” Arriving July 19 and available for pre-order, this special anniversary edition of Homesick can also be found in a variety of exclusive, colored variants, including those at the A Day to Remember store (Clear with Blue and Red Marble with 3-D jacket and Clear with Green, Purple and Blue Splatter with O-card and poster), Urban Outfitters (Translucent Grape), Revolver (Translucent Sea Blue) and Craft Recordings (Purple Smoke).

Hailing from Ocala, FL, A Day to Remember (ADTR) was formed in 2003 and currently consists of Jeremy McKinnon (lead vocals), Neil Westfall (guitars), Kevin Skaff (guitars), and Alex Shelnutt (drums). The band blended their passions for metal, pop-punk, emo, and hardcore to create a dynamic, genre-bending new style. The hardworking young band released an EP and a full-length debut (2005’s And Their Name Was Treason), eventually selling tens of thousands of copies through grassroots efforts.

After the release of 2007’s For Those Who Have Heart, the band saw their profile rise exponentially, thanks to non-stop shows across the US and UK, including spots on the 2008 Vans Warped Tour and Easycore Tour, plus high-profile appearances at the Bamboozle and Download festivals. Their third studio album, Homesick, was written during this period and found the band documenting the highs and lows of life on the road while coming to terms with their growing fame.

Read More »

Posted in The TVD Storefront | Leave a comment
  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


  • Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text
  • Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text Alternative Text